Böcker utgivna av Duke University Press

Rebecca E. Karl interrogates the concept and practice of "the economic" as it was understood in China in the 1930s and the 1980s and 90s, showing how the use of Eurocentric philosophies, narratives, and conceptions of the economic that exist outside lived experiences fail to capture modern China's complex history.

Lori Merish establishes working-class women as significant actors within nineteenth-century U.S. literary culture by analyzing previously unexplored archives of working-class women's literature, showing how white, African American, and Mexican American factory workers, seamstresses, domestic workers, and prostitutes understood themselves while forging class identity.

Tina M. Campt explores a way of listening to photography by engaging with lost archives of state identification photographs of Afro-diasporan people taken between the late 1800s and the present, showing how to hear the quiet refusal emanating from these photos originally intended to dehumanize and police their subjects.

Lalaie Ameeriar follows the experiences of immigrant Pakistani women in Toronto who-despite being skilled, white-collar workers-suffer high levels of unemployment and poverty and who are advised by government-sanctioned worker programs to conform to an embodied form of multiculturalism that privileges whiteness and erases difference.

Kellie Jones traces how the artists in L.A.'s black communities during the 1960s and 70s created a vibrant, productive, and engaged activist arts scene in the face of structural racism through the production of art works that spoke to African American migration and L.A.'s racial politics.

Nikhil Anand explores the politics of Mumbai's water infrastructure to demonstrate how citizenship and the rights through which to make demands on the state for public services emerges through the relations between residents, plumbers, politicians, engineers, and the 3000 miles of pipe that bind them.

Aya Hirata Kimura traces the experiences of citizen scientists-particularly mothers-who after the 2011 Fukushima Daiichi Nuclear Power Plant disaster collected scientific data that revealed radiation-contaminated food, showing how the Japanese government used neoliberal and traditional gender ideologies to discount and socially sanction these women and their findings.

Flyboy 2 provides a panoramic view of the last thirty years of Greg Tate's influential cultural criticism of contemporary Black music, art, literature, film, and politics. These essays, interviews, and reviews cover everything from Miles Davis, Ice Cube, and Suzan Lori Parks to Afro-futurism, Kara Walker, and Amiri Baraka.

In From Washington to Moscow veteran US Foreign Service officer Louis Sell draws archival sources and memoirs-many in Russian-as well as his own experiences to trace the history of US-Soviet relations between 1972 and 1991 and to explain what caused the Soviet Union's collapse.

Offering a new queer theorization of melodrama, Jonathan Goldberg explores the ways melodramatic film and literature provide an aesthetics of impossibility and how melodrama as a whole provides queer ways to promote identifications that exceed the bounds of the identity categories that regulate and constrain social life.

Lisa Yoneyama argues that the efforts intensifying since the 1990s to bring justice to the victims of Japanese military and colonial violence have generated what she calls a "transborder redress culture" that has the potential to bring powerful challenging perspectives on American exceptionalism, militarized security, justice, sovereignty, forgiveness, and decolonization.

In The Brink of Freedom David Kazanjian revises dominant understandings of nineteenth-century conceptions of freedom by examining the letters of black settler colonists in Liberia and the letters and literature of Mayan rebels and their Creole antagonists in Yucatan, showing how they disrupted liberal formations of freedom.

In this moving memoir Jane Lazarre, a white Jewish mother, describes her experience being married to an African American man and raising two sons as she learns, from family experience, teaching, and her studies, about the realities of racism in America.

Robert Bailey reconstructs the history of conceptual art collective Art & Language to show how its international collaborations with dozens of artists and critics between 1969 and 1977 laid the foundation for global contemporary art, all while highlighting how conceptual art exceeds the visual to impact the philosophical and political.

In Plastic Bodies Emilia Sanabria examines how women's use of sex hormones in Bahia, Brazil for menstrual suppression shapes social relations, having become central to contemporary understandings of the body, class, gender, sex, personhood, modernity, and Brazilian national identity.

In The Sublime Perversion of Capital Gavin Walker examines the Japanese debate about capitalism between the 1920s and 1950s, using it as a "prehistory" to consider current problems of uneven economic development and contemporary topics in Marxist theory and historiography.

In Undoing Monogamy Angela Willey analyzes the contemporary science of monogamy, demanding a critical reorientation toward the understanding of monogamy and non-monogamy in the natural sciences, social sciences, and humanities.

In Real Pigs Brad Weiss traces the desire for creating "authentic" local foods in the Piedmont region of central North Carolina as he follows farmers, butchers, and chefs as they breed, raise, butcher, market, sell, and prepare their pasture-raised hogs for consumption.

In The Value of Comparison Peter van der Veer highlights anthropology's continuing ability to gain insights on the whole through the comparative study of the particular and unique while critiquing the quantitative social sciences for their sweeping generalizations.

In Ghostly Desires Arnika Fuhrmann examines post-1997 Thai cinema and video art to show how vernacular Buddhist values, stories, and images combine with sexual politics in figuring in current struggles over gender, sexuality, personhood, and collective life.

In Encoding Race, Encoding Class Sareeta Amrute explores the lives of Indian IT coders temporarily working in Berlin, showing how their cognitive labor reimagines race and class and how their acceptance and resistance to their work offers new potentials for alternative visions of living and working in neoliberal economies.

Debjani Ganguly theorizes the contemporary global novel and the social and historical conditions that shaped it, showing how in 1989 the consolidation of the information age, the perpetual state of war, and the focus on humanitarianism transformed the novel into a form that addresses contemporary social, technological, and political upheavals.

My Life with Things is Elizabeth Chin's meditation on her relationship with consumer goods and a critical statement on the politics and method of anthropology in which she uses everyday items to intimately examine the ways consumption resonates with personal and social meaning.

In Tourist Distractions Youngmin Choe uses Korean hallyu cinema as a lens to examine the importance of tourist films and film tourism in creating transnational bonds throughout East Asia and how they help Korea negotiate its twentieth-century history with the neoliberal present.

Building on the possibilities opened up by Ethnic Studies, this volume promotes open dialogue, discussion, and debate regarding Critical Ethnic Studies' expansive, politically complex, and intellectually rich concerns on topics ranging from multiculturalism and the neoliberal university to the militarized security state.

In The Brain's Body Victoria Pitts-Taylor applies feminist and critical theory to recent developments in neuroscience and new materialist social thought to demonstrate how the brain interacts with and is impacted by power, social structures, and inequality.

David H. Price uses information from CIA, FBI, and military records to map the connections between academia and the strategic use of anthropological research to further the goals of the U.S. military and outline the major influence the American security state has had on the field of anthropology.

In The Geographies of Social Movements Ulrich Oslender examines the activism of black communities in the lowland rain forest of Colombia's Pacific coast to show how the mutually constituting relationships between residents and their environment informs the political process.

In this wide-ranging and probing book Erin Manning develops the concept of the minor gesture to rethink common assumptions about human agency, the ways we experience the everyday world, and the possibilities for new political praxis.