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  • av Louisa May Alcott
    171

    Written in six weeks, and at first thought by its editor to be 'dull', this story of an American family - four sisters and their mother living through the months while father is away in the Civil War - has a universal and enduring appeal.

  • av Jaroslav Hasek
    271

    An attack on war which broadens into a satire on the ANCIEN REGIME of the Austro-Hungarian empire, THE GOOD SOLDIER SVEJK recreates the age-old figure of the simple soldier whose sheer determination to survive brings into question the mighty social and political institutions he confronts.

  • av Richard Doyle
    171

    The story of Jack, the intrepid little boy whose courage and ingenuity defeated a host of many-headed giants several times his size, is an English folk-tale that must have been told often in the Victorian nursery of the Doyle family.

  • av Dashiell Hammett
    287

    As an operative for Pinkerton's Detective Agency Dashiell Hammett knew about sleuthing from the inside, but his career was cut short by the ruin of his health in World War I. Despite - or because of - that, Hammett had an enormous effect on mainstream writers between the wars.

  • av George Orwell
    387

    Includes 'The Freedom of the Press', intended as the preface to 'Animal Farm' but undiscovered until 1972. Considered by Noam Chomsky to be Orwell's most important essay. These essays demonstsrate the life and work of one of the most individual writers of the last century.

  • av P.G. Wodehouse
    191

    While pursuing the love of his life, American heiress Pauline Stoker, Lord 'Chuffy' Chuffnell borrows the services of Jeeves, the perfect gentleman's gentleman.

  • av Gabriel Garcia Marquez
    181

    With the style and eloquent language that earned him the Nobel prize for literature, Marquez weaves a stunning story of glory and despair. Both real history and Marquez' imagination let us enter the world of Simon Bolivar, Liberator of South America, in all his humanity - good and evil.

  • av Nikolai Gogol
    247

    Since its publication in 1842, Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life and as a splendidly exaggerated tale;

  • av Primo Levi
    171

    An extraordinary kind of autobiography in which each of the 21 chapters takes its title and its starting-point from one of the elements in the periodic table.

  • av P.G. Wodehouse
    191

    The Honourable Galahad Threepwood has decided to write his memoirs and England's aristocrats are all diving for cover, not least Galahad's formidable sister Lady Constance Keeble who fears that her brother will ruin the family reputation with saucy stories of the 1890s.

  • av Salman Rushdie
    257

    A history of India since independence seen through the eyes of characters born on that independence was granted.

  • av Thomas Mann
    307

    With this dizzyingly rich novel of ideas, Thomas Mann rose to the front ranks of the great modern novelists, winning the Nobel Prize for Literature in 1929.

  • av Ford Madox Ford
    287

    A story which traces the history of a house and a family at the time of World War I. This is a picture of Edwardian England at its most opulent. Exploring the themes of love, honour and betrayal, this contemporary of Henry James and Joseph Conrad shows himself their equal in literary skill.

  • av George Eliot
    171

    From the author of MIDDLEMARCH and SILAS MARNER, a story of frustrated intelligence and longing, featuring the intelligent Maggie, who yearns to be loved, and her brother Tom, who is forced to study. When Maggie is cast out by Tom, she is ostracized by society, and must face the consequences of renunciation.

  • av Mikhail Lermontov
    191

    Set in the Caucasus, the scene of Russia's military campaigns in the 19th century, this is both an adventure story and a sardonic look at the heroic ideals of the author's contemporaries - which makes it all the more ironic that the main character, Pushkin, (like the author) was killed in a duel.

  • av Confucius
    171

    Confucius is one of the most humane, rational, and lucid of moral teachers, concerned not with arcane metaphysics, but with practical issues of life and conduct.

  • av Boris Pasternak
    247

    Doctor Zhivago is the epic novel of Russia in the throes of revolution and one of the greatest love stories ever told. Yuri Zhivago, physician and poet, wrestles with the new order and confronts the changes cruel experience has made in him and the anguish of being torn between the love of two women.

  • av Percy Shelley
    161

    An exciting addition to Everyman's Library: a new series of small, handsome hardcover volumes devoted to the world's classic poets. Our books will have twice as many pages as Bloomsbury Classics'129pp and will cost 7. 99 against Bloomsbury's 9. 99. The binding, paper and production will be visibly superior in every way to that of Bloomsbury An

  • av Willa Cather
    191

    In 1848 three cardinals and a missionary decide the fate of a parish priest, Jean Marier Latour. He is to go to New Mexico to win for Catholicism the south-west of America. He reforms and revivifies, after 40 years of service achieving a reconciliation between his faith and the peasants.

