Böcker utgivna av Faber & Faber

Beeswing is the autobiography from world-renowned artist Richard Thompson, co-founder of the legendary folk rock group Fairport Convention.

A woman invites a famed artist to visit the remote coastal region where she lives, in the belief that his vision will penetrate the mystery of her life and landscape. Over the course of one hot summer, his provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally between our internal and external worlds. With its examination of the possibility that art can both save and destroy us, Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

But as usual, one after the other, all the children ask him the same question they always ask, "What happened to you?"Understandably Joe gets increasingly cross! Until finally the penny drops and the children realise that it's a question Joe just doesn't want to answer...

My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all. Years ago, Sukie moved in with Nathan because her mother was dead and her father was difficult, and she had nowhere else to go.

Through his pioneering work in the legendary country-punk band, Uncle Tupelo, to his enduring legacy as the creative force behind the unclassifiable sound of Wilco, Jeff Tweedy has weaved his way between the underground and the mainstream - and back again.

Pressed our lips to thepavement and prayedthe boom, followed by the buzz of a bullet,didn't meet us. After Will's brother is shot in a gang crime, he knows the next steps. Only when the lift door opens, Buck walks in, Will's friend who died years ago.

Burton - the creative genius behind Batman, Edward Scissorhands, Sleepy Hollow and Nightmare Before Christmas, among others - now gives birth to a cast of gruesomely sympathetic children: misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds.

In this book Richard Ayoade - actor, writer, director, and amateur dentist - reflects on his cinematic legacy as only he can: in conversation with himself. Over ten brilliantly insightful and often erotic interviews, Ayoade examines himself fully and without mercy, leading a breathless investigation into this once-in-a-generation visionary. Only Ayoade can appreciate Ayoade's unique methodology. Only Ayoade can recognise Ayoade's talent. Only Ayoade can withstand Ayoade's peculiar scent. Only Ayoade can truly get inside Ayoade. They have called their book Ayoade on Ayoade: A Cinematic Odyssey. Take the journey, and your life will never be the same again. Ayoade on Ayoade captures the director in his own words: pompous, vain, angry and very, very funny.

The Grand Budapest Hotel recounts the adventures of Gustave H (Ralph Fiennes), a legendary concierge at a famous European hotel between the wars, and Zero Moustafa (Tony Revolori), the lobby boy who becomes his most trusted friend. Acting as a kind of father-figure, M. Gustave leads the resourceful Zero on a journey that involves the theft and recovery of a priceless Renaissance painting; the battle for an enormous family fortune; a desperate chase on motorcycles, trains, sledges and skis; and the sweetest confection of a love affair - all against the back-drop of a suddenly and dramatically changing Continent.Inspired by the writings of Stefan Zweig, The Grand Budapest Hotel recreates a by-gone era through its arresting visuals and sparkling dialogue. The charm and vibrant colours of the film gradually darken with a sense of melancholy as the forces of history conspire against a vanishing world.

Celeste Price is an eighth-grade English teacher in suburban Tampa. She is attractive. She drives a red Corvette. Her husband, Ford, is rich, square-jawed and devoted to her. But Celeste has a secret. She has a singular sexual obsession - fourteen-year-old boys. It is a craving she pursues with sociopathic meticulousness and forethought.Within weeks of her first term at a new school, Celeste has lured the charmingly modest Jack Patrick into her web - car rides after dark, rendezvous at Jack's house while his single father works the late shift, and body-slamming encounters in Celeste's empty classroom between periods. It is bliss.Celeste must constantly confront the forces threatening their affair - the perpetual risk of exposure, Jack's father's own attraction to her, and the ticking clock as Jack leaves innocent boyhood behind. But the insatiable Celeste is remorseless. She deceives everyone, is close to no one and cares little for anything but her pleasure.With crackling, stampeding, rampantly sexualized prose, Tampa is a grand, satirical, serio-comic examination of desire and a scorching literary debut.

