Böcker utgivna av EDINBURGH UNIVERSITY PRESS

Analyses the causes and consequences of regional turbulence in the Middle East following the 2003 Iraq War and the 2011 Arab uprisings The Middle East has experienced unprecedented levels of instability and violence during the first decades of the 21st century, including regime breakdown, heightened rivalry and competition, civil and proxy wars, cross-border military intervention, refugee flows and the emergence of violent non-state actors. Samer Shehata brings together leading Middle East scholars to investigate the drivers of regional turbulence and its impact on the politics of different states and actors in the region. Nine case studies assess the foreign policies and role of the United States and Israel, Iran and Turkey's policies toward the Syrian crisis, and the impact of regional turbulence and intervention on Yemen, Egypt, and relations among Arab Gulf states. The consequences of regional turbulence on violent non-state actors and on the region's newly emergent Salafi parties are also examined. Based on original interviews, examination of primary documents and research that cuts across the traditional boundaries of domestic, regional and international politics, this volume produces new insights about one of the most turbulent periods in Middle East regional politics. Samer S. Shehata is the Colin Mackey and Patricia Molina de Mackey Associate Professor of Middle East Studies, University of Oklahoma.

Explores the critical encounter between anarchism and law

This is the story of Mashya and Mashyana Unearthed, an exploration of when and where ancient myths become metonymic in varied forms of contemporary cultural and aesthetic representations.

Demonstrates how women's writing formed a crucial, if underappreciated, part of the history of sexuality in the Romantic period Women writers in the Romantic period were reckoning with taboo topics such as female pleasure, masturbation, incest, necrophilia and the aftermaths of sexual violence. Building on recent research on the period's sexual culture, this collection develops a new approach to the study of gender and sexuality within Romanticism. The contributors examine how women writers were theorising perversions in their literary work and often leading transgressive sexual lives themselves. In doing so, the collection challenges current understandings of 'transgression' as a sexual category and shows how the Romantic literary tradition and the history of sexuality in Britain look quite different when one foregrounds the experimental sexual thought of the period's literary women. Kathryn Ready is Professor of English at the University of Winnipeg, Canada, specialising in eighteenth-century and Romantic literary studies, women's literature, and gender and sexuality. She is volume co-editor of Lumen XLI (2023) and co-editor of the collection The Art of Exchange: Models, Forms and Practices of Sociability between Great Britain and France in the Eighteenth Century (2015). David Sigler is Professor of English at the University of Calgary, Canada, with research interests in British Romanticism, gender and sexuality studies, and psychoanalytic theory. He is the author of Fracture Feminism: The Politics of Impossible Time in British Romanticism (2021) and Sexual Enjoyment in British Romanticism (2015).

[headline]Argues that J. M. Coetzee's works constitute a form of late modernism that situates life at the heart of questions concerning the politics and ethics of literature Surveying the full breadth of J. M. Coetzee's career as both academic and novelist, this book argues for the necessity of rethinking his profound indebtedness to literary modernism in terms of a politics of life. Isolating a particular strain of late modernism, epitomised by Kafka and Beckett, Farrant claims that Coetzee's writings consistently demonstrate an agonistic engagement with the concept of life that involves an entanglement of politics and ethics, which supersedes the singular theoretical frameworks often applied to Coetzee, such as postcolonialism, posthumanism and animal studies. Running throughout his engagement with questions of modernity and colonialism, storytelling and life writing, human and non-human life, religion and post-Enlightenment subjectivity, Coetzee's politics of life yield a new literary cosmopolitanism for the twenty-first century; a powerful commentary on our interrelatedness that emphasises finitude and contingency as fundamental to the way we live together. [bio]Marc Farrant is a Lecturer in the Department of English Language and Culture at the University of Amsterdam, the Netherlands. He is the co-editor, with Kai Easton and Hermann Wittenberg, of J. M. Coetzee and the Archive: Fiction, Theory, and Autobiography (2021).

Analyses Christian literature as emerging from the common dynamics of ancient Mediterranean religion

This book provides a ground breaking analysis of the concrete practices of Islamist movements to assess their impact on post-2011 activism.

