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  • av ASTOR PIAZOLLA
    296,-

    Histoire du Tango for Flute and Guitar by legendary Latin-American composer Astor Piazzolla. The piece is in four movements to reflect the evolutoion of the Tango The piece is in four movements to reflect the evolution of the Tango. CONTENTS Bordel 1900 Caf 1930 Night-Club 1960 Concert DaujourdhuiBordel 1900The tango was born in Buenos-Aires in 1882. It was first played on the guitar and the flute. The piano was added later, followed by the bandoneon. It is music full of charm and vivacity, that gives the impression of the good spirits and volubility of the French, Italian and Spanish women who lived in these brothels, enticing

  • av ASTOR PIAZZOLLA
    306,-

    Histoire du Tango is for Flute and Piano and is by the legendary Latin-American composer Astor Piazzolla in a transcription by Dmitriy Varelas. The piece is in four movements to reflect the evolution of the Tango, Bordel 1900, Cafe 1930, Night-club 1960 and Concert dAujourdHui.

  • av LOUIS R. FEUILLARD
    250,-

    60 Studies for the Young Cellist. 60 progressive studies for the young cellist, focusing on both left hand and bowing technique. Features works from Lully, Couperin, Rameau, Bach, Handel, Haydn, Mozart, Schumann, Schubert and Chopin.Written by Louis R. Feuillard 1872-1941, a professor at the Conservatoire National de Musique de Paris. Feuillard was a regular performer in chamber groups and quartets, and taught cello master Paul Tortelier.

  • av ASTOR PIAZOLLA
    166,-

    tudes Tanguistiques. Astor Piazzollas 6 Tango Studies for Flute or Violin solo. CONTENTS Nr 1 Dcid Nr 2 Anxieux Et Rubato Nr 3 Molto Marcato E Energico Nr 4 Lento Meditativo Nr 5 Sans Indication Nr 6 Avec Anxit

  • av KEN-ICHIRO & ISODA
    306,-

    Histoire du Tango by the legendary Latin-American composer Astor Spinazzola is arranged for tenor saxophone and piano by Ken-ichiro Isoda and Nabuya Sugawa. The piece is in four movements to reflect the evolution of the TangoBordel 1900The tango was born in Buenos-Aires in 1882. It was first played on the guitar and the flute. The piano was added later, followed by the bandoneon. It is music full of charm and vivacity, that gives the impression of the good spirits and volubility of the French, Italian and Spanish women who lived in these brothels, enticing the policemen, thieves, sailors and hoodlums who visited them.

  • av JEAN-BAPTI SINGELEE
    260,-

  •  
    420,-

    Collected for the first time in one volume, Passing A Message contains the lyrics to over 80 songs, with artwork and photographs, along with previously unseen notebook lyric drafts and drawings curated by Conor J. O'Brien, for his musical project, Villagers. Presented as a full-colour hardback book, with a unique glow-in-the dark cover.

  • av Jessica O'Leary
    166,-

    Over the years, many examination pieces have captured the imagination of teachers and students, but the stars of past syllabuses are often forgotten.

  • av Andrew Higgins
    206,-

    The Comprehensive Course for the Beginning Pianist. The Academy Piano Course explores modern techniques of instruction introduces creative elements as early as possible, works with pattern and shape for reading music rote teaching for technique and features music across a range of styles including classical, folk, and ensemble pieces. Both books divide into three sections with ten lessons in each. At the end of book 1 students will understand notation and play hands together. At the end of book 2 students will have played pieces up to and including Grade 1 standard.

  • av Andrew Higgins
    206,-

    The Comprehensive Course for the Beginning Pianist. The Academy Piano Course explores modern techniques of instruction introduces creative elements as early as possible, works with pattern and shape for reading music rote teaching for technique and features music across a range of styles including classical, folk, and ensemble pieces. Both books divide into three sections with ten lessons in each. At the end of book 1 students will understand notation and play hands together. At the end of book 2 students will have played pieces up to and including Grade 1 standard.

