Böcker utgivna av EDINBURGH UNIVERSITY PRESS

Explores advances in the fields of language documentation, language change and historical linguistics

Proposes naming as a criterion for classifying and evaluating theories of morphology

Remaps the state of Scottish writing in the contemporary moment, embracing its uncertainty and the need to reconsider the field's founding assumptions and exclusions A provisional re-mapping of Scotland's post-devolution literary culture, these fifteen essays explore how literature, theatre and visual art have both shaped and reflected the 'new Scotland' promised by parliamentary devolution. Chapters explore leading figures such as Alasdair Gray, David Greig, Kathleen Jamie and Jackie Kay, while also paying particular attention to women's writing by Kate Atkinson, A. L. Kennedy, Denise Mina, Ali Smith, Louise Welsh, and writers of colour such as Bashabi Fraser, Annie George, Tendai Huchu, Chin Li and Raman Mundair. Tracing continuities with 1990s debates alongside 'edges of the new' visible since Indyref 2014, these critics offer an in-depth study of Scotland's vibrant literary production in the period of devolution, viewed both within and beyond the frame of national representation. Marie-Odile Pittin-Hedon is a Professor of Scottish Literature at Aix-Marseille University (AMU). Camille Manfredi is a Professor of Scottish Literature at the University of Western Brittany (UBO). Scott Hames is a Senior Lecturer at the University of Stirling, where he led the MLitt programme in Scottish Literature.

Lucrecia Martel has made only four feature films to date, but has nonetheless become one of the world's most admired directors. Her work is extraordinarily sensitive to the limits of sensory perception, the limits imposed by gender roles, and the limits of empathy and affect across social divisions. This edited collection broadens the critical conversation around Martel's work by integrating analyses of her features with the less frequently studied short films and her other artistic projects. This volume's fresh, holistic approach to Martel's career includes contributions from scholars in Latin America, Europe and the United States, and ends with a new interview with Martel herself. Edited by Natalia Christofoletti Barrenha is an independent film researcher and programmer specialising in Latin American cinema. She is the author of Espaços em conflito. Ensaios sobre a cidade no cinema argentino contemporâneo (2019) and A experiência do cinema de Lucrecia Martel: Resíduos do tempo e sons à beira da piscina (2014. Translation into Spanish: 2020). Julia Kratje is a researcher at Argentina's National Council of Scientific and Technical Research (CONICET), and teaches at the Universidad de Buenos Aires. She is the author of Al margen del tiempo. Deseos, ritmos y atmósferas en el cine argentino (2019) and editor of El asombro y la audacia. El cine de María Luisa Bemberg (2020), among others. Paul R. Merchant is Senior Lecturer in Latin American Film and Visual Culture at the University of Bristol. He is the author of Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015 (2022) and the co-editor of Latin American Culture and the Limits of the Human (2020).

What is the relationship between filmmaking and mapping? Accounting for the unique characteristics of Taiwan's cinema from 2008 to 2020, this book examines how filmmakers have depicted and imagined the island's diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, Brown offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan's film history. Christopher Brown is Senior Lecturer in Filmmaking at the University of Sussex. A practitioner as well as a researcher, Chris has published work on contemporary Taiwanese film, practice-as-research, and American cinema.

A new and innovative examination of the conduct of Roman long-distance trade in its social and legal context Bringing together specialists in ancient history, archaeology and Roman law, this book provides new perspectives on long-distance trade in the Roman world. Recent archaeological work has shown that maritime trade across the Mediterranean intensified greatly at the same time as the Roman state was extending its power overseas. This book explores aspects of this development and its relationship with changes in the legal and institutional apparatus that supported maritime commerce. It analyses the socio-legal framework within which maritime trade was conducted, and in doing so presents a new understanding of the role played by legal and social institutions in the economy of the Roman world. Chapters cover: Roman maritime trade, the influence of commercial considerations on navigational decision making, Roman legal responses to the threat of piracy, the conduct of Roman maritime trade from a socio-legal perspective, the role of written documentation in the transport process, maritime finance and the insights provided by the juristic interpretation of contracts of carriage-by-sea into aspects of Roman private law. Peter Candy is a Fellow in Roman Law and European Legal History at the University of Edinburgh. Emilia Mataix Ferrándiz is a Postdoctoral Researcher at the University of Helsinki, Finland, and Research Fellow at the Käte Hamburger Kollegium in Münster, Germany.