The Edinburgh edition of The Collected Works of Allan Ramsay Murray Pittock, General Editor In Enlightenment Edinburgh, Allan Ramsay (c. 1684-1758) was a foundationally important poet, dramatist, song collector, theatre owner, cultural leader in art and music and innovative entrepreneur in many spheres from language to libraries. This series, the result of an international research project, presents Ramsay's complete works in a dependable scholarly edition for the first time, thereby illuminating a body of work crucial in its own right and essential to both the Scottish Enlightenment and the Vernacular Revival associated with Fergusson, Burns and others. [headline]Provides the first reliable textual edition of all extant prose writings by Allan Ramsay Transforming academic and popular understanding of this pivotal but, until now, largely under-researched literary figure, this volume offers the first full and consistent edition of Allan Ramsay's prose. The volume contains all extant prose writings, from both manuscript and print sources. As well as all known letters, the volume includes prefaces, dedications and advertisements for Ramsay's major collections. It also contains Ramsay's anonymously-published Some Few Hints in Defence of Dramatical Entertainments, the full text of his influential collection of Scots Proverbs and significant prose from manuscript sources, including Ramsay's account of Edinburgh's Porteous Riots in April 1736 and notes on contemporary plays. In these works, we see Ramsay's consistent and steadfast commitment to preserving Scottish literary culture, and gain a privileged insight into Ramsay's personality, his priorities, ambitions and core beliefs. [bios]Rhona Brown is Senior Lecturer in Eighteenth-Century Scottish Literature and the Periodical Press at the University of Glasgow, UK. She specialises in eighteenth-century Scots language poetry and the history of the periodical press in Scotland. She is author of Robert Fergusson and the Scottish Periodical Press (2012) and co-editor of Before Blackwood's: Scottish Journalism in the Age of Enlightenment (2015). Brown is also editor of Ramsay's Poems (2023) for The Collected Works of Allan Ramsay. Craig Lamont is Lecturer in Scottish Studies at the University of Glasgow, UK. He specialises in print culture, textual editing and memory studies across a range of Scottish subjects and writers. Lamont is author of The Cultural Memory of Georgian Glasgow (2021), co-editor of The Scottish Rebellion: Insurrection 1820 (2022), and co-editor of Allan Ramsay's Future: Studies in Scottish Literature (2020).

Examines the Free Church of Scotland Mission in South Africa This book traces the development of the Scottish Presbyterian mission from 1824 until the formation of the Bantu Presbyterian Church of South Africa in 1923 as the first South African outcome of the three-self movement. It considers the development of this autonomous church, supported by the Free Church of Scotland until 1929, and the Church of Scotland thereafter in the light of its ongoing missionary purpose until its union with the Presbyterian Church of Southern Africa in 1999. Drawing from archival sources, Graham A. Duncan documents the history of South African Christianity in the context of racial segregation and apartheid. The book foregrounds the distinguished history of Scottish Presbyterianism in South Africa. It also presents a significant part of the church history of Scotland, beyond its borders, highlighting the important role played by indigenous Christians in the growth of global Christianity. Graham A. Duncan is Research Fellow in the Department of Church History, Christian Spirituality and Missiology at the University of South Africa.

Shows how fiction makes philosophy see reality as a multiplicity of worlds Rok Benčin explores the idea that reality is structured as a multiplicity of divergent, yet coexisting worlds. By engaging with the work of modern and contemporary philosophers and writers, in particular G. W. Leibniz, Alain Badiou, Gilles Deleuze, Jacques Rancière and Marcel Proust, he proposes a new understanding of these worlds as overlapping transcendental frameworks consisting of fictional structures that frame ontological multiplicity. Examining political conflicts and aesthetic interferences that exist between divergent worlds today, he reconsiders the way political and artistic practices reconfigure contemporary experiences of worldliness. Rok Benčin is a Research Associate at the Institute of Philosophy at the Research Centre of the Slovenian Academy of Sciences and Arts.

Investigates of the structural dynamics of urban inequality from a political economy perspective.

Explores the diversity of women's work in transatlantic and continental publishing across the twentieth-century

Offers a new look at slave revolts in ancient history and ancient historiography

[headline] Brings together, for the first time, pioneering literary works by African American authors who made a revolutionary impact on UK and Irish nineteenth-century transatlantic literary cultures and political histories This is the first scholarly anthology of nineteen narratives written by African American authors and published in Britain and Ireland in the nineteenth century. These literary works share the powerful life stories of inspirationally pioneering writers: Charles Freeman, Phebe Ann Jacobs, Benjamin Crompton Chisley/William Jones, John Hart, John Williams, Henry (surname unknown), James Watkins, William Gustavus Allen, John Comber, Sarah Parker Remond, James Cheeney Thompson, Dinah Hope Browne, John Sella Martin, Lewis Smith, James Alfred Johnson, D. E. Tobias and Benjamin William Brown. Their narratives are reproduced alongside an in-depth introductory essay, author biographies, scholarly annotations and a detailed bibliography. All these authors testify to their lifelong 'fight for freedom' across their radical and revolutionary works. Throughout their lives, they warred against the 'sufferings and horrors' of enslavement as a centuries-old 'cursed institution.' 'Words are weapons' in their fight for Black liberation. Across their life's works, they protested against the rise of the 'spirit of slavery' in white supremacist and white racist American and British transatlantic societies. [bios]Celeste-Marie Bernier is Professor of United States and Atlantic Studies at the University of Edinburgh, UK. She is the author/ editor/ curator of over 85 books, exhibitions, essays, and digital educational resources including the forthcoming Douglass Family Lives: Anna Murray and Frederick Douglass Family Biography and Collected Works eight book series. Hannah-Rose Murray is a Lecturer in US History at Queen Mary, University of London, UK. Her first book, Advocates of Freedom: African American Transatlantic Abolitionism in the British Isles, was published in 2020. Her accompanying website (www.frederickdouglassinbritain.com) maps thousands of Black activist speaking locations in Britain and Ireland and is the basis for her community and heritage work.

