Böcker utgivna av EDINBURGH UNIVERSITY PRESS

Should contemporary citizens provide material redress to right past wrongs? There is a widespread belief that contemporary citizens should take responsibility for rectifying past wrongs. Nahshon Perez challenges this view, questioning attempts to aggregate dead wrongdoers with living people, and examining ideas of intergenerational collective responsibility with great suspicion. He distinguishes sharply between those who are indeed unjustly enriched by past wrongs, and those who are not. Looking at issues such as the distinction between compensation and restitution, counterfactuals and the non-identity problem, Perez concludes that individuals have the right to a clean slate, and that almost all of the pro-intergenerational redress arguments are unconvincing. Key Features *Unique in claiming past wrongs should not be rectified *Analyses pro-intergenerational material redress arguments *Case studies include court cases from Australia, Northern Cyprus, the United States and Austria, and political and social movements from the US, Palestine and Arab countries

How did the Scottish government respond to sexual attitudes and behaviour in the period 1950 to 1980?In exploring the role of the state in the regulation of modern sexuality, historians have largely overlooked the policy-making process in Scotland. Davidson and Davis lead us through the Scottish sexual landscape leading up to the global crisis of HIV/AIDS, analysing post-war state policy towards issues such as abortion, family planning, homosexuality, pornography, prostitution, sex education and sexual heath. How progressive were Scottish policy makers during this period of rapid social change? The book charts the ongoing struggle between progressive and moralistic agendas within sexual politics at both a national and local level. How far did the puritanical elements of Scottish Presbyterianism continue to inhibit policy and to what degree did policy makers empower a broader range of sexual behaviours and moderate the traditional surveillance and censure of female sexuality? Finally, in what respects did Scotland's national identity affect the engagement of the Scottish state with sexual issues? Key WordsAbortion, censorship, contraception, family planning, government, homosexuality, homosexual law reform, morality, obscenity, policy-making, pornography, prostitution, Scottish, sex, sexuality, sex education, sexual health, sexual offences, sexual reproduction, sexually transmitted diseases, stateKey features* Adds an important Scottish perspective to the study of sexuality and policy-making in modern society. There are few resources for the student of Scotland's sexual history and its political and social context. * Provides a significant addition to the history of sexuality in 20th-century Britain* Makes a significant contribution to our understanding of the later 20th-century Scottish state, and especially the local state* Adds to our knowledge of the shaping of policy on key issues relating to sexual morality in modern society including abortion, censor

A Gedenkschrift to one of Scotland's most prominent jurists and legal thinkers.

Introduces Tennyson's famous elegy to first-time readers, students and teachers of the poem.In Memoriam is one of the most famous and influential poems of the 19th century. Composed over nearly three decades and spanning over 100 sections, it is one of the longest elegies in the English language. It is at once a deeply personal description of grief and a wide-ranging discussion of its age.This guide provides:* The full text of the poem;* Information about its cultural, historical and literary contexts;* Four different reading strategies for approaching the text;* Suggested seminar activities, assessments and module outlines for teachers and lecturers

Headline: An exploration of the figuring of absence in film.PitchHow can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in the film experience? This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. Quinlivan puts forward a mode of critical engagement with film shaped by the foregrounding of the human body in the filmic diegesis and the viewing experience. The book's foregrounding of the human body as an, importantly, breathing body in film, coupled with its fresh engagement with continental philosophy, Post-Structuralist Film Theory and Contemporary Western Cinema, makes a unique and valuable contribution to the field.Key features: * Case studies are taken from the work of major directors, including Cronenberg and von Trier* Key concepts explored are filmic space (air and the elemental in film), corporeality (bodies on screen and the film itself as a breathing body) and inter-subjectivity (community and sociality).* Makes a notable contribution to the study of film sound and haptic perception. Keywords: breathing, embodiment, phenomenology, immateriality, haptic visuality, spatiality, inter-subjectivity, breath, Luce Irigaray, David Cronenberg, Atom Egoyan, Lars von Trier, Breathing Body, trauma

