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"The three most venerated sutras of Zen in a true pocket-sized edition. The Heart Sutra, introducing the Prajnaparamita teaching of emptiness; the Diamond Sutra, introducing the bodhisattva path followed by the Buddha; and the Platform Sutra, introducing the teaching of Zen that students have been putting into practice for the past 1,300 years. In addition to new translations of all three texts, Red Pine has included an introduction that ties all three together and just enough footnotes to explain what needs explaining but not enough to get in the way"--

Finalist for the Ferro-Grumley Award for LGBTQ FictionFor fans of Maggie Nelson and Eileen Myles, the lyrical and deeply moving story of a young queer woman’s journey across Russia to inter her mother’s ashes and to understand her sexuality, femininity, and griefFrom one of Russia’s most exciting new voices, Wound follows a young lesbian poet on a journey from Moscow to her hometown in Siberia, where she has promised to bury her mother’s ashes. Woven throughout this fascinating travel narrative are harrowing and at times sublime memories of her childhood and her sexual and artistic awakening. As she carefully documents her grief and interrogates her past, the narrator of Oksana Vasyakina’s autobiographical novel meditates on queerness, death, and love and finds new words for understanding her relationship with her mother, her country, her sexuality, and her identity as an artist.A sensual, whip-smart account of the complicated dynamics of queer life in present-day Siberia and Moscow, Wound is also in conversation with feminist thinkers and artists, including Susan Sontag, Louise Bourgeois, and Monique Wittig, locating Vasyakina’s work in a rich and exciting international literary tradition.

"After a seismic event leaves the world shattered, an unnamed narrator at the end of a mediocre acting career struggles to regain the ability to walk on ground that is in constant motion. When her alluring younger housemate, Tala, disappears, what had begun as an obsession grows into an impulse to kill, forcing the narrator to confront the meaning of the ruptures that have suddenly upended her life. The drive to find and eliminate Tala becomes an existential pursuit, leading back in time and out into a desolate, dust-covered city, where the narrator is targeted by charismatic "healing" ideologues with uncertain motives. Torn between a gnawing desire to reckon with the forces that have made her and an immediate need to find the stability to survive, she is forced to question familiar figurations of light, shadow, authenticity, resistance, and the limits of personal transformation in an alienated, alienating world"--

"Third Ear braids together personal narrative with scholarly inquiry to examine the power of listening to build interpersonal empathy and social transformation. A child of Holocaust survivors, Rosner shares stories from growing up in a home where six languages were spoken to interrogate how diverse areas of scholarship such as psychotherapy, neurolinguistics, and creativity can illuminate the complex ways we are impacted by the sounds and silences of others"--

"Jules Clement is back in Blue Deer, working as an archaeologist and private investigator. He's a mostly happy man: he's a new father, and he and his wife Caroline are building their dream house on an idyllic patch of river bottomland. But everything that can go wrong will, in terms of money, love, and murder. The horrible neighbors enlist Jules to spy on each other. The county hires him to find out if a road runs over some misplaced bodies in a long-abandoned potter's field. A former priest with a side hustle in extortion ends up very dead. A crew of Russians in fast cars is running amok through the Montana landscape. All this as an old nemesis returns, pulling Jules back to confront what he's been avoiding his entire life: the death of his father."--

"It has been called Wonderland, America's Serengeti, the crown jewel of the National Park System, and America's best idea. But how did this faraway landscape evolve into one of the most recognizable places in the world? As the birthplace of the national park system, Yellowstone witnessed the first-ever attempt to protect wildlife, to restore endangered species, and to develop a new industry centered on nature tourism. Yellowstone remains a national icon, one of the few entities capable of bridging ideological divides in the United States. Yet the park's history is also filled with episodes of conflict and exclusion, setting precedents for Native American land dispossession, land rights disputes, and prolonged tensions between commercialism and environmental conservation. Yellowstone's legacies are both celebratory and problematic. A Place Called Yellowstone tells the comprehensive story of Yellowstone as the story of the nation itself"--

The essential annual guide to the newest voices in literature, selected by Sindya Bhanoo, Ayşegül Savaş, Sidik Fofana, and TKBest Debut Short Stories celebrates the most promising short story writers today. Selected by a panel of distinguished judges, these twelve stories are the 2024 winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers, which recognizes outstanding debuts published in literary magazines.

