Böcker utgivna av EDINBURGH UNIVERSITY PRESS

This book, a collection of Alex Danchev's essays on the theme of art, war and terror, offers a sustained demonstration of the way in which works of art can help us to explore the most difficult ethical and political issues of our time: war, terror, extermination, torture and abuse. It takes seriously the idea of the artist as moral witness to this realm, considering war photography, for example, as a form of humanitarian intervention. War poetry, war films and war diaries are also considered in a broad view of art, and of war. Kafka is drawn upon to address torture and abuse in the war on terror; Homer is utilised to analyse current talk of 'barbarisation'. The paintings of Gerhard Richter are used to investigate the terrorists of the Baader-Meinhof group, while the photographs of Don McCullin and the writings of Vassily Grossman and Primo Levi allow the author to propose an ethics of small acts of altruism. This book examines the nature of war over the last century, from the Great War to a particular focus on the current 'Global War on Terror'. It investigates what it means to be human in war, the cost it exacts and the ways of coping. Several of the essays therefore have a biographical focus.

How should we decide which inequalities between people are justified, and which are unjustified?One answer is that such inequalities are only justified where there is a corresponding variation in responsible action or choice on the part of the persons concerned. This view, which has become known as 'luck egalitarianism', has come to occupy a central place in recent debates about distributive justice. This book is the first full length treatment of this significant development in contemporary political philosophy.Each of its three parts addresses a key question concerning the theory. Which version of luck egalitarian comes closest to realizing luck egalitarian objectives? Does luck egalitarianism succeed as a view of egalitarian justice? And is it sound as an account of distributive justice in general?The book provides a distinctive answer to each of these questions, along the way engaging with the leading theorists identified in the literature as luck egalitarians, such as Richard Arneson, G. A. Cohen, and Ronald Dworkin, as well as the most influential critics, including Elizabeth Anderson, Marc Fleurbaey, Susan Hurley, Samuel Scheffler, and Jonathan Wolff.Key Features*Presents a critical survey of already classic debates about responsibility, equality and justice*Provides a sustained engagement with luck egalitarianism's critics*Stakes a distinctive position on the key questions regarding luck egalitarianism

In a new interpretation, Garrett Wallace Brown considers Kant's cosmopolitan thought as a form of international constitutional jurisprudence that requires minimal legal demands. He explores and defends topics such as cosmopolitan law, cosmopolitan right, the laws of hospitality, a Kantian federation of states, a cosmopolitan epistemology of culture and a possible normative basis for a Kantian form of global distributive justice.

While traditionally the novel has been seen as tracking the development of the nation state, Schoene queries if globalisation might currently be prompting the emergence of a new sub-genre of the novel that is adept at imagining global community. The book introduces a new generation of contemporary British writers (Rachel Cusk, Kiran Desai, Hari Kunzru, Jon McGregor and David Mitchell) whose work is read against that of established novelists Arundhati Roy, James Kelman and Ian McEwan. Each chapter explores a different theoretical key concept, including 'glocality', 'glomicity', 'tour du monde', 'connectivity' and 'compearance'. Key Features:* Defines the new genre of the 'cosmopolitan novel' by reading contemporary British fiction as responsive to new global socio-economic formations* Expands knowledge of world culture, national identity, literary creativity and political agency by introducing concepts from globalisation and cosmopolitan theory into literary studies * Explores debates on Britishness and 'the contemporary' with close reference to the fall of the Berlin Wall on 9/11/1989 and the World Trade Centre attacks on 11/9/2001 * Introduces a new generation of British writers within a complex global context by drawing on Jean-Luc Nancy's work on community and creative world-formation

Darwin's Bards is the first comprehensive study of how poets have responded to the ideas of Charles Darwin in over fifty years. John Holmes argues that poetry can have a profound impact on how we think and feel about the Darwinian condition. Is a Darwinian universe necessarily a godless one? If not, what might Darwinism tell us about the nature of God? Is Darwinism compatible with immortality, and if not, how can we face our own deaths or the loss of those we love? What is our own place in the Darwinian universe, and our ecological role here on earth? How does our kinship with other animals affect how we see them? How does the fact that we are animals ourselves alter how we think about our own desires, love and sexual morality? All told, is life in a Darwinian universe grounds for celebration or despair? Holmes explores the ways in which some of the most perceptive and powerful British and American poets of the last hundred-and-fifty years have grappled with these questions, from Alfred Tennyson, Robert Browning and Thomas Hardy, through Robert Frost and Edna St Vincent Millay, to Ted Hughes, Thom Gunn, Amy Clampitt and Edwin Morgan. Reading their poetry, we too can experience what it can mean to live in a Darwinian world. Written in an accessible and engaging style, and aimed at scientists, theologians, philosophers and ecologists as well as poets, critics and students of literature, Darwin's Bards is a timely intervention into the heated debates over Darwin's legacy for religion, ecology and the arts.