This major new collection of texts by Helene Cixous brings together a range of important untranslated as well as four previously unpublished essays. These essays deal with literature, politics, history, Algeria, and the university and include works from Cixous' most significant contributions to literary criticism (Joyce, Kleist, Stendhal, Kafka, Shakespeare) as well as her contemporary writing on human rights and geo-politics. They are all informed by Cixous' unique gift for combining a writer's love of idiom and life with a scholar's acute deconstructive reading. These texts present an extended account of what Cixous calls here 'autobibliography' in which writing, theory, politics and life combine to open up the world through critical reading and self-reflection. 'I am on the side of life', says Cixous. These essays affirm Cixous' reputation as one of our greatest readers and sources of critical light in the world today. Key Features*Author is a leading French theorist and writer*Essays cover a wide range of topics and contemporary issues

This book examines a wide range of financial institutions in Britain which fall broadly within the ethical sector, considering the nature of their principles and practices, and how they relate to Islamic models and to Muslim communities. Islamic finance is routinely described as ethical: a beneficial association given that 'ethical' finance is one of the few financial sectors with a positive image and is a large and growing sector of the market. Yet the claim that 'Islamic' and 'ethical' are synonymous is only now being seriously examined, as is the claim that there exists a consistent and generally understood definition of 'ethical' practice. This guide includes case studies from retail banking, mutual associations such as building societies and credit unions, investment funds, high interest lenders and debt counselling, social enterprise, charities and the wider phenomenon of ethical consumerism.

Why, in the years around 1920, did the concept of 'minority' suddenly become prominent in public affairs worldwide? Within a decade after World War One, the term became fundamental to public understandings of national and international politics, law, and society: minorities (and majorities too) were taken to be an objective reality, both in the present and the past. This book uses a study of Syria under the French mandate to show what historical developments led people to start describing themselves and others as 'minorities'. Despite French attempts to create territorial, political, and legal divisions, the mandate period saw the consolidation of the nation-state form in Syria. There was a trend towards a coherent national territory with fixed borders and uniform state authority within them, while the struggle to control the state was played out in the language of nationalism - developments in the post-Ottoman Levant that closely paralleled events in Europe at the same time, following the demise of the Austro-Hungarian and Tsarist empires. Through close attention to what changed in French mandate Syria, and what those changes meant, the book argues for a careful reappraisal of a term too often used as an objective description of reality.

A complete history of Islamic political thought from early Islam (c.622-661) to the present. This comprehensive overview describes and interprets all schools of Islamic political thought, their origins, inter-connections and meaning. It examines the Qur'an, the early Caliphate, classical Islamic philosophy, and the political culture of the Ottoman and other empires. Major thinkers such as Averroes (Ibn Rushd) and Ibn Taymiyya are covered as well as numerous lesser authors, and Ibn Khaldun is presented as one of the most original political theorists ever. It draws on a wide range of sources including writings on religion, law, philosophy and statecraft expressed in treatises, handbooks and political rhetoric. The new edition discusses and analyses the connections between religion and politics. It incorporates recent developments in Islamic political thought before and after 9/11 and ends with a critical survey of reformism (or modernism) and Islamism (or fundamentalism) from the late nineteenth century up to the present day. Key Features of the Second EditionRevised and updated throughoutA new final section on Islam and the WestNew bibliographies of primary and secondary sourcesOnly book to cover the whole of Islamic political thought, past and present