Theatricality and the Arts presents a series of investigations of the notion of 'theatricality'. Primarily, theatricality is associated with theatre, but the term has always carried with it the potentially pejorative connotations of exaggeration and fakery, associations which are questioned and contested throughout this collection. Divided into four sections, fifteen chapters provide a comprehensive interrogation of theatricality. Beginning with multimedia, theatricality is examined in relation to mixed modes of media (internet art, painting, performance and digital display). The second section interrogates theatricality through a philosophical lens, followed by an investigation into the historical contexts of art, photography and other media in the third section. The final section features reflections on theatre and cinema, often in conjunction. Considered as a whole, the collection contributes to debates on theatricality in various fields, while also enabling a thorough cross-examination of the topic. Andrew Quick is Professor of Theatre and Performance at Lancaster University Richard Rushton is Professor in Film Studies at Lancaster University

Examines the role of language in shaping the Indian diaspora experience

Contains the main statutory provisions relating to both heritable and moveable property, as well as to trusts and succession law, in Scotland

[headline] Brings together, for the first time, eighty trailblazing speeches by forty-two African American freedom-fighters who made a revolutionary impact on UK and Irish nineteenth-century transatlantic literary cultures and political histories This is the first anthology of eighty speeches by forty-two world famous and under-researched African American freedom fighters, liberators and human rights campaigners living and working in Scotland, Ireland, Wales and England in the nineteenth century. Their pioneering and revolutionary works are supported by an in-depth introductory essay, author biographies, scholarly annotations and detailed bibliographies. All these human rights orators testify to their lifelong 'fight for freedom' across their radical and revolutionary works. All their lives, they warred against the 'sufferings and horrors' of enslavement as a centuries-old 'cursed institution.' 'Words are weapons' in their fight for Black liberation. Across their life's works, they all protested against the rise of the 'spirit of slavery' in white supremacist and white racist US and British transatlantic societies. [bios]Celeste-Marie Bernier is Professor of United States and Atlantic Studies at the University of Edinburgh. She is the author/ editor/ curator of over 85 books, exhibitions, essays, and digital educational resources including the forthcoming Douglass Family Lives: Anna Murray and Frederick Douglass Family Biography and Collected Works eight book series. Hannah-Rose Murray is a Lecturer in US History at Queen Mary, University of London. Her first book, Advocates of Freedom: African American Transatlantic Abolitionism in the British Isles, was published in 2020. Her accompanying website (www.frederickdouglassinbritain.com) maps thousands of Black activist speaking locations in Britain and Ireland, and is the basis for her community and heritage work.

Uncovers a diversity of local encounters with Hagia Sophia in the late Ottoman Empire

How can Sweden and Denmark's vastly different approaches to integration be explained?

Celebrates the life of a royal surgeon and one of Scotland's most influential medical figures Sir Alexander Ogston's career was of far-ranging, yet under acknowledged, excellence. Inspired by the work of Joseph Lister and Robert Koch, Ogston was determined to find the cause of post-operative infection. Working in his home laboratory, he established the link between acute inflammation and suppuration and microorganisms, discovered (and named) staphylococcus (better known today in connection with MRSA) and correctly linked localised microorganism infections with blood poisoning. Ogston served as a medical volunteer during the 1885 Soudan Campaign and, in 1892, became Surgeon in Ordinary to Queen Victoria. Although instrumental in founding the Royal Army Medical Corps in 1898, he remained critical of the army medical services. These views were amply confirmed by the events of the Boer War, in which Ogston offered his medical services. During the Great War Ogston, in his early seventies and President of the British Medical Association, served as a surgeon with the British Red Cross at the Villa Trento hospital in northeast Italy - a site which served as an inspiration for the British hospital in Ernest Hemingway's A Farewell to Arms. Key Features and Benefits  Offers the first biography of one of Scotland's most influential medical figures  Draws from Ogston's unpublished accounts of his military experiences  Ogston's experiences of the Soudan War (1881-9), Boer War (1899-1902) and Great War (1914-18) offer a powerful narrative exemplifying his calls to improve military medicine.  Relates Ogston's connections with major nineteenth- and twentieth-century figures such as Queen Victoria, Joseph Lister, Herbert Grierson, Tsar Nicholas II, Sir William Gatacre and G. M. Trevelyan. David A. Rennie is the author of American Writers and World War I (2020) and editor of Scottish Literature and World War I (Edinburgh University Press, 2021). His essays have appeared in The Hemingway Review, The F. Scott Fitzgerald Review and the Cambridge History of American Literature and Culture in the Great War.

