Böcker utgivna av Boydell & Brewer Ltd

Collection of letters and texts offering guidance for nuns, and including selections from Abelard's letters to Heloise.

Late eleventh-century spiritual counsel for a woman recluse, anticipating medieval advice literature for anchoresses.

Relations between town and crown in late medieval England examined through two of its most important towns, Bristol and York.

A study of the debate over the control of civic charities during the era of municipal reform.

Germany and the Soviet Union concluded the treaty of Rapallo together within five years of their defeat in the First World War. The resulting fear of Soviet-German co-operation cast a long shadow over British foreign policy; thisbook traces its influence.The treaty of Rapallo, concluded in 1922 between Germany and the Soviet Union, the two vanquished powers of the Great War, ranks high among the diplomatic coups de surprise of the twentieth century. Its real importance, however, lies in the repercussions of the alliance on the subsequent policies of the two victorious powers, Britain and France. This study examines the impact of Rapallo on British foreign policy between 1922 and 1934, when the German-Soviet relationship had virtually ended. The "e;ghost of Rapallo"e; is the central theme of this story, as ever since the treaty's conclusion Rapallo has been a byword for Soviet-German secret and potentially dangerous collaboration. This book describes how the British viewed the Rapallo co-operation, how they dealt with this special relationship, and how the lingering memory of Rapallo affected British policy for decades to come. While examining a particular aspect of international relations it throws additional light on broader topics of European relations in the 1920s and early 1930s. Dr STEPHANIE SALZMANN completed her PhD at Trinity Hall, Cambridge.

A new investigation of James I and VI's policy in the troubled Border region between England and Scotland.

A comprehensive survey of German literary writers' political writing and involvement since 1945.

Presents fifteen new German-language novelists and a close reading of an exemplary work of each for academics and the general reader alike.After the international success in the 1990s of authors such as Bernhard Schlink, Marcel Beyer, and Thomas Brussig, an impressive number of new German-language novelists are making a significant impact. Some, like Karen Duve, Daniel Kehlmann, and Sasa Stanisic, have achieved international recognition; some, like Julia Franck, have won major prizes; others, like Clemens Meyer, Alina Bronsky, and Ilja Trojanow, are truly "e;emerging authors"e; who have begun toattract attention. Between them they represent a range of literatures in German, from women's writing to minority writing (from Turkish immigrants and Eastern Europe), to "e;pop literature"e; and perspectives on the former GDR and onGermany's Nazi past. This volume devotes individual essays to fifteen such writers, examining in detail a major work of each. Translated excerpts from works by Vladimir Vertlib and Clemens Meyer round out the book, which willbe of interest not only to academics and students of English and Comparative Literature in the UK, the US, and beyond, but also to the general reader, for whom titles of texts and quotations are translated. Contributors: Lyn Marven, Stuart Taberner, Anke S. Biendarra, Stephen Brockmann, Rebecca Braun, Frauke Matthes, Brigid Haines, Julian Preece, Emily Jeremiah, Valerie Heffernan, Barbara Mennel, Heike Bartel, Kate Roy, Andrew Plowman, Sonja E.Klocke, Jamie Lee Searle, Katy Derbyshire. Lyn Marven is a Lecturer in German at the University of Liverpool. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds.

Views adaptations as a way in which Germany seeks to come to terms with its past.

The first anthology of critical interpretations of major Canadian short stories.

An examination of the past half-century's critical reassessments of one of the most-studied American poets.

Luis Bunuel was one of the great film-makers of the twentieth century. Gwynne Edwards analyses his work in the context of Bunuel's personal obsessions - sex, bourgeois values and religion.

Lancelot is the central romance of the Vulgate Cycle, in which the chivalric elements in Arthur's court come to the fore. These chivalric elements contain the seeds of Arthur's destruction and the dissolution of the Round Table, as Lancelot's love for Guinevere undermines his bond to Arthur; the tension between love, prowess and loyalty is the undercurrent of the long romance which describes the exploits which he performs in her service. It also includes many stories which are chivalric adventures largely unrelated to the main theme, and uses the device of interweaving these stories to form a huge stream of narrative. This series of episodic pictures leads ultimately to thebirth of Lancelot's son Galahad, who is destined to become the hero of the Grail. Parts five and six of Lancelot move nearer to the beginning of the Grail quest; Lancelot comes to the Grail castle, and is deceived intosleeping with Elaine, thinking that she is Guinevere; Galahad is born of their union. Arthur's wars with Rome are retold from the original chronicle versions, and Lancelot plays a major part in the king's victory. Lancelot is deceived again when Elaine comes to Arthur's court, and when Guinevere realises that he has slept with Elaine; she banishes him from court, and he goes mad with grief. The romance ends with Lancelot's return to sanity and the arrivalof Galahad at court. For a full description of the Vulgate Cycle see the blurb for the complete set.

New essays examining the complex period of rich artistic ferment that was German literary Expressionism.

Edited version of the 1837 journal of American musician Lowell Mason written while traveling through Europe.

An updated edition of this classic study of travelling in the middle ages, demonstrating that our ancestors moved about far more than one might expect.

Sixteen new, carefully focused essays on the prose works of one of the great writers of modernity.

Bertrand Du Guesclin was one of the great heroes of medieval France. His engaging, adventurous life story embodies all the drama and excitement of the Hundred Years War.