Builds an ethical framework for responding to the urgent crisis of global displacement In this book Phillip Cole calls for a radical review of what international protection looks like and who is entitled to it. The book brings together different issues of forced displacement to provide a systematic overview. It draws attention to groups who are often overlooked when it comes to discussions of international protection, such as the internally displaced, those displaced by climate change, disasters, development infrastructure projects and extreme poverty. The study draws on extensive case studies, such as border practices by European Union states, the United States with regard to its border with Mexico, and the United Kingdom. Cole places the experiences of displaced people at the centre and argues that they should be key political agents in determining policy in this area. Phillip Cole teaches Politics and International Relations at the University of the West of England, Bristol

João Pedro Rodrigues and João Rui Guerra da Mata are one of the most cosmopolitan duos in contemporary world cinema. Their films tell us stories of love and human desire, receiving a highly favourable reception among critics and at international festivals. Despite their high profile, Rodrigues and da Mata's work remains relatively understudied. ReFocus: The Films of João Pedro Rodrigues and João Rui Guerra da Mata, paves the way for the study of the directors' work, critically analysing the various cinematic perspectives of their short and full-length feature films. In the first collection solely dedicated to their work, this book addresses the historical, political, stylistic, industry, and cultural dimensions of Rodrigues and da Mata's films, providing critical recognition for their contribution to world cinema. José Duarte teaches Cinema at the School of Arts and Humanities (UL) and he is a researcher at ULICES (University Lisbon Centre for English Studies). He co-edited the book The Global Road Movie: Alternative Journeys around the World (2018). Filipa Rosário is a Research Fellow at the Centre for Comparative Studies, University of Lisbon (CEC-UL). She co-edited the book New Approaches to Cinematic Space (2019), and is the author of O Trabalho do Actor no Cinema de John Cassavetes (2017).

Brings Thomas Reid into conversation with contemporary moral philosophy Is morality a subjective matter, dependent on our desires and interests, or are there objective moral truths? And if the latter, can we explain the objectivity of morality without appeal to metaphysics, a robust teleology or divine command? James J. S Foster argues that we find such an account of moral objectivity in Thomas Reid's defence of duty. This book provides an explanation of Reid's way of philosophy and his reasons for rejecting moral subjectivism, presents Reid's account of the concept, perception and motivational force of duty, and responds to contemporary challenges of moral subjectivism and pessimism from the perspective of Reid's moral philosophy. By illustrating how Thomas Reid provides this compelling interpretation of moral objectivism - which is both metaphysically modest and chimes with lived experience - Foster concludes that if Reid is correct, then there is an urgent need to reform current pedagogical practice and return to the teaching of practical ethics. Key Features  Appeals to readers interested in Reid and Scottish philosophy; and to those broadly interested in moral philosophy  Draws from Reid's entire corpus, not just his major published works, including 'Some Thoughts on the Utopian System', his correspondence and 'Lectures on Practical Ethics'  Explains Reid's Baconian approach to moral philosophy  Discusses the implications of Reid's understanding of practical ethics and the limitations of speculative philosophy for moral education James J. S. Foster is Associate Professor of Philosophy and Theology and Director of the Honours Program at the University of Sioux Falls.

The definitive text on floating charges by Scotland's leading experts The floating charge is vital to secured transactions in Scotland and plays a key role in access to finance and corporate insolvency. Bringing together leading commentators at the forefront of the topic, this book delivers wide-ranging coverage of the history, theory, practice, and potential reform of the floating charge. It presents diverse approaches, including examining floating charges from 'black letter', socio-legal, law and economics, and comparative perspectives. Key Features: - Covers the history, current law, practice and reform of this important area - Examines floating charges from a wide range of different perspectives, including doctrinal, policy-focused, theoretical and comparative approaches - Contributions from Ross G Anderson, Jennifer L L Gant, George L Gretton, Jonathan Hardman, Alisdair D J MacPherson, Donna McKenzie Skene, Magda Raczynska and Andrew J M Steven - Includes a foreword by Lord Drummond Young Jonathan Hardman is Lecturer in International Commercial Law at the University of Edinburgh Alisdair D J MacPherson is Lecturer in Commercial Law at the University of Aberdeen

