Böcker utgivna av EDINBURGH UNIVERSITY PRESS

This monograph addresses a subject in star studies that is still developing outside of (and even within) Hollywood and cinemas of the West - the film couple. Known as the 'love team' in the Philippines, they are a transmedia phenomenon whose sheer ubiquity and variety make them an ideal case study to work towards an understanding of the film couple and how they contribute to the pleasure of watching films. Film couples move beyond understanding the star as an individual, particularly where a popular love team is a prerequisite early training ground for successful stardom in the studio system. I explore three different identities that construct film couples and offer a vocabulary to distinguish between these identities and consider how they are inflected by each other. I then trace how the couple is constructed at various stages by stars, studios, film and other cross-media appearances, their fandom and wider societal context.

Rousseau's Politics of Taste challenges the popular but partial pictures we have of Rousseau as an inconsistent 'ancient' utopian or a 'modern' abstract philosopher with a systematising spirit. Combining intellectual history and political theory, it reinterprets his understandings of pleasure and happiness, judgment and amour-propre, inequality, the general will and, above all, taste. Rousseau's readers have long recognised the complex tensions in his thought. By reconstructing his theory of taste as a kind of modern Epicureanism, this book provides a way of articulating neglected patterns in those tensions and, a new understanding of what he was attempting to achieve with his political thought.

The twentieth century was the century of the deconstruction of all absolutes: of liberation understood as a critique of every meaningful structure. In this sense, conflict was understood as an instrument of the rupture of every form, institution and community. Niccolò Machiavelli is the first in our tradition to think about the productivity of political conflict - its capacity, on the model of ancient Rome, to construct new orders, institutions and forms of life. Francesco Marchesi offers an original reading of Machiavellian thought as well as a critique of some of the most influential contemporary theories of conflict including Foucault, Schmitt, Arendt, Lacan and Althusser. In doing so, he proposes an innovative, conflictual political ontology that, with Machiavelli, is capable of conceiving the affirmative, and not only deconstructive, power of conflict.

Drawing on thousands of naturalistic online interactions from Ready to Go, a popular football message board centred on North East England, North East Vernacular English Online describes dialect at the levels of morphology, syntax, lexis and - through a study of orthographic innovation - phonology, charting historical continuities as well as more recent developments. Pearce also examines metalinguistic commentary and debate on the website, revealing folk-attitudes and perceptions of linguistic variation. Informed by the latest research, but also building on the foundational scholarship of the English Dialect Society and the Survey of English Dialects, this volume will appeal to academics in the fields of sociolinguistics and dialectology, as well as undergraduates, post-graduates and general readers interested in the language and culture of England's most distinctive region.

Drawing on a wide variety of Chinese-language publications and in-depth interviews with high-school students, Mobilising China's One-Child Generation provides systematic evidence of the spread of martial logic and techniques into Chinese schools. The book explores how China has implemented Patriotic Education (PE) and National Defence Education (NDE) programmes to foster love for the nation and the Party-state, mobilise the population to fight modern wars in the information age, and encourage youth to join the army. It studies how these programmes present the tropes of war and the military to youth, and how they are related to shifting constructions of gender and the national collectivity. It also documents students' varied perceptions-and notably contestations-of this militarised ethos, complicating our understanding of popular nationalism and militarisation processes in this authoritarian global power.

Many critics classify Vladimir Nabokov as a highbrow humourist, a refined wordsmith overly fond of playful puzzles and private in-jokes whose art appeals primarily to an intellectually-sophisticated readership. This study presents a more balanced portrait, placing equal emphasis on the broader, earthier humour that is such a marked feature of Nabokov's writing, which draws on the human body and all things physical for its laughs: sex and scatology, farce and slapstick. Moving between the metaphysical and the physical, the cosmic and the comic, mind and matter, it presents Nabokov as a writer at home in both high and low forms of humour, a comedian who is capable of producing as many belly laughs as brainteasers, and of appealing to a much wider readership than is commonly supposed.

For seventy years, William Gillies has been seen as a placid painter of landscape and decorative still life. Andrew McPherson explodes this view to reveal a modernist whose response to the instabilities and violence of modernity touched universals of human experience. Gillies' idiom was shaped by institutions for artistic production unique to Scotland. But it was the politics of Scotland's connections to the rest of the British Isles that produced his mythic and misleading reputation. New paintings and new meanings are uncovered placing the micro-effects of modernity on mental health, family and community in the wider contexts of war, nationalism and public patronage. McPherson also shows how this changing world led Gillies towards new applications of modernist expression. Lavishly illustrated, and referencing almost one thousand works, this major reappraisal is an indispensable source on the cultural politics of a four-nation state and the reception of modernism in Britain.