This first in-depth study of the 'Alids focuses on the crucial formative period from the Abbasid Revolution to the end of the Seljuq period. Exploring their rise from both a religious point of view and as a social phenomenon, Bernheimer investigates how they attained and extended the family's status over the centuries. The 'Alids are the descendants of the Prophet Muhammad, the elite family of Islam. The respect and veneration they are accorded is unparalleled in Islamic society, regardless of political or religious affiliation. And they have played a major role Islamic history, from famous early rebels to the founders and eponyms of major Islamic sects, and from 9th-century Moroccan and 10th-century Egyptian rulers to the current King of Jordan, the Ayatollah Khomeini and the Aga Khan.

John Keats is generally considered to be the least intellectually sophisticated of all the major Romantic poets, but he was a more serious thinker than either his contemporaries or later scholars have acknowledged. This book provides a major reassessment of Keats's intellectual life by considering his engagement with a formidable body of eighteenth-century thought from the work of Voltaire, Robertson, and Gibbon to Hutcheson, Hume, and Smith.The book re-examines some of Keats's most important poems, including The Eve of St Agnes, Hyperion, Lamia, and Ode to Psyche, in the light of a range of Enlightenment ideas and contexts from literary history and cultural progress to anthropology, political economy, and moral philosophy. By demonstrating that the language and ideas of the Enlightenment played a key role in establishing his poetic agenda, Keats's poetry is shown to be less the expression of an intuitive young genius than the product of the cultural and intellectual contexts of his time.

This groundbreaking study explores the formative influence of classical music on Woolf's writing, illustrating the importance of music to Woolf's domestic, social and creative lives.

The study of variation and change is at the heart of the sociolinguistics. Providing a wide survey of the field, this textbook is organised around three constraints on variation: linguistic structure, social structure and identity, and social and linguistic perception. By considering both structure and meaning, Scott F. Kiesling examines the most important issues surrounding variation theory, including canonical studies and terms, as well as challenges to them. Research in non-English and non-European contexts is also addressed. A range of different topics within sociolinguistics is covered including:* The linguistic variable and its status* Sociolinguistic methods* The description of variable patterns* Linguistic and social structure* Social meaning and perception. With over 50 figures and a practical section on methodology, this textbook is an ideal solution for undergraduate and postgraduate students of sociolinguistics seeking a comprehensive study of variation and change.

Bringing the study of writing to the heart of sociolinguistic inquiry, this textbook illustrates and challenges the 'great divide' between speech and writing and raises questions about what's involved in viewing any stretch of language as 'written/writing'. The book is organised around four main areas: 1) socially oriented text analyses of written texts; 2) modality inflected analyses of texts and practices; 3) writing as identity and performance; and 4) the analysis of literacy practices in relation to networks, access, participation and resources. Further topics covered include: what we mean by 'writing'; specific functions of writing and written texts within academic knowledge in sociolinguistics; and key practical questions about carrying out research into writing from sociolinguistic perspectives. Core sociolinguistic approaches to writing are explored throughout the book, including, for example, different aspects of the politics of orthography and writing systems.

Describing a new and appealing way of analysing speech sounds, this book introduces you to the theory of elements in phonology. Traditional features are capable of describing segments and segmental patterns, but they are often unable to explain why those patterns are the way they are. By using elements to represent segmental structure, we begin to understand why languages show such a strong preference for certain kinds of segments, contrasts, phonological processes and sound changes. Using examples from a wide range of languages, this book demonstrates the process of analysing phonological data using elements, and gives readers the opportunity to compare element-based and feature-based accounts of the same phonological patterns. Backley also challenges traditional views through his innovative analysis of English weak vowels and diphthongs and hsi unified treatment of linking r and intrusive r as glide formation processes. Providing a thorough introduction to the main topics in segmental phonology, this is an excellent overview for both students with a background in standard phonology as well as for those who are new to the field. Key Features* Provides a full and up-to-date description of Element Theory * Includes examples from many languages and various dialects of English * Further reading suggested for each topic * Contains over 100 illustrations, including spectral and spectrographic figures

Is reality TV a coherent genre? This book addresses this question by examining the characteristics, contexts and breadth of reality TV through a history of its programming trends. Paying attention to stylistic connections as well as key concepts, this study breaks reality television down into three main 'generations': the camcorder generation, the competition generation and the celebrity generation. Beginning with a consideration of the applicability of the term 'genre' for this televisual hybrid, the book takes a transnational approach to investigating the forms and formats of reality TV framed by relevant popular and critical discourses.