The original version of one of the greatest and most potent of medieval legends.Chretien de Troyes' Perceval is the most important single Arthurian romance. It contains the very first mention of the mysterious grail, later to become the Holy Grail and the focal point of the spiritual quest of the knights of Arthur's court. Chretien left the poem unfinished, but the extraordinary and intriguing theme of the Grail was too good to leave, and other poets continued and eventually completed it. This is the only English translation to include selections from the three continuations and from the work of Gerbert de Montreuil, making the romance a coherent whole, and following through Chretien's essential theme of the making of a knight, in both worldlyand spiritual terms. It is thus the most complete account available in English of the essential Arthurian romance, the origin of the Grail legend.

A first-hand view of life in medieval France, as seen through the eyes of an elderly man instructing his young wife.

The definitive reference book on Ireland's cultural and religious heritage.

Evelyn was at the centre of English social and political life in the17c, friend of Charles II, member of Royal Society.

`A study of both Tudor Anglo-Irish relations and the 16th century, Morgan's work is first rate, thoughtful, well-researched and subtle.' ARCHIVES

The aims and personality of the second duke are illuminated, and the development of the Burgundian state during his ducal reign (1404-1419) charted. His supposed 'infernal pact' with the English and his assassination are examined;his activities in France are studied, as he exploited French resources for the benefit of Burgundy.

One of the classic "Companion Guides", this is devoted to the English counties of Kent and Sussex. Each volume in the series aims to provide a comprehensive travel companion in the person of the author, who knows intimately the places and people of which he or she writes.

A detailed and passionate argument suggesting that Beowulf originated in the pre-Viking kingdom of 8th-century East Anglia.

The role and characteristics of armed force at sea in western Europe and the Mediterranean prior to 1650.

The cataclysmic conquests of the eleventh century are here set together for the first time.Eleventh-century England suffered two devastating conquests, each bringing the rule of a foreign king and the imposition of a new regime. Yet only the second event, the Norman Conquest of 1066, has been credited with the impact and influence of a permanent transformation. Half a century earlier, the Danish conquest of 1016 had nonetheless marked the painful culmination of decades of raiding and invasion - and more importantly, of centuries of England's conflict and cooperation with the Scandinavian world - and the Normans themselves were a part of that world. Without 1016, the conquest of 1066 could never have happened as it did: and yet disciplinary fragmentation in the study of eleventh-century England has ensured that a gulf separates the conquests in modern scholarship. The essays in this volume offer multidisciplinary perspectives on a century of conquest: in politics, law, governance, and religion; in art, literature, economics, and culture; and in the lives and experiences of peoples in a changing, febrile, and hybrid society. Crucially, it moves beyond an insular perspective, placing England within its British, Scandinavian, and European contexts; and in reaching across conquests connects the tenth century and earlier with the twelfth century and beyond, seeing the continuities in England's Anglo-Saxon, Danish, Norman, and Angevin elite cultureand rulership. The chapters break new ground in the documentary evidence and give fresh insights into the whole historical landscape, whilst fully engaging with the importance, influence, and effects of England's eleventh-centuryconquests, both separately and together. LAURA ASHE is Professor of English Literature and Fellow and Tutor in English, Worcester College, Oxford; EMILY JOAN WARD is Moses and Mary Finley Research Fellow, Darwin College, Cambridge. Contributors: Timothy Bolton, Stephanie Mooers Christelow, Julia Crick, Sarah Foot, John Gillingham, Charles Insley, Catherine Karkov, Lois Lane, Benjamin Savill, Peter Sigurdson Lunga, Niels Lund, Rory Naismith, Bruce O'Brien, Rebecca Thomas, Elizabeth M. Tyler, Elisabeth van Houts, Emily Joan Ward.

Weighs the value of Germanophone culture, and its study, in an age of globalization, transnationalism, and academic change.The study of German-language culture has been rapidly diversifying to express the vibrant multiplicity of what it is now possible to research, and teach, under the rubric of "e;German Studies."e; Responding to these developments, German in the World explores what happens when the geographic, linguistic, and temporal boundaries that have traditionally been used to define German-language culture are questioned, and are placed alongside more global perspectives. Chapters consider the transformation of the German-language cultural canon through its engagement with the world, trace the value of German Studies as an interdisciplinary subject practiced across different global locations, and investigate the impact of both on the work of organizations and practitioners entirely beyond the academy. In questioning where German-language culture can be found across these different "e;worlds,"e; German in the Worldthus uncovers the continued value of German Studies as a field of critical cultural discourse within a globalized public sphere, placing that culture at the heart of debates on Transnational and World Literature. Ultimately, thecontributions to this innovative volume demonstrate how attempts to locate German Studies in its wider geographic and social contexts result not in a discipline undone, but in a discipline reinvigorated and transformed.Contributors: Sai Bhatawadekar, Tobias Boes, Dirk Gottsche, James Hodkinson, Carlotta von Maltzan, Frauke Matthes, Ben Morgan, John K. Noyes, Emily Oliver, Kate Rigby, Benedict Schofield, Uwe Schutte, Carol Tully. James Hodkinson is Reader in German at Warwick University. Benedict Schofield is Reader in German at King's College London.

A pioneering study of how American composer Aaron Copland helped shape the sound of the Hollywood film industry and introduced the moviegoing public to modern musical styles.