This book examines the practice of risk allocation in the offshore energy industry through the public policy lens and offers a novel perspective on the concept of gross negligence in risk allocation. This perspective is founded on the proportionality element of distributive justice in burden distribution. The assessment of how mutual indemnity clauses apply as an absolute shield against liability arising from gross negligence reveals that moral hazard can result from the practice. In the analysis, this book considers the risk allocation practice in PSC and Concession regimes and how parties' liability is determined in drilling contracts. This book considers gross negligence a sui generis risk and provides a definitional pathway for determining when gross negligence occurs and how it should apply to offshore drilling contracts. Thus, it advances an environmental sustainability approach to offshore petroleum drilling operations. This book will be useful to operators and contractors, resource-rich countries, insurance companies, practitioners, scholars, and academics interested in risk allocation in the petroleum industry.

As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.

This volume interweaves Shakespeare's wisdom with ancient spiritual practices and the insights of a post-secular age in order to explore a transhistorical space of sapient knowing and living. Pursuing the delight of heart, soul and understanding in the synaesthetic experience of theatre and the meditative space of poetry, sapiential Shakespeare explores knowledge, love, beauty, nature, will and power in conversation with multiple wisdom traditions, tapping into a global sensus communis rooted in energetic knowing-with. This collection of essays begins in the Mediterranean with classical, biblical and Egyptian wisdom, moves to the East to consider Sufi and Buddhist wisdom and then turns to the West to reflect on Indigenous science and ways of knowing. Sharing a common root in oikos, meaning home, the ecumenical and the ecological converge in an embodied ethics and politics of care premised in an ecological rather than ego-logical way of being.

This historical biography of Chrystal Macmillan, one of Scotland's most prominent campaigners for women's equality, justice and peace in the early twentieth century, is the first account of her life and work. It describes her early life in a comfortable home in Edinburgh, her school and university years in Scotland, and her rise to prominence as the main appellant in the 'Scottish Women Graduates' Case' when it went to appeal in the House of Lords. She was an important figure in the suffrage movement both in Scotland, and in England where she lived from 1913, becoming influential in several national and international women's organisations. She used her legal skills and training to scrutinise, draft and suggest amendments to legislation that had direct impact on women's lives, including their right to their own nationality, to become members of the legal profession and to be treated equally with men in the workplace. In 1915 she was an organiser of the International Women's Congress at The Hague, which urged political leaders to use mediation to stop the war. In 1924, she qualified as a barrister in London and was active on the Western Circuit and London courts. Although she left no diary, the recollections of friends, obituaries and memorials provide a vivid image of a woman of considerable ability, commitment and courage.

Action TV Reboots and Visibility Politics: Rebooting Middlebrow Culture deals with the network TV reboots of Hawaii Five-0, MacGyver, Magnum, P.I., Lethal Weapon and The Equalizer to explore the cultural politics at work in contemporary middlebrow culture. The book focusses specifically on the representational politics of contemporary middlebrow TV. The book analyses action TV reboots via the framework of middlebrow television, and the political meanings of the category. It explores the category of middlebrow TV, the role of nostalgia of middlebrow reboots. This leads into a critique of the representational norms of middlebrow TV, which includes a variety of visual representations of 'otherness' but fails to narrativize marginalisation. Instead, visual 'difference' is reduced to visual signifier of an inclusive society. What emerges is the idea of visibility politics and its dominance in American network TV.

To watch television is to watch bodies in motion: walking, dancing, cooking, fighting, running, playing, travelling, and so on. Television and the Moving Body presents the first detailed exploration of the moving body on television. It analyses different types of movement, including walking, dancing, sports, and craft, outlining how these different movement profiles are employed to construct time, tell stories, work through cultural issues, and foster empathy. Through a range of case studies across different genres and formats, including Gogglebox, The West Wing, Taskmaster, The Repair Shop, Strictly Come Dancing and Sense8, this book examines what television's moving bodies tell us both about normative ideas of movement and identity, and about television itself.

