Jamie McKendrick's Drypoint depicts the turbulent present with incisive detail while often taking us back to an equally conflictual Biblical or classical world. Acute and stoical in tone, these poems transport us by bus or ferry or ghostly Rolls Royce to the cobbled streets of Ferrara, the once-Greek port of Smyrna, the bombed acres of Liverpool and Mariupol, and to places not to be found on any map, places where 'North was south, being lost like this'. Like his 'immigrant muntjac' the poet disregards walls and fences and breaks through 'the borders of our ruled enclosures'. The presence of translations from poets ancient and modern is another example of the way space and time are here collapsed and reconfigured in a language rich with associations, historical and vernacular.
Mrs Sarah Siddons, acclaimed as the greatest actress of all time, holds complete sway over audiences and critics alike. Sick of being cast as tragic, wounded mothers, Siddons decides it's time to harness her star power and become the leading lady of her own life.
The definitive account of the legendary Francis Ford Coppola's decades-long dream to reinvent American film-making, if not the entire world.'Supremely entertaining.' New York Times'Mouth-watering .
The people who buy paintings like this aren't just driven by aesthetic desire. A story that catapults them into the orbit of the Führer. As Nicola and Philipp are clearing out their late father's house, they find an old painting stashed in the attic: a quaint watercolour of a church on a pale summer day, signed 'A.
Legendarily reticent, perverse and misleading, Prince is one of the few remaining 80s superstars who still, perhaps, remains unexplained. Now a firm fixture in the pop canon, where such classics as 'Purple Rain', 'Sign o' the Times' and 'Parade' regularly feature in Best Ever Album polls, Prince is still, as he ever was, an enigma. His live performances are legendary (21 Nights at the O2 in 2007) and while recent releases have been modestly successful at best, his influence on urban music, and R'n'B in particular, has never been more evident. The Minneapolis Sound can now be heard everywhere. Matt Thorne's Prince, through years of research and interviews with ex-Revolution members such as Wendy and Lisa, is an account of a pop maverick whose experiments with rock, funk, techno and jazz revolutionised pop. With reference to every song, released and unreleased, over 35 years of recording, Prince will stand for years to come as the go-to book on the Great Man.
The arrival of a blistering debut voice in international literature, and a radical work of literary fiction-poetic, provocative, artful and singular. In a deserted village, an unnamed young man waits for an opportunity to escape.
It exemplifies Marina Carr's work: storytelling that pushes the boundaries of love, power and desire. Draw coal. A Landmark Productions and Abbey Theatre co-production, it opened at the Abbey Theatre, Dublin, in February 2024.
Rome, 1964. As 13 year old André stands at the foot of the gangway to the ship, his mother fusses over their luggage - 32 suitcases, trunks and tea chests that contain their world. The ship will refuel and return to Alexandria, the home where they have left their father, as the Aciman family begin a new adventure. André is now head of the family, with a little brother to keep in line and a mother to translate for - for although she's mute, she is nothing if not communicative. Equal parts transporting and beautiful, this coming of age memoir shares the luminous, fragile truth of life for a family forever in exile, living in Rome, but still yet to find a home.
A chronicle of the life and career of one of film's defining figures, God and the Devil draws on exclusive extracts from Bergman's diaries, letters and production workbooks. Peter Cowie brings us close to the man and the artist, as he wrestled with themes of love, sex and betrayal - with the figure of Death always hovering overhead.
'An astounding debut . . . a book that seduces the brain . . . Millner's couplets enact high-wire acts of wit and poignancy.' New York Times'I've never read a better encapsulation of what it means to question a previously fixed idea of identity and selfhood.' Vogue'Millner's ultimate achievement is to draw open the distance . . .between the self that one takes as given and the self, no less true, that one cannot help but make.' New Yorker'Millner is brilliant at showing how early moments of lust can be existentially unmooring. . . Couplets is deft, delicate and unexpectedly fun.' Guardian'Maggie Millner's Couplets absolutely blew me away. Breathing new life into that most familiar of poetic forms, she recounts the difficulties inherent in making ourselves vulnerable to another person with precision and guile.' James Conor Patterson, Poetry Society, Books of the YearMaggie Millner's electrifying debut is a coming-of-age love story, a story of coming out and a story of coming apart. A woman in her late twenties leaves a long-term relationship with a boyfriend for another woman. The affair thrusts her from an outwardly conventional life into queerness, polyamory, kink, and unalloyed, consuming desire. Written in rhyming couplets with disarming frankness, what ensues is an exploration of obsession, gender, identity-making, sexual experiment, and the art and act of literary transformation.
