Böcker utgivna av Counterpoint

Winik arranges her arresting portraits of the dead chronologically, spanning Friends of My Youth, Mostly in New Jersey 1958-1978, The Austin Years, Including New Orleans 1977-2009, We Were Ten Years in Pennsylvania 1999-2009, and Love in the Time of Baltimore 2009-2018. Featuring 12 additional vignettes, The Big Book of the Dead continues Winik's work as an empathic chronicler of life.

First published in A Continuous Harmony in 1972, "Think Little" is cultural critic and agrarian Berry at his best: prescient about the dire environmental consequences of people's mentality of greed and exploitation, yet hopeful that they will recognize war and oppression and pollution not as separate issues, but aspects of the same.

"e;The Art of Loading Brush is singular in Berry's corpus."e; -The Paris ReviewWendell Berry's profound critique of American culture has entered its sixth decade, and in this gathering he reaches with deep devotion toward a long view of agrarian philosophy. The Art of Loading Brush is an energetic mix of essays, stories, and a poem, which explore agrarian ideals as they present themselves historically and as they might apply to our work today. Filled with insights and new revelations from a mind thorough in its considerations and careful in its presentations, The Art of Loading Brush is a necessary and timely collection.

"e;Tracks Along the Left Coast more than accomplishes its self-appointed task of celebrating de Angulo's legacy."e; -Rain TaxiCalifornia, with its scores of native languages, contains a wealth of old time storiesa bedrock literature of North America. Jaime de Angulos linguistic and ethnographic work, his writings, as well as the legends that cloak the Old Coyote himself, vividly reflect the particulars of the Pacific coast. Born in Paris of Spanish descent, he came to America to become a cowboy, and he didas well as a doctor, a linguist, ethnomusicologist, and writer. His poetry and prose uniquely represented the bohemian sensibility of the twenties, thirties and forties, and he was known for his reworkings of coyote tales and shamanic mysticism. So vivid was his writing that Ezra Pound called him the American Ovid, and William Carlos Williams claimed that de Angulo was one of the most outstanding writers I have ever encountered.Jamie de Angulo arrived in San Francisco on the eve of the 1906 earthquake, and soon after he began medical school, almost on a whim. But the practical application of medicine did not interest him, and he set off on a life long career as a non-conformist cowboy-academic and keen ethnographer of the hundreds of Native Californian tribes that still lived along the Pacific coast. De Angulo spent nearly three decades in a focused effort to understand the California languages that were rapidly disappearing, carrying on their lives beneath the overlay of Spanish and English. He visited Native Americans on their landsfrom sagebrush flats to redwood grovesand collected what could be salvaged of their languages, believing that to reach an understanding of a single ordinary sentence might disclose a whole method of knowing the world, a metaphysic different than an English speakers and equally subtle.De Angulo found the phonetic scripts used by linguists too esoteric, and the odd or specialized symbols meant that standard printing houses lacked the ability to reproduce them. His whole life he argued for a script that could be done on a regular typewriter, one that an ordinary publishing house could typeset. Using his fonetik script so much led him to cast a wry look at English too, with its obsolete spellings he considered pointless and burdensome. His letters to colleagues and friendsamong them Carl Jung, D.H. Lawrence, and Ezra Poundbegan to discard unpronounced letters in words: thoroly and wud.At the end of his life, broadcasting from Pacifica Radiothe worlds first listener-supported stationde Angulo brought together much of what he had gathered in his ethnographic travels and recorded roughly100 programs of Old Time Stories. He recited Native Californian stories, sang songs, and transmitted a way of looking at life that was based on medicine power and mythputting it all into a great, singular work. A work that is very hard to come by, and even hard to define.In each retelling, through each storyteller, stories are continually revivified, and that is precisely what Andrew Schelling has done in Tracks Along the Left Coast, weaving together the story of a life with the story of the land and the people, languages, and cultures with whom it is so closely tied.

