Böcker utgivna av Farrar, Straus and Giroux (BYR)

A cinematic Reconstruction-era drama of violence and fraught moral reckoningIn Dawson's Fall, a novel based on the lives of Roxana Robinson's great-grandparents, we see America at its most fragile, fraught, and malleable. Set in 1889, in Charleston, South Carolina, Robinson's tale weaves her family's journal entries and letters with a novelist's narrative grace, and spans the life of her tragic hero, Frank Dawson, as he attempts to navigate the country's new political, social, and moral landscape.Dawson, a man of fierce opinions, came to this country as a young Englishman to fight for the Confederacy in a war he understood as a conflict over states' rights. He later became the editor of the Charleston News and Courier, finding a platform of real influence in the editorial column and emerging as a voice of the New South. With his wife and two children, he tried to lead a life that adhered to his staunch principles: equal rights, rule of law, and nonviolence, unswayed by the caprices of popular opinion. But he couldn't control the political whims of his readers. As he wrangled diligently in his columns with questions of citizenship, equality, justice, and slavery, his newspaper rapidly lost readership, and he was plagued by financial worries. Nor could Dawson control the whims of the heart: his Swiss governess became embroiled in a tense affair with a drunkard doctor, which threatened to stain his family's reputation. In the end, Dawson-a man in many ways representative of the country at this time-was felled by the very violence he vehemently opposed.

The first authoritative history of tap dancing, one of the great art forms--along with jazz and musical comedy--created in AmericaWhat the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for The New York Times, begins by exploring tap's origins as a hybrid of the jig and clog dancing and dances brought from Africa by slaves. He tracks tap's transfer to the stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits. Seibert chronicles tap's spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the process, we discover how the history of tap dancing is central to any meaningful account of American popular culture. This is a story with a huge cast of characters, from Master Juba through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap through individual practitioners and illuminates the cultural exchange between blacks and whites, the interplay of imitation and theft, as well as the moving story of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy. What the Eye Hears teaches us to see and hear the entire history of tap in its every step.

A Best Book of the Year at The New Yorker and The Telegraph"Amusing and assertive . . . [Christiansen's] delight is infectious." -Alexandra Jacobs, The New York Times Book ReviewRupert Christiansen, a renowned dance critic and arts correspondent, presents a sweeping history of the Ballets Russes and of Serge Diaghilev's dream of bringing Russian art and culture to the West. Serge Diaghilev, the Russian impresario and founder of the Ballets Russes, is often said to have invented modern ballet. An art critic and connoisseur, Diaghilev had no training in dance or choreography, but he had a dream of bringing Russian art, music, design, and expression to the West and a mission to drive a cultural and artistic revolution.Bringing together such legendary talents as Vaslav Nijinsky, Anna Pavlova, Igor Stravinsky, Pablo Picasso, and Henri Matisse, this complex and visionary genius created a new form of ballet defined by artistic integrity, creative freedom, and an all-encompassing experience of art, movement, and music. The explosive color combinations, sensual and androgynous choreography, and experimental sounds of the Ballets Russes were called "barbaric" by the Parisian press, but its radical style usurped the entrenched mores of traditional ballet and transformed the European cultural sphere at large.Diaghilev's Empire, the publication of which marks the one hundred fiftieth anniversary of Diaghilev's birth, is a daring, impeccably researched reassessment of the phenomenon of the Ballets Russes and the Russian Revolution in twentieth-century art and culture. Rupert Christiansen, a leading dance critic, explores the fiery conflicts, outsize personalities, and extraordinary artistic innovations that make up this enduring story of triumph and disaster.

*A USA Today Bestseller!* *A Publishers Weekly Bestseller!* Rachel Bright's bestselling picture book is about a monster looking for love in all the cutest of placesLove Monster is a slightly hairy monster trying to fit in with the cuddly residents of Cutesville. But as it turns out, it's hard to fit in with the cute and the fluffy when you're a googly-eyed monster. And so, Love Monster sets out to find someone who will love him just the way he is. His journey is not easy-he looks high, low, and even middle-ish. But as he soon finds out, in the blink of a googly eye, love can find you when you least expect it.

