Böcker utgivna av EDINBURGH UNIVERSITY PRESS

Film and Domestic Space: Architectures, Representations, Dispositif Edited by Stefano Baschiera and Miriam De Rosa Although film and media studies have widely engaged with the different aspects of social space, domestic space in film has rarely been studied in its multiple dimensions. Drawing on a broad range of theoretical disciplines - and with case studies of directors such as Chantal Akerman, Agnès Varda, Claire Denis, Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Bêka and Louise Lemoine - this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif. Adopting this innovative two-fold approach that couples representation and dispositif, the home is studied as an architecture, as the place that embodies, defines and perpetuates the family history, as the milieu of gender and generational struggle, as well as the first site where manifestations of power unfold. All chapters contribute to explore, unpack the complexities, and expand on the richness encapsulated in the notion of domesticity and dwelling in its fascinating relation to moving images. Stefano Baschiera is Senior Lecturer in Film Studies at Queen's University Belfast. Miriam De Rosa is Research Fellow at the Centre for Postdigital Cultures, Coventry University, and an independent film and exhibition curator.

Film and Domestic Space: Architectures, Representations, DispositifEdited by Stefano Baschiera and Miriam De RosaAlthough film and media studies have widely engaged with the different aspects of social space, domestic space in film has rarely been studied in its multiple dimensions. Drawing on a broad range of theoretical disciplines - and with case studies of directors such as Chantal Akerman, Agnès Varda, Claire Denis, Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Bêka and Louise Lemoine - this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif.Adopting this innovative two-fold approach that couples representation and dispositif, the home is studied as an architecture, as the place that embodies, defines and perpetuates the family history, as the milieu of gender and generational struggle, as well as the first site where manifestations of power unfold. All chapters contribute to explore, unpack the complexities, and expand on the richness encapsulated in the notion of domesticity and dwelling in its fascinating relation to moving images.Stefano Baschiera is Senior Lecturer in Film Studies at Queen's University Belfast. Miriam De Rosa is Research Fellow at the Centre for Postdigital Cultures, Coventry University, and an independent film and exhibition curator.

Two hundred years after the massacre of protestors in Manchester, known as Peterloo, distinguished scholars of Romantic-era literature join together in this commemorative volume to assess the implications of the violence.

'This timely gathering of excellent scholars refreshes and deepens our understanding of "Peterloo." Reading it as now providing an argument for non-violent popular action and now revealing dispersed state violence, the collection broadens our approach to Peterloo to responses in painting, poetry, and plays and to reactions from Ireland, Scotland, and America.'Jeffrey N. Cox, University of Colorado BoulderReflections on the Bicentenary of the 1819 Massacre of Reformers in ManchesterTwo hundred years after the massacre of protestors in Manchester, known as Peterloo, distinguished scholars of Romantic-era literature join together in this commemorative volume to assess the implications of the violence. Contributors explore how attitudes towards violence and the claims of people to participate in government were reflected and revised in the verbal and visual culture of the time. Their analyses provide fresh insights into cultural engagement as a means of resisting oppression and a sign of the resilience of humanity in facing threats and force.Michael Demson is Associate Professor of English at Sam Houston State University.Regina Hewitt is Professor of English at the University of South Florida.Cover image: The Fall of Anarchy, Joseph Mallord William Turner, c.1833-4 © Tate, London 2019Cover design:[EUP logo]edinburghuniversitypress.comISBN 978-1-4744-2856-9Barcode

Explores the role of the mind in creating erotic experience on the early modern stageTo 'conceive' desire is to acknowledge the generative potential of the erotic imagination, its capacity to impart form and make meaning out of the most elusive experiences. Drawing from cognitive theories about the metaphorical nature of thought, Gillian Knoll traces the contours of three conceptual metaphors - motion, space and creativity - that shape desire in plays by John Lyly and William Shakespeare. Metaphors, she argues, do more than narrate or express eros; they constitute erotic experience for Lyly's and Shakespeare's characters.Gillian Knoll is Assistant Professor of English at Western Kentucky University.

