Böcker utgivna av Comma Press

The Sea Cloak is a collection of 11 stories by the author, journalist, and women's rights campaigner, Nayrouz Qarmout. Drawing from her own experiences growing up in a Syrian refugee camp, as well as her current life in Gaza, these stories stitch together a patchwork of different perspectives into what it means to be a woman in Palestine today.

The stories gathered in this anthology reflect the many complex challenges Havana's citizens have had to endure as a result of their country s political isolation from the hardships of the 'Special Period', to the pitfalls of Cuba s schizophrenic currency system, to the indignities of becoming a cheap tourist destination for well-heeled Westerners. Moving through various moments in its recent history, as well as through different neighbourhoods from the prefab, Soviet-era maze of Alamar, to the bars and nightclubs of the Malecon and Vedado these stories also demonstrate the defiance of Havana: surviving decades of economic disappointment with a flair for the comic, the surreal and the fantastical that remains as fresh as the first dreams of revolution.

Sean O'Brien's stories are all lit with the unmistakable hue of the Victorian gothic: from the rantings of a deranged psychiatric patient, to the apparition of demons swarming into a remote, rural railway station; solemn oaths are broken and need atoning for; minor transgressions are met with outlandish curses. Often we join O'Brien's protagonists attempting to take time out from their troubles, but removing themselves from their normal lives only lets the supernatural in, and before they know it personal demons find very literal ones to conspire with.

Whatever happened to British protest? For a nation that brought the world Chartism, the Suffragettes, the Tolpuddle Martyrs, and so many other grassroots social movements, Britain rarely celebrates its long, great tradition of people power. In this timely and evocative collection, twenty authors have assembled to re-imagine key moments of British protest, from the Peasants' Revolt of 1381 to the anti-Iraq War demo of 2003. Written in close consultation with historians, sociologists and eyewitnesses - who also contribute afterwords - these stories follow fictional characters caught up in real-life struggles, offering a streetlevel perspective on the noble art of resistance. n the age of fake news and post-truth politics this book fights fiction with (well researched, historically accurate) fiction.

Born in what is now Ukraine to Polish parents, naturalised as a British citizen, and schooled on the high seas of international commerce, Joseph Conrad was a true citizen of the world. His novels bore witness to the dehumanising repercussions of empire, explored a world in which state-sponsored terrorism ruined individuals' lives, and pioneered complex narrative structures and subjective points-of-view in what was to become the first wave of literary modernism. To mark his 160th birthday, 14 authors and critics from Britain, Poland and elsewhere have come together to celebrate his legacy with new pieces of fiction and non-fiction. Conrad felt that the writer's task was to offer 'that glimpse of truth for which you have forgotten to ask.' In an age of increasing isolationism, these celebrations remind you of the value of such glimpses. Commissioned as part of the Joseph Conrad Year 2017, the book has been published with the support from the Polish Cultural Institute, the Polish Book Institute, and the British Council.

M. John Harrison is a cartographer of the liminal. His work sits at the boundaries between genres - horror and science fiction, fantasy and travel writing - just as his characters occupy the no man's land between the spatial and the spiritual. Here, in his first collection of short fiction for over 15 years, we see the master of the New Wave present unsettling visions of contemporary urban Britain, as well as supernatural parodies of the wider, political landscape. From gelatinous aliens taking over the world's financial capitals, to the middle-aged man escaping the pressures of fatherhood by going missing in his own house... these are weird stories for weird times.

Many of the characters in Martyn Bedford's stories find themselves at a point of redefinition, trading in their old identity for something new. Whether it is an act of retreat or escape - fantasising about storming out of a thankless job, or just avoiding a bad-tempered husband for a few moments on Christmas day - they each understand the first step in changing a reality, is to reconstruct it.

A John Latham poem is a like a precipitation: images coalesce around a single memory the way ice crystallises around the smallest particle to form a snowflake; the strange logic that constructs them is unique each time. Passionate, satirical, mysterious, the poems in his sixth collection capture the vibrancy of a childhood that still bewitches him half a century later, alongside the cruel betrayals of old age, and the fresh possibilities bound up in each new encounter. Latham's training as a physicist may bring a cosmic perspective to the landscapes he maps out, but they are also profoundly local. The wonders of the universe are no more mysterious to him than the simple oddity of other humans. And as the title poem demonstrates, every last atom of detail, even the mistakes of a makeshift translation, have the capacity to beguile. Having trained as a physicist specialising in the science of cloud formation and then later emerged as one of the more curious voices in British poetry, John Latham is not a writer you're ever likely to forget. Merging the intricate beauties of his scientific perspective with a highly playful treatment of memory, landscape, and the imagination, Latham's poems are masterpieces of British surrealism.

