Böcker utgivna av EDINBURGH UNIVERSITY PRESS

This is an in-depth, original survey of religion in the modern Arabic novel. Tracing the relationship from the genesis of the form in the early twentieth century to present, Phillips provides a thematic exploration of the push and pull between religion and secularism as it played out on the pages of the Egyptian novel.

These three books reflect the beginnings of one of the most radical and exhilarating figures in modern literature Incandescent Limbo recounts White's years in Paris. Many a writer in the modern era had made Paris a focal point of his or her activity, but probably no one made more of it or got more out of it than Kenneth White. While exploring a labyrinthine underworld, the book is fundamentally an autoanalysis and traces the birth of the writer as an intellectual nomad. Letters from Gourgounel takes us from the city to a wild part of south-eastern France, the Ardèche, where White undertakes a resourcing in an elementary context. Hailed in England as a 'fascinating curiosity of literature', this book not only made White famous overnight in France, it was seen there as a turning point in the contemporary situation. In the third book, Travels in the Drifting Dawn, the intellectual nomad begins his moves across territories and cultures. After passing through the London underground of the sixties, then delving into the ground of his native Scotland and neighbouring Ireland, we shift back to the Continent, accumulating experience on different levels in France, Spain, Belgium, Holland, before concluding the cycle in North Africa. The trilogy is not only a summary of White's itinerary in its initial stages, it opens up a whole intellectual and cultural programme. Kenneth White is not only a convinced European Scot, but he renews the tradition of the medieval Scotus vagans ('wandering Scot'), an existence devoted to travelling and learning, finding and founding. After much moving about, he taught (1983-96) from a specially created Chair of Twentieth-Century Poetics at the Sorbonne. In 1989, he founded the International Institute of Geopoetics, the aim of which is to explore in depth the human and non-human habitation of the earth and the basis of live culture. On the Continent, his work, whether in essay, narrative or poem, has been awarded many prizes, among them the Prix Medicis Etranger and the French Academy's Grand Prix du Rayonnement.

Three collections of essays whose aim is to express the cartography and the experience of a live, open world If Kenneth White was keenly interested in early twentieth-century attempts to rescue his home territory, Scotland, from a heavy heritage of historicism, doldrums, flat realism (and its cousin, fantasticality), right from the start he was out for something more radically grounded, more intellectually incisive and culturally more coherent. The three books gathered here illustrate his initial movement on these lines in all its aspects, from politics to poetics. On Scottish Ground reveals the terrain to be explored, from geology and archaeology up, resituating figures such as David Hume, Patrick Geddes, Hugh MacDiarmid, as well as revisiting the works of scotic thinkers such as Duns Scotus and John Scot Erigena. Ideas of Order at Cape Wrath takes the exploration further. The word "wrath" here, taken by many to mean "anger", in fact goes back to the old Norse word signifying "turning point". White's turning point is not only geographical, it is fundamental. The third book, The Wanderer and his Charts, lays out the co-ordinates of the new space White has opened up. He may have left Scotland, but he has taken with him a lot of what we might call a quintessential Scotland, just as Joyce took with him an essential Ireland. Kenneth White is not only a convinced European Scot, but he renews the tradition of the medieval Scotus vagans ('wandering Scot'), an existence devoted to travelling and learning, finding and founding. After much moving about, he taught (1983-96) from a specially created Chair of Twentieth-Century Poetics at the Sorbonne. In 1989, he founded the International Institute of Geopoetics, the aim of which is to explore in depth the human and non-human habitation of the earth and the basis of live culture. On the Continent, his work, whether in essay, narrative or poem, has been awarded many prizes, among them the Prix Medicis Etranger and the French Academy's Grand Prix du Rayonnement.

Bullets to Ballots explores the different trajectories that the deradicalisation process can take - whether it occurs after a military victory, a military defeat, or a draw in an armed conflict between insurgent groups and incumbent authorities.

