"A memoir of journal notes, early drafts of poems, and short meditations by Marianne Boruch" --
Told through unflinching prose poetry, I Do Know Some Things navigates the fractured landmarks of family trauma and personal history. Richard Siken’s long anticipated third collection, I Do Know Some Things, navigates the fractured landmarks of family trauma: a mother abandons her son, a husband chooses death over his wife. While excavating these losses, personal history unfolds. We witness Siken experience the death of a boyfriend and a stroke that is neglectfully misdiagnosed as a panic attack. Here, we grapple with the fear of a body forgetting itself—“the mind that / didn’t work, the leg that wouldn’t move…”—and the fear of waiting to see what a body can and cannot relearn. Meditations on language are woven throughout the collection. Nouns won’t connect and Siken must speak around a meaning: “dark-struck, slumber-felt, sleep-clogged.” To say “black tree” when one means “night.” “Part insight, part anecdote,” Siken is meticulous and fearless in his explorations of the stories that build a self. Told in 77 prose poems, I Do Know Some Things teaches us about transformation. We learn to shoulder the dark, to find beauty in “The field [that] had been swept clean of habit.”
Through invention and remembrance, a little bump in the earth creates a black town on a hill—its land, its losses, its living and ancestral dead.Tyree Daye’s a little bump in the earth is an act of invention and remembrance. Through sprawling poems, the town of Youngsville, North Carolina, where Daye's family has lived for the last 200 years, is reclaimed as “Ritual House.” Here, “every cousin aunt uncle ghost” is welcome. Daye invokes real and imagined people, the ancestral dead, land, snakes, and chickens, to create a black town on a hill. Including dreams, letters, revised rental agreements, and “a little museum in the here & after,” where collaged images appear besides documents from Daye’s ancestors—census records, marriage licenses, and WWII Draft Registration cards—the collection asks if the past can be a portal to the future, the present a catalyst for the past. a little bump in the earth explores what it means to love someone, someplace, even as it changes, dies right in front of your eyes. Poem by poem, Daye is honoring the people of Youngsville and “bringing back the dead.”
A new bilingual Spanish-English edition of Neruda's famous Book of Questions, a Copper Canyon bestseller.
"We are homesick everywhere," writes Tishani Doshi, "even when we're home." With aching empathy, righteous anger, and rebellious humor, A God at the Door calls on the extraordinary minutiae of nature and humanity to redefine belonging and unveil injustice. In an era of pandemic lockdown and brutal politics, these poems make vital space for what must come next--the return of wonder and free movement, and a profound sense of connection to what matters most. From a microscopic cell to flightless birds, to a sumo wrestler and the tree of life, Doshi interrupts the news cycle to pause in grief or delight, to restore power to language. A God at the Doorinvites the reader on a pilgrimage--one that leads us back to the sacred temple of ourselves. This is an exquisite, generous collection from a poet at the peak of her powers.
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