Böcker utgivna av Drawn & Quarterly

A new edition of the artist's bold reinterpretation of a century-old book

The third and final installment of the artist's facsimile sketchbook series.After over fifteen years deferral, delay and dawdling, the ink-and-paper cheerleader F. C. Ware finally succumbs to imaginary public pressure by concluding his tiresome experiment in reader trust with the third and final volume of secret notebooks and sketches spanning over thirty-seven years of bus rides, airport delays and telephone hold music.Exquisitely crafted fine art doodles, hand-selected meanderings and artisanal rewritings of personal conflict are scattered throughout comic strips unconsciously revealing private hostilities and unflattering portraits of public transportation riders, the whole carefully cleansed of any impugnable or litigious tracery. As a professional adult-picture-book drawer and regular contributor to the New Yorker, Le Monde and the Illinois Cook County Assessor's office, Mr. Ware's work in these pages secures his reputation as an reliably unreliable self-narrator, willing to say or write anything to win petty disputes and imagined squabbles.208 full-color pages augmented by annotations, introduction and a professional apology, with paper boards and cloth spine of misleading demureness to conceal its native prurience.

The classic comic strip by Tove Jansson and Lars Jansson in a new paperback seriesPresented in an all new softcover format that collects the all ages comics of both Tove Jansson and Lars Jansson, the five-volume Moomin Adventures series will introduce the timeless comic strip to a new generation of readers of all ages. The strip's gentle humor and subtle yet sharp musings on life relay an utterly human existence through the lives of Moomin, Moominmamma, Moominpappa, Snufkin, Little My, Snork Maiden and more. Moomin Adventures: Book One kicks off with perhaps the most famous adventure of them all, Moomin on the Riviera, which was adapted into an animated feature and debuted at the London Film Festival. In Moomin's Desert Island, the entire Moomin family is stranded on a desert island--the very island their ancestors came from. The Moominvalley hijinx continued with a charming mix of strips from Finland's most famous writer/artist Tove Jansson, and her brother Lars Jansson who taught himself how to draw in order to take over the strip when it was in syndication. When D+Q debuted the Moomin comic strip in 2007, it was the first time that the comic strip had been published in english since its original appearance in the London Evening News. The series has gone on to sell 400,000 volumes.

Everybody's favorite party girl Wendy is so back When Wendy is nominated for the coveted National FoodHut Contemporary Art Prize alongside her friend Winona, all of her millennial dreams seem to be coming true. She lives a post-pandemic, polyamorous fine artist's lifestyle in the big city and basks in the glory of national attention with the success of her popular comic strip, "Wanda." But not even achieving bona fide art star fame can hide the truth: a never-ending struggle with imposter syndrome. After she cracks in an online interview and gets dragged in the comments section, she heads straight to a local watering hole to drown her sorrows. Several lines of coke, too many drinks, and one all night rager with fans later, Wendy is ready to curse Gen Z and confront her addictions. All the while, she and Winona drift apart as a younger Indigenous artist wedges herself between them. Will Wendy's commitment to change wind up short-lived? The Wendy Award incisively skewers the art world with its corporate overlords, performative activism, generational wealth, and weaponized therapy speak. A showcase of Walter Scott's deft wit and social commentary, The Wendy Award asks the hard questions, like Do they still give awards to men? Should we be grateful for the exposure? And what exactly is Big Auntie Energy?

The annotated and expanded screenplay adaptation of the landmark graphic novelThe major motion picture adaptation of Adrian Tomine's beloved New York Times Notable Book debuted at the Sundance Film Festival and made its New York premiere at the Tribeca Festival to great acclaim. Written by Tomine and helmed by director Randall Park, Shortcomings was lauded by The New York Times for its liberating representation of Asian Americans in all their messiness and humanity. Tomine's screenplay is presented here in its final "shooting draft" form, along with extensive annotations, commentary, and bonuses including deleted and alternate scenes. This gorgeously-designed volume is supplemented with film stills, behind-the-scenes photos, and also includes an introduction by Park and a new, original comic from Tomine. A perfect companion to the original graphic novel, Shortcomings: A Screenplay is a peek behind the curtain of a story's progression from comic to script to film. For fans of Tomine and movie-making alike, Shortcomings: A Screenplay is a brutal, funny, and insightful read in its own right, as well as a fascinating document of the translation of Tomine's expertly-crafted plot turns, subtle characterization, and irreverent humor from one medium into another.

