Böcker utgivna av Cornell University Press

"My hope is that by attending to sound I have been able to open up parts of these worlds, not to get a glimpse of them but to listen in. These were worlds much more alive with sound than our own, worlds not yet disenchanted, worlds perhaps even...

With a sweeping look at the European expansionism and racism of the last five hundred years, Charles W. Mills demonstrates how this peculiar and unacknowledged "racial contract" has shaped a system of global European domination.

From Cinderella to The Boy Who Cried Wolf to The Dragon Slayer to the Judgment of Solomon, certain legends, myths, and folktales are part of the oral tradition in countries around the world. In addition to their pervasiveness, these stories show an...

An important contribution to the development of the scientism-versus-humanism debate over the comparative merits of classical and modern culture, this book lays out Vico's powerful arguments against the compartmentalization of knowledge.

Vital reading for anyone concerned with how refugee flows affect the dynamics of conflicts around the world.

In eleven acute and widely ranging essays, Irigaray reconsiders the question of female sexuality in a variety of contexts that are relevant to current discussion of feminist theory and practice.

This volume contains two works by Renaissance writers: Machiavelli's "Discourses on the First Decade of Livy" and Guicciardini's "History of Italy". Reflecting on Ancient Rome, both thinkers refined their conceptions of government with an eye to the political turmoil of their own Florence.

Offers a firsthand account of the life of Marek Hlasko, a young writer whose iconoclastic way of life became an inspiration in 1950s Poland. Detailing relationships with such giants of Polish culture as the filmmaker Roman Polanski and the novelist Jerzy Andrzejewski, this memoir recounts his adventures and misadventures abroad in the postwar era.

The eleven original essays presented here serve to enlarge the canvas upon which American history is to be portrayed so that it will allow—or more deliberately, give more prominence to—those groups at the bottom of colonial society to gain more equitable visibility. The effect is a striking view of the Revolution that provides not only a much-needed perspective on the role of minority groups in an era of social upheaval but also presents a panorama of such complexity and vitality that American history itself becomes more meaningful and more exciting than anything we have heretofore imagined.

For this revised edition of Hildegard's liturgical song cycle, Barbara Newman has redone her prose translations of the songs, updated the bibliography and discography, and made other minor changes. Also included is an essay by Marianne Richert Pfau which delineates the connection between music and text in the Symphonia.Famous throughout Europe during her lifetime, Hildegard of Bingen (1098-1179) was a composer and a poet, a writer on theological, scientific, and medical subjects, an abbess, and a visionary prophet. One of the very few female composers of the Middle Ages whose work has survived, Hildegard was neglected for centuries until her liturgical song cycle was rediscovered. Songs from it are now being performed regularly by early music groups, and more than twenty compact discs have been recorded.

A comprehensive account of the influence of occult beliefs and doctrines on intellectual and cultural life in twentieth-century Russia.

Evil is the most serious of our moral problems.

The Birds of Panama will be an essential tool for the new generation of birders traveling in search of Panama's spectacular avifauna.

This work traces the development of Anais Nin's theories of gender and the creative self through her fiction, criticism and diaries. It frames its analysis with a Lacanian perspective that complements Nin's recreation of her personal history and interest in psychoanalysis and modernism.

"Post is a pioneer in the field of political-personality profiling. He may be the only psychiatrist who has specialized in the self-esteem problems of both Osama bin Laden and Saddam Hussein."-The New Yorker "Policy specialists and academic...

A clear and provocative account of the epistemology of religious experience.

In The Education of Cyrus, Xenophon confronts the vexing problem of political instability by exploring the character and behavior of the ruler.

In Among Women across Worlds, Suzy Kim excavates the transnational linkages between women of North Korea and a worldwide women's movement. Women of Asia, especially those espousing communism, are often portrayed as victims or pawns of a patriarchal Confucian state. Kim undercuts this standard analysis through detailed archival work in the international women's press, and finds that North Korean women asserted themselves in unexpected places from the late 1940s--just before the official beginning of the Korean War--to 1975, the year designated by the UN as International Women's Year. By centering North Korea and the "East," Kim defies convention to offer an entirely new genealogy of the global women's movement. Women of the Korean Democratic Women's Union (KDWU), as part of the global left women's movement led by the Women's International Democratic Federation (WIDF), insisted family and domestic issues must be part of both national and international debates, highlighting how race, nationality, sex, and class connect to form systems of colonial and capitalist exploitation. Their intersectional program claimed that there is "no peace without justice," that "the personal is the political," and that "women's rights are human rights" many decades before activists of the West embraced such agendas. Among Women across Worlds is an archaeology of forgotten movements and ideas that became the foundation for those that have come to define our era.

