Böcker utgivna av Cambria Press

This book is an intellectual and cultural history about one of the most striking phenomena in all of nineteenth-century culture-namely, the interaction of nationalism and music. Nearly all the nation-building movements that swept across Europe in that century found some of their most influential and lasting expressions through the art of nationalist composers who took an active part in those movements. The political, intellectual, and artistic story behind some of the greatest musical works of the time and the artists who created them is the book''s focus.Beginning with a theoretical explanation of the relationship between nationalism and music, three composers then come forward to stand at the center of the analysis: Richard Wagner in Gemany, Bedrich Smetana in the Czech lands, and Edvard Grieg in Norway. Their political and artistic projects to create a national music for their countries are the topic of the second chapter. The third chapter explores in detail the essential role that folk music played in nationalism as an attempt to fuse artistically the urban and rural populations into one national whole.The fourth chapter discusses the conflicts within nationalist movements over foreign artistic influence on the national culture. The international dimensions of nationalist music are the subject of the fifth chapter, examining Wagner''s, Smetana''s, and Grieg''s aspirations for their art to represent their nations to the world. Finally, the concluding chapter offers a sweeping overview of nationalist composers and their works for a probing historical summary of music''s contribution to nation building.As one of the very few broad, comparative studies of nationalist music, Music Makes the Nation is an essential resource for students and scholars in history and musicology. In addition, as a groundbreaking analysis of the socio-political functions of nationalist music, the book will be of interest to those studying nationalism and political science.

If novelist Paul Mark Scott (1920-1978) has secured a niche in English literature, it is on the merits of his Raj Quartet and its sequel, Staying On, for which he won the Booker Prize in 1977. Yet by the time he had published The Jewel in the Crown in 1966, he had supported his family on his writing for six years, worked as a literary advisor for several publishers, routinely written book reviews for The Times, the Guardian, the Daily Telegraph, and Country Life, and published eight novels. Scott's literary reputation was already considerable when, at the age of 44, he embarked on The Raj Quartet that would take up the last fourteen years of his life-a masterpiece that reinterpreted the major events of his generation and challenged his contemporaries to face the legacy of their past. Beginning in 1964, Scott negotiated with the Harry Ransom Research Center at The University of Texas-Austin for the purchase of his manuscripts. Later, when he was teaching creative writing at the University of Tulsa in 1976, he arranged to sell his letters to the archives at McFarlin Library. Many years after his death, David Higham Associates (the literary agency for which Scott worked from 1950-1960 and which acted as Scott's own agent until his death in 1978) sold archival materials to the Harry Ransom Center, University of Texas-Austin. Only a limited amount of material from McFarlin's Paul Scott Collection has been published to date. The David Higham Collection has not been systematically used until now. Together, the Tulsa and Austin Collections involve many thousands of Scott's professional and personal letters, to a large degree untapped by scholars of literature. In this two-volume collection, Janis Haswell makes available to the reading public for the first time several hundred letters from the Tulsa and Austin archives, as well as dozens of private letters to daughters Carol and Sally Scott. Scott's letters never disappoint. They are intriguing, well-penned and (in most cases) well-preserved in carbon form by Scott himself. They explore in depth and detail available nowhere else his view of the themes and structure of his novels; his experience and views of India; his dealings with publishers, agents, critics, readers, and writer friends (the likes of Muriel Spark, Gabriel Fielding, M. M. Kaye); his role as an agent and influential reviewer of fiction; his trials in supporting himself and family as a freelancer; his experience as a teacher in the United States; and his love and loyalty to family and friends.

In 1894 Jesus appeared in a dream to Rainisoalambo during a period of intense national crisis shortly before the French colonial invasion of Madagascar. An educated member of the southern highlands aristocracy, Rainisoalambo was also a traditional medicine man who had fallen into grave difficulty. Being stricken with a case of then-rampant leprosy, his business had vanished and he and his family were starving. In this vision, Jesus told Rainisoalambo to put away his sampy, the small idols and charms he used for his traditional divining and healing. When he awoke, he found that he was healed. He quickly got rid of his charms and began a new life of fervent prayer, witnessing to his neighbors about what had happened, and reading the gospels with new eyes, as current reality rather than ancient reports of the far-away dealings of the white man's god. A group of believers soon gathered around him. Within a year of intense activity they had formally organized themselves at Soatanàna into what we would now call a base community, the Disciples of the Lord. Their simple rules called them to lives of economic sharing and self-sufficiency, cleanliness and orderliness in their persons, houses, and lands, learning to read the Bible, daily communal prayers and study, and sending out apostles and evangelists to establish other such households and communities. This was the beginning of what is now called the Fifohazana, or Awakening. More than a century later the movement comprises several tobys, or base communities, following the appearance of several more prophets, female and male, and their miracle-working. The members of the movement, or mpiandry, live throughout the island, some in the tobys but most in the cities and villages as members of a variety of churches. The Fifohazana continues to stress spiritual healings, exorcisms, personal service to the poor and sick, cleanliness, prayer, Bible study, and witnessing. This volume provides the reader with a very clear understanding of what the Fifohazanamovement is all about historically, theologically, in terms of the main characters involved, its tremendous contributions to what a Christian healing ministry might ideally be, and as it relates to the larger world of church and society. The book is strengthened by the contributions of a diverse international group of scholars and participants in the movement. This has fostered the creation of an authentic piece of research, which combines the actual voices of participants within the movement itself along with the perspectives of scholars, who analyze the movement from the external periphery. This is the first book-length treatment of the Fifohazana in English. Editor Cynthia Holder Rich has gathered contributions from authors from five countries, including several members of the movement, to offer several perspectives onto the history and current life of the movement. Articles include analysis of major movement leaders, the place of healing in the movement, history of the conflict between the missions and the movement, the significance of oral expression in proclamation and as a means of revival, the role of women as leaders in the movement, and theological issues. The Fifohazana is one of the most intriguing current instances of indigenous Christianity in the world. While the movement has greatly evolved and changed in over a century, Jesus continues to appear and raise up new leaders. Various branches of the movement have developed a variety of institutions, but the movement has not lost its power of transformation and change. The Fifohazana: Madagascar's Indigenous Christian Movement is an important volume for research libraries, universities, African studies institutions and theological schools.

The focus of this book is on Chinese immigration in the past two decades and its spatial manifestations in Britain. A major argument in this study is that if the 1980s can be recorded as a turning point in the history of Chinese immigration to Britain because the decade marked a substantial increase in and a diversity of Chinese immigrants, it should also be considered a landmark in contemporary British urban history as it featured a major transformation in the Chinese urban landscape. This book examines how changes in the contexts of exit and reception have stimulated quantitative and qualitative changes in Chinese immigration, and how these changes in immigration facilitate the development of Chinatowns and Chinese settlements.