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  • - With GCSE and A Level study guide
    av Kazuo Ishiguro
    137 - 277

    Designed to meet the requirements for students at GCSE and A level, this volume is intended equally for those studying independently, with a personal tutor, or in class. It covers the context of the novel and its author; detailed examination of themes, characters and structure; a close look the novel in the author's own words, and more.

  • av Arthur Baker
    321

    Beginning his career as a club DJ and disco producer in the early-70s in his native Boston, Arthur Baker moved to New York City in 1981 and in the summer of 1982 produced one of the genre-defining early hip-hop tracks "Planet Rock" by Afrika Bambaataa and Soulsonic Force.

  • av Kieran Larwood
    127 - 191

  • av Peter Pomerantsev
    157

  • av Alexandra Harris
    171 - 337

  • av Caroline Burt
    171 - 337

  • av Samuel Beckett
    137

    Molloy is Samuel Beckett's best-known novel, and his first published work to be written in French, ushering in a period of concentrated creativity in the late 1940s which included the companion novels Malone Dies and The Unnamable. The narrative of Molloy, old and ill, remembering and forgetting, scarcely human, begets a parallel tale of the spinsterish Moran, a private detective sent in search of him, whose own deterioration during the quest joins in with the catalogue of Molloy's woes. Molloy brings a world into existence with finicking certainties, at the tip of whoever is holding the pencil, and trades larger uncertainties with the reader.Then I went back into the house and wrote, It is midnight. The rain is beating on the windows. It was not midnight. It was not raining.Edited by Shane Weller

  • av Samuel Beckett
    137 - 151

    'Malone', writes Malone, 'is what I am called now.' On his deathbed, and wiling away the time with stories, the octogenarian Malone's account of his condition is intermittent and contradictory, shifting with the vagaries of the passing days: without mellowness, without elegiacs; wittier, jauntier, and capable of wilder rages than Molloy. The sound I liked best had nothing noble about it. It was the barking of the dogs, at night, in the clusters of hovels up in the hills, where the stone-cutters lived, like generations of stone-cutters before them. it came down to me where I lay, in the house in the plain, wild and soft, at the limit of earshot, soon weary. The dogs of the valley replied with their gross bay all fangs and jaws and foam...

  • av Samuel Beckett
    137 - 171

    The Unnamable - so named because he knows not who he may be - is from a nameless place. He speaks of previous selves ('all these Murphys, Molloys, and Malones...') as diversions from the need to stop speaking altogether. But, as with the other novels in the trilogy, the prose is full of marvellous precisions, full of its own reasons for keeping going. ...perhaps the words have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, will be the silence, where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.

  • av Andre Aciman
    137

  • av Maurice Riordan
    191

    Jack Underwood's selection from Maurice Riordan's work over the last forty years allows us to rediscover a poet whose musicality, wit and emotional acuity rank him as a leading poet of this and any generation.

  • av Akwaeke Emezi
    147 - 267

  • av David (Author) Peace
    147

  • av Christoph Dallach
    171

  • av Swapna Haddow
    117

  • av Natasha (Author) Brown
    191

  • av Francesca Simon
    171

    A passionate retelling of a haunting myth, a tragic romance that echoes through the ages. The moment I saw her face. The moment I heard her siren song .

  • av Eimear McBride
    191 - 277

  • av Alafair Burke
    147

  • av Fiona Scarlett
    191 - 247

  • av Judith Eagle
    117

    Escape to the 1930s, the land of theatre in this joyous new middle-grade adventure from the bestselling author of The Accidental Stowaway.

  • av Banana Yoshimoto
    147

  • av Ama Ata Aidoo
    147

    Join a young Ghanaian woman on her journey into Europe's heart of whiteness to meet the natives in this iconoclastic modern classic.

  • av Laura Dockrill
    147

    It's full. She saidI officially have no space left. All my heart is taken upWith love for you in my chest. From one of the UK's leading performance poets, this collection celebrates the very best types of mum, including mum as gamer, party animal, slob and free spirit.

  • av Richard Scott
    171

    Reverberating with risk, this collection negotiates the darkness of injury, the potency and pain of revelation, and agency as song. In three sequences, Richard Scott documents what it is to have survived 'seismic assaults, the buried silences'.

  • av Nancy Vo
    127

    A cheeky celebration of boobies! Nancy Vo's latest creation is fresh and funny, while serving up just the right amount of fact. "You have just opened a book about boobies."Meet the Blue-footed Booby, who does not have any boobies at all, since only mammals have boobies. We learn that mammals have boobies to feed babies, even though milk can also come from plants. And did you know that boobies, or breasts, vary from person to person, that boobies change over time, and that different animals have different numbers of boobies?Witty and wide-ranging, this eye-opening picture book goes on to explore connections between boobies and mountains, boobies and ancient art and, of course, boobies and you!Punchy prose is complemented by striking stencil art in a retro palette, making this the perfect gift for curious young children, older children getting to know their bodies, and anyone ready to boldly celebrate boobies!

  • av Caroline Crowe
    127 - 171

  • av Nilesha Chauvet
    147 - 247

  • av Michael Amherst
    191 - 247

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