Being the son of counter-culture author William S. Burroughs is bound to be a trial. After all, the man who frequented lesbian dives and had a fascination with firearms couldn't possibly make that great of a father. Perhaps inevitably, William Jr. (called Billy) referred to himself as "cursed from birth" and in the book of the same name editor David Ohle collects parts of Billy's third and unfinished novel Prakriti Junction, his last journals and poems, and correspondence and conversations to recreate this tortured life. Endowed with the sufferings — but not the patience — of Job, Billy's life was often characterized by tragedy and frustration, although there were also pockets of success and levity. More than just the memoir of a casualty of the Beat Generation, Cursed From Birth provides rare insight in Billy's father, as well as his scene, friends, and times. It also provides an all-too-familiar story of familial difficulties that anyone with difficult parents can understand and appreciate.

David Markson was a writer like no other. In his novels, which have been called "hypnotic," "stunning," and "exhilarating" and earned him praise from the likes of Kurt Vonnegut and David Foster Wallace, Ann Beattie and Zadie Smith. Markson created his own personal genre. With crackling wit distilled into incantatory streams of thought on art, life, and death, Markson's work has delighted and astonished readers for decades.Now for the first time, three of Markson's masterpieces are compiled into one page–turning volume: This Is Not a Novel, Vanishing Point, and The Last Novel. In This Is Not a Novel, readers meet an author, called only "Writer," who is weary unto death of making up stories, and yet is determined to seduce the reader into turning pages and getting somewhere. Vanishing Point introduces us to "Author," who sets out to transform shoeboxes crammed with note cards into a novel. In The Last Novel, we find an elderly author (referred to only as "Novelist") who announces that, since this will be his final effort, he possesses "carte blanche to do anything he damn well pleases."United by their focus on the trials, calamities, absurdities and even tragedies of the creative life, these novels demonstrate David Markson's extraordinary intellectual richness—leaving readers, time after time, with the most indisputably original of reading experiences.

Jared Yates Sexton's latest is an outlaw expedition into America through the guise of the savage and unprecedented 2016 presidential campaign.

A bold work of nonfiction that examines the ways that survivors, witnesses, and post-war generations talk about and shape traumatic experiences.

In the fateful month of March 2000, shortly after opening a hugely successful show in New York that unveiled the more nefarious financial connections of Presidential candidate George W. Bush, the hugely ambitious Conceptual artist Mark Lombardi was found hanged in his studio, an apparent suicide. With museums lining up to buy his work, and the fame he had sought relentlessly at last within his reach, speculation about whether his death was suicide or murder has titillated the art world ever since. Lombardi was an enigma who was at once a compulsive truth-teller and a cunning player of the art game, a political operative and a stubborn independent, a serious artist and a Merry Prankster, a metaphysicist if not a scientist.Lombardi's spidery, elusive diagrams describing the evolution of the shadow-banking industry from a decades-old alliances between intelligence agencies, banking, government and organized crime, may have made him unique in art history as the only artist whose primary subject, the CIA, has turned around and studied him and his art work. Exhaustively researched, this is the first comprehensive biography of this immensely contradictory and brilliantly original artist whose pervasive influence in not only the art world, but also in the world of computer science and cyber-security is only now coming to light.

"e;Award-winning writer Bahrami is a delightful guide in this thoroughly enjoyable look into the research and recovery of a group of Neandertal remains in the French Dordogne region . . . Her wide interests in travel, memoir, food, wine, and more make this exceedingly engaging title more like a French version of Under the Tuscan Sun."e; -Booklist (starred review)Centered in the Dordogne region of southwestern France, one of Europe's most concentrated regions for Neandertal occupations, Caf Neandertal features the work of archaeologists doing some of the most comprehensive and global work to date on the research, exploration, and recovery of our ancient ancestors, shedding a surprising light on what it means to be human.