"One of our most interesting and bold writers . . . [offers] a characteristically wild effort that defies genre distinctions, flits from the profound to the mundane with fierce intelligence and searching restlessness, and at its best, delves deep into the recesses of the human heart with courageous abandon . . . An intoxicating blend of humor and pathos." -Priscilla Gilman, The Boston Globe "Eerie, profound, and daring, this is a book only the inimitable Hunt could write."-Adrienne Westenfeld, EsquireFrom Samantha Hunt, the award-winning author of The Dark Dark, comes The Unwritten Book, her first work of nonfiction, a genre-bending creation that explores the importance of books, the idea of haunting, and messages from beyond I carry each book I've ever read with me, just as I carry my dead-those things that aren't really there, those things that shape everything I am. A genre-bending work of nonfiction, Samantha Hunt's The Unwritten Book explores ghosts, ghost stories, and haunting, in the broadest sense of each. What is it to be haunted, to be a ghost, to die, to live, to read? Books are ghosts; reading is communion with the dead. Alcohol is a way of communing, too, as well as a way of dying. Each chapter gathers subjects that haunt: dead people, the forest, the towering library of all those books we'll never have time to read or write. Hunt, like a mad crossword puzzler, looks for patterns and clues. Through literary criticism, history, family history, and memoir, inspired by W. G. Sebald, James Joyce, Ali Smith, Toni Morrison, William Faulkner, and many others, Hunt explores motherhood, hoarding, legacies of addiction, grief, how we insulate ourselves from the past, how we misinterpret the world. Nestled within her inquiry is a very special ghost book, an incomplete manuscript about people who can fly without wings, written by her father and found in his desk just days after he died. What secret messages might his work reveal? What wisdom might she distill from its unfinished pages? Hunt conveys a vivid and grateful life, one that comes from living closer to the dead and shedding fear for wonder. The Unwritten Book revels in the randomness, connectivity, and magic of everyday existence. And at its heart is the immense weight of love.

Longlisted for the 2023 DUBLIN Literary Award"[Grand Hotel Europa] calls to mind Nabokov, Tom Wolfe, Baudrillard, Umberto Eco, Wes Anderson . . . [a novel of] incorrigible high spirits." -Rand Richards Cooper, The New York Times Book ReviewA sweeping, atmospheric novel about European identity, centered on a hotel that encapsulates the continent's manifold contradictions.The love of my life lives in my past. Despite the alliteration it's a terrible line to have to write. I don't want to come to the conclusion, just as the hotel I'm staying in and the continent it is named after, that the best times are behind me and that I've little more to expect of the future than living off my past.A writer takes up residence in the stately but decaying Grand Hotel Europa in order to contemplate where things went wrong with Clio-an art historian and the love of his life. His recollections take him back to when they first met in Genoa, his wanton visits to her in Venice, and their dulcet trips to Malta, Palmaria, Portovenere, and the Cinque Terre in their thrilling search for the last painting made by Caravaggio. Meanwhile, he becomes fascinated by the mysteries of the Grand Hotel Europa and the memorably eccentric characters who inhabit it, all of whom seem to hail from a halcyon era. All the while, globalization is laying claim to even this place, where a sense of lost glory hangs sulkily in the air.Grand Hotel Europa is Ilja Leonard Pfeijffer's masterly novel of the old continent, where there's so much history that there hardly seems space left for a future. Cinematic, lyrical, and brimming with humor, this is a novel about the European condition, which like the staff and residents of the Grand Hotel Europa may have already seen its best days.

The Trouble with Happiness is a powerful new collection of short stories by Tove Ditlevsen, "a terrifying talent" (Parul Sehgal, New York Times).A newly married woman longs, irrationally, for a silk umbrella; a husband chases away his wife's beloved cat; a betrayed mother impulsively sacks her housekeeper. Underneath the surface of these precisely observed tales of marriage and family life in mid-century Copenhagen pulse currents of desire, violence, and despair, as women and men struggle to escape from the roles assigned to them and dream of becoming free and happy-without ever truly understanding what that might mean.Tove Ditlevsen is one of Denmark's most famous and beloved writers, and her autobiographical Copenhagen Trilogy was hailed as a masterpiece on re-publication in English, lauded for its wry humor, limpid prose, and powerful honesty. The poignant and understated stories in The Trouble with Happiness, written in the 1950s and 1960s and never before translated into English, offer readers a new chance to encounter the quietly devastating work of this essential twentieth-century writer.