This cumulative work brings together a range of research communities to contextualize and archive over a decade of work in new materialist theorising and knowledge-making practice. Combining a reflective genealogical approach along with productive avenues for future research, this volume is an essential collection for the field of new and feminist materialism. The collection uses the new materialist movements in thought of changing, intersecting, practicing and transforming. As methods, these movements have engendered the metaphysical questions that different new and feminist materialist practices engage. The volume follows these four movements for genealogical, interdisciplinary, arts-based and politics-orienting research in four parts, each of which is preceded by an introductory framing-essay. Rosi Braidotti's preface provides revelatory mappings to bring the book together and curated panels further offer co-authored texts which practise the collective nature of academic thinking advocated by the feminist new materialisms network. Key features: Consolidates new materialisms as a distinguished field of scholarship Brings together contributors from Central-, North-, and South-Eastern and Southern Europe, Australia and North America and is inclusive of Black Asian and indigenous scholarship Provides consonant, dissonant and feminist genealogies of the state of the field Focuses on the methodological nature of the materiality and meaning-making nexus. Felicity Colman is Professor of Media Arts at University of the Arts, London. Iris van der Tuin is Professor of Theory of Cultural Inquiry at Utrecht University, The Netherlands. Together they chaired COST Action IS1307 New Materialism: Networking European Scholarship on 'How Matter Comes to Matter' (2014-18).

The Edinburgh Edition of The Collected Works of Allan Ramsay Murray Pittock, General Editor In Enlightenment Edinburgh, Allan Ramsay (c. 1684-1758) was a foundationally important poet, dramatist, song collector, theatre owner, cultural leader in art and music and innovative entrepreneur in many spheres from language to libraries. This series, the result of an international research project, presents Ramsay's complete works in a dependable scholarly edition for the first time, thereby illuminating a body of work crucial in its own right and essential to both the Scottish Enlightenment and the Vernacular Revival associated with Fergusson, Burns and others. [headline]The first scholarly edition of Allan Ramsay's Ever Green (1724), which introduced the poets of Renaissance Scotland to a British audience Alongside the other volumes in this new Collected Works, Ever Green will transform academic and popular understanding of this pivotal but, until now, largely under-researched literary figure. It offers the first full and consistent edition of the text, based on Bannatyne and other texts, including printed works and even a reported oral recitation. The volume contains the entire text of the 1724 two-volume collection (including the prefatory material), comprehensive notes on the text and an introduction explaining Ramsay's relationship with the material, how he came to be acquainted with it, and an explanation of his strategy to both present and co-create a Scottish literary tradition from before the Union of the Crowns in 1603. [bios]Murray Pittock MAE FRSE is Bradley Professor and Pro Vice-Principal at the University of Glasgow. He is the General Editor of the Edinburgh Edition of the Collected Works of Allan Ramsay. James J. Caudle is a Research Associate in Scottish Literature at the University of Glasgow. From 2000 until 2017 he was Associate Editor of the Yale Boswell Editions.

Provides a guide for creating, exploring, and understanding fictional, imaginary, and invented languages

Explores the zoomorphic imagination and image-making of Eurasian nomads and their dynamic interactions with neighbouring sedentary empires

[headline]Considers the emotional and relational implications of portrait photographs for three modernist writers Portrait photography increased in popularity during the modernist period and offered new ways of seeing and understanding the human face. This book examines how portrait photographs appeared as literary motifs in the works of three modernist writers with personal experience of the medium: Marcel Proust, Franz Kafka and Virginia Woolf. Combining perspectives from literary, visual and media studies, Marit Grøtta discusses these writers' ambivalent views on portrait photographs and the uncertain status of technical images in the early twentieth century more generally. In reconsidering the attention paid to analogue photographs in literature, this book throws light on both modernist reactions to portrait photography and on our relationships to photographs today. [author bio]Marit Grøtta is Professor of Comparative Literature at the University of Oslo. She is the author of Baudelaire's Media Aesthetics: The Gaze of the Flâneur and 19th-Century Media (2015) and a number of articles on Schlegel, Baudelaire, Proust, Kafka, Woolf, Queneau and Agamben. Her research interests are nineteenth-century and modernist literature, visual culture, media philosophy and aesthetic theory.

