Lyrical and blackly comic, A Provincial Death is a startlingly original meditation on solitude and perseverance, the consolations of art and philosophy, and the capacity of human beings to endure catastrophe. It is a hot, summer morning and Smyth, a struggling writer and academic, wakes to discover he is stranded alone on a rock in the Irish Sea. As he clings on in hope of salvation, he is assailed by broken memories and the failures of his past. Fragmented images of the previous day come to him: a mysterious research institute, a dead forest, a rickety boat captained by a gruff old fisherman, an eccentric academic named McGovern who believed that the Moon was about to crash into the Earth, destroying everything. Confused, weary and sore, and with the tide rising inexorably and strange sea creatures circling, Smyth tries to make sense of an arbitrary world in a desperate bid for survival.
Take Six: Six Spanish Women Writers is an anthology of short stories by six outstanding Spanish women writers: Emilia Pardo Bazán (1851-1921), Carmen de Burgos (1867-1932), Carmen Laforet (1921-2004), Cristina Fernández Cubas (born 1945), Soledad Puértolas (born 1947) and Patricia Erlés (born 1972). The stories span over one hundred years, starting with the indomitable Emilia Pardo Bazán, whose casual and often humorous protrayal of brutal domestic violence set a paradigm for the writers who followed her to explore every aspect of the roles imposed on women by a male-dominated society, delving into subjects ranging from love and betrayal to bereavement, arson and murder, without losing touch with the humorous side of seemingly impossible situations.
Co-Wives, Co-Widows is the first adult work of fiction from the Central African Republic to be translated into English. This is the story of Ndongo Passy and Grekpoubou, the two widows of Lidou. Following their husband's sudden and unexplained death, they find themselves fighting tooth and nail for all that is important to them. A playful, bittersweet, story full of dry wit and local colour, set against a backdrop of political instability, corruption and the friction between the old and the new in Bangui in the Central African Republic.
The Decadence Movement which flourished in the 1890s produced some of Europe's most striking and exotic works of literature The Decadents, convinced that civilization was in a state of terminal decline, refused to rebel as the Romantics had, but set forth instead to cultivate the pleasures of calculated perversity and to seek the artificial paradise of drug-induced hallucination. "The Dedalus Book of Decadence looks south to sample the essence of fine French decadent writing. It succeeds in delivering a range of writers either searching vigorously for the thrill of a healthy crime or lamenting their impuissance from a sickly stupor." --Andrew St George in The Independent
A collection of short stories by one of the Arab world's most accomplished and acclaimed writers. A grandmother who takes on a thief trying to seduce her daughters. A guard who fantasises about killing his general while locked in battle with a non-existent enemy. A film script about Libya's traffic problems improvised at a workshop. A woman's letter from her old school, which is now a makeshift refugee camp. A cow straying into a field, breaking an age-old truce between warring factions. The eight stories of Catalogue of a Private Life feel like oft-recounted folktales, where the ordinary has been softly twisted several degrees. Najwa Bin Shatwan navigates the tensions between loyalty and betrayal, ambition and regret, and tenderness and cruelty to weave a portrait of family, war and nation against a stark backdrop of the completely absurd.
The Decadence Movement which flourished in the 1890s produced some of Europe's most striking and exotic works of literature The Decadents, convinced that civilization was in a state of terminal decline, refused to rebel as the Romantics had, but set forth instead to cultivate the pleasures of calculated perversity and to seek the artificial paradise of drug-induced hallucination. J.-K. Huysmans described Decadence as a 'black feast' and The Second Dedalus Book of Decadence offers a veritable banquet, with offerings from the major practitioners in France and England. It completes Brian Stableford seminal two-volume study of the decadent movement.
The Runes Have Been Cast is a black comedy of darkest hue about academic and literary life set in Oxford and St Andrews in the early 60s. A tin of alphabet spaghetti brought about Lancelyn's first encounter with the apparently supernatural. Unfortunately it was not to be his last. Runes, ghosts and spaghetti apart, there is much for Lancelyn to be afraid of: the future, women, Critical Theory, sex romps, The Times' crossword puzzle, succubi and creative writing classes. The pages of The Runes Have Been Cast are haunted by M.R. James, Thomas de Quincey, Mr. Raven, St. Ignatius of Loyola, Iron Foot Jack, J.R.R. Tolkien and an anonymous tramp. "I do not think that I can have read a novel which makes so many references to actual works that I have never heard off. With a fairly complex plot, ghosts popping in and out, strange but colourful academics, much mirth and mockery, two young men too full of themselves, a rampaging sex goddess, lots of interesting books and authors, intertextuality galore, the idea of God as a novelist, immersive literature and Tolkien and his bloody elves, this book is a thoroughly enjoyable read." -John Alvey in The Modern Novel
This is the first English translation of Chasing the Dream, Liane de Pougy's first novel, published in 1898 when she was 29. It is the story of a courtesan in search of true love which repeatedly proves ungraspable - insaisissable. Josiane de Valneige is young, beautiful and rich. She is also exhausted, depressed and despairing. Although scores of wealthy Parisians have been her lovers, she has loved none in return. And despite Josiane's fame as one of the fin-de-siecle's grandes horizontales, fêted in every gossip column, the journey to success has revealed a flaw in her character: she has a heart. Her real self is never engaged. It is not enough to be universally loved. She needs, she yearns, to give her heart.
