Böcker utgivna av Carnegie-Mellon University Press

"Deborah Pope's poems give voice to a life deeply felt and fully realized, whose very personal visions yield universal claims. At the heart of this poetry's fanaticism is the search for the ground of intimacy and the configurations of identity. It is a measure of Pope's skill that each recognition seems powerfully right, not sought but given"--

"Matt Morton's What Passes Here for Mountains presents a mind caught in the grips of spiritual crisis. These poems take the reader on a journey across locales ranging from the West Texas desert to the bustling streets of Rome, from the social realm of festivity and ritual to the privacy of the imagination. Along the way, the search for meaning and stability within a world in constant flux is enlivened by a surrealist vitality. Câezanne and Shakespeare's Caliban commingle with indie rock musicians and Humpty Dumpty. A mystical encounter with an Edward Hopper painting meets the mundanity of waking again to one's morning routine. Poems of wry self-deprecation are juxtaposed with quiet meditations on memory, grief, and the relationship between the self and the cosmos"--

"Dan Rosenberg's third collection of poetry moves from loss into parenthood, exploring the roles of husband and father: their limits, their possibilities, and how they intersect with the wider world. Grounded in the familial, these poems wrestle with the political and the ecological, with heritage and hope, reimagining the breadth of home and what it means for one man to raise another to love it"--

"Out Beyond the Land refracts the subtle moments in nature where what is seen and unseen twists and loops back, gently nudging the speaker to question how knowledge is formed and memorialized. Using the Latin's "A priori" and "A posteriori" as a starting point, these lyrics work to form a kind of double helix in which the strands of empirical and intuitive knowledge twist and become one. In the silence that follows, the speaker comes to terms with both her attachment to nature's permanence and nature's solid independence from our attachment"--

"The poems in Internal West practice a careful empiricism, offering a science of the human, a way to understand the world through watching and listening. Becker's poems are as much in the Eastern European tradition of Daniel Simko as the American tradition of George Oppen. As the poet herself has stated, her main themes are the complete truth of what her life has been; of feeling alone even in supposed relationships"--

"Dark Harvest showcases two decades of Joseph Millar's finest poetic work, including his beloved and award-winning poems centered on the unseen men and women at the margins of American life. Millar's poems don't favor beauty over suffering, nor do they reach for knowledge over mystery-instead, his words carry forward their Whitmanic imperatives: to turn away from nothing, to be awash in contradictions"--

"Yes and No is a book about looking back and looking forward. Many of the poems deal with the loss of friends and relatives whose spirits remain in the poet's life in memory and even apparition. As the title connotes, the collection is about affirmation and negation: there are love poems and poems of the devastating loss of love and poems of passion and the dwindling of it. A spiritual thread runs through the book as well, as seen in the opening poem, "Prayer at the Masked Ball," and in the question asked in the title poem: "are we connected to the infinite, or not?"--

"Mangrove forests grow on coastlines, with root systems that hold them upright in the unstable grounds where land and water meet. That Salt on the Tongue to Say Mangrove draws on the in-between nature of these trees to explore spaces between-between a foot and the floor, a cup of coffee and its dish, a face and the shoulder of a couple on a motorbike. These are poems that dwell in the tidal movement between saying and what's left unsaid"--

"The Knives We Need is a settler-colonial coming-of-age tale, set in landscapes in Palestine and the United States. In short, iterative lyric poems, Nava Etshalom combs through disastrous settler genealogies. Wittily, meticulously, the collection unpicks the stitches of nationalism, sees its costs sidelong, and goes looking for another kind of home"--

"Glorious Veils of Diane is about the weird way children turn themselves inside out on the world, and a reimagining of the author's own childhood. Diane is an ever-changing archetype, a self-conscious child who's seen too many horror movies and is discovering, for the first time, her own blood. A child who thinks she is God, and who sees every person in her life as an extension of herself. A child who is possessed, beloved, and ignored. The book emerges through a chorus of voices belonging to Diane, the people around her, and Blood itself. At some point, Diane disappears. The book then investigates that disappearance, jumping back and forth through time, the physical world, and the spirit world. Ultimately, it suggests that Diane is not what is behind the veils; Diane is the veils"--

In a series of stylized, highly visual vignettes employing puppetry, poetry, and surrealism, the Weird Sisters from Macbeth explore the stories of women who disappear, whether by choice or force. Inspired by history, astronomy, and Shakespeare, Witches Vanish examines the nature of change and the value of human life.

"Leonardo Balada: La Mirada Oceâanica was first published in Spanish by Editorial Alpuerto, S.A., Madrid in 2012."--Title page verso.

Through the course of numerous books, Samuel Green has established his primary poetic preoccupations, and in Disturbing the Light, he continues to mine them, addressing rituals and work in a small, isolated, rural community; the influence of the past on the present, especially in families; and the nature and evolution of a love that has spanned five decades. Added to these themes is something new: Poems written in response to symptoms of late onset PTSD. Though Green's Coast Guard service in Vietnam ended in the fall of 1969, memories have returned recently in vivid, disturbing details, amplified by the haunting knowledge that civilians in Southeast Asia are still, today, suffering death and injury from unexploded ordnance left over from that war. A powerful collection that reminds us that our past is always with us, even as we attend carefully to the present, Disturbing the Light is a masterwork from a poet at the height of his powers.

Sojourners of the In-Between is a book about polarities, the mortality and sense of loss we feel as we grow older, and, on the other hand, the enlivening perceptions our years attune us to, what we might have missed in the full flush and energy of youth. In tones that are sometimes discursive and lyrical, humorous and elegiac, the poems suggest how large distances and abstractions might incline us more intensely to the materiality of things, their earthly make-up, even their dispersible elemental natures reshuffling into different guises. It's a book of longing for what disappears and is lost, and a book of thankfulness for our human capacity to sometimes sense what we often can only imagine.