Examines the music of Iran in its historical and social contexts between the 15th and early 20th centuries

In the 1960s, psychiatrists and psychologists intervened in and influenced cinema culture in unprecedented ways, changing how films were conceived, produced, censored, exhibited and received by audiences. Demons of the Mind provides the first interdisciplinary account of these complex contestations and cross-pollinations of the 'psy' sciences and cinema in Britain and America during the defining long 1960s period of the late-1950s to early-1970s. This book incorporates expertise from film studies, history of science and medicine, and science communication, focusing particularly on the situated practices and interplay between ideas, expertise and professionals that constitute the fields of mental health and media. Tim Snelson is an Associate Professor in Media History at the University of East Anglia. William R. Macauley is a Lecturer at the University of Manchester and Senior Research Associate at the Science Museum, London. David A. Kirby is Chair of the Department of Interdisciplinary Studies in the Liberal Arts and Professor in Science and Technology Studies at California Polytechnic State University in San Luis Obispo.

Explores literary, visual, material and biological evidence of marginality in the ancient Greek world Studies of the ancient Greek world have typically focused on the life histories of elite males as the group that has made the most distinct mark on ancient Greek literature, art and material culture. As a result, the voices of foreigners, the physically impaired, the impoverished and the generally disenfranchised have been silent, which has substantially complicated the creation of a historical narrative of these marginalised groups. To address this lacuna, previous research has turned to the limited evidence found in literature and material culture to reconstruct societal attitudes toward disenfranchised peoples. This book departs from that approach by primarily considering the skeletal remains and burial contexts of the individuals themselves. Drawing upon literary, artistic, material and biological evidence, it sheds new light on groups of individuals who were typically relegated to the periphery of Greek society in the Late Archaic and Classical periods. Offering the first comprehensive treatment of the biological evidence for marginality in the ancient Greek world, this book argues that intersectionality was the driving factor behind social marginalisation in the Late Archaic and Classical Greek world. Carrie L. Sulosky Weaver is a classical archaeologist associated with the Department of Classics at the University of Pittsburgh.

[headline]Advances our understanding of the literary legacy of contemporary ecological crises to investigate the interfaces of humanity and nature At this critical juncture in which the biodiversity of planet Earth appears to be shrinking fast and furiously, Louis Kirk McAuley invites us to consider the ways in which particular unruly natures, including animals, plants and minerals, actively intervene in literature to decentre the human. Drawing upon invasion biology, McAuley offers transformative ecocritical interpretations of eighteenth- and nineteenth-century British and American literature and highlights the heterarchical nature of empire building. This includes analyses of texts composed by (or about) persons residing at, or just outside, the edges of the British and American Empires, including St Kitts and Nevis, Haiti, Cuba, Hawaii and Samoa, which were built around the global transfer of animals and plants. Offering biotic readings of this literature, McAuley highlights the human place in nature and provides practical literary examples of the ways oceans facilitate the confusion of time and place. [bio]Louis Kirk McAuley has been Associate Professor in the Department of English at Washington State University, USA, since 2014. He has published numerous articles and book chapters and is the author of Print Technology in Scotland and America, 1740-1800 (2013).

A selection of letters by the pacifist and noted art critic Clive Bell, expertly annotated by his biographer Clive Bell was a pivotal member of the Bloomsbury Group. His marriage to Vanessa Bell and his, at times tempestuous, relations with his sister-in-law Virginia Woolf form important strands in the cultural history of modernism. A tireless champion of modernist art, a committed pacifist and conscientious objector, Bell produced a huge body of correspondence with many of the leading artistic and political figures of his time. His lively, witty, highly opinionated letters are a window into the turbulence of the early twentieth century, populated by friends and acquaintances including T. S. Eliot, Katherine Mansfield, Pablo Picasso and Jean Cocteau, as well as his Bloomsbury set, Desmond MacCarthy, Leonard and Virginia Woolf, Duncan Grant, Maynard Keynes, Roger Fry and Vanessa Bell. Arranged in eight categories - Bloomsbury Circles; Virginia; War; Arts and Letters; To the Editor; Francophile; Travels; Love, Gossip, Home - this selection emphasises Bell's enormously varied life and interests. Bell was born in the reign of Queen Victoria and lived long enough to have been able to hear the Beatles on the radio. His letters demonstrate an appetite for art, for love and for peace that never flagged. [bio]Mark Hussey is Distinguished Professor Emeritus at Pace University in New York. His most recent book is Clive Bell and the Making of Modernism, A Biography (2021). He is also the General Editor of the Harcourt annotated edition of Virginia Woolf. www.markhusseybooks.com