Böcker utgivna av Cambria Press

Ever since they were written in the fourteenth century, The Romance of the Three Kingdoms and The Water Margin have been considered masterpieces of traditional Chinese fiction. People from different social strata have read them and remembered their stories and characters. Since the early twentieth century, Chinese critics have regarded them as part and parcel of their country's literary heritage, offering largely positive artistic assessments even as they criticize their feudal elements. In contemporary China the popularity of the two novels has made them logical choices for adaptation, resulting, for example, in a large number of films and TV dramas based on episodes in the two novels. Given their importance in traditional Chinese literature, these two classics have garnered a tremendous amount of critical attention from scholars. However, nearly all critics have treated them as literary works, failing to explore, in a concentrated manner, their cultural values even as they acknowledge their widespread social influence. This book is not a work of literary criticism in the conventional sense. Rather, it is a cultural/ideological critique. Liu Zaifu's interest lies not in the artistry of the two novels but in the cultural values they reflect and spread. In summing up the worship of violence as the ideal in The Water Margin and the worship of trickery as the ideal in The Romance of the Three Kingdoms, Liu Zaifu uses the two novels as windows to look into certain unhealthy aspects of Chinese culture, linking the novels' enduring popularity and social impact to the Chinese national character. Liu also contrasts the two novels with other classics, such as The Classic of Mountains and Seas and The Dream of the Red Chamber, to demonstrate the multiplicity of Chinese culture. As he calls the two classics into question, he continues to carry the May Fourth critical spirit in contemporary China and expands the scope of cultural criticism. A Study of Two Classics is the first book that focuses exclusively on the cultural values of the two classics. In addition, Liu Zaifu examines how traditional commentators like Jin Shengtan and Li Zhi promoted the cultural values embedded in the two classics and how these harmful values are received and reinforced in contemporary China. He draws inspiration from May Fourth intellectuals, particularly Lu Xun, and from a wide range of works by Western scholars. For instance, he uses Oswald Spengler's notion of "pseudomorphosis" to explain the degeneration and falsification of certain values in Chinese culture. As he engages in cultural comparison either implicitly or explicitly he also asks questions about modernity and modernization. Liu's style is essayistic, which allows him to bring both erudition and personal observation into play. Originally written for a Chinese audience, this highly anticipated translated work will help English-speaking readers understand the issues a leading contemporary Chinese critic tries to address. This is a critical book for scholars and students in Asian studies and literature. This book is part of the Cambria Sinophone World Series (series editor: Victor H. Mair).

The Classic of Changes (Yi jing) is one of the most ancient texts known to human civilization, always given pride of place in the Chinese classical tradition. And yet the powerful fascination exerted by the Classic of Changes has preserved the archaic text, widely attracting readers with a continuing interest in trying to understand it as a source of reflection and guide to ordinary circumstances of human life. Its monumental influence over Chinese thought makes the text an indispensable element in any informed approach to Chinese culture.Accordingly, the book focuses on the archaic core of the Classic of Changes and proposes a structural anthropological analysis for two main reasons. First, unlike many treatments of the Yi jing, there is a concern to place the text carefully in the context of the ancient culture which created it, allowing a fuller appreciation of its divinatory mission, a unique orientation towards writing and literature. Second, the approach differs from traditional exegesis which did not and ultimately could not address problems of textual understanding in a holistic sense. This book is not a translation of the Classic of Changes; it is a careful interpretation, or rather method of exploration, of the connectivities and topography of the text as a whole. By isolating the social forms of an individual life, against the background of the archaic cosmology, as the structural preconditions for each randomized divination, this analysis succeeds in illuminating dimensions of early Chinese life that would not otherwise be accessed through other historical or archaeological materials. This provides a penetrating anthropological view into the conditions of thought in an archaic society to a degree previously unavailable. This book is thus a bold and powerful attempt at modeling an ancient culture in a way never before conceived sociologically, a profound auto-ethnography teaching us about the philosophical anthropology of its makers and preparing the way for further understanding of later classical texts. It will be of interest to all those engaged in seeking philosophical anthropological understanding of culture and writing, and especially contributes to the study of cultures of antiquity and their modes of thought. Anyone interested in complex, formalized classification systems would want to consider this analysis.

Charles Dupin was a multifaceted figure in the history of France, where his life spanned several regimes. He produced an enormous number of publications in mathematics, engineering, economics, and education. Long neglected by historians, he is at last beginning to receive attention. In his youth, he championed many causes, including the education of women, perhaps because of the influence of his dynamic and learned mother. He was already very ambitious as a youth and left behind the usual youthful desires in pursuit of his goals.Dupin began as a brilliant mathematician as a student at the Ecole polytechnique in Paris and proceeded to become a fine naval engineer, that is until visits to Britain inspired him to change his course of direction. As the French industry was undergoing expansion, Dupin saw in Britain that workers were more efficient and healthier if they were educated. He greatly admired the freedom he witnessed in Britain, and this did not endear him to the French government of the Restoration. Indeed, the high honours to which he so much aspired eluded him for a considerable time. He saw the British savings banks and regular saving by workers within industry as a system to be introduced in France and one that should be propagated.As an economist, he considered the welfare of French workers as vital to an efficient industry. He was particularly concerned with the protection of children in work and the education of workers. In fact, he might be considered the father of workers'' education in France. This was a subject very close to his heart and, from his early years, he devoted himself to making public lectures available to all, including women.However, Dupin''s popularity declined as the importance of a thriving economy began to take precedence over the workers'' needs, with the workers focusing mainly on having a living wage.This is the first published study of Charles Dupin and his entire life''s work. It illuminates his work and contribution in so many spheres, as well as his contacts with other scientists and educators. His mathematics have long interested scholars in the field, and he would have been an outstanding naval engineer. He was a linguist and highly cultured; with his aesthetic sense he might well have rivaled Sané, but because of his driving ambition he was a great man manqué. Against a background of tremendous changes in France, he made important contributions in many areas, as evidenced by the bibliography in this book.This work will be of interest to mathematicians, historians of science, sociologists, economists, engineers, and educators.