How do we construct national identities in discourse? Which topics, which discursive strategies and which linguistic devices are employed to construct national sameness and uniqueness on the one hand, and differences to other national collectives on the other hand? The Discursive Construction of National Identity analyses discourses of national identity in Europe with particular attention to Austria.In the tradition of critical discourse analysis, the authors analyse current and on-going transformations in the self-and other definition of national identities using an innovative interdisciplinary approach which combines discourse-historical theory and methodology and political science perspectives. Thus, the rhetorical promotion of national identification and the discursive construction and reproduction of national difference on public, semi-public and semi-private levels within a nation state are analysed in much detail and illustrated with a huge amount of examples taken from many genres (speeches, focus-groups, interviews, media, and so forth). In addition to the critical discourse analysis of multiple genres accompanying various commemorative and celebratory events in 1995, this extended and revised edition is able to draw comparisons with similar events in 2005. The impact of socio-political changes in Austria and in the European Union is also made transparent in the attempts of constructing hegemonic national identities.

This volume provides a comprehensive introduction to postcolonial medieval studies and examines the historical connections between postcolonial studies and medieval studies. Lisa Lampert-Weissig provides new readings of medieval texts including Wolfram von Eschenbach's Parzival, Mandeville's Travels and Guillaume de Palerne, a romance about werewolves set in Norman Sicily. In addition, she examines Walter Scott's Ivanhoe from the perspective of postcolonial medieval studies, as well contemporary novels by Salman Rushdie, Tariq Ali, Juan Goytisolo, and Amitav Ghosh.

Does humanitarian intervention 'work'? Could it work better if approached differently? Or should we just, in the words of one critic, 'give war a chance'?Since the end of the Cold War and the subsequent surge in civil and international conflicts, the UN has been faced by an ever-increasing set of demands on its military capacity. This book traces the evolution of its armed humanitarian intervention from the grand ambitions for forceful collective security through the 'brushfire' peacekeeping of the cold war years to its engagement with the present globalised yet fractured world order. Key FeaturesPresents a concise analytical overview of the theoretical, moral and practical issuesExplores the general setting of contemporary humanitarian interventionAssesses the actual record of post-Cold War humanitarian intervention on a region-by-region basis, from the Balkans to Africa and Southeast AsiaCompiles a balance sheet of success and failure in the UN's efforts and confronts hard questions about their short and long-term value

This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D. H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism.

Through close readings of Woolf's essays, including 'Montaigne', A Room of One's Own, 'Craftsmanship', Three Guineas and 'Thoughts on Peace in an Air Raid', Allen shows how Woolf's politics are expressed and enacted in her writing. She then works from a wide range of sources to relate Woolf's views and methods to our current political situation. These sources range from Michel de Montaigne to the Dixie Chicks, from the Northcliffe Press newspaper empire of World War I to today's mainstream newspapers, Rupert Murdoch's empire, satirical news shows like The Colbert Report and The Daily Show and social media and the blogosphere."e;

In this innovative study, Ben Jones argues that scholars too often assume that the state is the most important force behind change in local political communities in Africa. Studies look to the state, and to the impact of government reforms, as ways of understanding processes of development and change. Using the example of Uganda, regarded as one of Africa's few "e;success stories"e;, Jones chronicles the insignificance of the state and the marginal impact of Western development agencies. Extensive ethnographic fieldwork in a Ugandan village reveals that it is churches, the village court, and organizations based on family and kinships obligations that represent the most significant sites of innovation and social transformation.Groundbreaking and critical in turn, Beyond the State offers a new anthropological perspective on how to think about processes of social and political change in poorer parts of the world. It should appeal to anyone interested in African development.