Twenty-five years since acid house and Ecstasy revolutionized pop culture, Simon Reynolds's landmark rave history Energy Flash has been expanded and updated to cover twenty-first-century developments like dubstep and EDM's recent takeover of America.Author of the acclaimed postpunk history Rip It Up and Start Again, Reynolds became a rave convert in the early nineties. He experienced first-hand the scene's drug-fuelled rollercoaster of euphoria and darkness. He danced at Castlemorton, the illegal 1992 mega-rave that sent spasms of anxiety through the Establishment and resulted in the Criminal Justice and Public Order Bill. Mixing personal reminiscence with interviews and ultra-vivid description of the underground's ever-changing sounds as they mutated under the influence of MDMA and other drugs, Energy Flash is the definitive chronicle of electronic dance culture.From rave's origins in Chicago house and Detroit techno, through Ibiza, Madchester and the anarchic free-party scene, to the pirate-radio underworld of jungle and UK garage, and then onto 2000s-shaping genres such as grime and electro, Reynolds documents with authority, insight and infectious enthusiasm the tracks, DJs, producers and promoters that soundtracked a generation. A substantial final section, added for this new Faber edition, brings the book right up to date, covering dubstep's explosive rise to mass popularity and America's recent but ardent embrace of rave. Packed with interviews with participants and charismatic innovators like Derrick May, Goldie and Aphex Twin, Energy Flash is an infinitely entertaining and essential history of dance music.

Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world.

Using her own life as a starting point, Rachel looks at the issues that arise for a woman in the years after she has lived the defining experiences of feminity. She writes about marriage, separation, motherhood, work, money, domesticity and love. Cusk considers the kinds of generational knowledge the contemporary woman harbours, the terrors or expectations that have been passed down to her and that are refracted through the modern transformation of female status.Aftermath is written in the personal/political mode that characterised A Life's Work, Cusk's acclaimed book about becoming a mother.

Grunge, also known as the 'Seattle sound', is the sludgy fusion of punk rock and heavy metal that emerged from the Pacific Northwest in the early part of the 1980s. But it was the unexpected, seemingly overnight success of Nirvana's single 'Smells Like Teen Spirit,' in the fall of 1991, that made grunge a household word and launched an American music movement on par with punk and hip-hop.Twenty years later, Mark Yarm captures that era in the words of those at the forefront of the movement (and the music's lesser-known champions). Everybody Loves Our Town will tell the whole story: the founding of originators like Soundgarden and the Melvins, the early successes of Seattle's Sub Pop record label, the rise of powerhouses Nirvana and Pearl Jam, the insane media hype surrounding the grunge explosion, the suicide of Kurt Cobain, and finally, the genre's mid-to-late-'90s decline.

A small girl is sent to live with foster parents on a farm in rural Ireland, without knowing when she will return home. In the strangers' house, she finds a warmth and affection she has not known before and slowly begins to blossom in their care. And then a secret is revealed and suddenly, she realizes how fragile her idyll is. Winner of the Davy Byrnes Memorial Prize, Foster is now published in a revised and expanded version. Beautiful, sad and eerie, it is a story of astonishing emotional depth, showcasing Claire Keegan's great accomplishment and talent.

Wendy Cope's first book of poems and parodies, Making Cocoa for Kingsley Amis, went straight into the bestseller lists. Its successor, Serious Concerns has proved even more popular, addressing such topics as 'Bloody Men', 'Men and Their Boring Arguments', 'Two Cures for Love', 'Kindness to Animals' and 'Tumps' (Typically Useless Male Poets).

By the Nobel Prize-winning author of The Remains of the Day and Never Let Me GoRyder, a renowned pianist, arrives in a Central European city he cannot identify for a concert he cannot remember agreeing to give. But then as he traverses a landscape by turns eerie and comical - and always strangely malleable, as a dream might be - he comes steadily to realise he is facing the most crucial performance of his life. Ishiguro's extraordinary and original study of a man whose life has accelerated beyond his control was met on publication by consternation, vilification - and the highest praise.

From the Nobel Prize-winning author of The Remains of the Day and Never Let Me GoIn his highly acclaimed debut, Kazuo Ishiguro tells the story of Etsuko, a Japanese woman now living alone in England, dwelling on the recent suicide of her daughter.Retreating into the past, she finds herself reliving one particular hot summer night in Nagasaki, when she and her friends struggled to rebuild their lives after the war. But then as she recalls her strange friendship with Sachiko - a wealthy woman reduced to vagrancy - the memories take on a disturbing cast.

Mesmerizing on stage but introverted and prone to desperate mood swings in his private life, Curtis died by his own hand on 18 May 1980. Touching from a Distance documents how, with a wife, child and impending international fame, Curtis was seduced by the glory of an early grave.