The critically acclaimed graphic novel about Quebec's contentious history by the founder of D+Q-is now in paperback.>Chris Oliveros sets out to dispel common misconceptions about the birth and early years of a now-defunct movement whose legacy still holds a tight grip on Canadian politics and the hearts and minds of Quebec. The Front de libération du Québec (or in English, the Quebec Liberation Front), began as a socialist movement with a goal of championing workers' rights among the province's French-speaking majority. Their goal? Ridding the province of English business owner oppression by any means necessary-including violent revolution. Using dozens of obscure and long-forgotten sources, Oliveros skillfully weaves a comics oral history where the activists, employers, politicians, and secretaries piece together the sequence of events. At times humorous, other times dramatic, and always informative, Are You Willing To Die For The Cause? shines a light on how just little it takes to organize dissent and who people trust to overthrow the government.

Riotous bodies abound in these deeply honest comics that will get you through it (or at least help)>Known for her buzzing colors, delightful patterns, sharp humor, and unflinching vulnerability, Tara Booth does not miss any mark in this exquisitely woven collection of pure and nasty magic. Part advice column and exhibit, exploration of psychic pollution and tranquility, Processing is--quite simply--intrepid: in its honesty; its unapologetic grossness; its unrivaled and frank portrayal of life with a body that bleeds. In the grand tradition of underground women cartoonists like Julie Doucet and Aline Kominsky-Crumb, Booth draws a horned up woman laying rose petals on the bed, to distract from the bedbugs before her hookup arrives. She bears witness to the reality of wearing a t-shirt with no bra--when you stretch, your boobs, sometimes, pop right out. This is all just life but we don't often see it on the page. Undaunted, Booth draws it. When advice from spiritual gurus like Tara Brach and Ram Dass just aren't cutting it, take solace in the genuine arms of Tara Booth: a fearless cartoonist who is unafraid to put her existential angst, blemishes, and stains right on the page, and who--with relentless relatability--makes us all feel a bit more at home in our too-human vessels. With color that vibrates and fluids that impose, Processing lays Booth bare--literally and figuratively.

The author of Grass and The Naked Tree returns with a profound tale of family>The idyll of a quiet life soon gives way to a surprising degree of antagonism, including clashes with long-time local residents of a different generation. The culture shock is palpable for all three urban transplants as the isolation of their new environs starts to sink in. They eventually adopt another dog, and still another-all while reckoning with the ups and downs of middle-age and childlessness in an unforgivingly traditional milieu. Dog Days is critically-acclaimed and multi-award-winning cartoonist Keum Suk Gendry-Kim's first foray into contemporary fiction. With the aid of veteran translator Janet Hong, Gendry-Kim's twenty-first century tale of an unconventional family building trust with one another and their neighbors is a heartfelt exploration of compassion and the unlikely places we find the love we all need.

In the end, we're all the same...we just want to be smothered like babies against anotherhuman's beating heartThrough a cracked door, heartsick Emi hears a playful growl. Cautiously, she lets her lover in-a wolf of a man wielding a bouquet of roses. His shoulders must have been four inches wider than mine. As I stood behind him, I fantasized about the broadness of his chest and the thickness of his neck...and about becoming his mistress once again.And so their story goes. For a young woman interested in love without the hassle of a traditional relationship, an affair with someone else's spoiled husband is just what she ordered-until it's time to move on.Then there's Yuko: with even less time for married men's shenanigans, she turns her attention to her aging father and the guilt of adultery that has gnawed at his heart for years. Her mother is long dead, yet her memory is enshrined for eternity in their-both father's and daughter's-mirrored indiscretions.Drawn soon after the critically-acclaimed Talk to My Back, the two stories in Second Hand Love mark the triumphant return of Yamada Murasaki, one of literary manga's most respected feminist voices. Translated by noted historian Ryan Holmberg, this edition includes an interview with the artist from the height of her career in 1985, where her wit and wisdom are on shimmering display.

The great fine art doodler returns>Raw Sewage Science Fiction is about making art and understanding the results as autobiography. The process is a series of indignities, bubble wrapped frames, unpaid invoices, art lost through neglect or in the mail. Bell uses autofiction, collage, straight comix, tight cross hatching, loose doodling, repurposed in-flight magazines, envelopes, grocery lists, and snatches of late night CBC radio to examine a lost decade as he wanders from coast to coast. In a century, these will be our illuminated manuscripts, our sacred texts, our guides to life for now they are simply the truth--the irritating, confounding, glorious truth.