Essential Middle Eastern VocabulariesSeries Editor Elisabeth KendallEssential Middle Eastern Vocabularies give you up-to-date expressions, jargon and new coinages to express modern concepts across broad areas of interest such as the media, the internet, law and business. Key Features:* Terms grouped in thematic sections* Easy-to-learn lists to test translation* CD with audio files to help you check your pronunciation* Interactive online audio-visual e-Flashcards* IndexMedia PersianDominic Parviz BrookshawWhat is the Persian term for 'climate change'? How would you say 'detention centre'? Could you recognise the phrase 'The World Cup'? Or 'information technology'?This short, accessible vocabulary gives you ready-made lists of key terms in media Persian for translating both from and into Persian. It is divided into 13 key areas:GeneralPolitics and GovernmentElectionsConflict and SecurityLaw and OrderHuman RightsEconomicsTrade and IndustryScience and TechnologyEnergyEnvironmentAid and DevelopmentCulture and Sport

Reads Beckett's comic timing as part of a post-war ethics of representationSamuel Beckett is a funny writer. He is also an author whose work is taken to respond ethically to the unspeakable seriousness of the post-Holocaust situation. How can these two statements sit together?Ranging widely over Beckett's fiction, drama, and critical writings, and including readings of Murphy, the Trilogy, Waiting for Godot, Endgame, the late prose, and the late plays, the book demonstrates that it is through Beckett's comic timing that we can understand the double gesture of his art: the ethical obligation to represent the world how it is while, at the same time, opening up a space for how it ought to be.Key Features:* Presents innovative readings of the comedy found in Beckett's fiction, drama and critical writings* Spans Beckett's entire oeuvre, using published and unpublished sources* Engages with recent and contemporary philosophical approaches to literature, including work by Derrida, Badiou, Levinas, and Adorno* Makes a unique contribution to theoretical work on comedy and laughter* Provides a rigorous introduction to the theoretical debates surrounding the relationship between modernist literature and a post-war ethics of representation

Focusing on the upsurge of interest in the Second World War in recent British novels, this monograph explores the ways in which secrecy and secret work - including code-breaking, espionage and special operations - have been approached in representations of the war. It considers established writers, including Muriel Spark, Sarah Waters and Kazuo Ishiguro, as well as newer voices, such as Liz Jensen and Peter Ho Davies. The examination of the after-effects of involvement in secret work, inter-generational secrets in a domestic context, political allegiance and sexuality shows how issues of loyalty, deception and betrayal are brought into focus in these novels. Key Features* Breaks new ground in considering the Second World War in contemporary culture* Contributes to debate on established novelists such as Muriel Spark* Intervenes in ongoing debates about historical fiction

New edition of bestselling introductory text outlining the history and ways of reading Gothic literature.This revised edition includes: A new chapter on Contemporary Gothic which explores the Gothic of the early twentieth century and looks at new critical developments An updated Bibliography of critical sources and a revised Chronology The book opens with a Chronology and an Introduction to the principal texts and key critical terms, followed by five chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; Twentieth Century; and Contemporary Gothic. The discussion examines how the Gothic has developed in different national contexts and in different forms, including novels, novellas, poems, films, radio and television. Each chapter concludes with a close reading of a specific text - Frankenstein, Jane Eyre, Dracula, The Silence of the Lambs and The Historian - to illustrate ways in which contextual discussion informs critical analysis. The book ends with a Conclusion outlining possible future developments within scholarship on the Gothic.

Explores the fin de siecle mission to open up the 'Dark Continent'This study maps the effects of a cartographic blankness in literature and its impact upon early Modernist culture, through the nascent discipline of psychoanalysis and the debt that Freud owed to African exploration. It demonstrates that tales of intrepid exploration and of dramatic cultural encounters between indigenous populations - often serialised in missionary magazines - had a profound influence on every facet of late Victorian and early Modernist culture. As Robbie McLaughlan shows, this influence manifested itself most clearly in the late Victorian 'best-seller' which blended this arcane Central African imagery with an interest in psychic phenomena. The chapters examine: representations of unexplored regions in missionary writing and Rider Haggard's narratives on Africa; the cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby.Key Features:* Opens up the 'dark continent' and its literary, historical and theoretical manifestations* Argues for an anticipation of a modernist aesthetic suggesting an unexplored relation between fin de sicle sensation literature, in particular mesmeric fiction, and psychoanalysis* Diverges from established colonial histories by drawing on an archive of special and neglected material

Kant's 'Groundwork of the Metaphysics of Morals' is considered a standard text in the history of moral philosophy as well as a classic work of moral philosophy in its own right. This guide provides a paragraph-by-paragraph account of the main themes of Kant's moral philosophy and a clear statement of his overall philosophical aims and arguments. Complete with a study aids section with a glossary and advice for essay writing, it is an essential toolkit for anyone approaching Kant for the first time.