  •  
    191

    Momentous parties have long provided dramatic scenes in fiction, from Natasha's first ball in War and Peace to Lizzie meeting Darcy in Pride and Prejudice to J. Edgar Hoover consorting with Truman Capote in Don DeLillo's 'The Black and White Ball'.Revelry can be revealing of character, as in Jay Gatsby's extravagant bash in F. Scott Fitzgerald's The Great Gatsby and the decadent partying of the jaded expats in Ernest Hemingway's The Sun Also Rises. More decorous affairs can conceal profound depths, as in Katherine Mansfield's 'The Garden Party' and the parties at the centre of two modernist masterpieces, Virginia Woolf's Mrs. Dalloway and James Joyce's 'The Dead'. Glamour with a gothic twist makes an appearance here in the fancy dress ball at Manderley from Daphne Du Maurier's Rebecca and in Edgar Allan Poe's 'The Masque of the Red Death', at which Death himself is a guest.But there is room on this dance floor for humour as well, in Evelyn Waugh's 'Bella Fleace Gave a Party', Dorothy Parker's 'Arrangement in Black & White', Saki's 'A Boar Pig' and Vladimir Nabokov's 'Pnin Gives a Party'. All kinds of literary greats consort in this festive gathering, a perfect gift for readers and partygoers alike.

  •  
    161

    Ever since Eve plucked a tempting apple in the Garden of Eden, the fruits of the earth have been essential to human culture and the stories we tell about our world. Poets from ancient times to the present have celebrated the harvest of our gardens, fields, and orchards.The delectable cornucopia of poems harvested in this volume includes many beloved old chestnuts, such as Robert Frost's 'After Apple-Picking', Emily Dickinson's 'Forbidden Fruit a flavor has', Gwendolyn Brooks's 'The Bean Eaters', and the famous chilled plums in William Carlos Williams's 'This Is Just to Say'.

  • av Vladimir Nabokov
    261

    This story of a man's lifelong entanglement with his sister is not only a love story; it manages also to be a fairy tale, an epic, a philosophical treatise on the nature of time, a parody of the history of the novel, and an erotic catalogue. It concludes with an ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom. Ada, or Ardor, published just after Nabokov's seventieth birthday, is the supreme work of a virtuosic imagination at white heat.Nabokov is the most allusive and linguistically playful writer in English since Joyce, and like "Pale Fire" and "Lolita," his new novel abounds in delightful minor parodies and pastiches, countless multilingual puns and literary jokes.Ada or Ardor is at its core a love story, the stuff that's sold reams of pop music, and piles of books. Van, fourteen, falls in love with twelve-year-old Ada during a summer vacation. This premise is possibly the only aspect of Ada or Ardor common to numerous other novels. Van, an unreliable narrator if there ever was one, tells the story, while the narrative shuttles seamlessly from a first person to a third person - trust Nabokov the Enchanter to achieve that trick.

  • av Philip Pullman
    191

    'I was a rat!' So insists a scruffy boy named Roger. Maybe it's true, but what is he now? A terrifying monster running wild in the sewers? The Daily Scourge is sure of it. A victim of 'Rodent Delusion'? The hospital nurse says yes. A lucrative fairground attraction? He is to Mr. Tapscrew. Or is Roger just an ordinary little boy? Only three people believe this version of the story, and it may take a royal intervention-and a bit of magic-to convince everyoneelse. A playful parody of the press, I Was a Rat! is a magical weaving of humour, fairy tale, and adventure.When, in A Scarecrow and His Servant, a bolt of lightning brings Scarecrow to life, he proves to be a courteous but pea-brained fellow with grand ideas. He meets a boy, Jack, who becomes his faithful servant and the two embark upon a terrifying series of adventures-including battles, brigands, broken hearts, and treasure islands. But little does the Scarecrow know that he is being followed by a family who desperately wishes he'd never sprung to life.Two stories of myth, magic and adventure from the master teller of tales.

