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  • av Derek Beaulieu
    149

    Quill pen, linotype, computer: does how you write affect what you write? This book spurns the sentence and woos the phrase, the image and the language of printing, weaving fragments together to address the question of how publishing and printing affect writing.

  • av Jill Hartman
    201

    Tells a tale of love that features a lonely Indian elephant, newly arrived at the Calgary Zoo from Holland, with a penchant for moonlight escapes, and the wooden Maytag Man statue on Calgary's 9th Street, with his sad eyes, his oaken thighs, his aloofness.

  • av Lise Downe
    187

    A collection of poetry that documents the sorts of interruptions that plague the lives of artists and writers. It weaves together the imagery of searching and the vagaries of language into a whole cloth. It reflects the dynamic between the known and the unknown.

  • av Gary Barwin
    201

  • av Louise Bak
    187

    Louise Bak's second book, "Tulpa" (in Buddhist mysticism, a magical entity created by intensely concentrated thought), continues her challenging exploration of a broad range of themes and uses of the global lexicon. Combining a visual artist's flair for colour with a performance artist's transgressive interventions, Bak is a unique voice in post-colonial Canadian writing.

  • av Nancy Shaw
    217

    "Busted" is a book about governance, and a catalogue of possible relations. It explores a litany of genres concerned with allegiance and refusal, and inhabits the array of ways we do or don't jive with self, group and governing relations. It is a polemic, it is a collage that interrogates how language and linguistic discourses contribute to shaping the relationship between the subject and polity.

  • av Steve Venright
    197

    Steve Venright, the true heir to the literary legacy of Henri Michau, Christopher Dewdney and Jorge Luis Borges, is the only surrealist ever to come from Sarnia, Ontario. Spiral Agitator, his fourth book, is a sumptuous assortment of prose poems and visual art from beyond the Turbulated Curtain.

  • av Dan Farrell
    181

    Dan Farrell's second volume of poetry is an examination of a discourse that everyone knows about but few people have examined in detail: the response of people to Rorschach inkblot patterns. By turns profound and hilarious, this book is an insightful statement about the relentless drive to make meaning out of nothing.The online version features a dynamic inkblot, designed by Brian Kim Stefans, to test your own poetic/psychological state of being.

  • av Steve McCaffery
    227

  • av Stephen Cain
    287

    A double-lunged bong hit of mid-Eighties post-punk college rock, Gertrude Stein, art films, and the comedic legacy of Laurel and Hardy (including such great standup teams as HD and Ezra Pound, Jesus and Judas, and Steve McCaffery and bpNichol). Jeff Derksen says: 'If reading is sixty-nining, then "dyslexicon" satisfies at both ends. Stephen Cain disentangles everyday life into its constituent emotional, intellectual, sexual and cultural parts - people, the city, books, music - only to recombine them into a new set of relations ... It's a sexy m-f of a book. Put it on your turntables.'

  • av Damian Lopes
    221

    At long last, this double-barrelled collection of visual poetry, "sensory deprivation" and "dream poetics," by damian lopes is now in print. Considered visual essays by the author, "sensory deprivation" explores the visual noise and overload of contemporary culture, while "dream poetics" offers an argument for a poetics in this culture. The print book is the companion to the online edition.

  • av Lillian Necakov
    149

    Although firmly rooted in the real, Lillian Necakov's evocations of 'movie magic' prove irresistible in these forty poems and five collages. Ranging across dozens of films - from Wim Wender's Wings of Desire and Jim Jarmusch's Down By Law to Hitchcock's Rope and Hawks's To Have and Have Not -- Lillian Necakov's language, steeped in the comic of the banal, has absurdity for breakfast.

  • av bp Nichol
    161

    'All of Nichol's work is stamped by his desire to create texts that are engaging in themselves as well as in context, and to use indirect structural and textual devices to carry meaning. In The Martyrology different ways of speaking testify to a journey through different ways of being. Language is both the poets instructor and, through its various permutations, the dominant 'image' of the poem. The [nine] books of The Martyrology document a poets quest for insight into himself and his writing through scrupulous attention to the messages hidden in the morphology of his own speech. Frank Davey

  • - Toward Legal Rights For Animals
    av Martin Vaughn-James
    261

    The triumphant return of the 1975 cult classic and seminal graphic novel - it's a nightmare you can't awake from.

  • av Christian Bk
    161

    'Crystal lography' means the study of crystals, but also, taken literally, 'lucid writing.' This book features the intersection of poetry and science, and explores the relationship between language and crystals - looking at language as a crystal, a space in which the chaos of individual parts align to expose a perfect formation of structure.

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