Examines the legacy of imperialism and decolonisation, globalisation and national identityGraham MacPhee explains how postwar writers blended the experimentalism of prewar modernism with other cultural traditions to represent both the pain and the pleasures of multiculturalism. He discusses a wide range of writers, from Auden, Orwell, T.S. Eliot and Larkin to Linton Kwesi Johnson, Tony Harrison, Kazuo Ishiguro and Ian McEwan. Key Features* Explores concepts and critical terms such as 'British national literature', 'new ethnicities', 'migrancy' and 'hybridity'* Case studies of postwar texts include: Sam Selvon's The Lonely Londoners, John Arden's Serjeant Musgrave's Dance, Linton Kwesi Johnson's Dread Beat an' Blood, Tony Harrison's V, Kazuo Ishiguro's The Remains of the Day, Leila Aboulela's Minaret and Ian McEwan's Saturday

This book addresses issues of national identity and nationalism in Scotland from a political and linguistic perspective. It compares a variety of attitudes and opinions from the political elite to the masses, examining the nature of national identity held by members of these groups and the differences within and between them. There is consideration of non-civic aspects of national identity, as well as a measure of political party nationalism in Scotland over the past forty years that illustrates the ideological movements of each major party during this period. This work also represents the first comprehensive examination of the discourse involved in the expression of national identity within Scottish politics and society, combining quantitative and discourse analysis methods to illustrate the articulation of national identity by differing groups in different contexts. Key FeaturesPresents a detailed consideration of the language used within the political and nationalist arena in ScotlandCompares a variety of attitudes and opinions held within Scotland from the political elite to the massesIntroduces a new method for measuring political nationalism using manifesto analysis

How do we rely on media for remembering? In exploring the complex ways that media converge to support our desire to capture, store and retrieve memories, this textbook offers analyses of representations of memorable events, media tools for remembering and forgetting, media technologies for archiving and the role of media producers in making memories. Theories of memory and media are covered alongside an accessible range of case studies focusing on memory in relation to radio, television, pop music, celebrity, digital media and mobile phones. Ethnographic and production culture research, including interviews with members of the public and industry professionals, is also included. Offering a comprehensive introduction to the connections and disconnections in the study of media and memory, this is the perfect textbook for media studies students. Key Features* Presents a thorough and detailed overview of key writers, theories and debates* Case studies enrich the text, offering innovative approaches and insights on methodology * Covers a range of 'old' and 'new' media including: from radio, television, film, photography, digital media, mobile phones and popular music* Explores discourses, forms and practices of media and memory with active learning exercises that engage readers

Tells the story of the struggle to imagine new forms of justice after NurembergReturning to the work of Hannah Arendt as a theoretical starting point, Lyndsey Stonebridge traces a critical aesthetics of judgement in postwar writers and intellectuals, including Rebecca West, Elizabeth Bowen, Muriel Spark and Iris Murdoch. Writing in the false dawn of a new era of international justice and human rights, these complicated women intellectuals were drawn to the law because of its promise of justice, yet critical of its political blindness and suspicious of its moral claims. Bringing together literary-legal theory with trauma studies, The Judicial Imagination, argues that today we have much to learn from these writers' impassioned scepticism about the law's ability to legislate for the territorial violence of our times. Key Features* Returns to the work of Hannah Arendt as the starting point for a new theorisation of the relation between law and trauma* Provides a new context for understanding the continuities between late modernism and postwar writing through a focus on justice and human rights* Offers a model of reading between history, law and literature which focuses on how matters of style and genre articulate moral, philosophical and political ambiguities and perplexities* Makes a significant contribution to the rapidly developing fields of literary-legal and human rights studies

Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative. He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall. Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike.

