Böcker utgivna av Counter-Currents Publishing

During the 2016 US presidential election, the "Alt" or Alternative Right went from the margins to the mainstream of political debate when Hillary Clinton gave a speech trying to tar Donald Trump by tying him to White Nationalists, conspiracy theorists, and cartoon frogs. Suddenly, "normies" were asking where the Alt Right came from, who its leading thinkers are, and where it wanted to take America. Greg Johnson's The Alternative Right answers those questions.The Alternative Right defines the ideas of the Alt Right and charts its rise and fall by gathering together 35 articles, primarily from the leading English-language New Right journal, Counter-Currents Publishing's webzine North American New Right(https://www.counter-currents.com/).The Alternative Right contains articles on race, the Jewish question, White Nationalism, conservatism, libertarianism, populism, nationalism, the Trump phenomenon, political correctness, memes, image boards, trolling, ironism, religion, the arts, sexual politics, and the relationship of the Alt Right to the European New Right, Southern nationalism, Eastern European nationalism, National Socialism, civic nationalism, conspiracy theorists, the manosphere, and the so-called "Alt Lite."The Alternative Right features leading white advocates Jared Taylor, Kevin MacDonald, Gregory Hood, Hunter Wallace, John Morgan, Colin Liddell, and Greg Johnson; rising stars Aedon Cassiel, Spencer Quinn, Lawrence Murray, Patrick LeBrun, David Yorkshire, Michael Bell, Ruuben Kaalep, Émile Durand, James Lawrence, and Donald Thoresen; and new voices F. C. Stoughton, Wolfie James, and Adam Wallace.The Alternative Right is unique in the growing literature on the Alt Right, which is mostly written from the Left and is often marred by tendentious editorializing and simple factual inaccuracies. This volume views the Alt Right from the Right, from the vantage point of participants, fellow travelers, and sympathetic critics. The authors are close enough to the Alt Right to ensure fair and accurate statements of its positions, but one of the leading traits of today's racially conscious Right is its intense intellectual contentiousness, which guarantees lively debate.The Alternative Right is an essential volume for those who wish to understand the rising tide of racial consciousness and populist nationalism throughout the white world.

During the 2016 US presidential election, the "Alt" or Alternative Right went from the margins to the mainstream of political debate when Hillary Clinton gave a speech trying to tar Donald Trump by tying him to White Nationalists, conspiracy theorists, and cartoon frogs. Suddenly, "normies" were asking where the Alt Right came from, who its leading thinkers are, and where it wanted to take America. Greg Johnson's The Alternative Right answers those questions.The Alternative Right defines the ideas of the Alt Right and charts its rise and fall by gathering together 35 articles, primarily from the leading English-language New Right journal, Counter-Currents Publishing's webzine North American New Right(https://www.counter-currents.com/).The Alternative Right contains articles on race, the Jewish question, White Nationalism, conservatism, libertarianism, populism, nationalism, the Trump phenomenon, political correctness, memes, image boards, trolling, ironism, religion, the arts, sexual politics, and the relationship of the Alt Right to the European New Right, Southern nationalism, Eastern European nationalism, National Socialism, civic nationalism, conspiracy theorists, the manosphere, and the so-called "Alt Lite."The Alternative Right features leading white advocates Jared Taylor, Kevin MacDonald, Gregory Hood, Hunter Wallace, John Morgan, Colin Liddell, and Greg Johnson; rising stars Aedon Cassiel, Spencer Quinn, Lawrence Murray, Patrick LeBrun, David Yorkshire, Michael Bell, Ruuben Kaalep, Émile Durand, James Lawrence, and Donald Thoresen; and new voices F. C. Stoughton, Wolfie James, and Adam Wallace.The Alternative Right is unique in the growing literature on the Alt Right, which is mostly written from the Left and is often marred by tendentious editorializing and simple factual inaccuracies. This volume views the Alt Right from the Right, from the vantage point of participants, fellow travelers, and sympathetic critics. The authors are close enough to the Alt Right to ensure fair and accurate statements of its positions, but one of the leading traits of today's racially conscious Right is its intense intellectual contentiousness, which guarantees lively debate.The Alternative Right is an essential volume for those who wish to understand the rising tide of racial consciousness and populist nationalism throughout the white world.