  • av Joyce Cary
    337

    From her prison cell, the irrepressible, magnetic Sara Monday looks back on the past half-century of her life in Herself Surprised. Born into a poor family, her employment while still a young girl as a cook in a middle-class household set her on a colourful and picaresque path. In To Be a Pilgrim, Tom Wilcher, a wealthy and disgraced lawyer who has been both Sara's employer and her lover, has retreated to his estate near the end of his life to wrestle with his tormented conscience. And the centre of The Horse's Mouth, a charming, talented,impoverished artist named Gulley Jimson-also a lover of Sara Monday-is a restless, rebellious, and self-serving scoundrel whose antics verge on the appalling and farcical.Read together, these three vigorous and unforgettable narrative voices offer a sweeping vision of the first half of the twentieth century that is lyrical, profane, tragic, and comic all at once.Published in 1941, 1942, and 1944, the novels in Cary's trilogy were designed to reveal three complex characters, not only as they see themselves, but as they are seen by one another, resulting in a work of three-dimensional depth and force.'Family life just goes on. Toughest thing in the world. But of course it is also the microcosm of a world. You get everything there-birth, life, death, love and jealousy, conflict of wills, of authority and freedom, the new and the old. And I always choose the biggest stage possible for my theme...' Joyce Cary

  • av Leo Tolstoy
    191

    Called to serve on the jury of a murder trial, Prince Dmitri Nekhlyudov is devastated to recognise the defendant, Katyusha, as a young woman he had drunkenly assaulted and then abandoned years before. Pregnant with his child, she was cast out of her home and had turned to prostitution to survive, only to be charged with poisoning a client who beat her. Struck by the tragic consequences of his selfish actions, Dmitri decides to give up his life of wealth and privilege to devote himself to rescuing Katyusha, even if it means following her into exile in Siberia. With its colourful cast of characters that range from peasants to aristocrats, and from bureaucrats to convicts, Tolstoy's novel, first published in 1899, creates a vivid panorama of Russian life.

  •  
    191

    River gods and nymphs frolic in Ovid's mythic telling. The trickster Coyote reroutes a river in a Native American tale. A set of stone steps at the shore of the Ganges bears witness to heartbreak in Rabindranath Tagore's 'River Stairs,' and Mark Twain floats his rebellious heroes on a raft to freedom. Kenneth Grahame's Rat and Mole explore their local waterway in a rowboat, and Ernest Hemingway's war-weary veteran finds peace while catching trout. From The Wind in the Willows to Huckleberry Finn, from Hemingway's 'Big Two-Hearted River' to Alice Munro's 'The Found Boat' and Zadie Smith's 'The Lazy River,' the tales collected here-by such luminaries as Harriet Beecher Stowe, Guy de Maupassant, E.M. Forster, Hermann Hesse, Zora Neale Hurston, Cormac McCarthy, Elif Shafak, and many more-set moving scenes against the backdrop of moving waters, in testament to the enduring power of rivers in the human imagination.

  • av Joan Didion
    271

    This hardcover omnibus edition of Didion's collected nonfiction contains her final four books: Blue Nights, South and West, Let Me Tell You What I Mean, and her bestselling and most famous work, The Year of Magical Thinking In her essay "Why I Write" (included in this volume), Joan Didion explained what lies behind her iconic nonfiction writing: "I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means." Across her long and prolific career, readers have been blessed time and again by her brilliance as a prose stylist and a social commentator. Form her unforgettable reckonings with grief (for her husband in The Year of Magical Thinking and for her daughter in Blue Nights), to her exploration of two iconic regions of America in South and West, through the indelible pieces of reporting collected from across her career in Let Me Tell You What I Mean, the books collected here show Didion at her best: bearing witness to our history, illuminating our culture, and shedding light on the human condition.

  • av James Baldwin
    267

    Novelist, essayist, and public intellectual - James Baldwin is widely regarded asone of the greatest writers of the twentieth century. This Everyman's Librarycollection includes his bestselling, galvanizing essay The Fire NextTime-which gave voice to the emerging civil rights movement of the 1960sand still lights the way to understanding race in America today-along withthree additional brilliant works of nonfiction by this seminal chronicler andanalyst of culture. From No Name In the Street's extraordinary history of theturbulent sixties and early seventies to the "passionate, probing, controversial"(The Atlantic) Nobody Knows My Name and the incisive criticism of Americanmovies in The Devil Finds Work, Baldwin's stunning prose over and over provesrelevant to our contemporary struggle for equality, justice, and social change.

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