Böcker utgivna av British Museum Press

In the hands of artists and poets, books have been taking a radically different form since the advent of the artist¿s book in Paris in the early 20th century. Appearing in a variety of shapes and sizes, as one-offs or small print editions, books offer artists and poets a novel form of expression. In the words of Indian artist Nalini Malani (b. 1946), the book is `a carrier of experience¿, in which whole worlds are encapsulated. In this beautifully produced book, works made by artists from New York to Damascus and beyond highlight the relationship between artists and writers and the influences that inform their work, from family to politics and everything in between. Lebanese artist Abed Al Kadiri (b. 1984) conceived his book during the first month of the pandemic to explore his family history, while through the eyes of Iraqi artist Kareem Risan (b. 1960) we see the shocking aftermath of a deadly explosion on the streets of Baghdad in 2005. These artists also find inspiration in classical poetry and literature. Here you will see works that respond to and that are informed by the medieval Persian poetry of Jalal al-Din Rumi and Hafez, as well as the tales of The Arabian Nights.

'Handsomely illustrated' - Nineteenth-Century Art Worldwide 'The book is a resounding success... a valuable guide to laypeople, students and scholars on the late Qing for years to come.' - SEHEPUNKTE 'The exhibition catalogue's seven essays...are a guide to [a] re-reading of the past, threading the relics on display into a rich tapestry of what life entailed under the last century of Manchu reign.' - Rhoda Kwan, The Mekong Review Cultural creativity in China between 1796 and 1912 demonstrated extraordinary resilience at a time of intense external and internal warfare and socioeconomic turmoil. Innovation can be seen in material culture (including print, painting, calligraphy, textiles, fashion, jewellery, ceramics, lacquer, glass, arms and armour, silver, and photography) during a century in which China's art, literature, crafts and technology faced unprecedented exposure to global influences. 1796 - the official end of the reign of the Qianlong emperor - is viewed as the close of the 'high Qing' and the start of a period of protracted crisis. In 1912, the last emperor, Puyi, abdicated after the revolution of 1911, bringing to an end some 2,000 years of dynastic rule and making way for the republic. Until recently the 19th century in China has been often defined - and dismissed - as an era of cultural decline. Built on new research from a four-year project supported by the Arts and Humanities Research Council and with chapter contributions by international scholars from leading institutions, this beautifully illustrated, 336-page book edited by Jessica Harrison-Hall and Julia Lovell sets out a fresh understanding of this important era. It presents a stunning array of objects and artworks to create a detailed visual account of responses to war, technology, urbanisation, political transformations and external influences.

An eye-opening publication that contrasts perceptions of luxury - together with its positive and negative connotations - in imperial Persia, democratic Athens and the Hellenistic world between 600 and 200 BCE.

A ground-breaking publication providing new insights into Katsushika Hokusai, one of the world's most celebrated artists with authors from the UK, Europe, Japan and USA engaging with the oeuvre of late Hokusai from a variety of perspectives, both intrinsic and extrinsic to his life and works.

This volume presents a new translation and analysis of the Hay manuscripts: an assemblage of seven leather sheets bearing Coptic 'magical' texts produced in the 8th/9th century AD. They contain a handbook, known as the 'Hay cookbook', and other formularies for protection, healing and cursing, some with an especially aggressive sexual character.

The art of Edvard Munch is striking for the originality and universality of its themes, which cross moments in place and time. Yet he was very much an artist of the 19th century, and the focus of this book is to show how especially in his prints and photographs Munch was enabled by technical advances to create an entirely new visual language.

This book explores how models of non-European watercrafts - specifically those from the Indian Ocean - commonly found in museum collections in the UK and throughout the world can help us to understand traditional boats and boat-building practices, some of which no longer exist.

The ancient Greeks perceived the human body as an object of sensory delight and its depiction as the expression of an intelligent mind. This photographic book explores ancient Greek sculptures of the body from the various angles.

This book presents images and discussion of 20 English coin hoards, ranging in date from the 730s to the 1090s.

An exciting, wide-ranging exploration of the power and diversity of female figures of worship in world cultures and belief systems, from the ancient world to today.

Using extraordinary Indigenous Australian art and artifacts preserved in museums across Great Britain and Ireland, the authors present a global history that entwines ancestral pasts with epochs of empire and colony leading to the contemporary moment.

Landmark publication of a major new discovery of over 100 drawings by foremost Japanese artist Katsushika Hokusai. Acquired by the British Museum in 2020, these previously unpublished drawings had been forgotten for over 70 years.

Brand new research on the place where Buddha attained enlightenment: the temple site of Bodhgaya in eastern India.

Examines how European and Asian ceramics in the domestic sphere challenged convention and tackled socio-political issues.

This is a perfect companion for visitors who want to savour the highlights of the collection.

A charming and original illustrated story for children, following the adventures of the world's most famous chessmen r ead by David Attenborough

A timely study of an important, but often overlooked collector of early Melanesian objects and a pioneering anthropologist of his time, providing important contextual material for many of the objects collected by Codrington now in the British Museum, The Pitt Rivers Museum and the Museum of Archaeology and Anthropology, Cambridge.

First complete publication of one of the most important Iron Age sites in Europe at Snettisham, Norfolk. It will be essential reading for anyone with an interest in Iron Age culture

An innovative approach to the study of an under-appreciated topic of the place of art in ancient religion and will be essential reading for researchers and students of the material and religious cultures of late antiquity across Eurasia.

A new title in the British Museum¿s Object in Focus series, concentrating on a fascinating mammoth ivory model depicting a Siberian summer festival.

A catalogue of the unique collection of modern and contemporary prints and drawings of film critic and author Alexander Walker (1930¿2003).

The book discusses and catalogues Charles Masson's 1833-8 collections from the urban site of Begram and Kabul bazaar now in the British Museum, supplemented by illustrated coins recorded in Masson's archival manuscripts and in H.H. Wilson, but no longer in the collection.

From AD 500-1000, the Indian Ocean emerged as a global commercial centre, and by around 750-800 a sophisticated trade network had been established. However, the Indian Ocean's commercial system has been understudied. This book documents the unique significance of ceramic finds as an indicator of long-term changes in the scale of maritime exchange

The coinage of the Kushan kings (1st to 4th centuries) and of their immediate successors the Sasanian Kushanshahs (3rd 4th centuries) and the Kidarite Hun Kushanshahs (4th 5th centuries) are a key component of our understanding of the history of ancient Afghanistan, Pakistan, northern India, Tajikistan and Uzbekistan during the early centuries AD.

Establishing the collection of Islamic artefacts at the British Museum is explored as a rewarding and challenging process in this enlightening look at the journey towards setting up a new museum.

A landmark publication¿beautifully illustrated with over 300 prints from the British Museum¿s renowned collection¿which traces the history of printmaking from its earliest days until the arrival of photography.