Celebrating the pop culture phenomenon that redefined what it meant to be Asian-American with tributes from Margaret Cho, Randall Park, Jia Tolentino, and more. Los Angeles, 1994. Two Asian-American punk rockers staple together the zine of their dreams featuring Sumo, Hong Kong Cinema and Osamu Tezuka. From the very margins of the DIY press and alternative culture, Giant Robot burst into the mainstream with over 60,000 copies in circulation annually at its peak. Giant Robot even popped right off the page, setting up a restaurant, gallery, and storefronts in LA, as well as galleries and stores in New York and San Francisco. As their influence grew in the 90s and 00s, Giant Robot was eventually invited to the White House by Barack Obama, to speak at Harvard University's Graduate School of Design, and to curate the GR Biennale at the Japanese American National Museum. Home to a host of unapologetically authentic perspectives bridging the bicultural gap between Asian and Asian-American pop culture, GR had the audacity to print such topics side-by-side, and become a touchstone for generations of artists, musicians, creators, and collectors of all kinds in a pre-social media era. Nowhere else were pieces on civil rights activists running next to articles on skateboarding and Sriracha. Toy collectors, cartoonists, and street style pioneers got as many column inches as Michelle Yeoh, Karen O, James Jean, and Haruki Murakami. Giant Robot: Thirty Years of Defining Asian-American Pop Culture features the best of the magazine's sixty-eight issue run alongside never-before-seen photographs, supplementary writing by long-term contributing journalist Claudine Ko, and tributes from now-famous fans who've been around since day one. Margaret Cho, Daniel Wu, and Randall Park celebrate Giant Robot's enduring legacy alongside pioneering pro-skateboarder Peggy Oki, contemporary art giant Takashi Murakami, culinary darling Natasha Pickowicz, and critically acclaimed essayist Jia Tolentino.

A uniquely thrilling and emotive fantasy ride along a sea-bordered highwayThe wondrous rustic landscape of Nova Scotia bursts from the page in Vera Bushwack, where reality gladly gives way to fantastical flights of fancy before gently coming back down to earth. A chainsaw fires up and Drew's vision blurs. Their body vibrates alive with the whrrr of the engine, the whiff of gas. Drew dissolves as their alter-ego, Vera Bushwack, takes charge. Assless-chaps-wearing, unflinching Vera slashes through thick trunks, felling trees righteously from the back of a majestic steed.Vera's here to help, of course. Drew needs to clear the land for their future cabin in the woods. And if it weren't for Vera's brazenness, Drew may, ironically, fall reliant on others to learn self-reliance. Nevertheless, men enter Drew's orbit, all too eager to explain how things work-an aggravating occurrence that comes crashing into Drew as dependably as the nearby ocean waves.Joy, anger, grief, and self-acceptance ripple through these pages with Sig Burwash's hilariously expressive pencil drawings and flair for buoyant watercolors. Approaching something like liberation, our protagonist comes to terms with past traumas, boundaries, and the many expressions of themself.

Enter a future of defiant vitality in GLEEMImbued with cyberpunk attitude and in the rebellious tradition of afrofuturism, GLEEM is drawn with a fierce momentum hurtling towards a future world. Carrasco's distinct cinematic style layers detailed panels and spreads, creating a multiplicity of perspectives, at once dizzying and hypnotic. Vignettes unspool in proximity to our own social realities and expand into the outer layers of possibility. Whether in the club or a robot repair workshop, the characters in these three interconnected stories burst across frames until they practically step off the page. A boy becomes bored at church with his grandmother until he tries a psychedelic drug. A group of friends are told that they need a rare battery if they want any chance of reviving their friend. Street style and cybernetics meet and burst into riotous dancing. Kindness and violence might not be as distant from each other as we think. GLEEM unsettles with a confidence that could make you believe in anything.

An alt-manga legend strikes out on his own, creating some of his most revealing and personal worksOba Electroplating Factory is a startlingly bleak but nonetheless captivating portrait of mid-century Japan in its most unglamorous iteration. Glimpses of the artist reflecting upon his life, his work, and his contemporaries pepper the narrative landscape: a wife teases her husband about a former fling on a trip to the hot springs, a young cartoonist is aghast at the cavalier conduct of his supposed betters, and imperfect men must grapple with the discomfort of their own honesty. Tsuge's stories are studies in staging nature, working to evoke stillness and movement in such a way that renders his chosen setting a character all on its own. Following the breakthrough success of Nejishiki, Yoshiharu Tsuge forges a path for autofiction in manga and changes the cultural landscape of comics forever. Some of his most revealing and personal works were published between 1973 to 1974. As much as it is a testament to the author's predilection for addressing sensitive and mature themes in response to his culture, this volume also collects works from the only period in which Tsuge tries his hand at writing for a mainstream audience in earnest. This fourth volume in the complete works of a legendary manga-ka is an indispensable addition to the literary comics canon and shining example of world literature at its most human. EditBuild