'Britain's equivalent to Patricia Highsmith, Celia Fremlin wrote psychological thrillers that changed the landscape of crime fiction for ever: her novels are domestic, subtle, penetrating - and quite horribly chilling.' Andrew TaylorAppointment with Yesterday (1972), Celia Fremlin's eighth novel, concerns a woman who calls herself Milly Barnes. But this is not her real name - for 'Milly' is on the run, driven by her terrible panic that at any moment the remorseless arm of the law will catch up with her. 'Not less horrible than illicit deaths are the horrors that lurk in female domesticity, and Celia Fremlin has long been the mistress of their fictional presentation. Here, in the best so far of her always good books, she has fused both, in an excellent terror novel.' TLS
The title needs explaining. Why back? We haven't been there yet! In 1939 the same team of Maurice Gorham (text) and Edward Ardizzone (illustrations) published The Local. Like so many books of that time it had a short life, all the remaining stock being destroyed in the Blitz. After the war, they decided to do a new edition with a revised text and redrawn, in some cases completely new, illustrations. It is this book, Back to the Local, first published in 1949, that Faber Finds is reissuing. Prepare yourself for the most delightful of nostalgic rambles around the pubs of London in the late 1940s. Text and illustrations are in perfect harmony as we are introduced to The Regulars, Barmaids Old and New, as we venture into The Saloon Lounge, The Saloon Bar, The Public Bar and squeeze into The Jug-And-Bottle Bar. We visit The Mews Pub, The Wine-House, the Riverside Pub and The Irish House. These are all chapter headings and eloquently testify to what awaits you. Treat yourself to a memorable pub crawl!
The most improbable, fascinating and endlessly entertaining sporting facts and stories, from prehistory to the present day.
A passionate memoir exploring classical music, its restorative qualities and wider cultural influence by the celebrated Music Director of the Royal Opera House.Sir Antonio Pappano is one of the best known and most celebrated conductors alive today. His deeply held belief in the power of music to inspire and enlighten is the motivation behind this long anticipated memoir.>In 1969, decades before he was chosen to conduct the music at the Coronation of King Charles, Sir Antonio Pappano was a ten-year-old boy accompanying his father's singing lessons. My Life in Music tells the moving tale of a legendary conductor who, nurtured in childhood by his parents and their dedicated work ethic, goes on to conduct at many of the most influential opera houses of Europe and North America. Pappano skilfully evokes an extensive selection from his wide-ranging repertoire - operas and orchestral works spanning from Mozart to Birtwistle and Mark Anthony Turnage, as well as art song and chamber music works in which he has performed as a pianist - and makes a compelling case for the potential classical music has to captivate new and wider audiences.
Kofi is back in a brand-new, music-making adventure - a debut fiction series from one of the most prominent educators and music radio talk host. His whole world was the sound of the speakers, the records, and the fun he was having in this place that he never even knew existed.
A unique memoir of a lifetime's friendships - from one of Britain's most beloved literary companions.
Was it revulsion I felt? . Like many before her - none of whom have returned - she's determined to snuff out the horrors within. But could she ever be prepared for what hides within its turrets; . . Emily Carroll's hair-raising tale, charged with eroticism, won't just make your skin crawl - it will crawl underneath it.
'One of the most original and audacious autobiographies ever written by a writer.' Le Monde Hand to Mouth tells the story of the young Paul Auster's struggle to stay afloat. By turns poignant and comic, Auster's memoir is essentially a book about money - and what it means not to have it. From one odd job to the next, from one failed scheme to another, Auster investigates his own stubborn compulsion to make art and, in the process, treats us to a series of remarkable adventures and unforgettable encounters. The book ends with three of the longest footnotes in literary history: a card game, a thriller about baseball, and three short plays. Hand to Mouth is essential reading for anyone interested in Paul Auster, in the figure of the struggling artist, in the nature of poverty, or in baseball.
"a fascinating reflection on totalitarianism as refracted through Orwell's times and our own" The Guardian London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Bro
Set inside a men's public toilet, Boys on the Verge of Tears is a bold, kaleidoscopic tale of violence and vulnerability. Sam Grabiner's play premiered at Soho Theatre, London, in April 2024.
Tom Stoppard's provocative new play spans the recent history of Czechoslovakia between the Prague Spring and the Velvet Revolution - but from the double perspective of Prague, where a rock 'n' roll band came to symbolise resistance to the regime, and the British left, represented by a Communist philosopher at Cambridge.Rock 'n' Roll premieres at The Royal Court Theatre, London, in June 2006 and is part of the 50th anniversary programme.
I love the edible magic.''I absolutely adored it.''Highly recommended.''A very entertaining, well plotted and fast paced story.''The idea of edible magic was original and inspired.''Hugely imaginative.'Jude Ripon returns on another vigilante mission to save Farrowfell.
'Enchanting and heart-lifting.' Sophie Anderson'Bursts with glimmering magic.' Jasbinder Bilan'A delight . . . funny, heartfelt and packed full of magic.' Abi Elphinstone'Magical and empowering.' G M Linton'A magical, cosy, spellbinding treat!' Kieran Larwood'Utterly charming.' Lizzie Huxley-Jones'The perfect mix of heart and magic.' Rachel Faturoti'A heart warming read with a blast of magic!' Janelle McCurdyAlyssa must save the magical spell garden with her new unreliable powers. When 11-year-old Alyssa is forced to spend the summer holiday with her mum's family, who she's never met before, her latent magical powers explode into life. Her great aunt runs a secret school in her spell garden where local kids can hone their power. The garden grows spell ingredients that have protected their family and the wider neighbourhood for decades - ever since they arrived from Jamaica with their mother Effie in the 1960s. But something is going wrong and the magic is running out! Can Alyssa use her new, unpredictable powers to set things right?A contemporary fantasy set in a small community in North London facing eviction and gentrification with a magical garden at the centre of it. Stunningly illustrated by Bex Glendining.
The definitive edition of the published prose of the Nobel laureate, the most important poet-critic of modern times.
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