Böcker utgivna av Encounter Books,USA

People are who they are because of what they have been through, where they came from, who they learned from, and all the things that have happened to them. The same is true not just for individuals, but also for families, communities, and nations. America, too, has its own unique character, also formed by its memories, history, things it has been through, and what it has learned. If people, communities, or even nations lose their memory, they lose their character. That is why cultures throughout the world work at maintaining their identity and passing traditions along to future generations. But what if a nation purposely decides it no longer wants to remember its history? What if a country imposes amnesia on itself?Helen Krieble argues persuasively that this is precisely what has happened to America. It has lost the memory of its own founding principles, and the sacrifices made over the past 250 years to preserve them. The nation is losing its character. She writes that America cannot be preserved as “the last best hope of Earthâ€? if its own people no longer understand why that is true and are no longer willing to do what it takes to preserve it. “The duties of citizenship are vitally important,â€? Krieble writes, “but they are not complicated. It is our duty, as the owners, to defend our freedom against all threats, and to pass it along to future generations undiminished.â€?Americans are failing in that duty, but Krieble says there is still time to cure our national amnesia. It begins with rebuilding our understanding of, and commitment to, those founding principles, regaining our national memory.

The 1776 Report is the official report of The President's Advisory 1776 Commission. Submitted to the President and released as a public document on January 18, 2021, the report explains the core principles of the American founding and how they have shaped American history, considers the leading challenges to these principles at home and abroad, and calls on all Americans to "restore our national unity by rekindling a brave and honest love for our country and by raising new generations of citizens who not only know the self-evident truths of our founding, but act worthy of them." This edition features the original text with the addition of notes and commentary by Chair Larry P. Arnn, Vice Chair Carol Swain, and Executive Director Matthew Spalding.

This is the story of how Zionism, supported by Americanism, created a modern miracle—told through the little-known stories of eight individuals who collectively changed history.And None Shall Make Them Afraid presents eight historic figures—four from Europe (Theodor Herzl, Chaim Weizmann, Vladimir Jabotinsky, and Abba Eban) and four from America (Louis D. Brandeis, Golda Meir, Ben Hecht, and Ron Dermer)—who reflect the intellectual and social revolutions that Zionism and Americanism brought to the world.In some cases, the stories have been forgotten; in other cases, misrepresented; in still others, not yet given their full due. But they are central to the miraculous recovery of the Jewish people in the twentieth century. Taken together, they recount both a people’s return to its place among the nations and the impact on history that a single individual can make.More than a century ago, after studying the early Zionist texts, Brandeis concluded that Jews were the “trustees” of their history, charged to “carry forward what others, in the past, have borne so well.” The stories in this book—recording the extraordinary efforts of extraordinary individuals that created the modern state of Israel and then sustained it—reinforce Brandeis’s observation for our own time. The story of Zionism, and its interaction with Americanism, is a continuing one. This book is not only about the past, but the present and future as well.

First awarded in 1901, the Nobel Peace Prize has contended with the key issues of the age, from the first and second world wars, through the cold war, to the war against terror, and more. This title examines the controversial history of the world's most famous prize and asks: Just how do we define peace, anyway?

W.H. Auden famously wrote: “Poetry makes nothing happen.” Journalism is a different matter. In a brilliant study that is, in part, a memoir of his 40 years as an essayist and critic at TIME magazine, Lance Morrow returns to the Age of Typewriters and to the 20th century’s extraordinary cast of characters—statesmen and dictators, saints and heroes, liars and monsters, and the reporters, editors, and publishers who interpreted their deeds. He shows how journalism has touched the history of the last 100 years, has shaped it, distorted it, and often proved decisive in its outcomes.Lord Beaverbrook called journalism “the black art.” Morrow considers the case of Walter Duranty, the New York Times’  Moscow correspondent who published a Pulitzer Prize-winning series praising Stalin just at the moment when Stalin imposed mass starvation upon the people of Ukraine and the North Caucasus in order to enforce the collectivization of Soviet agriculture. Millions died.John Hersey’s Hiroshima, on the other hand, has been all but sanctified—called the 20th century’s greatest piece of journalism. Was it? Morrow examines the complex moral politics of Hersey’s reporting, which the New Yorker first published in 1946.The Noise of Typewriters is, among other things, an intensely personal study of an age that has all but vanished. Morrow is the son of two journalists who got their start covering Roosevelt and Truman. When Morrow and Carl Bernstein were young, they worked together as dictation typists at the Washington Star (a newspaper now extinct). Bernstein had dedicated Chasing History, his memoir of those days, to Morrow. It was Morrow’s friend and editor Walter Isaacson—biographer of Leonardo Da Vinci, Albert Einstein, and Steve Jobs—who taught Morrow how to use a computer when the machines were first introduced at TIME.Here are striking profiles of Henry Luce, TIME’s founder, and of Dorothy Thompson, Claud Cockburn, Edgar Snow, Joseph and Stewart Alsop, Joan Didion, Norman Mailer, Otto Friedrich, Michael Herr, and other notable figures in a golden age of print journalism that ended with the coming of television, computers, and social media. The Noise of Typewriters is the vivid portrait of an era.