Everything is changing-- but everything is also exactly the same. Ingken can't ignore it: ice caps stained brown from forest fires, pipeline construction, drought... the whole world somehow persists despite the slow erosion of stability. After a trip to Paris, Ingken returns home ready for a break from drugs. Their supportive partner, Lily, is flushed, excited about a new connection she's made. Although Ingken wants to be happy for her, there's a discomfort they can't shake. Sleepless nights fill with an endless scroll of images and headlines about climate disaster. A vague dysphoria simmers under their skin; they are able to identify that like Lily, they are changing, but they're not sure exactly how and at what pace. Everyone keeps telling them to burn themself to the ground and build themself back up but they worry about the kind of debris that fire might leave behind.Nino Bulling's artwork is immediately familiar. Like a conversation with a good friend, their story is told as quiet as it can be loud. Crowds and landscapes squiggle in expressive black and white. Red cuts through panels with energy and persistence, bringing life to what might seem dead. In its most intimate moments, Firebugs asks what it means to transition in a transitioning world.

A budding friendship between two misfits unravels in the wake of school violenceSchoolyard outcasts Charlie and Astrid meet up after school near a cliff at the edge of the woods surrounding their sleepy town. They make a blood pact to jump together in five days time, before their thirteenth birthdays. Not that navigating the unspoken pecking order of the school quad makes it easy. Can the intensity of their bond survive the scrutiny of their peers, or will it crumble under the sum of each other's disappointments?Manon Debaye's characters live in a world just on the periphery of adult supervision, where kids prey upon one another with casual aplomb only to find themselves completely out of their depth. A deft use of colored pencils brings sleepy but barren suburban landscapes to the fore, further capturing childhood's last pivotal moments as it teeters on the edge of adolescence with startling honesty in this devastatingly well-crafted debut.Winner of the 2023 Philippe Druillet Prize at Angoulême, The Cliff is a moody, visceral glimpse into pre-teen life, unflinching in its portrayal of trivialized cruelties alongside simple joys.

"It's a germ's world. We're just living in it! Elise Gravel introduces us to the heroes and villains of the microscopic world, stopping to marvel at their unique names and wondrous shapes" -- back cover.

The beloved children's classic appears as a graphic novel for the first timePEN Graphic Novel Award winner Travis Dandro takes a left turn from his detailed autobiography and returns with the charming tales of Winnie-the-Pooh. In 2015, the A. A. Milne childrens' classic, long since viewed as the benchmark for intelligent and whimsical storytelling, slipped into the public domain. The beloved series now gets the comics treatment from a gifted artist at the peak of his cartooning prowess.Dandro expands the world of Hundred Acre Wood in all directions, creating stunning full-page tableaus where Pooh and everybody's favorite characters-Piglet, Eeyore, Tigger, and of course, Christopher Robin-to romp, argue, fail, and love. Indebted to the unforgettable pen-and-ink drawings of E. H. Shephard, this addition to the canon of timeless literature for all ages encompasses all of Winnie-the-Pooh's original adventures, alongside a brand-new story from Dandro created exclusively for this volume.

The arrival of the greatest single panel cartoonist since Charles Addams>Once in generation, a distinctly new perspective emerges from the pages of The New Yorker. In our times, that perspective belongs to Ed Steed. Steeped in the classic formalist tradition of the single-panel gag, Steed possesses a shocking and macabre talent for drawings guaranteed to make even the most composed of casual readers laugh out loud. At times reminiscent of Charles Addams, George Booth, William Steig, Saul Steinberg, and Edward Gorey, the artist defies the blasé, urbanite's worldview of the magazine in which his comics appear. If anyone has described a New Yorker cartoon to you at a cocktail party recently it is almost certainly a "Steed." Forces of Nature is the first of what promises to be many award-winning collections by this young man with an old cartooning soul.