What does multicultural governance mean in an increasingly complex migratory world? Migration-related cultural diversity poses a number of highly pressing political and normative challenges for liberal democratic societies. This book explores what forms of migrant accommodation and multicultural citizenship we can envisage in the contemporary context of increased migration flows, where newcomers are often not given a settlement perspective. Through both theoretical contributions and empirically-orientated analyses, this book provides insights into how theories and practices of multicultural citizenship and migrant integration are adapting and might adapt to the new, more dynamic, but also more fluid, patterns of international migration and mobility. Key Features - The book addresses heads-on the challenges that increased and diversified patterns of international migration and mobility pose to theories and practices of multicultural citizenship. - Brings together renowned sociologists of migration and transnationalism with the foremost theorists of multiculturalism and citizenship, and also introduces some of the most promising younger scholars working in these areas. - Covers European, North American and Australian cases and dynamics, going beyond common regional limitations of discussions on international migration or multiculturalism. - Written in an accessible way, addressing a cross-disciplinary readership including law, political science, sociology and political theory. Anna Triandafyllidou holds a Robert Schuman Chair at the Global Governance Programme of the Robert Schuman Centre for Advanced Studies, European University Institute, Florence, Italy, where she directs the Research Area on Cultural Pluralism. She is Visiting Professor at the College of Europe in Bruges and Editor of the Journal of Immigrant and Refugee Studies. Cover image: (c) Malte Mueller/Getty Images Cover design: [EUP logo] edinburghuniversitypress.com ISBN [PPC] 978-1-4744-2823-1 ISBN [cover] 978-1-4744-2824-8 Barcode

Provides a comprehensive and original guide to Elizabeth Bishop's poetry and other writing, including literary criticism and prose fiction.

Rural Modernity in Britain doesn't merely fill a notable gap in studies of "modernism" and "modernity" - it provides a new template for understanding these terms in reference to Britain. Charting diverse, regionally inflected responses to modernity, the volume moves beyond the model of a single "countryside" as the locus of nostalgia or the weekend fantasies of modern urban dwellers to render the "rural" complex and vital.'Debra Rae Cohen, University of South CarolinaDefines the interdisciplinary field of Rural Modernity through analysis of British literature, art and cultureRural Modernity in Britain argues that the rural areas of Britain were impacted by modernisation just as much - if not more - than urban and suburban areas. It is the first study of modernity and modernism to focus on rural people and places that experienced economic depression, the expansion of transportation and communication networks, the roll out of electricity, the loss of land, and the erosion of local identities. Who celebrated these changes? Who resisted them? Who documented them?Essays in this collection make the case that the rural means more than just the often-studied countryside of southern England, a retreat from the consequences of modernity; rather, the rural emerges as a source for new versions of the modern, with an active role in the formation and development of British experiences and representations of modernity.Kristin Bluemel is Professor of English and Wayne D. McMurray Chair in the Humanities at Monmouth University in New Jersey.Michael McCluskey is Lecturer in English and Film Studies at the University of York.Cover image: Deserted Quarry, William Rothenstein, 1904Cover design:[EUP logo]edinburghuniversitypress.comISBN 978-1-4744-2095-2Barcode

This book gathers 14 architects, designers, performing artists, film makers, media theorists, philosophers, mathematicians and programmers. They all argue that matter in contemporary posthuman times has to be rethought in its rich internal dynamism and its multifaceted context.

This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Nikolai Cherkassov, Alec Guinness and Isabelle Huppert.

This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This volume focuses on American cinema, including case studies of key performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg, Cary Grant, Oscar Isaac, Jack Nicholson and Al Pacino.

Is Europe's crisis just a financial one - or is there a deeper problem? Tackling issues ranging from Europe's legal, institutional and cultural identity to its border, citizenship and integration policies, the contributors to this volume interrogate the various dimensions and contours of the European crisis.

This book looks beyond political structures and towards a reconsideration of the interactions between the rural and the urban; an analysis of the relationships between architecture, culture and power; and an examination of the region's multiple geographies.