Jeffrey Bell argues that a motivating problematic for existentialist writers is the attempt to think through the implications of the problematic nature of life. He applies a Deleuzian theory of problems to an analysis of some key concepts in contemporary social and political theory. Building on the metaphysics of problems set out in his book, An Inquiry into Analytic-Continental Metaphysics, he provides a new way of integrating the concerns of existentialist writers into contemporary political and social debates.

Jeffrey Bell offers a novel approach to thinking about a number of longstanding problems in metaphysics, issues that have persisted throughout the history of philosophy. By developing a metaphysics of problems, he shows how the history of both the analytic and continental traditions of philosophy can be seen to be an ongoing response to the problem of regresses. By highlighting this shared history, Bell brings these two traditions back together to address problems that have been essential to their projects all along and central to much of the history of philosophy.

Donald Trump's love of golf adds him to a long line of presidents who have a close association with sports. Indeed, golf might just be the leading presidential pastime, ever since William Howard Taft was photographed strutting the links against the advice of his predecessor Theodore Roosevelt. And it was Roosevelt, more than any president, who set the standard for linking the nation's top job to its favourite physical pastimes. Starting with Roosevelt's significant role in linking the presidency with fandom, advocacy of, and active participation in sports, this volume traces how occupants of the White House continued to develop these connections in various guises across the following century. Though historians have certainly not ignored such associations, the variety of case studies represented here provides a wider and more multidisciplinary selection of standpoints from which to assess the interactions between sports and the presidency than ever before.

This book offers the first comparative study of the foundations, consolidation and contestation of regime guardianship in the Islamic Republic of Iran and the Republic of Turkey. For decades, the military in Turkey and the clergy in Iran acted as the guardians of Atatürk and Khomeini's ideological legacies. At the turn of the 21st century rising popular actors in both countries started challenging the tutelary control of the state and society. While in Turkey the clash between the Kemalist guardians and their Islamist-led rivals resulted in a victory for the latter, although not for democracy, in Iran, traditionalist guardians were able to thwart popular challenges to their authority at the expense of the regime's democratic legitimacy. How was guardianship established, consolidated and contested in these republics with seemingly inimical founding ideologies? Why did it unravel in Turkey but survive in the Islamic Republic in the early 2010s? And what do these power struggles and their outcomes tell us about political contestation in tutelary hybrid regimes?

This book provides the first assessment of the performance of three leading European polities in providing estimative intelligence during an era of surprise. It develops a new framework for conducting postmortems guided by a normative model of anticipatory foreign policy. The comparative analysis focuses on how the UK, the EU and Germany handled three cases of major surprises: the Arab uprisings, the rise to power of the Islamic State (ISIS), and the Russian annexation of Crimea. It considers not just government intelligence assessments, but also diplomatic reporting and expert open sources and how these assessments were received by organisational leaders. The book tests and develops new theories about the causes of strategic surprises, going beyond a common focus on intelligence versus policy failures to identify challenges and factors that cut across both communities. With the help of former senior officials, the book identifies lessons yet to be learnt by European polities to better anticipate and prepare for future surprises.

Three early modern philosophers - Spinoza, Leibniz and Hume - understood that minds necessarily involve ideas and patterns of thinking that are not conscious. Morejon shows that in this way they sharply distinguish themselves from other major early modern thinkers whose conceptions of the mind tended to identify thinking with consciousness, such as Descartes, Malebranche and Locke. This conception of the thinking mind as conscious remains popular even today. By contrast, Leibniz, Spinoza and Hume argue instead that thought is not, as such, a matter of consciousness. Morejon explores the significance of this insight for their conceptions of freedom and ethics. By systematically analyzing the major writings of these three thinkers and placing them in the context of the history of Western philosophy, he shows that together they provide us with a metaphysics of ideas that is uniquely helpful for thinking through important problems in contemporary political theory. In particular, it allows us to understand how it is possible for people to act against their own interests and in spite of their consciously knowing better. Readers will gain a sophisticated understanding of what Leibniz, Spinoza and Hume thought about the metaphysics of ideas, the nature of the human mind and the limits of individual freedom.

Adrian Little demonstrates how different conceptions of past, present and future contribute to the nature of political conflict in the world today. Reacting against narratives of political disillusionment and apathy, he focuses on how a new understanding of political temporality can inform our approach to political problems. He forms his argument around three major cases in which the nature of past, present and future is contested: Indigenous politics in settler colonies; the politics of bordering and migration; and debates over the future of democracy.