A rollicking, action-packed adventure of laser tag and fierce sibling rivalries, Team Chu and the Battle of Blackwood Arena is the first book in a commercial middle grade fantasy series by Julie C. Dao.Clip and Sadie Chu couldn't be more different. Popular, athletic Clip wants to become his school's first seventh-grade soccer captain, while brainy star student Sadie is determined to prove that she can do anything her boastful brother can.They have just one thing in common: they love laser tag. Like, really love it.When the Blackwood Gaming Arena comes to town, bringing virtual reality headsets and state-of-the-art courses, they couldn't be more excited-or competitive. But then a mysterious figure appears and claims to be a part of the game, forcing the Chus and their friends to save themselves from a sinister force lurking inside the simulation. Together, they must fight their way through epic battlegrounds that will test their speed, skills, and smarts . . . but will Clip and Sadie learn that they're far better off working together than competing for the ultimate victory?A 2023 CBC Teacher and Librarians Favorite

A heartfelt middle grade from Jeanne Zulick Ferruolo about two girls who go on an adventure to the top of a mountain, and learn about each other, themselves, and the magic friendship can bring, perfect for fans of Katherine Applegate and Barbara O'Connor.What do you do when you're facing the impossible?Ever since the day when everything changed, Cal Scott's answer has been to run-run from her mother who's fighting cancer, run from her father whom she can't forgive, and run from classmates who've never seemed to "get" her anyway. The only thing Cal runs toward is nearby Mt. Meteorite, named for the magical meteorite some say crashed there fifty years ago. Cal spends her afternoons plotting to summit the mountain, so she can find the magic she believes will make the impossible possible and heal her mother. But no one has successfully reached its peak-no one who's lived to tell about it, anyway.Then Cal meets Rosine Kanambe, a girl who's faced more impossibles than anyone should have to. Rosine has her own secret plan for the mountain and its magic, and convinces Cal they can summit its peak if they work together. As the girls climb high and dig deep to face the mountain's challenges, Cal learns from Rosine what real courage looks like, and begins to wonder if the magic she's been looking for is really the kind she needs.Each of Us a Universe by Jeanne Zulick Ferruolo is a glowing story of friendship, inner strength, and what happens when the impossible becomes possible.

Mary and Mr. Eliot is a twin portrait of T. S. Eliot and its author, the formidable Mary Trevelyan.In 1938 T. S. Eliot, already "a Classic in his lifetime," struck up a friendship with Mary Trevelyan. This passionately curious woman, an intrepid traveler who, like Eliot, was deeply involved in the affairs of the Church of England, served as the warden of the Student Movement House, mere yards from the poet and editor's office at Faber and Faber. Their relationship was domestic rather than artistic, characterized by churchgoing, conversation, record-playing, day trips to the English countryside with Mary at the wheel of the car Tom bought her, and Eliot cooking up sausages in his shirtsleeves. Over the years, their friendship deepened, and she came to believe it might grow into something more. Twice she proposed marriage, but Eliot always led her to understand that any such commitment would be impossible for him. Then the revelation of his long attachment to Emily Hale-and the sudden shock of his marriage to his secretary, Valerie Fletcher-caused a rupture between Trevelyan and the poet that could not be overcome. Mary Trevelyan left a unique chronicle-including diaries, letters, and pictures-that charts their twenty-year relationship. Now Erica Wagner has given it shape and context, bringing this untold story to light for the first time. Mary and Mr. Eliot is a tale of joy, misunderstanding, and betrayal that feels utterly modern and deeply human.

The memoirs of Mary Rodgers-writer, composer, Broadway royalty, and "a woman who tried everything.""What am I, bologna?" Mary Rodgers (1931-2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent's overwhelming gift, to become not just a theater figure in her own right but also a renowned author of books for young readers (including the classic Freaky Friday) and, in a final grand turn, a doyenne of philanthropy and the chairman of the Juilliard School. But in telling these stories-with copious annotations, contradictions, and interruptions from Jesse Green, the chief theater critic of The New York Times-Shy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Whether writing for Judy Holliday or Rin Tin Tin, dating Hal Prince or falling for Stephen Sondheim over a game of chess at thirteen, Rodgers grabbed every chance possible-and then some. Both an eyewitness report from the golden age of American musical theater and a tale of a woman striving for a meaningful life, Shy is, above all, a chance to sit at the feet of the kind of woman they don't make anymore-and never did. They make themselves.