Modelled on Chaucer's Canterbury Tales, the second volume of Refugee Tales sets out to communicate the experiences of those who, having sought asylum in the UK, find themselves indefinitely detained. Here, poets and novelists create a space in which the stories of those who have been detained can be safely heard, a space in which hospitality is the prevailing discourse and listening becomes an act of welcome.

Spanning centuries and continents, the stories in this collection amount to a tour de force of literary worldbuilding. From deeply insecure time travellers to medieval mystics and futuristic body modification cults, Norminton's characters find themselves torn between conflicting impulses - temptation and fortitude, hubris and shame, longing and regret. By turns sad, strange and darkly comic, The Ghost Who Bled reveals a master storyteller of incredible range.

Before his untimely death at the age of 47, Dinesh Allirajah was one of the most versatile and accomplished writers working in the North of England. Whether as a performance poet, literary critic, wry social commentator or masterfully understated short story writer, his work was always international in scope, but local and personal in touch. Witty, irreverent, and intricately observed, his writing was informed by everything from raregroove jazz to experimental theatre, crime noir to stand-up comedy. Yet it always felt, and continues to feel, bespoke to us as readers. The short stories, in particular, allow us to eavesdrop on the most intimate, unattended moments in their characters lives. Here, we get to know outsiders migrant workers, beleaguered mothers, old and unwanted regulars in a pub that's facing a refurb people being slowly ushered into the background, or kept at a distance. Yet it is on these peripheries far from where everyone else is looking that Dinesh finds his stories, here that identities are reconstructed and renegotiated, here that we learn the most about ourselves. Spanning over twenty years work, this definitive volume presents a through-line of Dinesh's compassion, activism, and literary perspicacity; a clarion call to find essential beauty - in art, music, sport, life - and to pass it on.

The relationship between sleep and storytelling is an ancient one. For centuries, sleep has provided writers with a magical ingredient a passage of time during which great changes miraculously occur, an Orpheus-like voyage through the subconscious daubed with the fantastic. But over the last ten years, our scientific understanding of sleep has been revolutionised. No longer is sleep viewed as a time of simple rest and recuperation. Instead, it is proving to be an intensely dynamic period of brain activity: a vital stage in the re-wiring of memories, the learning of new skills, and the processing of problems and emotions. How will storytelling respond to this new and emerging science of sleep? Here, 14 authors have been invited to work with key scientists to explore various aspects of sleep research: from the possibilities of sleep engineering and overnight therapies , to future-tech ways of harnessing sleep s problem-solving powers, to the challenges posed by our increasingly 24-hour lifestyles. Just as new hypotheses are being put forward, old hunches are also being confirmed (there s now a scientific basis for the time-worn advice to sleep on a problem ). As these responses show, sleep and the spinning of stories are still very much entwined. This project was supported by the Wellcome Trust.

A letter-writing campaign goes awry when a law is passed that only allows people to walk the streets at night, if they maintain a squatting position at all times... A town is overrun with cockroaches; despite the government's official expressions of concern, the only person doing anything about it is branded an agitator... A widower is forced to move into the city to live with his son, bringing his cat and his strange country ways with him... Diao Dou s short stories perform a kind of high-wire literary acrobatics; each one executes an immaculate mid-air transition, from closely observed social realism to surrealist parody, and back again. Covering all aspects of modern Chinese life from the high-minded morals of an emerging middle class, to the vividly remembered hardships of an all-too-recent collectivist past these stories offer a very particular window into the contemporary Chinese psyche, and show a culture struggling to keep pace with the extraordinary transformations that have befallen it in the space of a single lifetime. Diao Dou is wildly regarded as one of China's leading satirists, praised for his refusal to follow any of the numerous literary trends that often dominate the Chinese literary scene. Translated by Brendan O'Kane.