This is the first book to provide a thorough introduction to Gaelic fiction. It traces the evolution of the form over the last century and focuses on the major developments that have led to the recent flourishing in Gaelic fiction publishing. The book follows a broadly chronological structure. The early chapters examine the emergence of fiction at the beginning of the last century, and discuss the cultural context. This leads into a broad exploration of the various kinds of fiction that have been written throughout the century. All of the novels and novellas are examined in turn, from Dn-Aluinn to Dleas Donn and Shrapnel, and the book also deals with all the short story collections and a large bulk of the uncollected fiction. As well as covering the work of well-known authors like Iain Moireach, Tormod Caimbeul and Iain Mac a' Ghobhainn, the book has space for many of the lesser-known names that have appeared in magazines such as Gairm. The final chapters focus on the current state of scholarship and criticism of Gaelic fiction and discuss the most recent and remarkable initiatives that have more than sustained the viability of fiction in the Gaelic language. Key Features* The only introduction to Gaelic fiction available* Analyses all novels and novellas, all short story collections, and much of the uncollected fiction* Places Gaelic fiction within a wider context* Examines the critical approaches taken to the fiction so far and introduces research areas that must be explored

Spanish Horror Film is the first in-depth exploration of the genre in Spain from the 'horror boom' of the late 1960s and early 1970s to the most recent production in the current renaissance of Spanish genre cinema, through a study of its production, circulation, regulation and consumption. The examination of this rich cinematic tradition is firmly located in relation to broader historical and cultural shifts in recent Spanish history and as an important part of the European horror film tradition and the global culture of psychotronia.Key Features*The first critical study on Spanish horror film to be published in English.*An overview of key directors, cycles and representative films as well as of more obscure and neglected horror production.*A detailed analysis of the work of directors such as Jesus Franco, Amando de Ossorio, Narciso Ibanez Serrador, Eloy de la Iglesia, Jaume Balaguero, Nacho Cerda and Guillermo del Toro's "e;Spanish"e; films.*A focus on critical and cult contexts of reception in Spain, Great Britain and USA.

What roles do the speaker and the listener play in communication processes? Providing an overall system view, this innovative textbook explains how those working in the area think about speech. Emphasising contextual and environmental perspectives, Tatham and Morton lead you through classical and modern phonetics alongside discussion of cognitive and biological aspects of speech. In explaining speech production-for-perception and the relationship between phonology and phonetics, this book shows the possible applications (such as language teaching, clinical practice, and speech technology) and how these are relevant to other disciplines, including sociolinguistics, cognitive neuroscience, psychology and speech acoustics. Key Features* Definition and Explanation boxes throughout the text to help you understand key terms and concepts* Tutorial sections in each chapter provide opportunities for you to expand or reinforce your learning* Encourages you to develop understanding of theoretical applications through explanation of traditional and contemporary theories* Evaluation sections enable you to compare the pros and cons of competing theories

This book makes an important contribution to cultural analysis by opening up the work of two canonical authors to issues of exile and migration. Barbara Straumann's close reading of selected films and literary texts focuses on Speak, Memory, Lolita, The Real Life of Sebastian Knight, Suspicion, North by Northwest and Shadow of a Doubt and explores the connections between language, imagination and exile. Invoking psychoanalysis as the principal discourse of dislocation, the book not only uses concepts such as 'screen memory', 'family romance', 'fantasy' and 'the uncanny' as hermeneutic foils, it also argues that, in their own ways, the arch-parodists Hitchcock and Nabokov are remarkably in tune with the images and tropes developed by Freud.

How can theories of language development be understood and applied in your language classroom? By presenting a range of linguistic perspectives from formal to functional to cognitive, this book highlights the relevance of second language acquisition research to the language classroom. Following a brief historical survey of the ways in which language has been viewed, Whong clearly discusses the basic tenets of Chomskyan linguistics, before exploring ten generalisations about second language development in terms of their implications for language teaching. Emphasising the formal generative approach, the book explores well-known language teaching methods, looking at the extent to which linguistic theory is relevant to the different approaches. This is the first textbook to provide an explicit discussion of language teaching from the point of view of formal linguistics. Key features* Deconstructs a lesson plan to show the translation of theory to classroom practice* Provides 'For Discussion' sections at the end of every chapter* Includes a Glossary of key terms and concepts in the field

This volume provides an overview of all aspects of Hong Kong English in a style designed for undergraduates and general readers. As a former British colony, Hong Kong used English as the language of government, law and education in the early days of colonial rule. Since the Handover from British to Chinese rule in 1997, it is no longer used as the primary language of government. However, the status of English has survived the decline of colonial rule, as English has become an international language which is indispensable for a service-oriented economy such as present-day Hong Kong. Its use is still widespread in legal contexts, and English is the medium of instruction in at least a quarter of secondary schools. Outwith the realm of education, English is important as a means of international communication in the fields of banking and finance, business, and in the tourism and hospitality industry. English is therefore integrated into Hong Kong life in various ways and this has resulted in a thriving and developing variety of English. This book describes English in Hong Kong as a linguistic phenomenon from the point of view of language structure, but also takes into account historical, socio-cultural and socio-political developments.

