Böcker utgivna av Duke University Press

This Reader assembles over two dozen selection of writing by leading scholar of Islam Bruce B. Lawrence which range from analyses of premodern and modern Islamic discourses, practices, and institutions to methodological and theoretical reflections on the study of religion.

Joseph Masco examines the psychosocial, material, and affective consequences of the advent of nuclear weapons, the Cold War security state, climate change on contemporary US democratic practices and public imaginaries.

Katherine McKittrick presents a creative and rigorous study of black and anticolonial methodologies, exploring how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness.

Maria Jose A. de Abreu examines the conservative Charismatic Catholic movement in contemporary urban Brazil to rethink the relationship between theology, the body, and neoliberal governance, showing how it works to produce subjects who are complicit with Brazilian neoliberalism.

Jeffrey Sconce traces the history and continuing proliferation of psychological delusions that center on suspicions that electronic media seek to control us from the Enlightenment to the present, showing how such delusions illuminate the historical and intrinsic relationship between electronics, power, modernity, and insanity.

Elspeth H. Brown traces modeling's history from the advent of photographic modeling in the early twentieth century to the rise of the supermodel in the 1980s, showing how it is both the quintessential occupation of a modern consumer economy and a practice that has been shaped by queer sensibilities.

Catherine Besteman offers a sweeping theorization of the ways in which countries from the global North are reproducing South Africa's apartheid system on a worldwide scale to control the mobility and labor of people from the global South.

Christopher Freeburg challenges the imperative to study black social life and slavery and its aftereffects through the lenses of freedom, agency, and domination and instead examines how enslaved Africans created meaning through spirituality, thought, and artistic creativity separate and alongside concerns about freedom.

Elizabeth E. Sine tells the story of the diverse groups of working-class Californians as they organized inventive, imaginative, and multipronged political movements to counter systems of inequity and marginalization during the Great Depression.

Andrew Bickford analyzes the US military's attempts to design performance enhancement technologies and create pharmacological "supersoldiers" capable of becoming ever more lethal while withstanding various forms of extreme trauma.

Brandi Clay Brimmer analyzes the US pension system from the perspective of poor black women in the period before, during, and after the Civil War outlines the struggles of mothers, wives, and widows of black Union soldiers to claim rights in the face of unjust legislation.

Hagar Kotef explores the cultural, political, spatial, and theoretical mechanisms that enable people and nations to settle on the ruins of other people's homes, showing how settler-colonial violence becomes inseparable from one's sense of self.

Anthony Reed takes the recorded collaborations between African American poets and musicians such as Amiri Baraka, Jayne Cortez, Cecil Taylor, and Charles Mingus to trace the overlaps between experimental music and poetry and the ways in which intellectuals, poets, and musicians define black sound as a radical aesthetic practice.

Kaiama L. Glover examines Francophone and Anglophone Caribbean literature whose female protagonists enact practices of freedom that privilege the self, challenge the prioritization of the community over the individual, and refuse masculinist discourses of postcolonial nation building.

Jie Li traces the creation, preservation, and elision of memories about China's Mao era by envisioning a virtual museum that reckons with both its utopian yearnings and cataclysmic reverberations.

Mark W. Driscoll examines Western imperialism in East Asia throughout the nineteenth century and the devastating effects of what he calls climate caucasianism-the West's racialized pursuit of capital at the expense of people of color, women, and the environment.

Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ren Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies.

Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.

Maya Stovall uses her Liquor Store Theatre conceptual art project-in which she danced near her Detroit neighborhood's liquor stores as a way to start conversations with her neighbors-as a point of departure for understanding everyday life in Detroit and the possibilities for ethnographic research, art, and knowledge creation.

Analyzing the personal clothing, makeup, and hairstyles of working-class Black and Latina girls, Jillian Hernandez examines how cultural discourses of aesthetic value racialize the bodies of women and girls of color.

Weaving together feminist, decolonial, and dialectical theory, Laura Doyle theorizes the co-emergence of empires, institutions, language regimes, stratified economies, and literary cultures over the longue duree.

Drawing on the radical black tradition, process philosophy, and Felix Guattari's schizoanalysis, Erin Manning explores the links between neurotypicality, whiteness, and black life.

Drawing on ethnographic research in the Palestinian city of Ramallah, Christopher Harker how Israel's use of debt to keep Palestinians economically unstable is a form of slow colonial violence embedded into the everyday lives of citizens.

Prathama Banerjee moves beyond postcolonial and decolonial critiques of European political philosophy to rethink modern conceptions of "the political" from the perspective of Indian and Bengali practices and philosophies from the late nineteenth and early twentieth centuries.

Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.

Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras to theorize socialist and postsocialist feminism, mainstream culture, and women's cinema in modern China.

Joseph Pugliese examines the concept of the biopolitical through a nonanthropocentric lens, arguing that more-than-human entities-from soil and orchards to animals and water-are actors and agents in their own right with legitimate claims to justice.

Maureen Mahon documents the major contributions African American women vocalists such as Big Mama Thornton, Betty Davis, Tina Turner, and Merry Clayton have made to rock and roll throughout its history.

Ethiraj Gabriel Dattatreyan examines how the young men of Delhi's hip hop scene construct themselves on- and off-line and how digital platforms offer these young men the means to reimagine themselves and their city through hip hop.

Brigitte Fielder presents an alternative theory of how race is constructed with readings of nineteenth-century personal narratives, novels, plays, stories, poems, and images to illustrate how interracial kinship follows non-heteronormative, non-biological, and non-patrilineal models of inheritance in nineteenth-century literary culture.