Böcker utgivna av Duke University Press

Based on interviews with male patients in a urology clinic in Cuernavaca, Maturing Masculinities offers an exploration of how older men in urban Mexico incorporate aging and decreasing erectile function into their conceptions of themselves as men.

Shawn Michelle Smith examines how the advent of photography revolutionized perception, making what was once invisible visible, while also revealing the limitations of what can be seen.

In this major work of political theory, the use of the border as method enables new perspectives on transformations of the nation-state and political concepts such as citizenship and sovereignty.

Sarah Franklin explores the history and future of in vitro fertilization (IVF) thirty-five years and five million babies after its initial success as a form of technologically-assisted human reproduction.

Salsa Crossings is an ethnography describing how hierarchies of gender, race, and class, and of migration, citizenship, and belonging, are enacted on and off the dance floors of Los Angeles salsa clubs.

A historical and ethnographic account of how LGBT activism for safe neighborhoods inadvertently dovetailed with and reinforced anticrime measures harmful to the poor and people of color.

This ethnographic account of long-term recovery in post-Katrina New Orleans provides a sobering look at the fallout from the privatization of vital social services under neoliberal, or market-driven, governance.

is a historical account of how museums in Japan and its empire contributed to the reimagining of state and society during Japan's imperial era, from 1868 until 1945.

In this long-awaited work, the queer theorist Annamarie Jagose demonstrates that attention to orgasm as an object of queer and feminist thought reveals much about gender, agency, history, and modernity.

Drawing on ethnographic research including interviews with artists at some of Tokyo's leading animation studios, Ian Condry focuses attention on the collective social energy that has made anime a global cultural phenomenon.

Securing Paradise analyzes how cultures of U.S. imperialism are produced and sustained in Asia and the Pacific, particularly in Hawaii and the Philippines, by the mutually reinforcing dynamics of tourism and militarism.

In Medicating Race, Anne Pollock traces the intersecting discourses of race, pharmaceuticals, and heart disease in the United States over the past century, from the founding of cardiology through the FDA's approval of BiDil, the first drug sanctioned for use in a specific race.

Drawing on his ethnographic research at powwow grounds and in recording studios, Christopher A. Scales examines the ways that powwow drum groups have utilized recording technology in the late twentieth and early twenty-first centuries, the unique aesthetic principles of recorded powwow music, and the relationships between drum groups and the Native music labels and recording studios.

Elizabeth Maddock Dillon explores how new publics were convened and contested around the riotous theatre scenes of the eighteenth-century Atlantic world, from England to the Caribbean to the early United States. In the process, she develops a capacious account of performance, aesthetics, and modernity.

Anthropologist John F. Collins explores shifts in racial identification in Brazil by examining the transformation of a celebrated Afro-Brazilian neighborhood in Salvador, Brazil from a red light district into an idealized UNESCO World Heritage Site, wherein its residents were celebrated yet stigmatized and expelled.

A new critical edition of Toussaint Louverture, the play written by the Trinidadian intellectual and activist C. L. R. James in 1934, performed at London's Westminster Theatre in 1936, and then presumed lost until its rediscovery in 2005.

An ethnography examining how indigenous residents of crime-ridden, marginalized neighborhoods in Cochabamba, Bolivia, struggle to balance human rights with their need for safety and security.

Extends the Cuban anthropologist Fernando Ortiz's theory of transculturation far beyond Cuba, bringing it to bear on regional cultures across Latin America

What We Made presents a series of fifteen conversations in which contemporary artists who create activist, participatory work discuss the cooperative process. Colleagues from fields including architecture, art history, urban planning, and new media join the conversations.

A radically new interpretation of two medieval Icelandic tales, known as the Vinland sagas, considering what the they reveal about native peoples, and how they contribute to the debate about whether Leif Eiriksson or Christopher Columbus should be credited as the first "discoverer" of America.

The distinguished literary critic David Palumbo-Liu posits reading literature as an ethical act, a way of thinking through our relations to others in the age of globalization.

Mimi Thi Nguyen examines the self-interested claims of the United States to provide freedom to others, even as it does so by generating violence and displacement through overpowering warfare.

Provides a critical, inside account of the go-go scene and how it survives in a changing city

Arguing that intellectuals must critique bellicose U.S. nationalism, Bruce Robbins advocates cosmopolitanism in its traditional sense, as an elevation of loyalty to the good of humanity as a whole over loyalty to one's own nation.

The autobiography of the pianist, composer, and bandleader Randy Weston, one of the worlds most influential jazz musicians and a remarkable storyteller.

An argument, based in Christian theology and critical social theory, that money is the religion of the contemporary world: economic valuation has trumped moral evaluation.

Examines how Okinawans have contested, appropriated, and transformed the burdens and possibilities of the past. This title analyzes the practices of specific performers, showing how memories are recalled, bodies remade, and actions rethought as Okinawans work through the fragments of the past in order to reconstruct the fabric of everyday life.

Examines contemporary controversies over the medical management of intersexuality in the United States from the multiple perspectives of those most intimately involved. This book moves beyond the heated rhetoric to reveal the complex reality of how intersexuality is understood, treated, and experienced.

Contains essays that include an investigation of representation and self-stylization in Johannesburg, an ethnographic examination of friction zones and practices of social reproduction in inner-city Johannesburg, and a discussion of the economic and literary relationship between Johannesburg and Maputo, Mozambique's capital.

Tells the rags-to-riches story of Franklin Evans, an innocent young man from the Long Island countryside who seeks his fortune in New York City. Corrupted by music halls, theatres, and above all taverns, he gradually becomes a drunkard.