Böcker utgivna av Duke University Press

In Pipe Politics, Contested Waters, Lisa Bjoerkman explores why water is chronically unavailable in Mumbai, India's economic and financial capital. She attributes water shortage to economic reforms that allowed urban development to ignore the water infrastructure, which means that in Mumbai, politics is often about water.

Making a case for the use of affect theory in religious studies, Donovan O. Schaefer challenges the notion that religion is inextricably linked to language and cognition, contending instead that religion is primarily driven by affect and that non-human animals have the capacity to practice religion.

In Islam and Secularity Nilufer Goele examines the transforming relationship between Islam and Western secular modernity and the impact of the Muslim presence in Europe. She demonstrates that Islam and secularism are mutually constitutive, constantly changing, and that the presence of Islam unsettles dominant narratives of Western modernism.

In this ethnography of addicted, pregnant, and poor women living in daily-rent hotels in San Francisco, Kelly Ray Knight examines the myriad struggles these women face, as well as their encounters with social and medical institutions. She asks: what kinds of futures are possible for these women?

In this ethnography of sexual violence during the 1971 Bangladesh War for Independence, Nayanika Mookherjee shows how the public celebration of the hundreds of thousands of rape victims-called "birangonas" by the state-works to homogenize and silence the experiences of these women.

The Project on Vegas shows how the Las Vegas Strip concentrates and magnifies American culture's core truths. Among others, the Strip's buffets, surveillance, large scale branding and consumption, and transformation of nature reflects larger trends and practices throughout America. Includes over 100 photographs by Karen Klugman.

Nancy Rose Hunt tells the affective history of the convergence of biopolitics and colonial violence in the Belgian Congo. By showing how the shifts and interactions between the biopolitical state and the nervous state drove the colonial government's actions toward the Congolese, Hunt provides a new model for theorizing colonialism.

Exploring the practices of squatting and illegal settlement on the outskirts of Cape Town during and immediately following the end of apartheid, Anne-Maria Makhulu how these squatters engaged in an important form of resistance that helped to end apartheid.

Simone Browne shows how racial ideologies and the long history of policing black bodies under transatlantic slavery structure contemporary surveillance technologies and practices. Analyzing a wide array of archival and contemporary texts, she demonstrates how surveillance reifies boundaries, borders, and bodies around racial lines.

Petra R. Rivera-Rideau shows how the popular music style reggaeton offers a space for Puerto Rican musicians to express identities that center blackness, forge links across the African diaspora, and critique the popular Puerto Rican discourse of racial democracy, which conceals racism and marginalizes black Puerto Ricans.

Conversing with Mariano and Nazario Turpo, father and son, Marisol de la Cadena explores the entanglements and partial connections between indigenous and non-indigenous worlds, and the ways in which indigenous knowing both include and exceed modern and non-modern practices.

In Negro Soy Yo Marc D. Perry explores how Cuban raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during an era in which the Cuban economy, society, and nationhood have been under constant flux.

Michelle Murphy examines the ways in which efforts at population control since World War II have tied reproduction to neoliberal capitalism, showing how data collection practices have been used to quantify the value of a human life in terms of its ability to improve the nation-state's gross domestic product.

Originally published in 1937, C. L. R. James's World Revolution is a pioneering Marxist analysis of the revolutionary history in the interwar period, the fundamental conflict between Trotsky and Stalin, and the ideological contestations within the Communist International and its role in the Soviet Union and international revolution.

Louise Meintjes traces the history and the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa, showing how it embodies Zulu masculinity and the expanse of South Africa's violent history.

In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography.

Mark Rifkin explores how Indigenous experiences with time and the dominance of settler colonial conceptions of temporality have affected Native peoplehood and sovereignty, thereby rethinking the very terms by which history is created and organized around time by.

In analyses of digital death footage-from victims of police brutality to those who jump from the Golden Gate Bridge-Jennifer Malkowski considers the immense changes digital technologies have introduced in the ability to record and display actual deaths-one of documentary's most taboo and politically volatile subjects.

James R. Martel complicates Louis Althusser's theory of interpellation, using historical and literary analyses ranging from the Haitian Revolution to Ta-Nehisi Coates to examine the political and revolutionary potential inherent in the instances when people heed the state's call that was not meant for them.

Jazz pianist, trombonist, composer, educator, and community leader Horace Tapscott tells his life story, from his childhood in Houston and growing up in Los Angeles, to his early professional career, creation of the Pan Afrikan Peoples Arkestra, and his work to build and serve L.A.'s black community.

Ernesto Bassi examines the lives of those who resided in the Caribbean between 1760 and 1860 to trace the configuration of a dynamic geographic space he calls the transimperial Greater Caribbean, where residents made their own geographies and futures while trade, information, and people circulated freely across borders.

Kate Crehan applies Antonio Gramsci's concepts of subalternity, intellectuals, and common sense to offer new ways to understand the many forms that structural inequality can take and the relationships between the experience of inequality, exploitation, and oppression as well as the construction of political narratives.

In this thorough social and political history Anne Eller breaks with dominant narratives of the history of the Dominican Republic and its relationship with Haiti by tracing the complicated history of its independence between 1822 and 1865, showing how the Dominican Republic's political roots are deeply entwined with Haiti's.

In Musicians in Transit Matthew B. Karush examines the careers of seven major twentieth-century Argentine popular musicians in the transnational context to show how their engagement with foreign genres, ideologies, and audiences helped them create innovative new music and shape new Argentine cultural and national identities.

Now Peru is Mine is the account of the life of Manuel Llamojha Mitma, one of Peru's most creative and inspiring indigenous political activists. His compelling life story covers nearly eight decades, providing a window into many key developments in Peru's tumultuous twentieth-century history and political mobilization in Cold War Latin America.

Moving away from a simplified food politics that is largely land based, Elspeth Probyn looks at food politics from an ocean-centric perspective by tracing the global movement of several marine species to explore the complex and entangled relationship between humans and fish.

In this sweeping social history Dorceta E. Taylor examines the emergence and rise of the multi-faceted conservation movement from the mid-nineteenth to the early twentieth century, showing how race, class, and gender influenced its every aspect.

Tania Lewis, Fran Martin, and Wanning Sun analyze the complex social and cultural significance of lifestyle television programming in China, India, Taiwan, and Singapore, showing how it adds insight into late Asian modernity, media cultures, and broad shifts in the nature of private life, identity, citizenship, and social engagement.

In Life and Death on the New York Dance Floor Tim Lawrence examines the city's party, dance, music, and art culture between 1980 and 1983, tracing the rise, apex, and fall of this inventive, vibrant, and tumultuous scene.

Lisa Messeri traces how planetary scientists-whether working in the Utah desert, a Chilean observatory, or the labs of MIT-transform celestial bodies into places in order to understand the universe as densely inhabited by planets, in turn telling us more about Earth, ourselves, and our place in the cosmos.