How would you live with nothing but your name?Manel Naher wants out. In a world where your name is currency, it's tough to make ends meet. It's even tougher when you share a name with a rising pop star. The city is unbearable-endless high-rises, social climbers left and right, and nothing but names as far as the eye can see. But Manel is looking a little bit farther, just beyond the horizon, and she's even convinced her buddy Ali of how much more could be lying in wait right outside city limits.When a sudden heart attack induced by diminished name recognition foils Manel's plans, gradual change becomes a catalyst for a complete lifestyle overhaul. This stylish, absurd comedy of contemporary manners skewers the human condition in persistent self-promo. Sharp, architectural lines are accented by decisively mellow hues, building a humorously grim world unexpectedly bathed in nothing but light. An exciting debut from a fresh perspective, The Great Beyond showcases newcomer Léa Murawiec's command of comics language and satirizes a sprawling metropolis, its politics, and its extraordinary inhabitants.Translated by Aleshia Jensen.

Tom Gauld returns with his wittiest and most trenchant collection of literary cartoons to date. Perfectly composed drawings are punctuated with the artist's signature brand of humour, hitting high and low. After all, Gauld is just as comfortable taking jabs at Jane Eyre and Game of Thrones. Some particularly favoured targets include the pretentious procrastinating novelist, the commercial mercenary of the dispassionate editor, the willful obscurantism of the vainglorious poet. Quake in the presence of the stack of bedside books as it grows taller! Gnash your teeth at the ever-moving deadline that the writer never meets! Quail before the critic's incisive dissection of the manuscript! And most importantly, seethe with envy at the paragon of creative productivity!Revenge of the Librarians contains even more murders, drubbings, and castigations than The Department of Mind-Blowing Theories, Baking For Kafka, or any other collections of mordant scribblings by the inimitably excellent Gauld.

Maybonne Mullen is "e;riding on a bummer"e; according to her little sister, Marlys. As much as teenage Maybonne prays and tries she just can't connect to the magic of living. How can she when there's so much upheaval at home and school, not to mention the world at large? And yet Marlys always seems able to tap into it. In It's So Magic, the Mullen family dynamics are in flux. Uncle John makes a brief return to town to the delight of the girls. Freddy is finally reunited with his sisters. Marlys falls in love for the first time. And after they finally settle into a routine at their grandmother's, the Mullen siblings' find out that their mother might be ready to take them back in. With war in the background and precarious parental support, the siblings long for peace, finding it in the small things like grocery-store turkey-drawing contests and fishing trips. Narrated by Maybonne, Marlys, and Freddy, It's So Magic captures Lynda Barry's unparalleled ability to depict the magic of youth experiencing firsts in a world that contains as much humor as it does hardship.

From the acclaimed author of Sabrina, Nick Drnaso's Acting Class creates a tapestry of disconnect, distrust, and manipulation. Ten strangers are brought together under the tutelage of John Smith, a mysterious and morally questionable leader. The group of social misfits and restless searchers have one thing in common: they are out of step with their surroundings and desperate for change. A husband and wife, four years into their marriage and simmering in boredom. A single mother, her young son showing disturbing signs of mental instability. A peculiar woman with few if any friends and only her menial job keeping her grounded. A figure model, comfortable in his body and ready for a creative challenge. A worried grandmother and her adult granddaughter; a hulking laborer and gym nut; a physical therapist; an ex-con. With thrumming unease, the class sinks deeper into their lessons as the process demands increasing devotion. When the line between real life and imagination begins to blur, the group's deepest fears and desires are laid bare. Exploring the tension between who we are and how we present, Drnaso cracks open his characters' masks and takes us through an unsettling American journey.

A delicate, timeless, and breathtaking coming-of-age story.The critically acclaimed and award-winning cartoonist Keum Suk Gendry-Kim returns with a stunning addition to her body of graphic fiction rooted in Korean history. Adapted from Park Wan-seo's beloved novel, The Naked Tree paints a stark portrait of a single nation's fabric slowly torn to shreds by political upheaval and armed conflict.The year is 1951. Twenty-year-old wallflower Lee Kyung ekes out a living at the US Post Exchange, where goods and services of varying stripe are available for purchase. She peddles hand-painted portraits on silk handkerchiefs to soldiers passing through. When a handsome young northern escapee and erstwhile fine artist is hired despite waning demand, an unlikely friendship blossoms into a young woman's first brush with desire against the backdrop of the Korean War at its most devastating.Gendry-Kim brings a masterpiece of world literature to life with bold, expressive lines that capture a denuded landscape brutally forced into transition and the people who must find their way back to each other within it. Available for the first time in English, this edition of The Naked Tree is exquisitely translated by award-winning expert Janet Hong.