"The papers in this book originated from a conference that examined the Nigeria-Biafra War (1967-70) focusing primarily on the Biafran side of that war organized at Marquette University in 2009"--Acknowledgements.

Until the mid 1950s, the Jews of Egypt lived in a multicultural and diverse society, which constituted a model of conviviality and tolerance, using French as its lingua franca. The Jews constituted a respected and well-integrated urban community of about 80 to 100,000, and made an impressive contribution to the socioeconomic modernization of the country. Together with the rise of Arab nationalism and the growth of Islamic fundamentalism, the escalating Arab-Israeli conflict brought about the rapid demise of Egyptian Jewry. Like the other Jewish communities of Arab lands, these people were either expelled or forced into exile in the aftermath of the 1948, 1956, and 1967 Arab-Israeli wars. As a consequence, close to half of the Jewish population of Egypt found refuge in Israel while the rest dispersed throughout the Western world, mainly in France, Brazil, and the United States. This book focuses on a group of about two thousand who settled in Australia, the "Edge of the Diaspora." It also examines the migration experience of Egyptian Jews who settled in France, in order to compare and contrast their integration in a non Anglo-Celtic environment. Although the Jews of Egypt, like most refugees, suffered the trauma of dispossession, expulsion, and dislocation, their particular experience did not attract the attention of Australian sociologists or historians. Even within the context of Australian Jewry, their story was largely unknown even though there has been much discussion about the postwar migration of European Jews. The author Racheline Barda believes that it is important to give them a voice, to tell their stories, and delve into their past history, thereby discovering the richness of their cultural heritage which ultimately gave them the tools for a successful integration in Australian society. One of the crucial concerns of this work was the preservation and transmission of the rich and dynamic history of this unique group to successive generations, through the oral testimonies of first-hand witnesses of a vanished world. This book makes an important contribution to the study of contemporary Australian society as well as diaspora studies. It deals with a topic that has rarely been reported on or studied in Australia--the migration experience of a small and unique ethnoreligious population such as the Jews of Egypt. It is the first comprehensive research on their immigration and integration into Australian society. Traditionally, sociohistorians have mostly concentrated on the Ashkenazi Jews of Europe or on the long established local Jewish community, which was historically of British and German origin. The Jews of Egypt constitute one of the largest Jewish communities to settle in Australia from outside European societies, in response to the rise of Arab nationalism and hostility to Israel. Based on a series of comprehensive interviews conducted mainly in Australia and France, this study reconstructs the history of a Jewish community and the circumstances of its demise. It takes the innovative approach of systematically analyzing the ethnic, religious, and cultural characteristics of both sample groups, highlighting the diversity that is inherent to the group as a whole. By specifically targeting the issue of identity, it provides an insight into the dynamics of a multilayered identity, which performs as a vehicle of integration and acculturation for a migrant group in any host society. Apart from individuals studying the particular history of Egyptian Jews wherever they settled after their forced emigration from Egypt, the book would be of interest to scholars specializing in diaspora studies, ethnic and immigrant studies, and social history.

The life and work of Albert Camus provides insight into how to navigate through an absurd historical moment. Camus's role as a journalist, playwright, actor, essayist, philosopher, and novelist allowed him to engage a complex world in a variety of capacities and offer an array of interpretations of his time. Albert Camus provides insight into how one can benefit from listening to relevant voices from previous generations. It is important to allow the time to become familiar with those who sought answers to similar questions that are being asked. For Camus, this meant discovering how others engaged an absurd historical moment. For those seeking anwers, this means listening to the voice of Albert Camus, as he represents the closest historical perspective on how to make sense of a world that has radically changed since both World Wars of the twentieth century. This is an intentional choice and only comes through an investment of time and energy in the ideas of others. Similar to Albert Camus's time, this is an age of absurdity; an age defined by contradiction and loss of faith in the social practices of the past. When living in such a time, one can be greatly informed by seeking out those passionate voices who have found a way despite similar circumstances. Many voices from such moments in human history provide first-hand insights into how to navigate such a time. Camus provides an example of a person working from a constructive perspective, as he was willing to draw upon the thought of many contemporaries and great thinkers from the past while engaging his own time in history. As the first book-length study of Camus to situate his work within the study of communication ethics and philosophy of communication, Brent C. Sleasman helps readers reinterpret Camus' work for the twenty-first century. Within the introduction, Camus' exploration of absurdity is situated as a metaphor for the postmodern age. The first chapter then explores the communicative problem that Camus announced with the publication of The Fall--a problem that still resonates over 50 years after its initial publication. In the chapters that follow other metaphors that emerge from Camus' work are reframed in an effort to assist the reader in responding to the problems that emerge while living in their own age of absurdity. Each metaphor is rooted in the contemporary scholarship of the communication discipline. Through this study it becomes clear that Camus was an implicit philosopher of communication with deep ethical commitments. Albert Camus's Philosophy of Communication: Making Sense in an Age of Absurdity is an important book for anyone interested in understanding the communicative implications of Camus' work, specifically upper-level undergraduates, graduate students, and faculty.