David Pryce-Jones weaves a vivid life story through vignettes of the many famous authors-friends, acquaintances, interview subjects-who gave him personally inscribed books. In Signatures he offers a window onto the lives and work of these extraordinary people.As a child, Pryce-Jones spent time at Isaiah Berlin's house. As a teenager, lunching with Bernard Berenson at I Tatti, he prompted an outburst about Parisian anti-Semitism. W. H. Auden found him at Oxford to praise his competition poem, and he later visited Auden in his loft studio in Austria. Svetlana Alliluyeva reminisced about her father, Joseph Stalin, while staying at the Pryce-Jones house in Wales.A highbrow salon gathered in the home of Arthur Koestler, who strove to be an English gentleman and who was with Pryce-Jones in Reykjavik covering the Fischer-Spassky chess match. Saul Bellow spoke of an old friend, now a capo famiglia, promising to deal with student rioters in 1968 Chicago. After swapping houses with Pryce-Jones one summer, Jessica Mitford insisted that he would have been a Communist in the 1930s. Robert Graves challenged a quotation from Virgil, and told the Queen that she was a descendant of Muhammad.We meet V. S. Naipaul, a free spirit who understood that "the world is what it is." Muriel Spark would come round for lunch with the Pryce-Joneses in Florence, enjoying conspiratorial stories about Italian politics. At his sepulchral home in Heidelberg, Albert Speer demonstrated his way of "admitting a little to deny a great deal." In Isaac Singer we see generosity, candor, and mischievous humor.This is only a small sampling of the remarkable personalities who have left their signatures on a fascinating life.

John Quincy Adams is widely recognized as America‿s most distinguished diplomat, taking into account the length and breadth of his public service and his influence on American foreign policy. In the course of this remarkable journey, John Quincy documented his ideas and actions through his writings, speeches, letters, diary entries, and state papers. To aid those interested specifically in learning more about the man and his views on foreign policy, the editors have compiled a collection of the most important and often-cited works, such as his famous July 4, 1821 Oration: “she goes not abroad in search of monsters to destroy.â€?The selections in this volume provide insights into Adams's diplomatic practices and the critical issues that marked the young American nation. To give the readers context, the editors have provided introductions for both particular periods in John Quincy's life as well as individual documents. Wherever possible, the editors have included the full text but, given the immensity of the available material and John Quincy Adams‿s style of writing, they have used discretion to abridge certain documents.

Did the Covid virus jump naturally from an animal species to humans, or did it escape from a laboratory experiment? In this essay, science writer Nicholas Wade explores the two scenarios and argues that, on present evidence, lab escape is the more likely explanation. His inference is based on specific research being conducted at the Wuhan Institute of Virology and the Institute's lack of adequate safety precautions, together with the continuing absence of any direct evidence to support natural emergence.The essay discusses the failure of the mainstream media to penetrate the self-interested assurance of virologists that lab escape was a dismissible conspiracy theory. It also notes how the politicization of discussion impeded consideration of the scientific facts.

At least since Oedipus met King Laius on the road from Delphi to Thebes, the image of a crossroads has signaled a dramatic and morally fraught turning point. It was with this cargo of significance in mind that The New Criterion published a special series of essays on "Western Civilization at the Crossroads" during its fortieth-anniversary season. Featuring contributions by Conrad Black, Victor Davis Hanson, Roger Kimball, Andrew Roberts, and other luminaries, this book collects the ten special essays to assess where Western civilization is now, and where it's going.

What is culture? Why should we preserve it, and how? This book defends Western culture against its internal critics and external enemies, and argues that rumours of its death are seriously exaggerated. It shows our culture to be a continuing source of moral knowledge.

Explains how European intelligentsia turned on Western civilization and paved the way for hedonism and Islamism to run roughshod over a once proud European culture.