This study takes up Woolf's challenge to probe the relationship between education and work, specifically her education and her work as an essayist. It expands her education beyond her father's library to include not only a broader examination of her homeschooling but also her teaching at Morley College and her early book reviewing. It places Virginia Stephen's learning in the historical and cultural contexts of education for women, the working classes and writers in the late nineteenth and early twentieth century. Weaving together Virginia Stephen's homeschooling, her teaching and her writing for the newspapers, Beth Rigel Daugherty demonstrates how these three strands shape Virginia Woolf's essay persona, her essays and her relationship with her readers. She also shows why Virginia Stephen's apprenticeship compels Virginia Woolf to become a pedagogical essayist. The volume publishes two holograph draft lectures by Virginia Stephen for the first time and mines rarely used archival materials. It also includes five appendices, one detailing Virginia Stephen's library and another her apprenticeship essays. This is the first in a two-volume study of Virginia Woolf's essays that analyses Virginia Stephen's development and Virginia Woolf's achievements as an essay writer.

Methods play a key role in how we access and subsequently organise data. There is a tendency, however, for scholars to focus primarily on their data at the expense of the methodological acts that bring such data into existence in the first place. The academic study of Islam is certainly no different in this regard. Indeed, many continue to employ established or classic methods that often echo (neo-)orientalist and other political inclinations. This collection, in contrast, offers an alternative, providing a set of multi-disciplinary approaches that focus on how we create, study and disseminate "Islamic data."

Turkish Politics and 'The People' enhances our understanding of 'the popular' in the study of politics through a critical examination of the uses and constructions of 'the people' from the establishment of the Turkish Republic in 1923, to the present. It proposes ways of reading the insertion and operationalisation of the notion of 'the people' as a concept, a political subject, the object of policy and politics over the past century. It assesses the ways 'the people' have been shaped by the history of the republic, and, in turn, have informed ways of visualising society, the country's political culture, institutional architecture and framed the parameters and repertoires of political action.

Metaphor in Illness Writing argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence.

This volume examines the activity of seeking justice through literature during the "age of revolutions" (c. 1750-1850), marked by efforts to expand political and human rights and rethink attitudes towards poverty and criminality. While the chapters revolve around legal topics, they concentrate on literary engagements with the experience of the law, revealing how people perceive the fairness of a given legal order and work with and against regulations to adjust the rule of law to the demands of conscience. The volume updates analysis of this conflict between law and equity by drawing on the concept of "epistemic injustice" to describe the harm done to personal identity and collective flourishing by the uneven distribution of resources and the wish to punish breaches of order. It shows how writing and reading can foment inquiries into the meanings of 'justice' and 'equity' and aid efforts to humanize the rule of law.

Looking Beyond Neoliberalism explores how cinema is responding to the economic crisis that sprang to public attention in 2008 and continues to shape our politics and societies. Bringing French and francophone Belgian films into dialogue with carefully selected theories, O'Shaughnessy develops insights and an analytical framework that will become important resources for other scholars of contemporary cinema. This book explores cinema's capacity to register mutations in subjectivity, the material grounds for identity construction and the machinic dimension of neoliberal subjection. It also probes its capacity to imagine alternative economies and identities and an exit from neoliberal labour. By developing fresh insights into political cinema, this book provides engages with cinema's response to neoliberalism in crisis. Professor Martin O'Shaughnessy is the Subject Leader of Film and Television Studies at Nottingham Trent University. He is the author of Laurent Cantet (2015), La Grande Illusion (2009), The New Face of Political Cinema: French film since 1995 (2007), and Jean Renoir (2000).

Explores American horror remakes produced since 2000 within key cultural, industry and reception contexts Analyses remaking as a form of adaptation and offers new theoretical frameworks for understanding remakes and their prominence in contemporary film production Situates horror remakes within their own industrial, cultural and genre contexts rather than solely comparing them to original versions Case study analyses of a range of key films, distinct cycles, production companies, and thematic approaches Reanimated offers a new perspective on twenty-first century American horror film remakes. Counter to the critical dismissal of genre remakes as derivative rip-offs, Mee approaches the films as intertextual adaptations which have both drawn from and helped to shape horror since 2000. Covering films from The Texas Chainsaw Massacre (2003) to Candyman (2021), and identifying distinct cycles, production strategies and patterns of reception, this book illustrates the importance of the remake to contemporary horror cinema and addresses key cultural, industry and reception contexts. Rather than representing the death of horror, Reanimated argues that remaking instead demonstrates the genre's capacity for creative recycling, adaptation and evolution.