THE TIMES TOP 10 BESTSELLERAN IRISH INDEPENDENT BOOK OF THE YEAR'A gripping story in which Justine Picardie brilliantly contrasts the cruel Old World of wartime France with the hopeful New World epitomised by Christian Dior's New Look.'ANTONIA FRASER'An incredible story of courage, endurance and passion.'MARIA GRAZIA CHIURI, Creative Director of Dior'An extraordinary biography.'SUNDAY TIMES'Exceptional . . . Miss Dior is so much more than a biography.'DAILY TELEGRAPHMiss Dior is a story of freedom and fascism, beauty and betrayal, roses and repression, and how the polished surface of fashion conceals hidden depths. It paints a portrait of the enigmatic woman behind the designer Christian Dior: his beloved younger sister Catherine, who inspired his most famous perfume and shaped his vision of femininity. Justine Picardie's journey takes her to Occupied Paris, where Christian honed his couture skills while Catherine dedicated herself to the French Resistance, until she was captured by the Gestapo and deported to the German concentration camp of Ravensbruck.With unparalleled access to the Dior family homes and archives, Picardie's research into Catherine's courageous life shines a new light on Christian Dior's legendary work, and reveals how his enchanting 'New Look' emerged out of the shadows of his sister's suffering.Tracing the wartime paths of the Dior siblings leads Picardie deep into other hidden histories, and different forms of resistance and sisterhood. She explores what it means to believe in beauty and hope, despite our knowledge of darkness and despair, and discovers the timeless solace of the natural world in the aftermath of devastation and destruction. The result is an exquisite and unforgettably moving book.*A beautiful, full colour illustrated book featuring exclusive images from the Dior archives*'Catherine's story is beautifully, hauntingly told in spare and elegant prose by Picardie . . . moving and evocative.'THE TIMES'The juxtaposition of the terrible shadows and dazzling light is one of the great strengths of this book . . . A very personal, very passionate book.'ARTEMIS COOPER, TIMES LITERARY SUPPLEMENT'Picardie writes: 'The vestiges of Catherine's presence remain as a powerful reminder of the importance of freedom, and why it is worth fighting for.' There are few truer words.'THE SPECTATOR'Picardie's book is of the moment, celebrating an unsung hero at a time when female influences are earning new acclaim.'VOGUE'Miss Dior ensures the bravery of the women at Ravensbruck is not merely a distant echo.'i'Beautiful.' OBSERVER'Moving and beautifully illustrated.' NEW STATESMAN'Stunning.' RED'Not just beautifully written, this is also a stunningly beautiful book.' NOON

Translated by Bernard Frechtman and with an introduction by Jean-Paul Sartre (who famously hailed the novel as an 'epic of masturbation'), Our Lady of the Flowers was first written on brown paper in a French prison.

Staring down the barrel of her fortieth year, Samantha Irby is confronting the ways her life has changed since the days she could work a full 11 hour shift on 4 hours of sleep, change her shoes and put mascara on in the back of a moving cab and go from drinks to dinner to the club without a second thought.

First UK publication of Forsman's mind-blowing follow up to The End of the F***ing WorldNew and expanded edition'Scary, disturbing and expertly executed .

Jam must fight not only to protect her best friend, but also to uncover the truth. In their riveting and timely young adult debut, acclaimed novelist Akwaeke Emezi asks difficult questions about what choices a young person can make when the adults around them are in denial.

New York, 2001. 9/11 plunges the US into a state of war and political volatility - and heralds the rebirth of the city's rock scene. As the old-guard music industry crumbles, a group of bands suddenly become the voice of a generation desperately in need of an anthem. The author charts New York's musical transformation in the early 2000s.

Things have never been easy for Oscar. A ghetto nerd living with his Dominican family in New Jersey, he's sweet but disastrously overweight. He dreams of becoming the next J R R Tolkien and he keeps falling hopelessly in love. This title presents the lives of Oscar and his family and their attempts to find love and belonging.

'A great psychological thriller ... I couldn't put it down.' Daisy GoodwinGrace Sachs, a happily married therapist with a young son, thinks she knows everything about women, men and marriage. She is about to publish a book called You Should Have Known, based on her pet theory: women don't value their intuition about what men are really like, leading to serious trouble later on.But how well does Grace know her own husband? She is about to find out, and in the place of what she thought she knew, there will be a violent death, a missing husband, and a chain of terrible revelations. Left behind in the wake of a very public disaster, and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for herself and her child.A New York Times bestseller

Subtitled 'A tragicomedy in two Acts', and famously described by the Irish critic Vivien Mercier as a play in which 'nothing happens, twice', En attendant Godot was first performed at the Theatre de Babylone in Paris in 1953. It was translated into English by Samuel Beckett, and Waiting for Godot opened at the Arts Theatre in London in 1955. 'Go and see Waiting for Godot. At the worst you will discover a curiosity, a four-leaved clover, a black tulip; at the best something that will securely lodge in a corner of your mind for as long as you live.' Harold Hobson, 7 August 1955'I told him that if by Godot I had meant God I would have said God, and not Godot. This seemed to disappoint him greatly.' Samuel Beckett, 1955