Although there is a significant literature on the philosophy of Jacques Derrida, there are few analyses that address the deconstructive critique of phenomenology as it simultaneously plays across range of cultural productions including literature, painting, cinema, new media, and the structure of the university. Using the critical figures of ghost and shadow and initiating a vocabulary of phantomenology this book traces the implications of Derridean spectrality on the understanding of contemporary thought, culture, and experience. This study examines the interconnections of philosophy, art in its many forms, and the hauntology of Jacques Derrida. Exposure is explored primarily as exposure to the elemental weather (with culture serving as a lean-to); exposure in a photographic sense; being over-exposed to light; exposure to the certitude of death; and being exposed to all the possibilities of the world. Exposure, in sum, is a kind of necessary, dangerous, and affirmative openness. The book weaves together three threads in order to format an image of the contemporary exposure: 1) a critique of the philosophy of appearances, with phenomenology and its vexed relationship to idealism as the primary representative of this enterprise; 2) an analysis of cultural formations literature, cinema, painting, the university, new media that highlights the enigmatic necessity for learning to read a spectrality that, since the two cannot be separated, is both hauntological and historical; and 3) a questioning of the role of art as semblance, reflection, and remains that occurs within and alongside the space of philosophy and of the all the posts- in which people find themselves. Art is understood fundamentally as a spectral aesthetics, as a site that projects from an exposed place toward an exposed, and therefore open, future, from a workplace that testifies to the blast wind of obliteration, but also in that very testimony gives a place for ghosts to gather, to speak with each other and with humankind. Art, which installs itself in the very heart of the ancient dream of philosophy as its necessary companion, ensures that each phenomenon is always a phantasm and thus we can be assured that the apparitions will continue to speak in what Michel Serres s has called the grotto of miracles. This book, then, enacts the slowness of a reading of spectrality that unfolds in the chiaroscuro of truth and illusion, philosophy and art, light and darkness. Scholars, students, and professional associations in philosophy (especially of the work of Derrida, Husserl, Heidegger, and Kant), literature, painting, cinema, new media, psychoanalysis, modernity, theories of the university, and interdisciplinary studies.

In the 1880s and 1890s, the Victorian poet Robert Browning was the "lion" of the day in the United States, particularly in Rochester. Browning's work was widely read and discussed. Even today, there are still many in America who consider themselves Browningites, and many of them belong to Browning clubs and societies. This book, the fruit of thorough and patient archival digging, brings together various fragmentary local sources and quaint memorabilia, hitherto unknown to scholars. It vividly recovers the spirit of the fascination with Browningmania, and more broadly Victoriana, that Rochesterians and Americans in general evinced in the last two decades of the nineteenth century and early part of the twentieth century.Browning's popularity, undeserved many thought, remains nonetheless a unique phenomenon in literary and cultural history, well worthy of study and comprehension. Although several books and articles were devoted to this subject, none offers a sustained explanation of how and why Browning became such an iconic figure. This book fills a gap in the scholarship and critical reception of Browning. This study offers Browning scholars and Victorianists in general a new perspective on some long-neglected but crucial material. It will be of particular interest to students and scholars in Reception and American studies as well as cultural and literary historians. Because it brings together many local anecdotes and memorabilia, this book will also find appreciative readers among the general public, especially in upstate New York region, particularly Rochester.

Movies began during the Victorian age. Through even the earliest years of filmmaking, Victorian literature provided a ready stock of familiar stories about colorful characters caught up in mystery, fantasy, adventure, sensation, and domestic conflict. Among the earliest films are adaptations of works by Victorian writers like Charles Dickens, Lewis Carroll, Thomas Hardy, and even Alfred, Lord Tennyson. With the proliferation of volumes on adaptation, work is needed that provides theoretical and practical approaches for those who think about literature together with film adaptations whether as scholarship, part of classroom study, or general enjoyment. By bringing together many different approaches to the topic of adaptation, this book provides an important overview of the subject of the adaptation of nineteenth-century British literature, as well as an examination of the constructive and creative use of film adaptations in the classroom. Although a wide range of critical approaches are included, the primary emphasis is on what specific adaptations reveal about the ways in which nineteenth-century British texts are understood, responded to, and analyzed based on particular cultural contexts. This book provides a basis for rethinking adaptation and a template for future discussions and academic courses. They orient the reader within a popular field of study that is currently in need of both greater focus and of practical direction.

On September 11, 1973, a right-wing coup overthrew Chile s democratically elected, socialist President Salvador Allende and established an eighteen-year dictatorship. The new government exiled, imprisoned, tortured, and killed Allende supporters. In addition to targeting leftist politicians and labor organizers, the new government took aim at the nueva canci n ( new song ) movement. It banned this style of folk-based music, exiled many nueva canci n musicians, and brutally executed V ctor Jara, the movement s most prominent figure. Meanwhile, supporters of the coup celebrated Allende s overthrow by blasting m sica t pica, a different style of folk-based music, into the streets. The intensity with which Chilean rightists and leftists each came to embrace and attack different styles of folk-based music was the outcome of a historical process in which competing notions of Chilean identity became intertwined with the political divisions of the Cold War era. To date, scholars have paid little attention to the role that music played at political rallies and protests, the political activism of right-wing and left-wing musicians, and the emergence of musical performances as sites of verbal and physical confrontations between Allende supporters and the opposition. This book illuminates a largely unexplored facet of the Cold War era in Latin America by examining linkages among music, politics, and the development of extreme political violence. It traces the development of folk-based popular music against the backdrop of Chile s social and political history, explaining how music played a fundamental role in a national conflict that grew out of deep cultural divisions. Through a combination of textual and musical analysis, archival research, and oral histories, Mularski demonstrates that Chilean rightists came to embrace a national identity rooted in Chile s central valley and its huaso ( cowboy ) traditions, which groups of well-groomed, singing huasos expressed and propagated through m sica t pica. In contrast, leftists came to embrace an identity that drew on musical traditions from Chile s outlying regions and other Latin American countries, which they expressed and propagated through nueva canci n. Conflicts over these notions of Chilenidad ( Chileanness ) both reflected and contributed to the political polarization of Chilean society, sparking violent confrontations at musical performances and political events during the late 1960s and early 1970s. Recent studies of diplomatic and military history have shown that the Cold War in Latin America was a multifaceted contest between various regional proponents of communism and capitalism. This book adds to this new conceptualization of Latin America s Cold War era by extending it to musical culture as well. It examines the manner by which the Chilean right attempted to undermine nueva canci n music, and it disproves common perceptions that the right had no culture of its own by revealing that rightists labored passionately to protect and advance their own style of folk-based music. It also examines how the Allende government and nueva canci n musicians worked officially and unofficially to expand their musical influence and provide cultural assistance to other Latin America countries. By analyzing the development of such endeavors by the right and left, Mularski reveals through the lens of music how national and transnational perspectives shaped social relationships and political conflict among rightists and leftists in Chile. This book contributes a more nuanced conception of music, politics, and cultural nationalism. Most existing research on the cultural components of anti-imperialist movements links nationalist political and economic policies with expressions of cultural nationalism, such as folk revivals, generally asserting that these folk revivals convey nationalist and anti-imperialist perspectives by celebrating traditions of local origin rather than foreign cultural influences. Mularski demonstrates how complex local dynamics complicate the prevailing association of cultural nationalism and anti-imperialism: right-wing Chileans embraced the folk-based m sica t pica style while at the same time crusading against the political and economic efforts of anti-imperialists, and Chilean leftists condemned imperialism while expressing a cultural identity rooted in nueva canci n that was simultaneously both nationalist and transnational. In doing so, Mularski offers a powerful example and multifaceted understanding of the fundamental role that music often plays in shaping the contours of political struggles and conflicts throughout the world. Music, Politics, and Nationalism in Latin American is an important book for Latin American studies, history, musicology/ethnomusicology, and communication.