A selection of favorite quotes that the celebrated literary critic has collected over the decades.From Dwight Garner, the New York Times book critic, comes a rollicking, irreverent, scabrous, amazingly alive selection of unforgettable moments from forty years of wide and deep reading. Garner's Quotations is like no commonplace book you'll ever read. If you've ever wondered what's really going on in the world of letters today, this book will make you sit up and take notice. Unputdownable!

One of School Library Journal's Best Picture Books of 2011These look-alike twins have always shared everything-their room, their toys, a crib, and, since the day they were born, a blanket. But as they grow into new beds, they need new blankets, too. Now they face a new dilemma: they don't know how not to share.Told from the perspective of two five-year-olds, The Twins' Blanket playfully illuminates squabbles and affection between young siblings. Yum's minimalistic art astutely captures these twins' emotions as they toss, turn, and tug their new and old blankets-and embrace their growing independence.

A paradigm-shattering biography of Phillis Wheatley, whose extraordinary poetry set African American literature at the heart of the American Revolution.Admired by George Washington, ridiculed by Thomas Jefferson, published in London, and read far and wide, Phillis Wheatley led one of the most extraordinary American lives. Seized in West Africa and forced into slavery as a child, she was sold to a merchant family in Boston, where she became a noted poet at a young age. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, she composed elegies for local elites, celebrated political events, praised warriors, and used her verse to variously lampoon, question, and assert the injustice of her enslaved condition. "Can I then but pray / Others may never feel tyrannic sway?" By doing so, she added her voice to a vibrant, multisided conversation about race, slavery, and discontent with British rule; before and after her emancipation, her verses shook up racial etiquette and used familiar forms to create bold new meanings. Her life demonstrated that the American Revolution both strengthened and limited Black slavery. Indeed, she helped make it so.In this new biography, the historian David Waldstreicher offers the deepest account to date of Wheatley's life and works, correcting myths, reconstructing intimate friendships, and deepening our understanding of the revolutionary era. Throughout The Odyssey of Phillis Wheatley, he demonstrates the continued vitality and resonance of a woman who wrote, in a founding gesture of American literature, "Thy Power, O Liberty, makes strong the weak / And (wond'rous instinct) Ethiopians speak."

Born from her curated exhibition of Pablo Picasso's work in Paris, biographer Annie-Cohen Solal's prizewinning Picasso the Foreigner presents a bold new understanding of the artist's tempestuous relationship with his adopted homeland: France.Before Picasso became Picasso-the iconic artist now celebrated as one of France's leading figures-he was constantly surveilled by the police. Amidst political tensions in the spring of 1901, he was flagged as an anarchist by the security services-the first of many entries in what would become an extensive case file. Though he soon became the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso's art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica as a visceral statement against fascism in 1937 was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Académie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma-as a foreigner, a political radical, and an avant-garde artist.Picasso the Foreigner approaches the artist's career and art from an entirely new angle, making extensive use of fascinating and long-understudied archival sources. In this groundbreaking narrative, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Cohen-Solal reveals how, in a period encompassing the brutality of World War I, the Nazi occupation, and Cold War rivalries, Picasso strategized and fought to preserve his agency, eventually leaving Paris for good in 1955. He chose the south over the north, the provinces over the capital, and craftspeople over academicians, while simultaneously achieving widespread fame. The artist never became a citizen of France, yet he enriched and dynamized its culture like few other figures in the country's history. This book, for the first time, explains how.Includes color images