Why is Batman a staple of Right-wing discussions and memes? The entire superhero genre is inherently anti-liberal, for even though superheroes generally fight for liberal humanist values, they do so outside the law. They are vigilantes, and vigilantism only becomes necessary when the liberal system breaks down.But the character of Batman, particularly after being rebooted in Frank Miller's The Dark Knight Returns and developed in Christopher Nolan's Dark Knight Trilogy, is not just anti-liberal, but decidedly Right-wing. The essays in Dark Right show us why, focusing on Traditionalist, masculinist, and New Right themes in Nolan's Dark Knight Trilogy, but also exploring other films, comics, and graphic novels.Dark Right includes essays by the leading cultural critics of the New Right, including editors Greg Johnson and Gregory Hood, plus Trevor Lynch, Jason Reza Jorjani, Christopher Pankhurst, Will Windsor, James J. O'Meara, Zachary O. Ray, Jonathan Bowden, Spencer J. Quinn, David Yorkshire, and Andrew Hamilton.

Why is Batman a staple of Right-wing discussions and memes? The entire superhero genre is inherently anti-liberal, for even though superheroes generally fight for liberal humanist values, they do so outside the law. They are vigilantes, and vigilantism only becomes necessary when the liberal system breaks down.But the character of Batman, particularly after being rebooted in Frank Miller's The Dark Knight Returns and developed in Christopher Nolan's Dark Knight Trilogy, is not just anti-liberal, but decidedly Right-wing. The essays in Dark Right show us why, focusing on Traditionalist, masculinist, and New Right themes in Nolan's Dark Knight Trilogy, but also exploring other films, comics, and graphic novels.Dark Right includes essays by the leading cultural critics of the New Right, including editors Greg Johnson and Gregory Hood, plus Trevor Lynch, Jason Reza Jorjani, Christopher Pankhurst, Will Windsor, James J. O'Meara, Zachary O. Ray, Jonathan Bowden, Spencer J. Quinn, David Yorkshire, and Andrew Hamilton.

Jonathan Bowden was a paradox: on the one hand, he was an avowed elitist and aesthetic modernist, yet on the other hand, he relished such forms of popular entertainment as comics, graphic novels, pulps, and even Punch and Judy shows, which not only appeal to the masses but also offer a refuge for pre- and anti-modern aesthetic tastes and tendencies.Bowden was drawn to popular culture because it was rife with Nietzschean and Right-wing themes: heroic vitalism, Faustian adventurism, anti-egalitarianism, biological determinism, racial consciousness, biologically-based (and traditional) notions of the differences and proper relations of the sexes, etc.Pulp Fascism collects Jonathan Bowden's principal statements on Right-wing themes in popular culture drawn from his essays, lectures, and interviews. These high-brow analyses of low-brow culture reveal just how deep and serious shallow entertainment can be.About Pulp Fascism:"Jonathan Bowden said that greatness lies in the mind and in the fist. Nietzsche combined both forms in the image of the warrior poet. For Bowden it was the image of the cultured thug. I give you Jonathan Bowden: cultured thug."-Greg Johnson, from the Foreword"Jonathan Bowden was uniquely gifted as a cultural critic and revisionist, willing to explore the obscure areas of high and low culture, and apply ideas from the former to the analysis of the later, starting always from the supposition that inequality is a moral good. Bowden's texts are dense and rich with reference and insight, yet remain entertaining and replete with humor."-Alex Kurtagic"Many men give speeches; Jonathan Bowden gave orations. To experience one of Bowden's performances must have been something like hearing Maria Callas in her prime or witnessing one of Mussolini's call to arms from a Roman balcony."As an intellectual, Jonathan was a Renaissance man, or perhaps a bundle of contradictions: his novels and paintings were of Joycean complexity, and yet, in his orations and non-fiction writings, he was able to cut to the essence of a philosophy or political development in a way that was immediately understandable and, indeed, useful for nationalists."Pulp Fascism could be called Bowden's 'unfinished symphony'- his attempt (not quite realized) to reveal the radical, ambivalent, and, in some cases, shockingly traditionalist undercurrents in pop culture."That which envelops our lives is taken for granted . . . and thus rarely properly analyzed and understood. Bowden brings new life to those characters and comic-book worlds we too often dismiss as child's play."-Richard SpencerAbout the AuthorJonathan Bowden, April 12, 1962-March 29, 2012, was a British novelist, playwright, essayist, painter, actor, and orator, and a leading thinker and spokesman of the British New Right.Born in Kent and largely self-educated, Bowden was involved with a series of Right-wing groups for which he was a popular speaker, including the Monday Club, the Western Goals Institute, the Revolutionary Conservative Caucus, the Freedom Party, the Bloomsbury Forum, the British National Party, and finally the New Right (London), of which he was the Chairman.Bowden was a prolific author of fiction, philosophy, criticism, and commentary.