In the memoirs of no other contemporary theater personality (i.e., William Dunlap, Edward Cape Everard, James Fennell, William Wood), has a figure quite like John Durang emerged. His eagerness in grasping opportunities, expanding his skills, shaping his career, and establishing a home are unique, not only in themselves, but also in his articulation of these enterprises. Looking at his life through the lens of American national development illuminates the role of the theater in this critical and ongoing process, while also revealing the forms and repertory that shaped this theater. Remarkably few significant biographies are available of American dance and theatrical figures whose lives preceded the twentieth century. A small handful of memoirs by actors of the period fill in a small part of this gap, but memoirs-like John Durang's-need context and connections to be fully appreciated. The role of dance and theater in shaping the young United States is highlighted in this biography. John Durang: Man of the American Stage by Professor Lynn Matluck Brooks serves both general and theater-educated readerships. Interested groups include readers of American studies, dance, and theater.

The interrelation of globalization, communication, and media has prompted many individuals to view the world in terms of a new dichotomy: the global "wired" (nations with widespread online access) and the global "tired" (nations with very limited online access). In this way, differing levels of online access have created an international rift - the global digital divide. The nature, current status, and future projections related to this rift, in turn, have important implications for all of the world's citizens. Yet these problems are not intractable. Rather, with time and attention, public policies and private sector practices can be developed or revised to close this divide and bring more of the world's citizens to the global stage on a more equal footing. The first step in addressing problems resulting from the global digital divide is to improve understanding, that is, organizations and individuals must understand what factors contribute to this global digital divide for them to address it effectively. From this foundational understanding, organizations can take the kinds of focused, coordinated actions needed to address such international problems effectively. This collection represents an initial step toward examining the global digital divide from the perspective of developing nations and the challenges their citizens face in today's error of communication-driven globalization. The entries in this collection each represent different insights on the digital divide from the perspectives of developing nations - many of which have been overlooked in previous discussions of this topic. This book examines globalization and its effects from the perspective of how differences in access to online communication technologies between the economically developed countries and less economically developed countries is affecting social, economic, educational, and political developments in the world's emerging economies. This collection also examines how this situation is creating a global digital divide that will have adverse consequences for all nations. Each of the book's chapters thus presents trends and ideas related to the global digital divide between economically developed countries and less economically developed nations. Through this approach, the contributors present perspectives from the economically developing nations themselves versus other texts that explore this topic from the perspective of economically developed countries. In this way, the book provides a new and an important perspective to the growing literature on the global digital divide. The primary audiences for this text would include individuals from both academics and industry practitioners. The academic audience would include administrators in education; researchers; university, college, and community college instructors; and students at the advanced undergraduate and graduate levels.

"This book combines the work of 18 international scholars in the first comprehensive study of contemporary regional shrinkage under Japan's national depopulation. The contributions have been arranged thematically, and interspersed throughout the book are tables, charts, diagrams and photographs that visually augment and describe the processes and impacts of regional shrinkage. In this way the book stitches together a representative variety of detailed and richly textured examinations of shrinkage at the local level, out of which emerges the overall story of Japan's depopulation and its place within the trajectory of world development. The book shows that shrinkage has not been a uniform experience for regional communities, as some settlements have expanded and others close by have disintegrated. It also describes the differential processes of shrinkage taking place throughout Japan in the postwar era, as well as their characteristics, impacts and implications. From remote mountain villages to regional industrial centers, the authors analyze the responses that national, regional, local and individual actors have brought to bear on shrinkage, including the important roles that the state and municipal authorities, and the construction and tourism industries have played. Ominously, the authors demonstrate that depopulation is deepening and broadening to include larger and more densely populated settlements as the national population decline becomes more entrenched. The authors conclude by arguing that depopulation and socioeconomic decline may combine to induce individuals and groups to begin to rethink growth and to embrace a new way of life that prioritizes stability and, even, sustainability."--Publisher's description.

