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  • av Elizabeth Alexander
    201

  • av Albert Goldbarth
    217

  • av Nick Flynn
    231

  • av Paul Lisicky
    217

  • av Jill Fredston
    277

  • av Elizabeth A Fenn
    277

  • av Sami Plotkin & Rhona Silverbush
    527

  • av Louis P. Masur
    267

  • av Colette
    277

    Two volumes of Colette's most beloved works, with a new Introduction by Judith Thurman.Perhaps Colette's best-known work, Gigi is the story of a young girl being raised in a household more concerned with success and money than with the desires of the heart. But Gigi is uninterested in the dishonest society life she observes all around her and remains exasperatingly Gigi. The tale of Gigi's success in spite of her anxious family is Colette at her liveliest and most entertaining. Written during the same period as Gigi, Julie de Carneilhan, based on Colette's last years with her second husband, focuses on a contest of wills between Julie, an elegant woman of forty, and her ex-husband. Chance Acquaintances, a novella, involves an invalid wife, her philandering husband, and a music-hall dancer whose odd meeting at a French spa affects and indelibly marks each one of their lives.

  • av Jerome Lawrence
    181,99

    A reissue of a now classic American drama.If the law is of such a nature that it requires you to be an agent of injustice to another, then I say, break the law." So wrote the young Henry David Thoreau in 1849. Three years earlier, Thoreau had put his belief into action and refused to pay taxes because of the United States government's involvement in the Mexican War, which Thoreau firmly believed was unjust. For his daring and unprecedented act of protest, he was thrown in jail. The Night Thoreau Spent in Jail is a celebrated dramatic presentation of this famous act of civil disobedience and its consequences. Its poignant, lively, and accessible scenes offer a compelling exploration of Thoreau's philosophy and life.

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    av Rainer Rilke
    201

    Who, if I cried out, would hear me among the angelicorders? and even if one of them pressed mesuddenly to his heart: I'd be consumedin that overwhelming existence. For beauty is nothingbut the beginning of terror, which we can just barely endure,and we stand in awe of it as it coolly disdainsto destroy us. Every angel is terrifying.-from "The First Elegy"Over the last fifteen years, in his two volumes of New Poems as well as in The Book of Images and Uncollected Poems, Edward Snow has emerged as one of Rainer Maria Rilke's most able English-language interpreters. In his translations, Snow adheres faithfully to the intent of Rilke's German while constructing nuanced, colloquial poems in English. Written in a period of spiritual crisis between 1912 and 1922, the poems that compose the Duino Elegies are the ones most frequently identified with the Rilkean sensibility. With their symbolic landscapes, prophetic proclamations, and unsettling intensity, these complex and haunting poems rank among the outstanding visionary works of the century.

  • av Gerald Early
    231

    Body Language: Writers on Sport, the second book in the Graywolf Forum Series, gathers thirteen contemporary creative writers who offer personal reflections on our public obsession: from the pool hustler to the closet baseball fan; from late-night rodeo on cable TV to tennis games on the weathered fields of Illinois; from the aging basketball player to the anxious young girl determining whether to strike out the boy who is her friend. Through these individual narratives we begin to recognize the universal themes that galvanize both sport and literature: conflict and sacrifice, ritual and passion, humiliation and heroism.Gerald Early (editor) is the author of The Culture of Bruising: Essays on Prize Fighting, which won the National Book Critics Circle Award.Contributors:Gerald EarlyJonis AgeeTeri BostianCecil BrownWayne FieldsLorraine KeePhillip LopateJames A. McPhersonVijay SeshadriKris VervaeckeLoïc WacquantAnthony WaltonDavid Foster Wallace

  • av Nelson Algren
    281

    With its depictions of the downtrodden prostitutes, bootleggers, and hustlers of Perdido Street in the old French Quarter of 1930s New Orleans, Nelson Algren's A Walk in the Wild Side has found a place in the imaginations of all generations since it first appeared. As Algren admitted, the book "wasn't written until long after it had been walked . . . I found my way to the streets on the other side of the Southern Pacific station, where the big jukes were singing something called 'Walking the Wild Side of Life.' I've stayed pretty much on that side of the curb ever since."Perhaps the author's own words describe this classic work best: "The book asks why lost people sometimes develop into greater human beings than those who have never been lost in their whole lives. Why men who have suffered at the hands of other men are the natural believers in humanity, while those whose part has been simply to acquire, to take all and give nothing, are the most contemptuous of mankind."