In his energetic, funny, and intelligent memoir, Peter Coyote relives his fifteen-year ride through the heart of the counterculturea journey that took him from the quiet rooms of privilege as the son of an East Coast stockbroker to the riotous life of political street theater and the self-imposed poverty of the West Coast communal movement known as The Diggers. With this innovative collective of artist-anarchists who had assumed as their task nothing less than the re-creation of the nations political and social soul, Coyote and his companions soon became power players.In prose both graphic and unsentimental, Coyote reveals the corrosive side of love that was once called free; the anxieties and occasional terrors of late-night, drug-fueled visits of biker gangs looking to party; and his own quest for the next high. His road through revolution brought him to adulthood and to his major role as a political strategist: from radical communard to the chairman of the California Arts Council, from a street theater apprentice to a motion-picture star.

Aaron Aaronsohn was one of the most extraordinary figures in the early struggle to create a homeland for the Jewish people. Brought to Palestine at age five, as a young man Aaronsohn was a rugged adventurer who became convinced during years of solo explorations that water should govern the region's fate. He compiled both the areas first detailed water maps and a plan for Palestines national borders that predicted andin its insistence on partnership between Arabs and Jewsmight have prevented the decades of conflict to come. In World War I, he ran a spy network with his sister, Sarah, that enabled the British to capture Jerusalem but also made him the rival of his colleague T.E. Lawrence. There is evidence that beautiful, rebellious Sarah, who died tragically in 1917, was the only woman the enigmatic Lawrence ever loved. Ultimately, Aaron Aaronsohn also paid for his devotion to the new nation with his life. A history that speaks directly to the present, Aaronsohns Maps reveals for the first time Aaronsohns key role in establishing Israel and the enduring importance of Aaronsohns maps in Middle Eastern politics today.

Running so hard you think you'll choke on your next breath. Lungs burning like they're drenched in battery acid. Peripheral vision blurred by the same adrenaline that drowns out the cheers coming from the full stadium. And of course, the reporters. The men scribbling furiously on their notepads so they can publish every stumble, sprain, and sniffle in these historic games.This was the world of the female athletes in the 1928 Amsterdam Olympics, the first games in which women were allowed to compete (and on a trial basis, at that). Nicknamed "the Peerless Four," the Canadian track team included some of the strongest and most diversely talented women on the scene. Narrated by the team's chaperone—a former runner herself—the women embark on their journey with the same golden goals as every other Olympian, male or female. But as the Olympic tension begins to rise with unexpected injuries, heartbreaking disqualifications, and the pressure of supreme athletic performance, each woman discovers new fears and new priorities, all while the weight of women's future in the Olympics rests on their performance poise.The Peerless Four is more than a sports novel, more than a record of how far women's rights have come in the past 75 years. It's a meditation on sacrifice, loyalty, commitment, perseverance, and the courage to live a true underdog tale.

Celebrity and crime pay off big time for an American sociopath in Paris in “one of the great joys in new noir fiction” (Los Angeles Review of Books).Dr. Crandall Taylor—or rather the actor who plays him—is enjoying a cushy new life in the City of the Lights where his now–cancelled American soap opera has become a prime time retro cult hit. This newfound stardom isn’t wasted on him. Anxious to keep his brutal past a secret from fans, he’s enjoying all the fruits that fame has to offer: adulation, entrée into the trendiest clubs, and sex. What he really wants is to fund a feature film.Crandall uses his charm and intellect to draw into his narcissistic web four women: a horny network executive; an internet porn star; a bookish university student with a nasty bent; and the fetching starlet wife of an arms dealer. Crandall accepts both the crime lord’s cash and his beautiful wife’s advances. Big mistake. Now Crandall must channel his violent, megalomaniacal dark side just to stay alive—and on the run.From the national bestselling author of The Ice Harvest comes “an ingeniously twisty old–school noir along the lines of James M. Cain” (Spinetingler Magazine). With it, the “mad, bad, and dangerous to know . . . quintessential American huckster . . . and in Phillip’s sly, deft hands we find ourselves sinking down eagerly with him, glorying in the beautiful muck” (Edgar Award–winning author Megan Abbott).