While a number of recent works have linked magical realism to postcolonial trauma, this book expands the trauma-theory-based analysis of magical realism. Borrowing from the Russian Formalist Mikhail Bakhtin, the study adapts his concept of chronotope to that of shock chronotope in order to describe unstable time-spaces marked by extreme events. Besides trauma theory, contemporary theories of representation formulated by Guy Debord, Jean Baudrillard, and Slavoj Zizek, among others, corroborate specific literary analyses of magical realist novels by Caribbean, North American, and European authors. The study discusses a series of concepts, such as "spectacle" and "hyperreality," in order to create an analogy between the hyperreal, a spectacle without origins, and magical realism, a representation of events without a history, or a recreation of an absence that first needs to be acknowledged before it can be assigned any meaning. Magical realist hyperreality is meant to be a reconstruction of events that were "missed" in the first place because of their traumatic nature. While the magical realist hyperreal might not explain the unspeakable event, if only to avoid the risk of an amoral rationalization, it makes the ineffable be vicariously felt and re-experienced. This study establishes a somewhat unorthodox nexus between magical realist writing (viewed primarily as a postmodern literary phenomenon) and trauma (understood both as an individual and as an often invisible cultural dominant), and proposes the concept of "traumatic imagination" as an analytical tool to be applied to literary texts struggling to represent the unpresentable and to reconstruct extreme events whose forgetting has proven just as unbearable as their remembering. The traumatic imagination defines the empathy-driven consciousness that enables authors and readers to act out and/or work through trauma by means of magical realist images. Corroborated by elements of trauma theory, postcolonial studies, narrative theory, and contemporary theories of representation, the work posits that the traumatic imagination is an essential part of the creative process that turns traumatic memories into narratives. Magical realism lends traumatic events an expression that traditional realism could not, seemingly because the magical realist writing mode and the traumatized subject share the same ontological ground: being part of a reality that is constantly escaping witnessing through telling. Over more than half a century now, magical realism has demonstrated its versatility by affecting literary productions belonging to various cultural spaces and representing different histories of violence. This book examines novels by traumatized and vicariously traumatized authors who make extensive use of fantastic/magical elements in order to represent slavery, postcolonialism, the Holocaust, and war. The Traumatic Imagination: Histories of Violence in Magical Realist Fiction is an important book for magical realism- and trauma theory-based critical collections.

This book examines the complex and unique human, cultural, and religious exchanges that resulted from the enslavement and the trade of Africans in the North and the South Atlantic regions.

The movement of research animals across the divides that have separated scientist investigators and research animals as Baconian dominators and research equipment respectively might well give us cause to reflect about what we think we know about scientists and animals and how they relate to and with one another within the scientific coordinates of the modern research laboratory. Scientists are often assumed to inhabit the ontotheological domain that the union of science and technology has produced; to master 'nature' through its ontological transformation. Instrumental reason is here understood to produce a split between animal and human being, becoming inextricably intertwined with human self-preservation. But science itself is beginning to take us back to nature; science itself is located in the thick of posthuman biopolitics and is concerned with making more than claims about human being, and is seeking to arrive at understandings of being as such. It is no longer relevant to assume that instrumental reason continues to hold a death grip on science, nor that it is immune from the concerns in which it is deeply embedded. And, it is no longer possible to assume that animal human relationships in the lab continue along the fault line of the Great Divide. This book raises critical questions about what kinship means, or might mean, for science, for humanimal relations, and for anthropology, which has always maintained a sure grip on kinship but has not yet accounted for how it might be validly claimed to exist between humanimals in new and emerging contexts of relatedness. It raises equally important questions about the position of science at the forefront of new kinships between humans and animals, and questions our assumptions about how scientific knowing is produced and reflected upon from within the thick of lab work, and what counts as 'good science'. Much of it is concerned with the quality of humanimal relatedness and relationship. For the Love of Lab Rats will be of great interest to scientists, laboratory workers, anthropologists, animal studies scholars, posthumanists, phenomenologists, and all those with an interest in human-animal relations.

Political turbulence was common during the times of dynastic transition in imperial China. Multiple regional regimes frequently rose on the lands of the former unified empire, vying for political and military supremacy until a dominant power emerged and achieved reunification. The period of political fragmentation during the tenth century, known as the Five Dynasties and Ten States (907 979) was typical of such times. From the crumbling of the Tang empire to the next reunification of China proper under the Northern Song dynasty, five short-lived dynasties succeeded one another in the Central Plains, the old political heartland in North China, while about a dozen smaller autonomous regimes occupied though not concurrently the rest of the country (mostly in the south). Lasting more than a half century, the period is thought to have been one of unique political intrigue, during which founding rulers of humble origins engaged in schemes and strategies that increasingly inspire popular interest today. This book is an exploration of the complicated national politics and intricate interstate relations of the early tenth century with a focus on the Former Shu (891 925), one of the Ten States that significantly contributed to the formation of the unique political configuration of the day. From the viewpoint of traditional historiography, the five northern dynasties constituted the central powers of the tenth century that dominated national politics and ultimately led China to the Northern Song reunification. In contrast, southern regimes were usually treated as subordinate or secondary powers, all considered neither legitimate nor capable of ever challenging the north, politically or militarily. This binary grouping and its discriminatory interpretation fundamentally shaped later historians perception of the national politics of Five Dynasties China. Even today, compared to the studies on the political history of the five northern dynasties, the neglect of the southern regimes is obvious in modern scholarship, especially in Western language publications. By focusing on the political history of the Former Shu regime in the south, this book seeks to provide a new understanding of the geopolitics of Five Dynasties China. This book sheds much light on the complicated national politics and intricate interstate relations of the divided tenth-century China. It examines how Wang Jian, a military governor of Tang, rose to power from obscurity in the chaotic late ninth century and founded an empire in what is today s Sichuan province in the early tenth century. Depending on a powerful military, the strategic location, and astute diplomatic tactics in dealing with surrounding powers, the Former Shu under Wang Jian s rule successfully challenged the hegemonies of the most powerful regimes of the day from its base in the south. It was recognized as a political equal and treated as such by the contemporary northern powers, with whom the Former Shu shared the Mandate of Heaven both in rhetoric and in reality. As the achievements of the Former Shu demonstrate, the widely accepted predominance of the northern dynasties over the other states during the Five Dynasties period does not reflect the political reality, at least in the first half of the tenth century, when no single power possessed the capability of destroying other rivals and dominating the entire country. The constructive relationships between the Former Shu and other regimes discussed in this study define a unique political configuration of tenth-century China that was characterized by power balance and pragmatic coexistence among the dynasties and states, which in most cases sensibly chose to share the Mandate and maneuvered to survive by interacting strategically with other powers and thus should be equally treated as regional regimes. This study thus provides a reevaluation of the biased Song interpretation of the Five Dynasties and rethinks national politics, the reality of interstate relations, and the mentality of the contemporary people in perceiving the upheavals and changes of tenth-century China. This book is an important study for scholars and students of medieval China and regional studies. It will also appeal to the general reader interested in political and military history.

