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  • av Michele Lee
    248

  • av Mary Anne Butler
    221

  • - Four Plays
    av Patricia Cornelius
    311

  • av Emily Sheehan
    248

  • av Lachlan Philpott
    267

  • - The Drama of Gillian's Pursuit of Romance and Happiness
    av Debra Oswald
    257

  • av Nicholas Parsons
    257

    In Wala Wala, Senior Constable Ray Lorkin struggles to keep a peace between Aboriginal tradition and the law he is sworn to uphold. When a local man dies in mysterious circumstances, Ray decides he can no longer do things 'blackfella way'.

  • av Verity Laughton
    247

  • av Emily Sheehan
    241

  • - The Play
    av Randa Abdel-Fattah
    237

  • av Katharine Susannah Prichard
    307

  • av Noelle Janaczewska
    271

  • av Suzie Miller
    247

  • av David Joseph
    241

  • av Jean Tong
    248

  • av Adam Yee
    241

  • av Brooke Robinson
    237

  • - Chrysalis
    av ATYP
    247

  • av Donna Abela
    248,99

  • av Various Authors ..
    248,99

    One eye closed, the other locked on my target.' Monologues are a crucial element of theatre, for actors and students alike. From high school study to professional auditions and performances, the monologue exposes the heart of a play and the capacities of the performer. The monologue should be relevant to the performer, and a revelation to the audience. This new collection brings together 30 monologues from contemporary Australian plays. These voices -- from ages 14 to 84, from the 1880s to the near future -- showcase the best of our national writing for the stage. Featuring monologues written by: Donna Abela; Jada Alberts; Angela Betzien; Andrew Bovell; Melissa Bubnic; Mary Anne Butler; Justine Campbell & Sarah Hamilton; Stephen Carleton; Katherine Thomson, Angela Chaplin & Kavisha Mazzella; Elizabeth Coleman; Patricia Cornelius; Wesley Enoch; Jane Montgomery Griffiths; Rashma N. Kalsie; Daniel Keene; Finegan Kruckemeyer; Suzie Miller; Kate Mulvany & Craig Silvey; Terence Oconnell; Debra Oswald; Lachlan Philpott; Leah Purcell; Caroline Reid; Damien Ryan; Samah Sabawi; Stephen Sewell; Ninna Tersman; Alana Valentine.

  • av Lally Katz
    248,99

  • - Based on the book by Li Cunxin
    av Li Cunxin
    247

    This extraordinary play for young people is an adaptation of Li Cunxins picture book The Peasant Prince - the true story of Maos Last Dancer. Adapted by Monkey Baa, Australias leading theatre company for young audiences, The Peasant Prince has toured nationally, performing to tens of thousands of young people and their families throughout rural and regional Australia. The production was awarded Most Outstanding Production for Children (the Glugs), Best Production for Children (Sydney Theatre Awards) and a Drovers Award for Best Touring Production (Australian Performing Arts and Producers Awards). Li, a 10-year-old boy, is plucked from his village in rural China and sent to a ballet academy in the big city. He leaves everything and everyone he loves, including his family. Over years of gruelling training, he transforms from an impoverished peasant to a giant of the international dance scene. What does he find along the way? The Peasant Prince is a remarkable true story of courage, resilience and unwavering hope.

  • av Alana Valentine
    247

    Wild, unpredictable, and deeply vulnerable, Barbara and her sister René are singing for their lives. Barbaras been trying to make it in Sydney, but when their mothers health deteriorates, the sisters embark on a pilgrimage back home to country. Full of painful, unfinished business for Barbara, their return sends her into a downward spiral. Can Barbara find a way to resolve the past in time to preserve love in the only family she has known? Through music that ranges from punk-inspired explosions of rage, to tender rock and soul ballads full of yearning, Barbara and the Camp Dogs is a gob-spit of fun, frenzy and family that finds beauty in honesty and hope in confronting the past.

  • av Richard Frankland
    257

    A theatrical collection of stories and songs from Richard Franklands extraordinary life as a child abattoir-worker, a young soldier, a fisherman and a field officer for the Royal Commission into Aboriginal Deaths in Custody. These are Richards tales, given universal voice on the stage. Richard Frankland is a Gunditjmara man and a singer/songwriter, author, and creator of Conversations with the Dead. Working on the front line of Indigenous issues for the past 25 years, his aim has been to facilitate the voice of Indigenous Australians and bridge the gap between black and white. Walking into the Bigness offers an evocative glimpse into the indigenous Australian experience seen through the prism of a single life. (4 acts, 38 male, 4 female).

  • av Felicity Castagna
    247

    The Incredible Here and Now is a play about cars and boys and having to grow up too soon. Charcoal chicken, a white Pontiac Trans Am, the Council pool, Michael is living in the shadow of his older brother Dom. The biggest guy in the school. Best car in the West. The guy who just cant help but grab everyones attention. The guy with the girlfriend with the huge-arse hair. When he is gone Michael roams the streets, navigating life, friendship, love and family. The Incredible Here and Now is a poignant rollercoaster ride celebrating life, first love, family and new beginnings, traversing the streets of Western Sydney. Adapted for the stage by international award-winning local author and playwright Felicity Castagna. (5 acts, 4 male, 3 female).

  • - Two adaptations for Sport for Jove
    av Sophocles
    274

  • av Henrik Ibsen
    248

  • av Ninna Tersman
    247

    Two teenagers fleeing unthinkable dangers find solace in each other amidst the unrelentingly damaging confines of an asylum seeker processing centre. Their new home offers a kind of safety, but very little in the way of humanity, and less kindness. Ninna Tersmans writing is poetic, spare, and deeply human. She plays with theatrical form in many ways. The two actors in Parasites play the teenagers and a number of adults who impact their lives. This is the tender story of young people in a desperate situation, yearning for hope and home. (1 act, 2 females).

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