This Companion offers a critical overview of the diverse and dynamic field of Atlantic literary studies, with contributions by distinguished scholars on a series of topics that define the area.

Immanence is a theory of divine presence, in which the divine is found in the material world, not outside of it. This collection brings the major 20th century French philosopher Henri Bergson's work on immanence together with fresh ideas in art theory and the practice of immanent art as found in painting, photography and film.

Drawing on insights from linguistics, multimodality and media studies, this book explores the ideological dimensions of media representation and its function in discursively constructing public understandings of, and attitudes toward, civil disorder.

This volume investigates the peculiarly British fixation with the the lex Aquilia, a Roman statute enacted c.287/286 BCE to reform the Roman law on wrongful damage to property, against the backdrop larger themes such as the development of delict/tort in Britain and the rise of comparative law.

A study of the genesis of Schelling's philosophy of nature and absolute idealism, highlighting the importance of A. C. A. EschenmayerDuring the first decade of the nineteenth century, F. W. J. Schelling was involved in three distinct controversies with one of his most perceptive and provocative critics, A. C. A. Eschenmayer. The first of these controversies took place in 1801 and focused on the philosophy of nature.Berger and Whistler provide a ground-breaking account of this moment in the history of philosophy. They argue that key Schellingian concepts, such as identity, potency and abstraction, were first forged in his early debate with Eschenmayer. Through a series of translations and commentaries, they show that the 1801 controversy is an essential resource for understanding Schelling's thought, the philosophy of nature and the origins of absolute idealism.Additionally, Berger and Whistler demonstrate how the Schelling-Eschenmayer controversy raises important issues for the philosophy of nature today, including questions about the relation between identity and difference and the possibility of explaining sensible qualities in terms of quantity. This ultimately leads to the formulation of the most basic methodological question for the philosophy of nature: must this philosophy be based upon a prior consideration of consciousness - as Eschenmayer insists - or might it simply begin with nature itself? By arguing for the latter position, Schelling challenges us to entertain the possibility that the philosophy of nature is first philosophy.Benjamin Berger is Visiting Assistant Professor of Philosophy at Haverford College. Daniel Whistler is Reader in Modern European Philosophy at Royal Holloway, University of London.

Explores how Islamic art and architecture were made: their materials and their social, political, economic and religious context

'This collection of essays makes the case for Albert Brooks's multi-faceted significance as a pioneer of meta-comedy, a satirist of baby-boomer complicity, and a prophet of fail culture. America has spent the last half-century trailing Brooks. This book catches up with him.' Robert J. King, Columbia University This is the first sustained critical collection on Albert Brooks, one of the key but under-examined figures in American stand-up, television comedy and Hollywood film comedy. Analysing every film written and directed by Albert Brooks, including Real Life (1979), Modern Romance (1981) and Lost in America (1985), as well as a number of his acting and voice-over roles, his stand-up comedy albums, talk show appearances and writing, the book argues that Albert Brooks not only merits a wider viewership, both critical and popular, but also that his career offers a useful lens through which to understand American film and culture since the late 1960s. Christian B. Long works in the Graduate School at the University of Queensland. Cover image: Albert Brooks and Bruno Kirby in Modern Romance, 1981, directed by Albert Brooks. Columbia Pictures/Photofest (c) Columbia Pictures Cover design: Stuart Dalziel [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-3425-6 Barcode

Offers the first book-length investigation Albert Brooks' more than six-decade comedy career.

The first book to offer a detailed exploration of the condition of public debate in Russia, this pioneering volume presents a truly interdisciplinary perspective on Russian language and society making it essential reading for advanced students and specialist.

With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image s material base.

With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image s material base.

The 1985 European Charter of Local Self-Government secures the autonomy of local government within states and sets the standards for subsidiary at the local level. Chris Himsworth analyses the text of the 1985 European Charter of Local Self-Government, traces its historical emergence and explains how it has been applied throughout Europe.