The rifle fire in Dallas that killed John F. Kennedy didn't just start a frantic effort to find his assassins. It also launched a flurry of covert actions by officials like Robert F. Kennedy, Lyndon Johnson, and Richard Helms to hide U.S. plans to invade Cuba with the secret help of Cuba's Army Commander, Juan Almeida. Cover-ups by top U.S. officials prevented a major international catastrophe but also prevented a full investigation of JFK's assassination, spawning a tragic legacy of secrecy. Extensively documented and based on exclusive interviews and newly declassified files from the National Archives, this update and expanded edition of "Legacy of Secrecy" details: The full story behind Mafia godfather Carlos Marcello's confession to JFK's murder, with new details appearing for the first time in this updated edition Each step taken by mob bosses Carlos Marcello, Santo Trafficante, and Johnny Roselli to hide the results that followed The secret attempts of Robert F. Kennedy and his aides to expose his brother's killers, continuing his war against the Mafia by focusing increased attention on the Mafia bosses behind JFK's assassination until RFK's own murder "Legacy of Secrecy" also includes new evidence about the assassination of Martin Luther King, exposing connections between James Earl Ray and Marcello, who "brokered" the hit for a Georgia white supremacist. Additionally, this trade paperback edition features fresh information about Robert Kennedy's murder, revealing the criminal ties of Sirhan and his two mob attorneys. The long shadow of secrecy surrounding both JFK's murder and the coup plan ultimately set the stage for the Watergate break-in. It drove Richard Nixon from office, triggered the murders of five Congressional witnesses, and continues to impact U.S.-Cuba relations today.

November 22, 2013 marks the 50th anniversary of the tragedy that has haunted America ever since. For the first time, this concise and compelling book pierces the veil of secrecy to fully document the small, tightly-held conspiracy that killed President John F. Kennedy. It explains why he was murdered, and how it was done in a way that forced many records to remain secret for almost fifty years.The Hidden History of JFK's Assassination draws on exclusive interviews with more than two dozen associates of John and Robert Kennedy, in addition to former FBI, Secret Service, military intelligence, and Congressional personnel, who provided critical first-hand information. The book also uses government files-including the detailed FBI confession of notorious Mafia godfather Carlos Marcello-to simply and clearly reveal exactly who killed JFK. Using information never published before, the book uses Marcello's own words to his closest associates to describe the plot.This book builds on the work of the last Congressional committee to investigate JFK's murder, which concluded that JFK 'was probably assassinated as a result of a conspiracy,” and that godfathers ["Santo] Trafficante [and Carlos] Marcello had the motive, means, and opportunity to assassinate President Kennedy.”

The Last Animal by Abby Geni is that rare literary find a remarkable series of stories unified around one theme: people who use the interface between the human and the natural world to contend with their modern challenges in love, loss, and family life. These are vibrant, weighty stories that herald the arrival of a young writer of surprising feeling and depth.Terror Birds tracks the dissolution of a marriage set against an ostrich farm in the sweltering Arizona desert; Dharma at the Gate features the tempest of young love as a teenaged girl must choose between mans best friend, her damaged boyfriend, and a beckoning future; Captivity follows an octopus handler at an aquarium still haunted by the disappearance of her brother years ago; The Girls of Apache Bryn Mawr details a Greek chorus of Jewish girls at a summer camp whose favorite counselor goes missing under suspicious circumstances; In the Spirit Room centers on a scientist suffering the heartbreaking loss of a parent from Alzheimers while living in the natural history museum where they both worked; in Fire Blight a father grieving over his wifes recent miscarriage finds an outlet for comfort in their backyard garden and makes a surprising discovery on how to cherish living things; and in the title story, a retired woman traces the steps of the husband who left her thirty years ago, burning the letters he had sent along the way, while the luminous and exotic wildlife of the Pacific Ocean opens up to receive her.Unflinching, exciting, ambitious and yet heartfelt, The Last Animal will guide readers through a menagerie of settings and landscapes as it underscores the connection among all living things.