"In a series of compressed, dynamic prose pieces, Samatar blends letters from her friend with notes on literature, turning to âEdouard Glissant to study the necessary opacity of identity, to Theresa Hak Kyung Cha for a model of literary kinship, and to a variety of others, including Clarice Lispector, Maurice Blanchot, and Rainer Maria Rilke, for insights on the experience and practice of writing. In so doing, Samatar addresses a number of questions about the writing life: Why does publishing feel like the opposite of writing? How can a Black woman navigate interviews and writing conferences without being reduced to a symbol? Are writers located in their biographies or in their texts? And above all, how can the next book be written?"--

"Rina Kirsch is an exhausted young mother and Modern Orthodox Jew in the Pico-Robertson neighborhood of Los Angeles. Dutifully keeping to the formidable expectations of a traditional household connects Rina with generations past and those to come. But a contradiction burns at her center: Rina is an atheist. She is also stymied in her life and marriage. Hoping to reinvigorate their relationship, Rina's husband convinces her to partake in a night of wife swapping with other Orthodox couples. Rather than preserve her marriage, however, the swap plunges Rina down a heady path that begins with a rekindled passion for painting and culminates in an intoxicating affair with Will, her married Mexican American art teacher. Clandestine rendezvous and stolen moments of ardor awaken Rina to an existence beyond the confining parameters of tradition, offering a glimpse at the possible life she left behind in the olive groves of her youth. As the blush of erotic thrill comes into sharp contrast with the complications of living a secret life, Rina must decide if it's worth sacrificing everything she's ever known to fully inhabit the uncharted landscape unfolding before her, one where her needs take precedence"--

"March 31, 1985. Two white patrol officers in search of a gang member followed a pickup truck carrying seven young Black men up a dirt driveway in the Encanto neighborhood of Southeastern San Diego. Minutes later, gunshots rang out, and the truck's driver, Sagon Penn, fled the scene in an officer's patrol car. The incident stunned the city. What followed would change it forever. Penn was an idealist who believed in the power of Buddhist chants to bring about the oneness of humanity. The two police officers were rising stars in one of the most progressive police departments in the country, yet one that had suffered more officers killed in the line of duty than any other. While the facts of the case were never in dispute, what remained unresolved was what, if anything, could justify such a violent confrontation?"--

"Fictional stories have long been imagined to hold an uncanny power over hearts and minds. These days, everybody frets about fiction: according to the National Coalition Against Censorship, the current wave of book bans is the worst since the 1980s, and our cultural debates are consumed by questions about the politics and moral responsibility of storytelling. Can readers and viewers, at any age, be harmed by what they read and see? In Dangerous Fictions, Lyta Gold traces arguments both historical and contemporary that have labeled fiction as dark, immoral, frightening, or poisonous; within each she asks, how "dangerous" is fiction, really? And what about it provokes waves of moral panic and even censorship?"--

"A poetry collection contorting the idea of home away from being a site of comfort and nourishment by coaxing the reader to think about domesticity in knotty new ways..."--

When Sarajevo-born siblings Antonia and Paul join a wealthy Midwestern family in the 1990s, a series of events with deadly consequences is set in motion. Now, with her career on the line and her brother missing, Antonia must race against the clock to confront long-buried family secretsAntonia King has a complicated relationship with the past. She and her brother were found amid the rubble of a bombed-out apartment in Sarajevo and taken in by a family of contractors in Thebes, Minnesota. Eager to escape the constraints of her adopted town, Antonia embarks on a high-powered legal career. But it isn’t long before her brother’s mysterious disappearance pulls her back home. There, over the course of a single day, Antonia unearths decades of secrets and lies, leading to shocking revelations about her adoptive family—and the sinister truth behind her biological mother’s death—that will alter the course of her life and change her definition of family forever.Informed by timely issues of immigration, capitalism, and justice, yet timeless in its themes of love, identity, and competing loyalties, The Dig, inspired by the Greek tragedy Antigone, portrays a woman at odds with her history, forced to choose between her own ambitions and her loyalty to her beloved, idealistic brother.

"Growing up in Yakima, Washington, Néo Álvarez never knew his grandfather. Stories swirled around this mythologized, larger-than-life figure: That he had abandoned his family, and had possibly done something awful that put a curse on his descendants. About his grandfather, young Néo was sure of only one thing: That he had played the accordion. Now an adult, reckoning with the legacy of silence surrounding his family's migration from Mexico, Álvarez resolves both to take up the instrument and to journey into Mexico to discover the grandfather he never knew"--

The newest arrivals in Bellinas, a reclusive, creative community along the coast of northern California run by her husband's cousin, a famous model, Tansy grows more and more suspicious of Bellinas and increasingly desperate to save her already-fragile marriage, wanting to believe in what may only be a beautiful lie.