Studies the illustrated 16th-century Ottoman manuscripts of a major hagiography of Rumi and his spiritual descendants Picturing the life story of Jalal ad-Din Rumi, an outstanding poet, mystic and founder of the Sufi Mawlawi order (later popularly known as 'The Whirling Dervishes'), the paintings in three extant manuscripts of Aflaki's Wondrous Feats of the Knowers of God provide a unique way to interpret the text. Part One's three chapters, under the heading 'History and Context', provide the medieval Anatolian historical setting; the broad contours of literary and artistic works of Islamic hagiography; and the specific details of the three manuscripts to be explored. Part Two - 'Text and Image' - proposes a method for interpreting a hybrid literary-visual document as a grand narrative of the family Rumi at the inspirational and ethical core of a virtuous community flourishing within a complex Muslim society under divine providence. The paintings in the three manuscripts were produced by studios of painters under the patronage of major late 16th-century Ottoman sultans. The result of their efforts is a kind of 'visualised hagiography' uniquely capable of suggesting distinctive and often surprising twists on the narratives, enhancing the text with images of striking beauty and rich detail. Key Features - Presents a visualised hagiography in three 16th-century Ottoman manuscripts - Includes colour images of all the paintings from the three manuscripts, accompanied by a summary of the text illustrated in each picture - Focuses on the specific relationships between literary narrative and its visual representation in late medieval Islamic art - Provides Anatolian and Ottoman historical background as context for the life story of Rumi and the Mawlawi Sufi order John Renard is Professor of Theological Studies at Saint Louis University. He has written many books including Crossing Confessional Boundaries: Exemplary Lives in Jewish, Christian, and Islamic Traditions (2020), Friends of God: Islamic Images of Piety, Commitment and Servanthood (2008) and All the King's Falcons: Rumi on Prophets and Revelation (1994).

Presents transformations in Islamic architecture and ornament in relation to parallel theological and political changesThis volume collects Yasser Tabbaa's investigative and interpretive articles on medieval Islamic architecture, ornament and gardens in Syria and Iraq, with comparative expansions into Anatolia, Egypt, North Africa and Spain. The monuments in question, many of which have vanished in recent years, are examined within the context of the political divisions and theological ruptures that characterised the Islamic world between the 11th and 13th centuries.The writings cover such significant forms as muqarnas vaulting, proportioned Qur'anic scripts and cursive public inscriptions, and monument types such as the madrasa, the hospital, the tribunal (dar al-'adl) and the citadel palace. Collectively, they present medieval Islamic architecture as a transformative process that echoes Abbasid glory and signals future developments in later Islamic architecture.Key Features¿ Discusses monuments in Syria and Iraq, many of which have vanished without being properly studied¿ Explores innovations in medieval Islamic architecture within the shifting political and theological landscape¿ Reaffirms the centrality of the Abbasid Caliphate in these innovations and their dispersion throughout the Islamic world¿ Expands on the role of poetry in the transmission of garden and fountain types from the eastern to the western Islamic world¿ Explores the unprecedented expansion of Shi'i shrines in Syria, largely due to Iranian patronageYasser Tabbaa has taught Islamic art and architecture for 35 years in several major US universities, including MIT, the University of Michigan, and Oberlin College. He is the author of several books including Constructions of Power and Piety in Medieval Aleppo (1997) and The Transformation of Islamic Art during the Sunni Revival (2001).

Sarah Kofman and the Relief of Philosophy addresses Kofman's relations with her contemporary Jacques Derrida, but also her readings of psychoanalysis, music, Shakespeare, and more. The volume closes with a previously untranslated text of hers interpreting Nietzsche and Voltaire's responses to natural catastrophe.

A Military History of Scotland is a wide-ranging and lavishly illustrated volume, which covers the military history of Scotland from the Picts to Basra.

Explores the interconnected creative partnerships of the Wattses and De Morgans - Victorian artists, writers and suffragists This is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book challenges longstanding perceptions of them as the subordinate wives of famous Victorian artists and of their marriages as representatives of the traditional gender binary. This is also the first academic critical study of Mary Watts's recently published diaries, Evelyn De Morgan's unpublished writings and other previously unexplored archival material by the Wattses and the De Morgans. Key Features:Reveals the ways in which the couples promoted progressive socio-political ideasDraws on extensive archival research and analyses unpublished writings, including diaries and poemsFocuses on neglected female figures in creative partnerships to challenge longstanding perceptions of them as the submissive or subordinate wives of famous Victorian artists, and of their marriages as representatives of the traditional gender binaryShows how male and female writers and artists engaged with mid-to-late Victorian feminism together and individually, reclaiming them as influential early feminists

Vittorio Morfino draws out the implications of the dynamic Spinoza-Machiavelli encounter by focusing on the concepts of causality, temporality and politics. This allows him to think through the relationship between ontology and politics, leading to an understanding of history as a complex and plural interweaving of different rhythms.

Imagined States examines representations of the law in British and Nigerian high-brow, middle-brow and popular fiction and journalism. Drawing on a rich range of examples, the book focuses on the imaginative role that the state of exception played in the application of indirect rule during British colonialism and in the legal machinations of the postcolonial state. It reads works by Chinua Achebe, Joyce Cary, Cyprian Ekwensi and Edgar Wallace, together with a range of Nigerian market literature and journalism.