Serafino is a typical Pirandellian anti-hero, a spectator rather than a participant in the tragi-comedy of human existence. Indeed he has the perfect job for it, that of a film cameraman. Serafino is an observer, an impersonal tool of a new industry based on make-believe. All he has to do is turn the handle of his camera and watch. He has no part in what is going on and is so removed from life that the mauling of an actor by a tiger cannot deflect him from filming the action. The Notebooks of Serafino Gubbio is set in Rome circa 1915, partly on a film set, partly in the city.
Prague 1938 is a coming-of-age novel, or a novel of lost illusions, set in a Czechoslovakia threatened with incorporation into the Third Reich. Centred on the 15 year old Guido Hayek, it traces his infatuation with Leah Meisel, an orphaned Jewish girl several years older than him who, he discovers, is part of a street-gang of con-artists and petty thieves. His initiation into their world occurs when Leah challenges him to steal a ring from a jewellers. Soon he is enmeshed. Guido is aware that Leah's grandfather Ezra Meisel, an antiques dealer, has plans to emigrate to Odessa with her, particularly as the Sudeten Crisis comes to a head. Guido's own crisis comes to a head when he discovers that his father Emil, an art-dealer whom he adores, is bent on cheating old Meisel, and he must choose between aiding the Meisels or helping his own half-sister, the 'degenerate' artist Katya, who also has the 'taint' of Jewish blood, emigrate to the New World. "The streets of Prague take centre stage in this smorgasbord of a novel: coming-of-age, familial upheaval, political unrest, artistic intrigue, rag order existence, the folly of youthful infatuation, the warp and woof of flight to a new world; and all of it played out under the looming shadow of war, of a world approaching the precipice. This is elegant, vibrant and read-on storytelling at its very best." - Alan McMonagle "[Dara Kavanagh] has written a vivid coming-of-age morality tale set in pre-WWII Prague that holds a magic mirror up to our own strange and disrupted times" - Paul Lynch
The life of Kieran Sheridan LeFanu, a young Dublin advertising agency director, is abruptly upended when he is the sole survivor of a gruesome car crash. In the aftermath, he develops a form of Cotard's Syndrome, the belief that he is dead and possibly experiencing the drawn-out delirium of a mind hovering between consciousness and extinction. He meets and loves the enchanting and enigmatic Aoife and struggles to differentiate between memory, fantasy, and reality, with bizarre and inexplicable encounters where he is attacked by strangers, pursued by a vicious stalker and transported to a haunting afterlife dimension. In a final showdown, he faces real and paranormal foes and is given an astounding revelation. LeFanu's Angel is a novel full of excitement, mystery and the unexpected. It is a literary delight set in historic and contemporary Dublin, with its vibrant business and social life, and hidden underworld of vice and crime. 'Keogh does an excellent job of both channelling/mocking the Irish Gothic novel tradition, telling a good story of good (relatively) versus evil, showing the corruption and dark side of modern-day Ireland and keeping us guessing to the end where it is all going to end up.' John Alvey in The Modern Novel 'Most importantly, Keogh tells a good story - both at the level of the individual episodes as well as the larger stories - and tells them well, making for a thoroughly engaging novel and enjoyable read.' M.A. Orthofer in The Complete Review
NGO worker Gwen refuses to leave Afghanistan as the 1990s takeover by the Taliban sets in. Her ideas for protecting and empowering the community she is working with take an opportunistic, opium-related turn. Fifteen years later Gwen is helping migrants in the UK, set to clash with her daughter as her past catches up with her.