"Kristine S. Ervin was just eight years old when her mother, Kathy Sue Engle, was abducted from an Oklahoma mall parking lot and violently murdered in an oil field. First, there was grief. Then the desire to know: what happened to her, what she felt in her last terrible moments, and all she was before these acts of violence defined her life. In her mother's absence, Ervin tries to reconstruct a woman she can never fully grasp--from her own memory, from letters she uncovers, and the stories of other family members. As more information about her mother's death comes to light, Ervin's drive to know her mother only intensifies, winding its way into her own fraught adolescence. In the process of both, she reckons with contradictions of what a woman is allowed to be--a self beyond the roles of wife, mother, daughter, victim--what a 'true' victim is supposed to look like, and, finally, how complicated and elusive justice can be"--

"A memoir-in-essays about how skateboarding re-defines space, curates culture, confronts mortality, and affords new perspectives on and off the board"--

"Inspired by family lore, a young writer embarks on an epic quest through the Argentine Andes in search of a heritage spanning hemispheres and centuries, from the Jewish Levant to turn-of-the-century trade routes in South America. One Thanksgiving afternoon at his grandparents' house, Jordan Salama discovers a large binder stuffed with yellowing papers and old photographs--a five-hundred-year wandering history of his Arab-Jewish family, from Moorish Spain to Ottoman Syria to Argentina and beyond. One story in particular captures his that of his great-grandfather, a Syrian-born, Arabic-speaking Jewish immigrant to Argentina who in the 1920s worked as a traveling salesman in the Andes--and may have left behind forgotten descendants along the way. Encouraged by his grandfather, Jordan goes in search of these "Lost Salamas," traveling more than a thousand miles up the spine of South America's greatest mountain range. Combining travelog, history, memoir, and reportage, Stranger in the Desert transports readers from the lonely plains of Patagonia to the breathtaking altiplano of the high Andes; from the old Jewish quarter of Damascus to today's vibrant neighborhoods of Buenos Aires. It is also a fervent journey of self-discovery as Salama grapples with his own Jewish, Arab, and Latin American identities, interrogating the stories families tell themselves, and to what end." --

"From horse thieves to hurricanes, from shattered Southern myths to fractured family ties, from Nashville to Myrtle Beach to Miami, Low Country is a lyrical, devastating, fiercely original memoir" of one family's changing fortunes in the Low Country of South Carolina (Justin Taylor, author of Riding with the Ghost).J. Nicole Jones is the only daughter of a prominent South Carolina family, a family that grew rich building the hotels and seafood restaurants that draw tourists to Myrtle Beach. But at home, she is surrounded by violence and capriciousness: a grandfather who beats his wife, a barman father who dreams of being a country music star. At one time, Jones's parents can barely afford groceries; at another, her volatile grandfather presents her with a fur coat.After a girlhood of extreme wealth and deep debt, of ghosts and folklore, of cruel men and unwanted spectacle, Jones finds herself face to face with an explosive possibility concerning her long-abused grandmother that she can neither speak nor shake. And through the lens of her own family's catastrophes and triumphs, Jones pays homage to the landscapes and legends of her childhood home, a region haunted by its history: Eliza Pinckney cultivates indigo, Blackbeard ransacks the coast, and the Gray Man paces the beach, warning of Hurricane Hazel.

"A companion to his beloved volume This Day and Wendell Berry's first new poetry collection since 2016, this new selection of Sabbath Poems are filled with spiritual longing and political extremity, memorials and celebrations, elegies and lyrics, alongside the occasional rants of the Mad Farmer, pushed to the edge yet again by his compatriots and elected officials"--

"For acclaimed writer and environmental activist Rick Bass, it can be wearying to dwell relentlessly upon the broken, the fragmented, the dead and dying and doomed to extinction. Activism is a necessary part of the environmental movement, but so is the time-honored celebration of the beauty that inspires us. Spanning his storied career, these new and selected essays attempt to take a brief step to the side, away from lamentation and prescription, to inhabit, as deeply as possible, the greater depths of the beauty in each moment. Throughout, Bass offers a portrait of our planet that is always alert to its wonders, even in the face of environmental crisis"--

"Set in the suburbs of Los Angeles and New York City, I Love You So Much It's Killing Us Both is an immersive journey into the life and mind of Khaki Oliver, who's perennially trying to disappear into something: a codependent friendship, an ill-advised boyfriend, the punk scene, or simply, the ether. These days it's a meaningless job and a comfortingly empty apartment. Then, after a decade of estrangement, she receives a letter from her former best friend. Fiona's throwing a party for her newly adopted daughter and wants Khaki to join the celebration. Khaki is equal parts terrified and tempted to reconnect. Their platonic love was confusing, all-consuming, and encouraged their worst impulses. While stalling her RSVP, Khaki starts crafting the perfect mixtape-revisiting memories of formative shows, failed romances, and the ups and downs of desire and denial-while weighing the risks and rewards of saying yes to Fiona again"--