Much of the hoopla surrounding quality circles, teams, and high-performance work systems has been based on anecdotes and very thin evidence. It has not been established that those employee involvement strategies amount to anything more than another series of management fads or ruses designed to get more out of workers without giving them anything in return. This revelatory book, written by some of the skeptics, lays some of the suspicion to rest.Based on their visits to 44 plants and surveys of more than 4,000 employees, Eileen Appelbaum, Thomas Bailey, Peter Berg, and Arne L. Kalleberg concluded that companies are indeed more successful when managers share knowledge and power with workers and when workers assume increased responsibility and discretion.The study of steel, apparel, and medical electronics and imaging plants revealed much. In self-directed teams, workers were able to eliminate bottlenecks and coordinate the work process. In task forces created to improve quality, they communicated with individuals outside their own work groups and were able to solve problems. Expensive equipment in steel mills operated with fewer interruptions, turnaround and labor costs were cut in apparel factories, and costly inventories of components and medical equipment were reduced.And what did the employees think? The worker survey showed that jobs in participatory work systems often provide more challenging tasks and more opportunities for creativity. Employees in apparel had higher hourly earnings; those in steel had both higher hourly earnings and higher job satisfaction. Workers in more participatory settings were no more likely than others to report heavy workloads or excessive demands on their time. They were, however, less likely to report involuntary overtime or conflict with co-workers, and were more likely to be satisfied with their surroundings. Manufacturing Advantage provides the best assessment available of the effectiveness of high-performance work systems. Freestanding chapters near the end of the book provide full documentation of research data without interrupting the narrative flow.

"The heart of history, for Heidegger, is not a sequence of occurrences but the eruption of significance at critical junctures that bring us into our own by making all being, including our being, into an urgent issue. In emergency, being emerges."--from The Emergency of BeingThe esoteric Contributions to Philosophy, often considered Martin Heidegger's second main work after Being and Time, is crucial to any interpretation of his thought. Here Heidegger proposes that being takes place as "appropriation." Richard Polt's independent-minded account of the Contributions interprets appropriation as an event of emergency that demands to be thought in a "future-subjunctive" mode. Polt explores the roots of appropriation in Heidegger's earlier philosophy; Heidegger's search for a way of thinking suited to appropriation; and the implications of appropriation for time, space, human existence, and beings as a whole. In his concluding chapter, Polt reflects critically on the difficulties of the radically antirationalist and antimodern thought of the Contributions.Polt's original reading neither reduces this challenging text to familiar concepts nor refutes it, but engages it in a confrontation--an encounter that respects a way of thinking by struggling with it. He describes this most private work of Heidegger's philosophy as "a dissonant symphony that imperfectly weaves together its moments into a vast fugue, under the leitmotif of appropriation. This fugue is seeded with possibilities that are waiting for us, its listeners, to develop them. Some are dead ends--viruses that can lead only to a monolithic, monotonous misunderstanding of history. Others are embryonic insights that promise to deepen our thought, and perhaps our lives, if we find the right way to make them our own."

In International Law and the Public, Geoffrey P.R. Wallace investigates the public as a crucial, often overlooked, actor in international law. He asks just who is it that counts in the operation of the international legal order. Defying conventional wisdom that sees governments, leaders, generals, lawyers, or elites from the upper echelons of society as the main international legal players, Wallace advances a "popular international law" where ordinary people are considered important legal actors in their own right alongside the usual focus on elites. Far from powerless or unwitting, publics possess both the cognitive and material capacities to understand and contribute to the intricacies of international legal rules. Combining rigorous theorizing with wide-ranging evidence, International Law and the Public is an account of an international legal politics from below, taking seriously the place of ordinary people in international affairs.