Discover how rivalling discourses of American grand strategy reveal a fractured consensus of geopolitical identity and national security under President Obama. This conflict manifested in divergent elite visions of liberal hegemony, cooperative engagement and unilateral restraint. Georg Lfflmann examines the identity conflict within the Washington foreign policy establishment, between elite insiders and outsiders, and how the 'Obama Doctrine' both confirmed a geopolitical vision of American exceptionalism and challenged established notions of US hegemony and world leadership.

Establishes the importance of the popular radical figure of the pantomime clown in the work of Charles DickensThis book reappraises Dickens's Memoirs of Joseph Grimaldi and his imaginative engagement with its principal protagonist. Arguing that the Memoirs should be read as integral to Dickens's wider creative project on the theatricality of everyday existence, Jonathan Buckmaster analyses how Grimaldi's clown stepped into many of Dickens's novels. Dickens's Clowns presents new readings of Dickens's treatment of topics such as identity, the grotesque and violence within the context of the tropes of the Regency pantomime. This is the first study to identify the Dickensian clown as a unifying force for several Dickensian themes, overturning traditional views of Dickens's clowns as peripheral figures.Key FeaturesProvides a new reading of one of Dickens's most neglected texts, and firmly re-establishes it within the Dickens canon as both part of a wider project alongside his other major works of the period and an important influence on later work Identifies the pantomime routines of the Regency clown as a key cultural influence on Dickens's work, tracing significant new sources for his comical treatment of violence and his comedy more generallyOffers important new perspectives on two other key themes in Dickens's work - the use of food and drink within Dickens's articulation of the bodily grotesque and Dickens's use of clothing as a radical signifier of individual liberty

One of the most controversial issues that divided Islamic philosophers and theologians during the Middle Ages was whether human beings would have a spiritual or bodily existence after death. The idea of a world of image was conceived as a solution, suggesting that there exists a world of non-physical (imagined) bodies, beyond our earthly existence. This world may be reached in sleep, in meditation or after death.From the embryonic conception by Ibn Sina, to the radical rethinking by Suhrawardi and Shahrazuri into a sophisticated system, L. W. C. van Lit unravels the history of this idea. Using a distant reading approach for measuring the transmission, he further shows how the idea remained relevant for Muslim thinkers through the centuries, up until today.

Alain Badiou, Quentin Meillassoux, Catherine Malabou, Michel Serres and Bruno Latour: this new generation of French philosophers is laying fresh claim to the human. Across a number of new strains of philosophy, they are rethinking humanity's relationships: to 'nature' and 'culture', to the objects that surround us, to the possibility of social and political change, to ecology and even to our own brains. Christopher Watkin draws out both the promises and perils of these new philosophies. And he shows just how high the stakes are for our technologically advanced but socially atomised and ecologically vulnerable society.

Examines the way in which the British transformed the Pacific islands during the nineteenth centuryThe discovery of the Pacific islands amplified the qualities of mystery and exoticism already associated with 'foreign' islands. Their 'savage' peoples, their isolation, and their sheer beauty fascinated British visitors across the long nineteenth century. Dark Paradise argues that while the British originally believed the islands to be commercial paradises or perfect sites for missionary endeavours, as the century progressed, their optimistic vision transformed to portray darker realities. As a result, these islands act as a 'breaking point' for British theories of imperialism, colonialism, and identity. The book traces the changing British attitudes towards imperial settlement as the early view of 'island as paradise' gives way to a fear of the hostile islanders and examines how this revelation undermined a key tenant of British imperialism - that they were the 'superior' or 'civilized' islanders.Key FeaturesThe first monograph to trace the Pacific islands as represented through the lens of British fiction and non-fiction across the long nineteenth centuryExamines texts written by Pacific islanders and published in the British pressSignificantly broadens our understanding of the British Pacific by analysing understudied Pacific texts and authors alongside more canonical works

In the American psyche, the "e;Wild West"e; is a mythic-historical place where our nation's values and ideologies were formed. In this violent and uncertain world, the cowboy is the ultimate hero, fighting the bad guys, forging notions of manhood, and delineating what constitutes honor as he works to build civilization out of wilderness. Tales from this mythical place are best known from that most American of media: film. In the Greco-Roman societies that form the foundation of Western civilization, similar narratives were presented in what for them was the most characteristic, and indeed most filmic, genre: epic. Like Western film, the epics of Homer and Virgil focus on the mythic-historical past and its warriors who worked to establish the ideological framework of their respective civilizations. Through a close reading of films like High Noon and Shane, this book examines the surprising connections between these seemingly disparate yet closely related genres, shedding light on both in the process.