Encouraging readers to reflect upon language and the role metaphor plays in patterning ideas and thought, this book first offers a critical introduction to metaphor theory as it has emerged over the past thirty years in the States. James W. Underhill then widens the scope of metaphor theory by investigating not only the worldview our language offers us, but also the worldviews which we adapt in our own ideological and personal interpretations of the world. This book explores new avenues in metaphor theory in the work of contemporary French, German and Czech scholars. Detailed case studies marry metaphor theory with discourse analysis in order to investigate the ways the Czech language was reshaped by communist discourse, and the way fascism emerged in the German language. The third case study turns metaphor theory on its head: instead of looking for metaphors in language, it describes the way language systems (French & English) are understood in terms of metaphorically-framed concepts evolving over time. Including a multilingual glossary of key terms and concepts, this is an ideal volume for anyone new to the topic, as well as those already interested in metaphor theory and the analysis of worldviews.

Works by Don DeLillo, Martin Amis, Ian McEwan, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications. Other chapters analyse initial responses to 9/11, the intriguing tensions between fiction and non-fiction, the challenge of describing traumatic history and the ways in which the terrorist attacks have been discussed culturally in the decade since September 11. Key Features * Contributes to the growing literature on 9/11, presenting an over-view of some of the main texts that have represented the attacks and their aftermath * Focus on Don DeLillo: adds to the literature surrounding this major novelist * Focus on Martin Amis: adds to the growing critical work on this much discussed British novelist and essayist * Man on Wire: provides a critical analysis of this Oscar winning film regarding its oblique references to 9/1

Explores the dynamic connections between the affective body and Djuna Barnes's textual corpus. Julie Taylor uses the writings of the American novelist, poet, dramatist, artist and journalist Djuna Barnes to form the basis of a series of disruptive questions about modernist aesthetics and the politics of reading.

Explores how film analysis can take account of the presence of digital images in cinemaDigital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This accessible book demystifies the relationship of digital imaging to processes of watching and reading films, and gives scholars and students the tools to engage with digital imaging in cinema with ease. A wide-ranging series of case studies demonstrates how digital elements can be discussed and analysed in different scenarios, and a language is developed to describe digital elements accurately. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analysis.Key Features: * The first book exploring how the presence of digital imaging in film affectsthe production of meaning.* Locates contemporary digital effects practice in relation to historical traditions offilmmaking and special effects practice.* Proposes a fresh, flexible approach to the close textual analysis of film that can takeaccount of the digital* Uses case studies from the Lord of the Rings trilogy and Avatar to Alice in Wonderland and King Kong to demonstrate this approach in action.

Zizek's communism: revolutionary terror or Utopian jouissance?Good theory; bad politics - this is how Zizek's works have been described. Now Chris McMillan argues that Zizek's reading of global capitalism could reinvent political subversion. He highlights the political consequences of Zizek's fundamental concepts, such as the Lacanian Real, universality and the communist hypothesis. He argues that Zizek's turn to Communism represents the ultimate significance of Zizek's work for the 21st century and a marked new direction for Zizekian theory.While Zizek's work attracts a lot of labels, most of them pejorative - communist, conservative, anti-semantic - Chris McMillan identifies Zizek's unique and productive contribution to social and political theory, constructing his work as a response to the difficulties of contemporary social theory and the political deadlock of global capitalism.Key Features: * Summarises key applications of psychoanalytic theory to politics and shared social life * Produces a sustained reading of Zizek's understanding of the economy and capitalism * Considers the specific value of Zizek's work as a form of political action * Responds to Zizek's recent reference to the communist hypothesis and 'egalitarian justice'