Modernism's Inhuman Worlds explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies, Rasheed Tazudeen argues, emerge in response to the enigma of how to imagine inhuman being--including soils, forests, oceans, and the earth itself--through languages and epistemologies that have only ever been humanist. How might (meta)modernist aesthetics help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction? Through innovative readings of canonical and emergent modernist and metamodernist works, Tazudeen theorizes inhuman modernism as a call toward further receptivity to the worlds, beings, and relations that tend to go unthought within Western humanist epistemologies. Modernist engagements with the figures of enigma, riddle, and metaphor, according to the book's central argument, offer a means toward what Franz Kafka calls an "otherwise" speaking, based on language's obliqueness to inhuman and planetary being. Drawing on ecocriticism, decolonial and feminist science studies, postcolonial theory, inhuman geography, and sound studies, Tazudeen analyzes an inhuman modernist lineage--spanning from Darwin, Carroll, and Flaubert, through Joyce, Kafka, and Woolf, to contemporary poetic works--as both part of a collaborative rethinking of modernism's planetary and inhuman aesthetics, as well as occasions for imagining new modes of livingness for the extinctions to come.

Throw Your Voice is a story of loss and recovery. It relates how children placed in a temporary care institution make sense of their situations. Moving between a Kazakhstan government children's home, Hope House, and the Almaty State Puppet Theater, Meghanne Barker shows how children, and puppets, as proxies, bring to life ideologies of childhood and visions of a rosy future. Sites and stories run in parallel. Framed by the narrative of Anton Chekhov's "Kashtanka," about a lost dog taken in by a kind stranger, the author follows the story's staging at the puppet theater. At Hope House, children find themselves on a path similar to Kashtanka, dislodged from their first homes to reside in a second.The heart of this story is about living in displacement and about the fragile intimacies achieved amidst conditions of missing. Whether due to war, migration, or pandemic, people get separated from those closest to them. Throw Your Voice examines how strangers become familiar, and how objects mediate precarious ties. She shows how people use fantasy to mitigate loss.

The lives of the men depicted in Perilous Wagers take place in the squalor of Tokyo's old day-laborer district, San'ya, where they can be found eking out a living from occasional construction work and welfare handouts, permanently displaced from their hometowns to metropolitan Tokyo. Although San'ya has nearly vanished during the past twenty years, its import persists as a black market where its small population of male day-laborers can be contracted for the most undesirable of tasks, without consideration for their health or safety. In this context, Hammering's book examines classic ethnographic themes of labor, exchange, value, honor, shame, temporality, desire, gender, and personhood. It explores how one group of day-laborers embodied a transgressive masculinity intimately intertwined with honorable mobster values of old, and how they created dignity and sociality under abject conditions of life. Perilous Wagers tracks these underdog values across construction sites, non-profit organizations, hospitals, bunkhouses, and illegal gambling dens, giving imaginative life to a stigmatized, forgotten social world.

When Food Became Scarce is about the Great Leap Famine of 1958-61. Yixin Chen adopts a grassroots level analysis to explore an existential question concerning hundreds of millions of Chinese peasants: why did some peasants perish while others from the same villages facing the same collective problems of food scarcity survive? Viewing the famine as a persistent ordeal, Chen identifies environment and lineage as two pivotal factors that influenced the rural populace's destiny. When food quotas under the Maoist communal dining system plummeted below subsistence or came to a halt, most individual villagers in the mountainous regions of southern China turned to their environment for alternative sustenance, ensuring their survival. More remarkably, across the nation, more peasants united in self-preservation strategies, concealing grains to elude excessive state requisitions, orchestrating food and crop riots, and collectively combating desperation. Given that the majority of Chinese villages were historically established on the foundation of consanguine relationships, creating an obligation among villagers to support one another due to shared ancestry, lineage emerged as a microlevel social mechanism that activated diverse forms of collective resistance. In villages where peasants effectively upheld their lineage organizations and adopted self-protective measures, their survival rates exceeded those of villages where the enforcement of Maoist Great Leap initiatives disrupted the lineage structure, leaving the communities more vulnerable. When Food Became Scare reorients the famine narrative, unpacking its intricacies from the perspective of the survival side.

The City is Ours accounts how urban politics mediated the rise of Kurdish nationhood and mobilization in Diyarbakır, Turkey. Muna Güvenç elucidates how urban and architectural forms are not merely the backdrop of the cityscape where political struggles unfold; they constitute the very essence of these conflicts. Güvenç posits that urban spaces offer "wiggle room", turning oppression into chances for dissent and resilience and offering opportunities for vulnerable minority groups to create sociopolitical blocs and mobilizations. Gvenç takes readers from municipal halls to the streets and illustrates how, in the early 2000s, pro-Kurdish parties harnessed urban planning to resist coercion and foster Kurdish mobilization in Turkey. Gvenç challenges readers to rethink urban neoliberalism, new forms of nationalisms and mobilizations, and the ways they shape cities and politics. The City is Ours is a profound awakening, an invitation to all architects and urban planners, urging them to rise above the confines of their blueprints and embrace the vast tapestry of the politics of space.