[headline]Examines Australian avant-garde poetry from the late nineteenth to the early twenty-first centuries Avant-garde poetry in the Antipodes causes all sorts of trouble for literary history. It is an avant-garde that seems to arrive too late and yet right on time. In 1897, Christopher Brennan made his own version of Un Coup de Dés, the same year Mallarmé published it in Cosmopolis. In the 1940s, the same period avant-gardism was declared dead or fatally injured due to the Ern Malley affair, Harry Hooton began writing a significant body of experimental poetry. From the 1950s to the 1970s, Australian Dada emerged 'belatedly' through figures like Jas H. Duke (Tristan Tzara had previously sung Aboriginal songs at the Cabaret Voltaire in 1916). First Nations and Migrant poets then began reinventing avant-garde poetry in the twentieth and early twenty-first centuries. This book maintains that such a confounding literary history poses a distinct challenge to the theories of the avant-gardes we have become accustomed to and changes our perspective of avant-garde time. [bio]A. J. Carruthers is a poet-critic and Associate Professor in the English Department, Nanjing University, China. He is the author of Stave Sightings: Notational Experiments in North American Long Poems (2017), and three volumes of the long poem AXIS Book 1 (2014), AXIS Book 2 (2019) and AXIS Z book 3 (2023).

[headline]Provides an intimate portrait of Victorian life - especially women's' lives - that uncannily anticipates the way we live now Offering a modern edition of an Anglo-Scottish epistolary classic, drawn from the authoritative scholarly edition, the letters of Jane Welsh Carlyle are works of art in themselves, but also shed light on the Victorian age and the experience of women within it. Arranging her letters chronologically alongside a biographical summary, this collection includes Jane's correspondence concerning a large range of Victorian intellectuals and other identities, from Mazzini to Dickens, Elizabeth Barrett Browning to Ruskin and Tennyson to George Eliot. These letters are commonly regarded as among the liveliest in the language, alongside those of Byron, Keats, Henry James and Virginia Woolf, and are a key document in feminist history and the history of female authorship. [bio]Richard Lansdown is Adjunct Professor of English at the University of Tasmania. He is the author of Literature and Truth: Imaginative Writing as a Medium for Ideas (2018), A New Scene of Thought: Studies in Romantic Realism (2016), The Cambridge Introduction to Byron (2012), The Autonomy of Literature (2001) and Byron's Historical Dramas (1992). He is also editor of 21st-Century Authors: John Ruskin (2019), Byron's Letters and Journals: A New Selection (2015) and Strangers in the South Seas: The Idea of the Pacific in Western Thought (2006).

Examining the contemporary press, memoirs, travelogues and photographs - as well as the visitors' book - it uses the Alhambra to build a history of the complex and entangled relations between East and West, North and South, Islam and Christianity, centre and periphery during the heyday of Orientalism and Western hegemony.

Lawrence Kasdan has created some of the most influential films in Hollywood history. He is the screenwriter of beloved blockbusters such as The Empire Strikes Back (1980), Raiders of the Lost Ark (1981), The Bodyguard (1992) and The Force Awakens (2015). Simultaneously, he has gained critical acclaim as the director of pictures that dissect contemporary American society: Body Heat (1981), The Big Chill (1983), The Accidental Tourist (1988) and Grand Canyon (1991). Frequently experimenting in different genres, Kasdan's filmography defies easy classification. Taking an inclusive, interdisciplinary approach to examine all aspects of his eclectic canon, ReFocus: The Films of Lawrence Kasdan reveals a filmmaker who has helped shape modern American cinema, both through his screenplays for popular classics, and as the writer-director of films synonymous with the largest demographic in US history. Brett Davies is Associate Professor of English at Meiji University, Tokyo.

Documentary films about individuals with a terminal illness, in hospice care, or desiring assisted death, redefine cultural expectations of what dying is and feels like. These films invite their viewers to witness the intimate and emotional moments of dying people, including moments on their deathbed. Filming Death explores these documentaries as ethical spaces, asking the viewers to learn how to engage with end-of-life through the experiences of others and to find ways to alleviate potential death anxiety. It argues that the diversity of documentary films resists simplified moral divisions between good and bad death, and instead, embellishes diverse realities where dying takes many forms, ranging from acceptance to rage. Outi Hakola is a Lecturer in the Department of Health and Social Management at the University of Eastern Finland.