The stories of David Constantine are unlike any others. His characters possess you instantly, making you see the world as they do- sometimes as exiles, driven into isolation by convictions that even they don t fully understand; sometimes as carriers of an unspoken but unbearable weight. The things they pursue, or evade, are often unseen and at a distance- like the perfectly preserved body of a woman in the title story, waiting to be discovered in the receding ice of a Swiss glacier. These tokens of the past, or future, haunt Constantine's characters, but the landscapes that produce them also offer salvation, places of refuge or small treasures to take solace in- like the piece of driftwood a beachcomber chooses to carve into his idea of perfection. Gathering together stories from over two decades of writing, this selection demonstrates why Constantine has been hailed as perhaps the finest of contemporary writers in this form. Their bewitching and urgent language is at one and the same time unsettling and strong enough to help. Featuring the story, 'In Another Country', that inspired the motion picture, 45 Years. Also featuring selected stories from David Constantine's Comma Press back catalogue : Under The Dam (2005); The Shieling (2009); Tea at the Midland (2012).

Being short, you might think the story's structure would yield an answer to this question more readily than, say, the novel. But for as long as the short story has been around, arguments have raged as to what it should and shouldn't be made up of, what it should and shouldn't do. Here, 15 leading contemporary practitioners offer structural appreciations of past masters of the form as well as their own perspectives on what the short story does so well. The best short stories don't have closure, argues one contributor, 'because life doesn't have closure'; 'plot must be written with the denouement constantly in view,' quotes another. Covering a century of writing that arguably saw all the major short forms emerge, from Hawthorne's 'Twice Told Tales' to Kafka's modernist nightmares, these essays offer new and unique inroads into classic texts, both for the literature student and aspiring writer.

It seems probable that there are no more moss witches; the times are cast against them. But you can never be certain. In that sense they are like their mosses; they vanish from sites they are known to have flourished in, they are even declared extinct and then they are there again, there or somewhere else, small, delicate but triumphant, alive. Moss Witches, like mosses, do not compete; they retreat... Each story in Sara Maitland's collection enacts a daring kind of alchemy, fusing together raw elements of scientific theory with ancient myth, folkloric archetype and contemporary storytelling. As the laboratory smoke settles, we are treated to a new strain of narrative: a hybrid of fiction and non-fiction, the atavistic and the futuristic. We re also introduced to a weird and wonderful cast of characters: identical twins who fight bitterly day and night for purely quantum mechanical reasons; an expert on bird migration awaiting the homecoming of her lover on the windswept shores of the Hebrides. All the more remarkable is that each of these stories sprang from a conversation with a scientist and grew directly out of cutting-edge research. As befits their hybrid nature, each is also accompanied by an afterword, specially written by the consulting scientist to introduce us to the wonder behind the weirdness.

Welcome to the surreal, misshapen universe of Adam Marek's first collection; a bestiary of hybrids from the techno-crazed future and mythical past; a users guide to the seemingly obvious (and the world of illogic implicit within it). Whether fantastical or everyday in setting, Marek's stories lead us down to the engine room just beneath modern consciousness, a place of both atavism and familiarity, where the body is fluid, the spirit mechanised, and beasts often tell us more about our humanity than anything we can teach ourselves.

Where does fear lurk in 21st century life? In a technological age hardwired to keep information flowing and the unknown at bay, what irrationalities still linger for horror writers to tap into? This anthology - the first in a new series from Comma - offers 15 very different responses to the question. From ancient curses kept alive in internet chat-rooms to malevolent children's TV characters acquiring lives of their own, Phobic shines a torch into the unlit areas of the modern subconscious and suggests the more we know, the more we realise how worried we really should be.

In the middle of a speech a businessman realises his soul has just left his body. In an Athens marketplace, a jealous lover finds himself staggering through a vision of hell. High in the Alps, a young woman's body re-appears in the glacier, perfectly preserved, where she fell 50 years before. Entering Constantine's stories is like stepping out into a wind of words, a swarm of language. His prose is as fluid as the water that surges and swells through all his landscapes. Yet, against this fluidity, his stories are able to stop time, to freeze-frame each protagonist's life just at the moment when the past breaks the surface, or when the present - like the dam of the title - collapses under its own weight. Features 'In Another Country' - recently been adapted for the big screen '45 Years' starring Charlotte Rampling and Tom Courtenay.

Intelligent clothing, superhero dictators, contagion-carrying computer games, cross-species reproduction... Welcome to the strange and startling world of Adam Marek; a menagerie of futuristic technology, sinister traditions and scientifically-grounded superpowers a place where the absurd and the mundane are not merely bedfellows, but interbreed. Pulsing at the core of Adam Marek's much-anticipated second collection is a single, unifying theme: a parent s instinct to protect a particularly vulnerable child. Whether set amid unnerving visions of the near-future, or grounded in the domestic here-and-now, these stories demonstrate that, sometimes, only outright surrealism can do justice to the merciless strangeness of reality, only the fantastically illogical can steel us against what ordinary life threatens.