Singing by Herself reinterprets the rise of literary loneliness by foregrounding the female and feminized figures who have been overlooked in previous histories of solitude. Many of the earliest records of the terms "lonely" and "loneliness" in British literature describe solitaries whose songs positioned them within the tradition of female complaint. Amelia Worsley shows how these feminized solitaries, for whom loneliness was both a space of danger and a space of productive retreat, helped to make loneliness attractive to future lonely poets, despite the sense of suspicion it evoked. Although loneliness today is often associated with states of atomized interiority, soliloquy, and self-enclosure, this study of eighteenth-century poetry disrupts the presumed association between isolation, singular speech, and bounded models of poetic subjectivity. In five chapters focused on lonely poet figures in the works of John Milton, Anne Finch, Alexander Pope, Thomas Gray, and Charlotte Smith--which also take account of the wider eighteenth-century fascination with literary loneliness--Singing by Herself shows how poets increasingly associated the new literary mode of being alone with states of disembodiment, dispersal, and echoic self-doubling. Seemingly solitary lonely voices often dissolve into polyvocal, allusive community, Worsley argues, when in dialogue with each other and also with classical figures of feminized lament such as Sappho, Echo, and Philomela.The book's provocative reflections on lyric mean that it will have a broad appeal to scholars interested in the history of poetry and poetics, as well as to those who study the literary history of gender, affect, and emotion.

In Experimental Histories, Hannah Weaver examines the medieval practice of interpolation--inserting material from one text into another--which is often categorized as being a problematic, inauthentic phenomenon akin to forgery and pseudepigraphy. Instead, Weaver promotes interpolation as the signature form of medieval British historiography and a vehicle of historical theory, arguing that some of the most novel concepts of time in medieval historiography can be found in these altered narratives of the past.For Weaver, historiographical interpolation constitutes the traces of active experimentation with how best to write history, particularly the history of Britain. Historians in twelfth- and thirteenth-century Britain recognized the difficulty of enfolding complex events into a linear chronology and embraced innovative textual methods of creating history. Focusing on the Brut tradition but also analyzing the long history of interpolated historiography, including the Bayeux Embroidery, Experimental Histories offers a new interpretation of generic remixing in medieval writing about the past. Drawing on both manuscript studies and the new formalism, it shows that the practice of inserting materials from romance and hagiography allowed creative revisers to explore how lived events relate to passing time. By embracing interpolation, Weaver provides lively insights into the ways that time becomes history and human actors experience time.

Holding Their Breath uncovers just how close Britain, the United States, and Canada came to crossing the red line that restrained chemical weapon use during World War II. Unlike in World War I, belligerents did not release poison gas regularly during the Second World War. Yet, the looming threat of chemical warfare significantly affected the actions and attitudes of these three nations as they prepared their populations for war, mediated their diplomatic and military alliances, and attempted to defend their national identities and sovereignty.The story of chemical weapons and World War II begins in the interwar period as politicians and citizens alike advocated to ban, to resist, and eventually to prepare for gas use in the next war. M. Girard Dorsey reveals, through extensive research in multinational archives and historical literature, that although poison gas was rarely released on the battlefield in World War II, experts as well as lay people dedicated significant time and energy to the weapon's potential use; they did not view chemical warfare as obsolete or taboo. Poison gas was an influential weapon in World War II, even if not deployed in a traditional way, and arms control, for various reasons, worked. Thus, what did not happen is just as important as what did. Holding Their Breath provides insight into these potentialities by untangling World War II diplomacy and chemical weapons use in a new way.

"Takes readers on a photographic journey through one of the most biologically diverse countries on the planet. This third edition replaces more than 45 percent of the book's images with new photographs taken during the author's recent explorations of Costa Rica. Approximately half of these introduce new species; the others provide new views of species included in the previous edition. A new introduction and conservation section inform the reader of the changing realities of Costa Rica's ecosystems"--