Did you know that many of the greatest and most colourful Ottoman statesmen and literary figures from the 15th to the early 20th century considered plague as a grave threat to their empire? And did you know that many Ottomans applauded the establishment of a quarantine against the disease in 1838 as a tool to resist British and French political and commercial penetration? Or that later Ottoman sanitation effort to prevent urban outbreaks would help engender the Arab revolt against the empire in 1916? Birsen Bulmus explores these facts in an engaging study of Ottoman plague treatise writers throughout their almost 600-year struggle with this epidemic disease. Along the way, she addresses the political, economic and social consequences of the methods they used to combat it.

What is the Arabic term for 'sleeper cell'? How would you say 'hijacker'? Can you recognise the phrase 'operational planning'? Or 'money-laundering investigations'? This short, accessible vocabulary gives you ready-made lists of key terms in security Arabic for translating both from and into Arabic. It is divided into 13 key areas:* General* Global Security* Organisations* Energy Security* Weapons of Mass Destruction* Defence and Military* Law Enforcement* Counter Terrorism* Human Intelligence* Communications Technology* Information Technology* Information Security* Intelligence Analysis

When do 'troubles', riots and insurgency become war? How does a liberal state respond to an internal war within its own borders? How does it define the rules of engagement for its armed forces? These questions, amongst others, faced the British government in 1969, when it decided to send the British Army to the streets of Northern Ireland.This is the first academic study of the British Army in Northern Ireland, featuring Scottish, Welsh, Irish and English regiments. It investigates the complex experiences of soldiers during the often-controversial Operation Banner (1969-2007). The experiences of these soldiers raise many important and difficult questions on war and policy. Featuring key interviews with former soldiers, paramilitaries and Special Branch detectives, amongst other key actors, the authors attempt to answer these questions and enhance our knowledge of conflict resolution by providing a deep analysis of one of the most significant British military operations since the Second World War.Andrew Sanders is the John Moore Newman Research Fellow at University College Dublin. He is the author of Inside the IRA: Dissident Republicans and the War for Legitimacy (Edinburgh, 2011)Ian S. Wood is a distinguished Military historian, lecturer and journalist. He is the author of Gods, Guns and Ulster (Caxton 2003); Crimes of Loyalty: a History of the UDA (Edinburgh 2006); Britain, Ireland and the Second World War (Edinburgh 2010) and is a contributing author to A Military History of Scotland (Edinburgh 2012).Key WordsNorthern Ireland, British Army, Scottish soldier, Troubles, Northern Ireland, Ulster, Operation banner, Bloody Sunday, Saville report, soldiers, IRA, British Army, military, occupation, RUC, UDA, UVF, conflict, Military history, counter-terrorism, counter-insurgency, terrorism Key Features* First title to analyse the role of British Army in Northern Ireland* Draws on new primary sources including soldiers' diaries, log-sheets, in

American Smart Cinema examines a contemporary type of US filmmaking that exists at the intersection of mainstream, art and independent cinema and often gives rise to absurd, darkly comic and nihilistic effects.Connecting the 'smart' sensibility to issues of expressive irony, generational divide and therapeutic culture, this bold new book describes a recent critical tradition in commercial-independent American filmmaking by exploring the unstable tone and dysfunctional themes of such films as The Royal Tenenbaums, Adaptation, The Squid and the Whale, Palindromes, The Last Days of Disco, Flirt, Ghost World, Your Friends and Neighbors, Donnie Darko and The Savages. Acknowledging the loaded forms of expression employed by these films, American Smart Cinema provides new directions for their study by discussing the self-conscious approach taken to film historical discourses of authorship, narrative and genre. Examining the smart film's taste for 'blank' style and issues of middle-class identity, the book provides a comprehensive account of smart cinema as an aesthetic category while also considering the cultural and political factors that have guaranteed it critical and popular success.