The characters in David Constantine's fourth collection are often delicately caught in moments of defiance. Disregarding their age, their family, or the prevailing political winds, they show us a way of marking out a space for resistance and taking an honest delight in it. Witness Alphonse having broken out of an old people s home, changed his name, and fled the country now pedalling down the length of the Rhone, despite knowing he has barely six months to live. Or the clergyman who chooses to spend Christmas Eve and the last few hours in his job in a frozen, derelict school, dancing a wild jig with a vagrant called Goat. Key to these characters defiance is the power of fiction, the act of holding real life at arm s length and simply telling a story be it of the future they might claim for themselves, or the imagined lives of others. Like them, Constantine s bewitching, finely-wrought stories give us permission to escape, they allow us to side-step the inexorable traffic of our lives, and beseech us to take possession of the moment.

Identity, in Guy Ware's confident debut collection, is a mercurial thing. Lawyers paint conflicting pictures of an alleged terrorist; a city trader decides, without warning, to walk out of her life; flirting lovers take role-play to a new, existential, level. Whether living under a totalitarian regime or simply getting through the day in a grindingly predictable metropolis, Ware's characters struggle with the urge to redefine themselves, to start again, to reboot.

A student pedals an old Ukrainian bicycle between striking factories, delivering bulletins, in the tumultuous first days of the Solidarity movement... A shepherd watches, unseen, as a strange figure disembarks from a pirate ship anchored in the cove below, to bury a chest on the beach that later proves empty... A prisoner in a Berber dungeon recounts his life s story the failed pursuit of the world's very first language by scrawling in the sand on his cell floor...The characters in Pawel Huelle's mesmerising stories find themselves, willingly or not, at the heart of epic narratives; legends and histories that stretch far beyond the limits of their own lives. Against the backdrop of the Baltic coast, mythology and meteorology mix with the inexorable tide of political change: Kashubian folklore, Chinese mysticism and mediaeval scholarship butt up against the war in Chechnya, 9-11, and the struggle for Polish independence. Central to Huelle's imagery is the vision of the refugee be it the Chechen woman carrying her newborn child across the Polish border (her face emblazoned on every TV screen), the survivor of the Gulag re-appearing on his friends doorstep, years after being presumed dead, or the stranger who befriends the sole resident of a ghostly Mennonite village in the final days of the Second World War. Each refugee carries a clue, it seems, or is in possession or pursuit of some mysterious text or book, knowing that only it like the Chinese Book of Changes can decode their story.What we do with this text, this clue, Huelle seems to say, is up to us.

The poetry of Gaia Holmes delves deep beneath the urban and the quotidian to reveal a strange and exotic other-life. This, her much-anticipated second collection, champions the survivor and celebrates the indomitability of the self, measuring at each turn the cost suffered against the hope retained, the loss still felt against the new-found strength of starting afresh.

"Ma is Scared is the long-overdue debut of Anjali Kajal in English, representing the best of her short fiction, written and published over the last twenty years. From the anxious mother waiting for her daughter to return home safely, to the young student accused of stealing because of her caste, the stories gathered here explore the experience of women in small towns and urban centres across North India. Kajal writes about desire, abuse, silence, love and oppression in nuanced ways; how they are negotiated in the world; through relationships, family, motherhood, school, university, jobs. Her language, imagery and concerns are thoroughly contemporary, capturing the yearnings, restrictions and possibilities of modern life from a feminist and anti-caste perspective. "

The BBC NSSA is one of the most prestigious prizes for a single short story, with the winning author receiving GBP15,000, and four further shortlisted authors GBP600 each.

The latest edition to Comma's popular Reading the City series. Ten short stories by ten Bristolian writers.

All Walls Collapse brings together 12 acclaimed writers from across the world to explore the impact of walls, barriers, partitions and borders on people's lives, as well as their communities.

Covering US foreign policy from 1945 to the present day, an anthology of specially commissioned stories by authors from across the globe addressing America's history of intervention.

Described as one of the as one of the UK's finest short story writers, Constantine intricately interweaves fictional characters and events with the real to create new ways of seeing and connecting our past, present and possible futures.