Böcker utgivna av Erratum Press

LRD is the second in a trilogy of books of critifiction, exploring various unknowable musicians. The first, The Compleat Lungfish, was published by Apocalypse Party. LRD looks at Les Rallizes Dénudés, in recursive, elliptical fragments, occasionally intercut with ideas from philosophers and novelists and others, exploring the world the band enacted and their strange discography via a protagonist, named simply "Writer". Inspired by writers like Ihab Hassan and Raymond Federman, these books attempt to explore and exhaust real things via layered, referential text fragments. The end result is a kind of commonplace book around a single subject, writing "at" the thing rather than writing biographically.

The Poets is a novella in the form of a census. It is a cavalcade of poets real and imagined. Young poets take their first steps into print and find a voice which they attach to their name. They travel through their middle years-marrying, making babies, divorcing, winning prizes, losing face. And at last they age, burnishing their reputations and settling scores as they face their readers' scrutiny and their own mortality. /// "A stunning river of words."-Sara Pirkle, author of The Disappearing Act "A collective biography of all the poets in our midst-the famous, the infamous, the obscure, and the quotidian. Sentence by sentence, The Poets reveals the poetic in the prosaic, and the various ways that art reveals the human in both." -Pedro Ponce, author of The Devil and the Dairy Princess: Stories "It's rare to find a genre-defying work that is by turns-and sometimes all at once-absurdly comedic, straight-faced satirical, psychologically insightful, and unexpectedly heartbreaking. The Poets is such a work, and readers are bound to see-somewhere in its fun-house mirrors-their worlds, their neighbors, themselves."-Joseph Fasano, author of The Dark Heart of Every Living Thing

"Having the past shattered into a present that is meaningless, the future becomes nothing at all."The Chief of Birds is a memoir of addiction, incarceration, and return from the brink of destruction. Allowing quotations from Samuel Beckett, Maurice Blanchot, and others to speak where the author has been silenced, it charts the fragile re-emergence of a self that passes for recovery.///"Imagine Rousseau's Confessions written by a monster in chains. Templeton takes us on a harrowing inner journey from the depths of extreme addiction through a strange transformation, but his is not some simple, uplifting recovery or sobriety narrative. To hell with platitudes and magical thinking. From the haunting confines of suicidal alcoholism in "The Room," through the long autopsy on his identity in "The House," Templeton's metacognitive ordeal unfolds in kinship with Samuel Beckett's bleak minimalism. His sharp, courageous pursuit for authentic identity tears the thin membranes between social institutions, language, and one's narrativized self. Like Joker in Full-Metal Jacket, the narrator, "a demon slipping and sneaking from word to word," guards at great risk the illusive, dim light of honesty of an authenticity while navigating the iron-clad principles of AA. A courageously relentless examination of the human condition, this memoir is as much a theory of mind as a story of breaking free from the deadly grip of addiction." -- Alex Johns, Associate Professor of English, University of North Georgia"As a frequent "monster of the solitudes" and former 12-Step reacher, regurgitator, wrestler, repudiator and reject, I feel gratitude for Mike Templeton's fresh approach to the "Recovery" industry gerbil wheel in his meta-memoir The Chief of Birds, a volume I find reminiscent, in ways, of Dostoevsky's Notes from the Underground, albeit from a further evolved 21st century American erstwhile cog-in-the-machine vantage point. Higher Power pshaw. Hop off the wheel. Get out from between the teeth. Read this book. Save yourself." -- John Burroughs, 2022-23 U.S. Beat Poet Laureate and author of The Wrest of the Worthwhile

Lord of Chaos deconstructs reality as we know it, breaking apart our traditional perceptions, casting them into the transient void. Its influences range far and wide, from bleak nihilistic black metal to Beckett, Cotard's syndrome to Capgras delusion, Ovid's exile to the Black Sea, Cartesian questioning, and Plato's Allegory of the Cave.Less a novel and more a testament to the absolute veracity of the world as it exists from within the eyes of the mislabeled pariahs-society's untouchables; a hallucinogenic and terrifying journey through the world of those who see through the veiled mists of the mundane.