"Sylvie Germain's The Medusa Child beautifully translated from the French by Liz Nash, tells a heartbreaking and violent story about sin and redemption in fantastical language; a myth from la France profonde." Books of the Year in The Independent on Sunday 'Germain's language is redolent with decay, rich with religious torment and ecstasy, and filled with the decadence so loved by this publisher.' Time Out 'The Medusa Child is her most accessible novel, and my favourite. A coherent pattern of metaphor depicts an enchanted country childhood. Lucie explores the marshes around her home and studies the stars. But when she is given a room of her own, an ogre starts to pay her nocturnal visits. Helpless and alone, Lucie decides to fight back by turning herself into a monster. This is a superb and compassionate study of damage and resistance.' Michele Roberts in Mslexia
A classic Portuguese novel translated here into English by Margaret Jull Costa. Follows the fortunes of widower Richard Whitestone who regularly re-reads "Tristram Shandy", his wise daughter and romantic son.
Elias's father used to read novels at work to transport himself from his boring duties as a book-keeper until he literally lost himself in a book, or so Elias was told. Elias goes off in search of the father he never knew, across the action-packed plots of many recognisable classics. Translated by Margaret Jull Costa.
The identity of Venice, Queen of the Adriatic, is inseparable from the waters of the lagoon by which she is surrounded. Isabella Panfido takes us on an exploration of those waters that since time immemorial have been Venice's refuge and defence, visiting some of its many islands (the names of a few - Fisolo, Sant'Arian, Lio Piccolo, San Secondo - will be unknown even to the most assiduous visitors to the city), and introducing us to their elusive magic and their well-kept secrets. We learn of haunting illusions created by the peculiar geography of the lagoon under certain climatic conditions; of the devastating plague of 1630 that led to the loss of 47,000 Venetian lives over a period of sixteen months; of the destruction by a bitter north wind of baskets full of carefully harvested soft-shelled crabs and their seemingly miraculous rebirth and metamorphosis from one delicacy into another; of thwarted yearnings and ambitions, of jealous rivalries and revenge, of the terrible price of vanity - and much, much more. An expert guide and consummate storyteller, the author draws on a deep and extensive knowledge of her native city past and present, and on her own personal experiences, weaving together myth and legend, imagination and historical fact, to capture the mystique of the phenomenon that is Venice. Venice Noir is the winner of two literary prizes: the Latisana per il Nord-Est Prize and the Gambrinus Giuseppe Mazzotti Prize.
In Caterina, Claudia Durastanti presents us with a Cleopatra for our times - no exotic queen courted by two lovers with the fate of an empire in their hands but a young would-be ballet dancer who now works in as a cleaner in a down-at-heel hotel. This is the Rome of the underclass, of illegal immigrants, gypsies and sex shops where life is a struggle for dysfunctional families and nothing comes easy, except disappointment. Every Thursday Caterina visits her boyfriend Aurelio in Rebibbia prison in Rome, where, following a mysterious tip-off to the police, he is being held in custody under suspicion of pimping the strippers in the nightclub he was running. What would Aurelio say if he knew that she went straight from the prison to meet the policeman who arrested him, and who is now her lover? Caterina's life is difficult and her environment challenging but she is a survivor and takes everything life throws at her without complaint. Caterina is very much a heroine for our times.
Margherita Giacobino's book is a fictionalised biography/autobiography of Patricia Highsmith, taking the form of diary entries supposedly written by her, interspersed with a third-person narrative. It focuses on her psychological and emotional life, with the emphasis on feelings, relationships and aspirations rather than facts, dates and events. A lesbian in an era when to be homosexual was to be reviled and discriminated against, and made to feel guilty and ashamed, Patricia Highsmith struggled with her sexual identity in this social context, and the book fruitfully explores how this might have contributed to her creative output. The title is a reference to Patricia Highsmith's second novel The Price of Salt, a lesbian romance originally published under a pseudonym after it was rejected by the publisher of her first novel. It was not until 1990 that Patricia Highsmith agreed to its reissue under her own name, with the new title Carol.
A story from one of Germany's most popular children's authors. Carlo is determined to see his father, who lives back in Palermo, and therefore sets out without any money to make his way there.
A funny and touching exploration of freedom, friendship and finding yourself. Mo acknowledges her 'inner voice' and sets to work on her memoirs, not letting her bovine nature stop her. Set in the aftermath of the Spanish Civil War.
Ohl's homage to nineteenth century English fiction features a Dickensian cast of characters (including Dickens himself), in its depiction of the fallout from a mysterious discovery.
Rural ideals clash with big city ambition in this novel of female empowerment, which is also the first novel by a female author to be published in Cape Verde. Salustio has been awarded the PEN Galicia for lifetime achievement.
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