China's recent economic growth has fed a rapid increase in the study of modern Chinese language and literature globally. In this shifting global context, authors who work on the edges of the literary empire raise important questions about the homogeneity of language, identity and culture that is produced by the modern Chinese literary canon. This book examines a key segment of this literature and asks, "What does it mean to be of Chinese descent and Chinese-speaking outside of China?" While there have been several excellent works that deal with individual Chinese authors from Malaysia, there is to date no broadly framed and comprehensive study of the body of Chinese diasporic literature emerging from this multiethnic, polylinguistic country. This neglect is surprising given the vibrant development of Chinese Malaysian literature.This book fills the gap by looking specifically at how diasporic Chinese subjects make sense of their Chinese and Malaysian identities in postcolonial Malaysia. This book will be of value to scholars and students of Chinese-language literature and culture.It will also appeal to scholars and students in the fields of Chinese and Southeast Asia studies as well as those interested in postcolonial, diaspora, migration, Asian American studies, and world literature.

The single most influential work in Chinese history is Lunyu, the Confucian Analects. Its influence on the Chinese people is comparable to that of the bible on the Western world. It is neither a tract of prosaic moralism contained in the fortune cookies in Chinese restaurants nor a manual of political administration that prescribes do's and don't's for new initiates. A book claiming a readership of billions of people throughout the history in China and East Asia and now even in the Western world must be one that has struck a chord in the readers, one which appears to arise from the existential concerns that Confucius shared: How can one overcome the egoistic tendency that plagues life? How does one see the value of communal existence? What should be one's ultimate concern in life?These questions call for a line of inquiry on the Analects that is explicitly existential. An existential reading of the Analects differs from other lines of inquiry in that it not only attempts to reveal how the text spoke to the original audience but also to us today. It is not only a pure academic exercise that appeals to the scholarly minded but also an engagement with all who feel poignantly about existential predicaments.In this existential reading of the Analects, the author takes Paul Tillich as an omnipresent dialogical partner because his existential theology was at one time very influential in the West and currently very popular in Chinese academia. His analysis of ontological structure of man can be applied to the Analects. This conceptual analysis reveals that that this foundational text has three organically connected levels of thought, proceeding from personal cultivation through the mediation of the community to the metaphysical level of Ultimate Reality. Few scholarly attempts like this one have been made to reveal systematically the interconnectedness of these three levels of thought and to the prominence to their theological underpinnings.This existential reading of the Analects carries with it a theological implication. If one follows the traditional division of a systematic theology, one will find that the Analects has anthropological, ethical, and theological dimensions, which correspond to the three levels of thoughts mentioned. If one understands soteriology more broadly, one will find the Analects also has a soteriological dimension. The Analects points to the goal of complete harmony in which a harmony within oneself, with the society and cosmos are ensured.If one is to construct a theology of the Analects, the existential reading enables the drawing of certain contrasts with Paul Tillich's existential theology. The Confucian idea of straying from the Way differs from the symbol of fall. The Confucian reality of social entanglement differs from the reality of estrangement. The Confucian paradoxical nature of Heaven differs from trinitarian construction of God. The most important contribution of this study is that it reveals the religious or theological dimension of the Confucian Analects.This is an important book for those engaged in the study of the Confucian Analects, including those in Chinese studies as well as comparative theology and religion.

If novelist Paul Mark Scott (1920-1978) has secured a niche in English literature, it is on the merits of his Raj Quartet and its sequel, Staying On, for which he won the Booker Prize in 1977. Yet by the time he had published The Jewel in the Crown in 1966, he had supported his family on his writing for six years, worked as a literary advisor for several publishers, routinely written book reviews for The Times, the Guardian, the Daily Telegraph, and Country Life, and published eight novels. Scott's literary reputation was already considerable when, at the age of 44, he embarked on The Raj Quartet that would take up the last fourteen years of his life-a masterpiece that reinterpreted the major events of his generation and challenged his contemporaries to face the legacy of their past. Beginning in 1964, Scott negotiated with the Harry Ransom Research Center at The University of Texas-Austin for the purchase of his manuscripts. Later, when he was teaching creative writing at the University of Tulsa in 1976, he arranged to sell his letters to the archives at McFarlin Library. Many years after his death, David Higham Associates (the literary agency for which Scott worked from 1950-1960 and which acted as Scott's own agent until his death in 1978) sold archival materials to the Harry Ransom Center, University of Texas-Austin. Only a limited amount of material from McFarlin's Paul Scott Collection has been published to date. The David Higham Collection has not been systematically used until now. Together, the Tulsa and Austin Collections involve many thousands of Scott's professional and personal letters, to a large degree untapped by scholars of literature. In this two-volume collection, Janis Haswell makes available to the reading public for the first time several hundred letters from the Tulsa and Austin archives, as well as dozens of private letters to daughters Carol and Sally Scott. Scott's letters never disappoint. They are intriguing, well-penned and (in most cases) well-preserved in carbon form by Scott himself. They explore in depth and detail available nowhere else his view of the themes and structure of his novels; his experience and views of India; his dealings with publishers, agents, critics, readers, and writer friends (the likes of Muriel Spark, Gabriel Fielding, M. M. Kaye); his role as an agent and influential reviewer of fiction; his trials in supporting himself and family as a freelancer; his experience as a teacher in the United States; and his love and loyalty to family and friends.