How do past and present technologies affect how we perceive the world? As the symbiotic relationship between human and machine unfolds, robotic vision facilitates a reshaping and reconstitution of our perception of the world. This edited collection explores ways in which this is taking place and the implictions for these new ways of seeing ethically, politically, culturally and socially from an art and design perspective and through a critical theoretical lens. The contributors converge on the intersection of New Materialism, Media Studies and Cultural Theory and offer speculative approaches combining creative writing and visual interludes from artists and designers, all of which address the question: are we on the cusp of new ways of seeing? Nina Trivedi is Lecturer in Design: Race and Intercultural Studies Focus at Central St Martins, University of the Arts. Luci Eldridge is Lecturer in Fine Art at Winchester School of Art, University of Southampton.

How can political actors regain control and credibility in a world of constant challenges?

[headline]Offers a national approach to the issue of Europe as a geographical, political, cultural and ideological signifier during the Renaissance In this original study, Niall Oddy explores representations of Europe in sixteenth and early-seventeenth century French writing to argue that Europe as an idea evolved in productive dialogue with emerging national consciousness, not as an alternative to the nation state. Analysing literary texts alongside works of travel, geography, history and politics, this book demonstrates how ideas of Europe were shaped by real and imagined journeys across the globe and adapted across a range of discursive contexts for varied purposes. Using the notion of 'imagined geography' to present a conceptual map of what Europe looked like from different points across the globe, each chapter examines representations of the continent through the lens of one location (Brazil, Constantinople, Malta, Geneva). In a period of great intellectual transformation, as new interactions with cultures overseas reshaped how the wider world was understood, this focus on nationhood uncovers how, as the idea of 'Europe' developed, it emerged as a contested notion and an issue of debate. [bio]Niall Oddy is Associate Lecturer at The Open University, UK, where he teaches literature, early modern history and interdisciplinary humanities. His research is concerned with the literary and intellectual history of the sixteenth and seventeenth centuries, with a focus on travel and cross-cultural exchange.

Shows that while alienation poses serious problems to modern democracies, it is a form of social suffering that is particularly difficult for democratic theory - preoccupied by the political - to address.

Contributing to scholarship studying Islam alongside other late antique religions, Traces of the Prophets highlights how early Muslims deployed sacred objects and spaces to inscribe and dispute Islam's continuities with, and differences from, Judaism and Christianity.

Argues that contemporary slasher films embody a turn towards the metamodern sensibility

Explores how public health concerns and political agendas influenced each other in the US over the past century This book offers an insightful discussion of the complex relationship between public health, US democracy and power during the so-called American century. It sheds light on the intricate history of the US public health system, examining how the development of the federal government has shaped its trajectory. By exploring the intertwined roles of politics, race and socio-economic factors, the contributors uncover the challenges and contradictions of public health in the US from the Spanish Flu to Covid-19. They also investigate the connections between public health and America's aspirations as a global power, as well as its domestic implications for social cohesion and institutional legitimacy. The focus on the American century provides a critical historical timeframe for an in-depth understanding of the connections between public health, people and power, on both the domestic and global stages. Gaetano Di Tommaso is Postdoctoral Researcher at the Roosevelt Institute for American Studies (RIAS), The Netherlands. Dario Fazzi is Assistant Professor of US and Environmental History at Leiden University and Senior Researcher at the Roosevelt Institute for American Studies (RIAS), The Netherlands. Giles Scott-Smith is Professor of Transnational Relations and New Diplomatic History and Dean of Leiden University College at Leiden University, The Netherlands.

Explores how affect and emotion create new ways of understanding contemporary cultural politics in China The growing political conflicts unfolding in China provide an opportunity to rethink the cultural politics of emotion. Although the political formations in the region are laden with a multitude of emotions, they tend to be poorly understood. This book explains why affect and emotion matter in politics from the Mao Zedong to the Xi Jinping era. It makes a unique contribution by investigating the dynamics of political passions and the contexts from which emotional subjects engage in hegemonic struggles through the creation of various cultural forms, including Maoist art and popular films. Topics discussed include the mobilisation of revolutionary emotions in political movements, the desire of nationalism, the virtual affective space created by antagonistic identity politics, the subaltern body as a surface of emotion work, and the blurring of public-private divides on social media. Liu and Shi find that cultural feelings and emotional experiences are crucial for understanding political struggle, as well as debates about the cultural dilemma of the Chinese Dream. Shih-Diing Liu is Professor of Communication at the University of Macau, China. Wei Shi is Associate Professor of Communication at the University of Macau, China.