  • av David Hajdu
    277

  • av Carol Sheriff
    267

  • av Langston Hughes
    291

  • av John McPhee
    287

    At various times in a span of fifteen years, John McPhee made geological field surveys in the company of Eldridge Moores, a tectonicist at the University of California at Davis. The result of these trips is Assembling California, a cross-section in human and geologic time, from Donner Pass in the Sierra Nevada through the golden foothills of the Mother Lode and across the Great Central Valley to the wine country of the Coast Ranges, the rock of San Francisco, and the San Andreas family of faults. The two disparate time scales occasionally intersect-in the gold disruptions of the nineteenth century no less than in the earthquakes of the twentieth-and always with relevance to a newly understood geologic history in which half a dozen large and separate pieces of country are seen to have drifted in from far and near to coalesce as California. McPhee and Moores also journeyed to remote mountains of Arizona and to Cyprus and northern Greece, where rock of the deep-ocean floor has been transported into continental settings, as it has in California. Global in scope and a delight to read, Assembling California is a sweeping narrative of maps in motion, of evolving and dissolving lands.

  • av James Wright
    321

    One of the most admired American poets of his generation, James Wright (1927-80) wrote contemplative, sturdy, and generous poems with an honesty, clarity, and stylistic range matched by very few--then or now. From his Deep Image-inspired lyrics to his Whtimanesque renderings of Neruda, Vallejo, and other Latin American poets, and from his heartfelt reflections on life, love, and loss in his native Ohio to the celebrated prose poems (set frequently in Italy) that marked the end of his important career, Above the River gathers the complete work of a modern master. It also features a moving and insightful introduction by Donald Hall, Wright's longtime friend and colleague.

  • av Claudio Magris
    311

    In this acclaimed international bestseller, Claudio Magris tracks the Danube River, setting his finger on the pulse of Central Europe, the crucible of a culture that draws on influences of East and West, Christianity and Islam. In each town he raises the ghosts that inhabit the houses and monuments, from Ovid and Marcus Aurelius to Kafka and Canetti, in "a fascinating blend of anecdote and history" (San Francisco Examiner).

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    av Charles Fuller
    201

    Winner of the Pulitzer Prize for Drama, 1982A black sergeant cries out in the night, "They still hate you," then is shot twice and falls dead. Set in 1944 at Fort Neal, a segregated army camp in Louisiana, Charles Fuller's forceful drama--which has been regularly seen in both its original stage and its later screen version starring Denzel Washington--tracks the investigation of this murder. But A Soldier's Play is more than a detective story: it is a tough, incisive exploration of racial tensions and ambiguities among blacks and between blacks and whites that gives no easy answers and assigns no simple blame.

  • av John McPhee
    267

    La Place de la Concorde Suisse is John McPhee's rich, journalistic study of the Swiss Army's role in Swiss society. The Swiss Army is so quietly efficient at the art of war that the Israelis carefully patterned their own military on the Swiss model.

  • av Colette
    401

    The Collected Stories of Colette beings together in one volume for the first time in any language the comprehensive collection of short stories by the novelist known worldwide as Colette, and now acknowledged, with Proust, as the most original French narrative writer of the first half of our century. of the one hundred stories gathered here, thirty-one appear for the first time in English and another twenty-nine have been newly translated for this volume.

  • av John McPhee
    267

  • av McPhee John
    257

    When John McPhee returned to the island of his ancestors-Colonsay, twenty-five miles west of the Scottish mainland-a hundred and thirty-eight people were living there. About eighty of these, crofters and farmers, had familial histories of unbroken residence on the island for two or three hundred years; the rest, including the English laird who owned Colonsay, were "incomers." Donald McNeill, the crofter of the title, was working out his existence in this last domain of the feudal system; the laird, the fourth Baron Strathcona, lived in Bath, appeared on Colonsay mainly in the summer, and accepted with nonchalance the fact that he was the least popular man on the island he owned. While comparing crofter and laird, McPhee gives readers a deep and rich portrait of the terrain, the history, the legends, and the people of this fragment of the Hebrides.

  • av Isaac Bashevis Singer
    265

  • av Giacomo Leopardi
    411

    A New York Times Notable Book for 2011 Giacomo Leopardi is Italy's greatest modern poet, the first European writer to portray and examine the self in a way that feels familiar to us today. A great classical scholar and patriot, he explored metaphysical loneliness in entirely original ways. Though he died young, his influence was enormous, and it is no exaggeration to say that all modern poetry, not only in Italian, derives in some way from his work.Leopardi's poetry is notoriously difficult to translate, and he has been less well known to English-language readers than his central significance for his own culture might suggest. Now Jonathan Galassi, whose translations of Eugenio Montale have been widely acclaimed, has produced a strong, fresh, direct version of this great poet that offers English-language readers a new approach to Leopardi. Galassi has contributed an informative introduction and notes that provide a sense of Leopardi's sources and ideas. This is an essential book for anyone who wants to understand the roots of modern lyric poetry.

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