Mo Yan, the most prolific writer in present-day China as well as one of its most prominent avant-gardists, is an author whose literary works have enjoyed an enormous readership and have caught much critical attention not only in mainland China, Hong Kong, and Taiwan but also in many other countries around the world. This book provides the most comprehensive exposition of Mo Yan's fiction in any language. Author Shelly Chan delves into Mo Yan's entire collection of literary works, considering novels as well as short stories and novellas. In this analysis, Mo Yan's works are dealt with in a diachronic fashion--Chan discusses the development of Mo Yan's style throughout his career by considering themes that he has addressed in a variety of narratives over time. This provides the reader with valuable insight into understanding how individual narratives fit into the entire collection of Mo Yan's body of literary work. Scholars will also welcome the book's extensive reference to secondary scholarship and theory, which skillfully deals with the Chinese scholarship and thoroughly covers the English-language sources on Mo Yan as well. This book on one of the most important figures in contemporary Chinese literary history will be a landmark resource for scholars in Asian studies, cultural studies, and literary criticism, as well as an enticing read for people interested in Chinese literature and historical fiction.

The essays in this book present new scholarship on the subject of empire building from a postcolonial and transnational perspective, using literary texts and cultural practices to focus on the exchange of ideologies and the intricacies of nation building, state-power, democracy, and anti-democracy, up to the recent "war on Terror." -- Publisher sumary.

Arthur Laurents's career as a playwright, screenwriter, book writer for musicals and director spanned over half a century. His first Broadway play, Home of the Brave, was produced in 1945; his last play, Come Back, Come Back, Wherever You Are, was produced in 2009 when he was ninety-one. Although he is best known for his work on the classic musicals Gypsy and West Side Story and for his screenplays for Rope, The Way We Were, and The Turning Point, Laurents is the author of seventeen full-length plays, numerous screenplays and three volumes of memoirs. Despite the length and distinction of Laurents's career, until now no one has written a full-length critical study of his work. Laurentss' name was associated with a few hit musicals and films, but his best work, the plays he wrote since 1975, are not as well known. One reason is that the economics of the American theatre have changed during the writer's lifetime and Laurents's serious plays were performed Off-Broadway or at regional theatres. Few were published, except in acting editions, until a volume of Selected Plays was assembled in 2005. Moreover, Laurents's highly controversial volumes of memoirs, filled with attacks on people who he felt betrayed him over the years, overshadowed his later work. Ignoring most his own plays in the memoirs did not help to maintain his reputation as a serious playwright This book rectifies the absence of a serious examination of all of Laurents's major work. This first comprehensive study of Laurents's work focuses on the subjects and themes that recur in his work, particularly the interrelated topics of gender politics, homosexuality and the dynamics of marriage. The position of women and gay men changed greatly over the sixty-plus years of Laurents's career and we see those changes reflected in his work, particularly in the shifting power dynamics within a marriage. Laurents was fascinated by the dynamics of marriage. In his plays there is always a tension between love and the difficulty, if not impossibility, of monogamy. In works like The Enclave, we also see a variety of ways in which gay men try to live proud lives in a heteronormative society. In that play and in Two Lives, Laurents examines how gay men negotiate something like a marriage before gay marriages were legally sanctioned. The book also covers the ways in which Laurents's plays reflect his interest in leftist politics from the 1940s through the various liberations of the late 1960s and 1970s. Above all, the study argues that if there is any common theme running through the plays, films and memoirs, it is betrayal-betrayal of marriage partner, friend, artistic collaborator and, most important, betrayal of one's own ideals. The Works of Arthur Laurents will be of particular interest to students and scholarsof American drama, musical theatre, American film, gender studies, gay studies, and Jewish studies.

In the major literature on early modern Japan, the sakoku (closed country) edicts lurk in the background, and while scholars are generally aware of the major tenets of the policy, for example, the inability of Japanese to travel abroad or the clampdown on Christianity, the specifics of the edicts have yet to be studied in detail despite its potential to reveal much about this era of Japan's history. This work seeks to clarify the seventeen-article sakoku edicts of 1635 as well as to situate the edicts in the general foreign policy of seventeenth-century Edo Japan. This book will also examine a number of other policies that evolved in the first half of the seventeenth century to complete what is commonly (and somewhat erroneously) referred to as the "closed-country period." A great number of works on European and Chinese interactions with Japan have appeared over the past few decades, and most of them have done a fine job of dispensing with the myth that Japan was somehow hermetically sealed from the outside world. Scholars are aware that the Dutch played a large role in keeping the shogun informed about affairs in Europe, and that the Chinese were coming to Japan in ever greater numbers. They are also aware of the relationship between Japan and Korea. However, the fact remains that the Tokugawa did take pains to regulate the interactions of Europeans with Japan, and these measures are generally found in the various edicts passed by the bakufu in the first half of the seventeenth century. This book translates and illuminates the specific machinery of Japan's foreign relations, especially as it pertained to European trade and Christianity. In so doing, this study will situate the edicts--which are largely taken for granted, even though little has been studied--in Japan's early modern history. There are two insights this book presents. First of all, the study will demonstrate that the sakoku edicts were not a monolithic piece of legislation, but rather they evolved over time. The edicts against Christianity, the expulsion of the Spanish and the Portuguese, and the establishment of the machinery to regulate foreign trade were all responses to historical stimuli, and as such evolved in response to Japan's interactions with Europe and European trade and ideas. Second, this work will show that, ironically, the Tokugawa control of Japan's foreign policy was meant to strengthen its domestic control, especially vis-à-vis the powerful daimyo of western Japan, who traditionally profited with relations with the West. Therefore, there is much more to the sakoku edicts than simply the regulation of Japan's relations with foreigners. This book will appeal to the wider academic community working on pre-modern and early modern Japan. It will also be of value to those whose work involves the expansion of Europe into Asia, as well as European-Asian interactions. Written in a highly accessible style, this book will be of interest to even the casual reader of Japanese history.