"Brilliant . . . Miguel Syjuco is his country's most original and unflinching literary voice." -Salman Rushdie"It's a rare novel that leaves you reeling simultaneously with admiration, exhaustion, amazement at its author's reach and skill, and desolation at the world it spreads out before you . . . [A] raging protest of a book." -James Lasdun, The New York Times Book Review (Editors' Choice)From Miguel Syjuco, the winner of the Man Asian Literary Prize for Ilustrado, I Was the President's Mistress!! is an unflinching satire about power, corruption, sex, and all the other topics you were told never to discuss in polite company.First came the Sexy-Sexygate scandal. Then an impeachment trial. Finally, a battle royale for the presidency. At the center of this political typhoon is Vita Nova, the most famous movie star in the Philippines and a former paramour of the country's most powerful man. Now, for the first time ever, she bares herself completely in a tell-all memoir that puts the sensational in sensationalistic.The setting: a sweating, heaving country. The time: right now. The plot: a drug war rages, an assassin brandishes a pistol, a damsel rises from ashes to power, and a government teeters on the brink. Among the players: a dreamer who boxed and acted his way to the presidency, his Koran-toting nemesis in the senate, a horny bishop, a cowboy turned warlord, a poor little rich boy dying with his dynasty, a washed-up reporter redeemed by one last scoop, a high-school sweetheart driven mad by decades of disappointment, and an American naval officer tempting our heroine with a way out. As Vita warns, viewer discretion is advised.In this masterful and audacious novel, Miguel Syjuco's signature style-hilarious, insightful, playful, provocative-animates thirteen indelible voices whose stories present a cross-section of a complicated society. I Was the President's Mistress!! hurtles headlong into love, politics, faith, history, memory, and the ongoing war over who will tell the stories the world shall know as truth.

A New York Times Book Review Editors' ChoiceWhat Saladino finds in his adventures are people with soul-deep relationships to their food. This is not the decadence or the preciousness we might associate with a word like "foodie," but a form of reverence . . . Enchanting." -Molly Young, The New York TimesDan Saladino's Eating to Extinction is the prominent broadcaster's pathbreaking tour of the world's vanishing foods and his argument for why they matter now more than everOver the past several decades, globalization has homogenized what we eat, and done so ruthlessly. The numbers are stark: Of the roughly six thousand different plants once consumed by human beings, only nine remain major staples today. Just three of these-rice, wheat, and corn-now provide fifty percent of all our calories. Dig deeper and the trends are more worrisome still:The source of much of the world's food-seeds-is mostly in the control of just four corporations. Ninety-five percent of milk consumed in the United States comes from a single breed of cow. Half of all the world's cheese is made with bacteria or enzymes made by one company. And one in four beers drunk around the world is the product of one brewer.If it strikes you that everything is starting to taste the same wherever you are in the world, you're by no means alone. This matters: when we lose diversity and foods become endangered, we not only risk the loss of traditional foodways, but also of flavors, smells, and textures that may never be experienced again. And the consolidation of our food has other steep costs, including a lack of resilience in the face of climate change, pests, and parasites. Our food monoculture is a threat to our health-and to the planet. In Eating to Extinction, the distinguished BBC food journalist Dan Saladino travels the world to experience and document our most at-risk foods before it's too late. He tells the fascinating stories of the people who continue to cultivate, forage, hunt, cook, and consume what the rest of us have forgotten or didn't even know existed. Take honey-not the familiar product sold in plastic bottles, but the wild honey gathered by the Hadza people of East Africa, whose diet consists of eight hundred different plants and animals and who communicate with birds in order to locate bees' nests. Or consider murnong-once the staple food of Aboriginal Australians, this small root vegetable with the sweet taste of coconut is undergoing a revival after nearly being driven to extinction. And in Sierra Leone, there are just a few surviving stenophylla trees, a plant species now considered crucial to the future of coffee.From an Indigenous American chef refining precolonial recipes to farmers tending Geechee red peas on the Sea Islands of Georgia, the individuals profiled in Eating to Extinction are essential guides to treasured foods that have endured in the face of rampant sameness and standardization. They also provide a roadmap to a food system that is healthier, more robust, and, above all, richer in flavor and meaning.

Selected poems from a Nobel laureateIn 100 Poems, readers will enjoy the most loved and celebrated poems, and will discover new favorites, from "The Cure at Troy" to "Death of a Naturalist." It is a singular and welcoming anthology, reaching far and wide, for now and for years to come. Seamus Heaney had the idea to make a personal selection of poems from across the entire arc of his writing life, a collection small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this himself, but now, finally, the project has been returned to, resulting in an intimate gathering of poems chosen and introduced by the Heaney family. No other selection of Heaney's poems exists that has such a broad range, drawing from the first to the last of his prizewinning collections.