Sex for Sale in Scotland examines the various formal and informal methods that were used to police female prostitution in Edinburgh and Glasgow between 1900 and 1939 and explores how these policies influenced women's lives. The book uses a rich combination of police, probation, magistrates', poor law and voluntary organisations' records to demonstrate how these organisations combined to establish a 'penal-welfare' approach towards regulating prostitution in Scotland. By mapping the geography of prostitution, the book argues that prostitution was not forced into the outskirts of society, either physically or socially.The book examines both indoor and outdoor prostitution and the relationships that developed among the wide range of people who profited from commercial sex. Particular emphasis is placed on the experiences of the women involved in prostitution, highlighting the poverty, exploitation and abuse they faced, but also the ways in which they negotiated these dangers. This social history of prostitution maps how the organisation, policing and experiences of prostitution developed in an ever-changing urban landscape during a period of extraordinary developments in technology and entertainment, alongside the wider socio-economic changes brought about by the First World War.

This clear and practical book gives a thorough exposition of the law governing dilapidations in Scotland. It covers the underlying common law; interpretation of the lease; remedies for breach of repairing obligation; common parts and service charge; and dispute resolution.

Hostile relations between Iran and Saudi Arabia are a major contributing factor to political instability in the Middle East. This book argues that rapprochement between Tehran and Riyadh is possible and delves into the complexities of managing their long-standing conflict. By interviewing scholars and former policy makers from the Gulf region and abroad, the author draws out the core themes, strategies, and dynamics of the conflict since the American invasion of Iraq in 2003 to form a basis of an agenda for achieving peace. The result is a fresh perspective on a dangerous and unpredictable rift that affects not only its primary parties - Iran and Saudi Arabia - but also the geopolitics, economic stability and civil wars of the wider Middle Eastern region.

Introduces the figure of contamination as alternative to dialectics Whereas dialectics separates two entities and traverses from one to the other (finally negating negation), contamination allows for the simultaneous interdependence of what has previously been conceived as separate or opposed. The book enquires into the problem of various oppositions between pure entities such as nature and society, body and mind, science and the arts, subjectivity and objectivity, action and contemplation, the sacred and the profane. It examines how works of literature and cinema have contaminated constructions of the pure and the immune with their purported opposite. As an advanced critical introduction to the figure of contamination, the book makes explicit what so far has remained unarticulated-what has only been implied-within postmodern and poststructuralist, and deconstructive theory.Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James's , H. Melville's and H. G. Wells's novels question notions of natural order as well as an opposition between the subjective and the objective. It offers fresh readings of classic films and literary texts, including Vertigo and Moby Dick, with the aim to ground theoretical insights in close analysis. Key featuresCritically engages with some aspects of contemporary theory that keep propounding a Cartesian notion of the mind's control over the bodyAnalyses how key thinkers such as Spinoza, Benjamin, Pasolini and Freud attempt to re-evaluate what Agamben calls 'bare life'Offers original readings of Pasolini's notion of scandalo in terms of contaminationAlerts us to the ways in which some aspects of contemporary posthumanism may merely reproduce the dialects of inclusion and exclusion which is still premised on traditional notions of purity and immunity

Bayana in Rajasthan, and its monuments, challenge the perceived but established view of the development of Muslim architecture and urban form in India. At the end of the twelfth century, early conquerors took the mighty Hindu fort, building the first Muslim city below on virgin ground. They later reconfigured the fort and constructed another town within it. These two towns were the centre of an autonomous region during the fifteenth and sixteenth centuries. Going beyond a simple study of the historic, architectural and archaeological remains, this book takes on the wider issues of how far the artistic traditions of Bayana, which developed independently from those of Delhi, later influenced north Indian architecture. It shows how these traditions were the forerunners of the Mughal architectural style, which drew many of its features from innovations developed first in Bayana.

This book systematically introduces the idea of an improper politics. Introducing a conceptual vocabulary, it engages with the politics of the proper, propriety and property from a post-foundational perspective. Mark Devenney argues that this triad is central to understanding the maintenance of global inequality, both economic and political. He characterises democratic politics as improper, challenging the proper bounds of reason, accepted behaviours, and the policing of proper order. The conceptualisation of democracy as an improper practice of equality accords a dignity to forms of politics often deemed marginal.