From the Edo-period works of Chikamatsu Monzaemon and Saikaku Iharu, to modern texts by Nagai Kafû, Tanizaki Junichiro, and Nobel-prize winner Kawabata Yasunari, the Japanese literary canon is filled with works about the demimonde, or karyûkai. After years of being closed off to Western influences on both its literature and social policy, Japan fully opened up to the West in the late nineteenth century and finally abolished legalized prostitution in 1956. Until then, the idea of a space set aside for sexuality, like Tokyo's Yoshiwara district, had been a powerful catalyst in structuring stories about the demimonde, and in fact, narratives about the demimonde have continued to flourish in Japan even in the second half of the 20th century and beyond, even though the actual physical space of the traditional karyûkai has disappeared. In breadth and accomplishment, Japan's demimonde literature rivals that of any other national literature; yet very little work analyzing the cultural, psychological, and textual significance of this space has been published to date. What is more, bringing comparative approaches to Japanese literary studies is a relatively new phenomenon, but Western literature is essential to understanding both the wider context in which demimonde literature blossomed, as well as to probing what is unique about Japan's karyûkai-themed texts. The Demimonde in Japanese Literature applies both a comparativist approach and psychoanalytic models to the examination of the literary karyûkai in a way that allows for a penetrating and multi-dimensional reading of its meaning in works produced during Japan's tumultuous twentieth century. This book analyzes representations of the demimonde in Japanese literature and other arts from the beginning of the twentieth century to the early 1990s, through fiction, critical essays, films, photographs, and performances by Nagai Kafû, Kôda Aya, Tanizaki Junichiro, Kuki Shûzô, Mishima Yukio, Hosoe Eikoh, Tamura Taijiro, Murakami Ryû, Ohno Kazuo, and Matsumoto Toshio. Throughout the book, the author views the demimonde in general and the karyûkai in particular through the changing paradigms of spatial terms and configurations in the twentieth-century Japanese imagination. In some narratives written during the pre-World War II period, for instance, the karyûkai is distanced from the reader by the connoisseur as a way of containing and idealizing it in 1930s Japan, in a climate of intense censorship and military imperialism; in others it is chronicled as disruptive to public space, its values and fetishes spreading into new physical spaces in the tumultuous interwar Tokyo metropole. During the postwar era, as the book's close readings show, the demimonde is often shown to transcend psychic space via the taboo movement of memory, and occasionally it is internalized in the text via a celebration of small spaces and a poetics of dwelling. Surveying such a variety of writings and artists allows for a thorough analysis of the representation of the space of the demimonde not just in literary texts, but in films, photographs, and dance/performance art as well. The study also draws on comparative examples from Western demimonde texts, especially those that were pivotal for Japanese writers and artists, and she uses them to formulate a complex argument about the socio-cultural, psychological, aesthetic, literary, and political significance of the space of the karyûkai. The book also helpfully includes translated passages from books that were not previously translated in their entirety into English, including Koda Aya's Nagareru. The Demimonde in Japanese Literature is an important book for all Asian studies, comparative literature, and women's studies collections.

Sixteenth-century China experienced an economic transformation which saw the spread of commercialization and a consumerist material culture that pervaded all aspects of life. As society began to respond to the economic transformation, the ideology and culture of patriarchal descent-line ethics, hitherto an urban, literati trend, began to find resonance among up-and-coming literati families within rural communities. By the end of the sixteenth century, Chinese society, especially in the Jiangnan region and along the southeastern coast, had began to make the transition from the lijia system of household registration into corporate groups overtly organized by kinship relations and unified by the common symbols of the ancestral hall, lineage trust estates, compilation of lineage genealogies and in the symbolic performance of ancestral sacrificial rituals. At the same time, the middle decades of the sixteenth century saw the growing incidence of Japanese wokou piracy along the southeastern coast of China. The county of Haining in Zhejiang province was one such victim of the depredations of the wokou. Yet by the end of the century, it had also been transformed from a rural backwater into a prosperous area known for its lineages which enjoyed literary fame and official influence. The process by which groups within the local community of Haining created their identities as lineages is the focus of this study. While there has been much discussion about the wokou crisis, little attention has been paid to the impact of the wokou upon the littoral societies. Along the coast, the limited reach of the Ming empire was given a boost by the appointment of an anti-wokou administration which in turn marked the beginning of a more extensive incorporation of the maritime periphery into the larger administrative structure. The process of incorporation would have presented opportunities for interested parties to gain political legitimacy and social ascendancy through the adoption of patriarchal descent-line ethics and its accompanying rituals and cultural symbols. This book thus examines the appearance of lineage society in Haining against the background of the wokou raids and the problems brought about by the anti-wokou campaign. This is the first study that takes the innovative and unique approach of linking the rise of lineage organization in Haining, Zhejiang province, to wokou activity. By using Haining as the geographical focus of research, this study provides a good comparative study to published works on Chinese lineage organization which had focused largely on Guangdong, Fujian and Anhui provinces. Through the use of previously un-utilized genealogical records of the lineages resident in Haining, the story of how the local groups in Haining responded to the wokou raids through adopting imperially sanctioned ritual practices and cultural symbols to negotiate the transformation of their local communities into the Neo-Confucian model of corporate family organization emerges. The impact of this transitional process within the local community is extrapolated in the case studies of inter-lineage and intra-lineage conflicts. At the same time, the true extent and impact of the wokou crisis, long held by scholars to be of devastating effect on the Ming polity, is also re-examined. Lineage Society on the Southeastern Coast of China is an important book for Asian studies and history collections.

This book examines three overarching themes: Chinese modernity's (sometimes ambivalent) relationship to tradition at the start of the twentieth century, the processes of economic reform started in the 1980s and their importance to both the eradication and rescue of traditional practices, and the ideological issue of cosmopolitanism and how it frames the older academic generation's attitudes to globalisation. It is important to grasp the importance of these points as they have been an important part of the discourse surrounding contemporary Chinese visual culture. As readers progress through this book, it will become clear that the debates surrounding visual culture are not purely based on aesthetics--an understanding of the ideological issues surrounding the appearance of things as well as an understanding of the social circumstances that result in the making of traditional artifacts are as important as the way a traditional object may look. Contemporary Chinese Visual Culture is an important book for all collections dealing with Asian studies, art, popular culture, and interdisciplinary studies.