Böcker utgivna av Duke University Press

Nadia Ellis theorizes the experience of belonging to the African diaspora as living within the space between the land and the soul. She uses a utopian concept of queerness and analyses of African American and Caribbean writers, musicians, and artists to show how diaspora is a mode of feeling and belonging.

Vladimir Jankelevitch's Henri Bergson is a great commentary written on philosopher Henri Bergson. Jankelevitch's analysis covers all aspects of Bergson's thought, from metaphysics, emotion and temporality, to psychology and biology. This edition also includes supplementary essays on Bergson by Jankelevitch, Bergson's letters to Jankelevitch, and an editor's introduction.

Kimberly Juanita Brown explores the literary and visual representations of how black women bear the marks of slavery, centers black women in narratives of slavery, and uncovers and critiques the refusal to see the violence done to black women's bodies.

Marcia C. Inhorn's ethnography of international travelers seeking in vitro fertilization treatment in the global IVF hub of Dubai shows that infertile couples, or "reprotravelers," leave their countries because IVF treatment is not safe, affordable, legal or effective. Inhorn opens a window into the painful, frustrating, and expensive world of infertility.

Nayoung Aimee Kwon examines the Japanese language literature written by Koreans during late Japanese colonialism. She demonstrates that simply characterizing that literature as collaborationist obscures the complicated relationship these authors had with colonialism, modernity, and identity, as well as the relationship between colonizers and the colonized.

The twenty-six essays in Lunch With a Bigot are examples of how Amitava Kumar turns his observations of the world into words. A mix of memoir, reportage, thoughts on the craft of writing, and criticism, these essays tell broad stories of immigration, change, and a shift to a more globalized existence.

Allyson Nadia Field recovers the forgotten body of African American filmmaking from the 1910s which she calls uplift cinema. These films were part of the racial uplift project, which emphasized education, respectability, and self-sufficiency, and weren't only responses to racist representations of African Americans in other films.

Oliver Wang chronicles the history of the San Francisco Bay Area Filipino American mobile DJ scene of the late 1970s through the mid-1990s. He shows how DJ crews helped unify the Bay Area's Filipino American community, gave its members social status and brotherhood, and drew huge crowds.

James Ferguson examines the rise of social welfare programs in southern Africa in which states give cash payments to their low income citizens. These programs, Ferguson argues, offer new opportunities for political mobilization and inspire new ways to think about issues of production, distribution, markets, labor and unemployment.

Analyzing the satirical Mexico City penny press from 1900 to 1910, Robert M. Buffington argues that the press offered its working-class readers alternative masculine scripts that they could adopt to challenge social hierarchies.

Sarah C. Chambers examines the important role that family played in Chile's transition from colony to nation in the early eighteenth century. She shows how family members mobilized family networks for political ends, and argues that the Chilean state enacted paternalist laws to form a stable government and society.

Gil Z. Hochberg examines films, photography, painting and literature by Israeli and Palestinian artists. Israel's greater ability to control what can be seen, how, and from what position drives the Palestinian-Israeli conflict. The artists Hochberg studies challenge Israel's visual and social dominance by creating new ways to see the conflict.

Jean Ma shows how the rise and domination of singing actresses-or songstresses-in Chinese cinema attests to the changing roles of women in urban modernity, the complex symbiosis between the film and music industries, and the distinctive gendering of lyrical expression.

Remnants is the spiritual memoir of Civil Rights Movement activist Rosemarie Freeney Harding. She was a religious woman whose spirituality blended several religious practices. Following her death in 2004, her daughter Rachel finished her memoir, recorded interviews, her mother's journal entries, poems, previously published essays, and a lifetime of conversations.

Natasha Myers shows in this ethnography how scientists who build three-dimensional models of proteins use their senses and bodies to create, represent, and evaluate otherwise imperceptible molecules. These modelers often consider matter to be made up of living, moving, and sometimes breathing entities, and Myers' study of them rethinks the objectivity of science.

In Nature in Translation Shiho Satsuka studies Japanese tour guides who lead Japanese tourists on trips through the Canadian Rockies. By presenting nature in ways attuned to Japanese culture, these guides translate nature, a process that makes visible the cultural construction of nature and subjectivities.

Anthropologist Shalini Shankar explores how racial and ethnic differences are created and commodified through advertisements and marketing. Focusing on Asian American ad firms, she describes the day-to-day process of creating ads and argues that advertising has framed Asian Americans as "model consumers," thereby legitimizing their presence in American popular culture.

Reading across archives, canons, and continents, Lisa Lowe examines the relationships between Europe, Asia, and the Americas in the late eighteenth- and early nineteenth- centuries. She argues that Western liberal ideology, African slavery, Asian indentured labor, colonialism and trade must be understood as being mutually constitutive.

In this major contribution to Latin American media studies, Yeidy M. Rivero shows how commercial Cuban television, which only existed from 1950-1960, was instrumental in the creation and representation of Cuba's identity as a modern and Western nation-state.

Collecting almost four decades of writings by feminist activist Ann Snitow, Feminism of Uncertainty includes well-known essays, such as "A Gender Diary," along with pieces appearing here for the first time.

Marcia Chatelain recasts Chicago's Great Migration through the lens of black girlhood. She argues that the construction of black girlhood in Chicago between 1910 and 1940 reflected the black community's anxieties about urbanization and its meaning for racial progress, as well as responses to major events and social crises.

In this ethnography of impotence as a medical and social phenomenon, Everett Yuehong Zhang argues that the recent increase in Chinese men seeking treatment for impotence represents a shift in changing sexual attitudes in capitalist China.

A. Aneesh uses India's call centers as sites to study the consequences of successful global integration. Call center work requires neutralizing racial, ethnic, and national identities, which causes a disintegration of self where the performance of one's neutralized identity serves the system of global markets.

When Rains Became Floods is the stunning autobiography of Lurgio Gavilan Sanchez, who as a child soldier fought for both the Peruvian guerilla insurgency Shining Path and the Peruvian military during the Peruvian Civil War. After escaping the war, he became a Franciscan priest.

Bruno is the story of a Brazilian navy corporal turned drug dealer, who after being imprisoned became the leader of one of Brazil's biggest criminal factions, the Comando Vermelho. Bruno's story provides insights into the Brazilian drug trade, prison life, and explains the epidemic of violence in Rio's favelas.

Examines the roles of mobility and immobility in the history of political thought and the structuring of political spaces.

Nicholas Sammond argues that early cartoons are a key components to blackface minstrelsy and that cartoon characters such as Mickey Mouse and Felix the Cat are not like minstrels, but are minstrels. Cartoons have played on racial anxieties, naturalized racial formations, committed symbolic racial violence, and help perpetuate blackface minstrelsy.

Providing a reading of Aime Cesaire and Leopold Senghor as political thinkers, Gary Wilder explains how these eminent anti-colonial thinkers, poets and political leaders sought to remake France by advocating for colonial self-determination and fuller racial and cultural integration within the French empire.

In It's Been Beautiful, Gayle Wald examines Soul!, the first African American black variety television show on public television, which between 1968 and 1973 was instrumental in expressing the diversity of black popular culture, thought and politics, as well as helping to create the notion of black community.

In his latest book, the influential critic Brian Massumi offers a new theory of political economy that demonstrates how emotional, affective and nonconscious decisions work together with rational self-interest in the shaping of neoliberalism. Massumi's analysis shows the potential for a new anti-capitalist politics.