  • av BROOKS BOWMAN
    386,-

  • av JOHANN SEBASTI BACH
    206,-

    An accurate transcription of Seconda Partita in D minor BWV1004 by J. S. Bachs autograph manuscript of 1720, kept in Staatsbibliothek Preussischer Kulturbesitz of Berlin. The transcription is faithful to the original, with an updated character graphic design, easy to read. CONTENTS Allemanda Corrente BWV 1004 Sarabanda BWV 1004 Giga BWV 1004 Ciaccona BWV 1004

  • av MICHEL EDELIN
    220,-

    9 Songs and vocalizations for children by Michel Edelin.

  • av DAVID ALAN-NIHIL
    156,-

    Three pieces for guitar or lute by David Alan-Nihil. CONTENTS Snow For Luth Petite marche

  • av JORDAN CAUVIN
    166,-

    Sur le fil, 4 pieces for classical guitarby Jordan Cauvin.

  • av Adolphe Sax
    260,-

    Typical solo for saxophone selected by Nicolas Prost. The third volume of Adolphe Sax album suggests unrecognized repertoire for saxophone or with saxophone, from his beginning 1845 to the World War II 1940. Then, the saxophonist would have various musical aesthetics, inspired by historical and political background. This volume is an amazing musicologic document to all saxophone lovers. CONTENTS Mthode Extrait Barthelemy Cokken Le Prince Des Bois Bartok Lon Solo Chic A Ceux Qui Partent Dupin Symphonie Fauchet Promthe Faure Chant Funraire Faure Fantaisie Fessy Concours De 1868 Fetis Pome lgiaque Gaubert Un Amricain Paris Gershwin Slaptonius

  • av Marin Marais
    166,-

    Adaptation for saxophone by Carloz Zaragoza Orgaz.

  • av FLORENT NAGEL
    166,-

    Jeux et Ronde des puces for piano solo by Florent Nagel.

  • av JORDAN CAUVIN
    166,-

    Berlin is an excerpt of the last Thibault Cauvins CD.

  • av Adrien Politi
    250,-

    Blanca Luna is guitar ensemble for 3 guitars for beginners. The music is inspired by music from Argentina, mainly the vidala. The higher note is the A of the second string which is very easy to play in 2nd position.

  • av BENOIT WERY
    166,-

    Les Valsesfor Harp by Benoit Wery.

  • av CHRISTOPHE LEONETTI
    166,-

    Piano pieces inspired by the piece Le Petit poney which is included in the famous Charle Herv Jacqueline Pouillards piano method. Le Petit poney is the first piece performed hand together by the young pianist.

  • av JOY KANE
    286,-

    What is Contrary Motion and why is it important to study it through scales played and heard in bilateral symmetry? In this book, standard scales are presented in contrary motion, i.e. mirror fashion. Readers will be guided through a process in which each scale is to be played simultaneously in opposing directions as one hand plays the scale ascending, the other hand mirrors it, descending in a symmetric pattern.Playing scales in Bilateral Symmetry is a new and instructive form of ear training in which one not only trains the hands and fingers to behave in a certain way, but at the same time becomes aware of the

  • av Matthieu Stefanelli
    176,-

    Journey, a collection of five pieces for violin quartet by Matthieu Stefanelli. CONTENTS Aurore Prairie Brise Pluie Nuit.

  • av ASTOR PIAZZOLLA
    256,-

    14 spartiti arrangiati per Piano Solo Adios nonino - Ave Maria (tanti anni prima) - Che tango che - El penultimo - Escualo - Finale - Introducción (Suite Punta del Este) - Jeanne y Paul - Libertango - Milonga del Angel - Milonga sin palabras - Oblivion - Solitude lumiere N1 - Yo soy Maria.

  • av Various
    256,-

    A selection of songs from the ABRSM Syllabus Revised and Expanded Edition Medium Voice.

  • av Various
    176,-

    A selection of songs from the ABRSM Syllabus Revised and Expanded Edition High Voice.

  • av Various
    176,-

    A selection of songs from the ABRSM Syllabus Revised and Expanded Edition High Voice.

  • av Various
    146,-

    Right@Sight is based on musical material from T.A. Johnson's celebrated Read and Play sight-reading series. Using an entirely new presentation, Caroline Evans brings a refreshingly direct approach to the development of this vital musical skill. Each exercise takes as its starting point TRaK - Time, Rhythm and Key. Helpful and imaginativeguidance encourages the student to meet the various practical and interpretative challenges introduced in each new piece. Conveniently presented in 8 progressive volumes corresponding to examination grades, Right@Sight is the only sight-reading course you are likely to need.

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