Traces the rich social, cultural, economic and political history of the Greeks from 1768 to 1913Often referred to as the 'Long Nineteenth Century,' this period witnessed the establishment of a Greek nation-state which had a profound impact on the Greeks of the Diaspora. Innovatively situating the story of the Greeks into a broader Ottoman and Mediterranean context, Thomas Gallant presents the most in-depth exploration of Greek society and culture available in any language. This is a substantive and original contribution to the study of the Greek people during the Modern period.Key features:An interdisciplinary approach bridges history, anthropology and archaeologyEmphasises social history, including an in-depth discussion of Greek rural society and economyBrings Greek history and Ottoman history into dialogue in a way that hasn't been done beforeIncludes over 70 figures maps, illustrations, tables and line drawings which illustrate the key aspects of Greek social lifeThomas W. Gallant holds the Nicholas Family Endowed Chair in Modern Greek History at the University of California, San Diego.

The multifunctionality of pragmatic markers makes it difficult to describe their meaning and functional potential. For example we know very little about pragmatic markers and prosody, their sociolinguistic use (how they are related to the speaker's social class, age or gender) or their distribution across text types (informal conversation, discussion, broadcast programme).This book looks at pragmatic markers in a corpus of spoken English, with a focus on the functions performed by the markers in different types of text. The author explores the syntactic, semantic, pragmatic and discourse aspects of the markers. By taking a broader perspective on the markers, classifying them, describing their class-specific properties and analysing individual markers, Karen Aijmer assesses whether any generalisations can be made about the prosody of the markers.

Is terrorism ever morally justified? How should historical and cultural factors be taken into account in judging the morality of terrorist acts? What are the ethical limits of state counter-terrorism?For three decades the Provisional Irish Republican Army waged an 'armed struggle' against what it considered to be the British occupation of Northern Ireland. To its supporters, the IRA was the legitimate army of Ireland, fighting to force a British withdrawal as a prelude to the re-unification of the Irish nation. To its enemies, the IRA was an illegal, fanatical, terrorist organization whose members were criminals willing to sacrifice innocent lives in pursuit of its ideological obsession. At the centre of the conflict were the then unconventional tactics employed by the IRA, including sectarian killings, political assassinations, and bombings that devastated urban centres - tactics that have become increasingly commonplace in the post-9/11 world.This book is the first detailed philosophical examination of the morality of the IRA's violent campaign, and of the British government's attempts to end it. Written in clear, accessible prose, it is essential reading for anyone wishing to acquire a deeper understanding of one of the paradigmatic conflicts of the late 20th century.

This is a ground-breaking study of the psychological and cultural impact of the Cold War on the imaginations of citizens in the UK and US. The Literary Cold War examines writers working at the hazy borders between aesthetic project and political allegory, with specific attention being paid to Vladimir Nabokov and Graham Greene as Cold War writers. The book looks at the special relationship as a form of paranoid plotline governing key Anglo-American texts from Storm Jameson to Sylvia Plath and Ted Hughes, as well as examining the figure of the non-aligned neutral observer caught up in the sacrificial triangles structuring cold war fantasy. The book aims to consolidate and define a new emergent field in literary studies, the literary Cold War, following the lead of prominent historians of the period.

What is the relevance of anarchism for politics and political theory today? While many have in the past dismissed anarchism, the author contends that anarchism's heretical critique of authority, and its insistence on full equality and liberty, places it at the forefront of the radical political imagination today. With the unprecedented expansion of state power in the name of security, the current 'crisis of capitalism', and the terminal decline of Marxist and social democratic projects, it is time to reconsider anarchism as a form of politics. This book seeks to renew anarchist thought through the concept of postanarchism. This innovative theoretical approach, drawing upon classical anarchist theory, poststructuralism, post-Marxism, critical theory and psychoanalytic approaches, allows for a new engagement with contemporary debates about future directions in radical politics relating to political subjectivity and identity, political organisation, the State, globalisation, liberty and equality today, and the political 'event'.

A thorough and fascinating exploration of the evolution of English' phonological structure, this book traces the history of individual sounds and their representation through Old, Middle, Early Modern and Present Day English.Written in an engaging and accessible style, the book covers the sounds of English, consonantal histories, Middle English dialects, vowel quality and quantity in Early Modern English, the English stress system and Early English verse forms to demonstrate how the present form of the language is indebted to its past.Key Features: Places linguistic findings into historical, literary and social contextsExplains Modern English's phonological features in terms of its developmentAdditional exercises, references and suggestions for further reading will be available on the book's webpage