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Leon Daudet was the son of the popular writer Alphonse Daudet. Jean-Baptiste Charcot was the son of the neurologist Jean-Martin Charcot. And Jeanne Hugo was the granddaughter of the immortal Victor Hugo. They were the children of France's most celebrated men of nineteenth-century. This book paints a portrait of a generation lost in upheaval.

Critical illness is a fact of life. Even those of us who enjoy decades of good health are touched by it eventually. And when this happens, we grapple with serious and often confusing choices about how best to live with our afflictions. This book is suitable for people facing these difficult decisions.

From the alphabet inscribed in our DNA to the stars that once told stories, Same Life maps a cosmos both intricate and vast. In her first full-length book of poems, Maureen N. McLane has written a beautifully sensual and moving work, full of passion and sadness and humor and understanding. Erotically charged lyrics conjure a latter-day Sappho; major sequences explore citizenship and sexuality, landscape and history, moving us from Etruscan ruins to video porn, ushering us through cities, gardens, lakefronts, and airplanes. Here are poems equally alert to shifts in weather and cracks in consciousness; here is a poet equally at home with delicate song and vivid polemic. Same Life evokes an American life in transit, shareable yet singular; singable, ponderable, erotic; an unpredictable venture in twenty-first-century soul-making.

A dramatic account of life in Czechoslovakia's great capital during the Nazi Protectorate With this successor book to Prague in Black and Gold, his account of more than a thousand years of history in the great Central European capital, Peter Demetz focuses on the six years that Prague was under German occupation in World War II: from the bitter morning of March 15, 1939, when Hitler arrived from Berlin to set his seal on the Nazi takeover of the Czechoslovak government, until the liberation of Bohemia in April 1945. Demetz was a boy living in Prague then, and here he joins his objective chronicle of the city under Nazi control with his personal memories of that period, expertly interweaving a superb account of the German authorities' diplomatic, financial, and military machinations with a brilliant description of Prague's evolving resistance and underground opposition. The result is a complex, continually surprising book filled with rare human detail and warmth, the gripping story of a great city meeting the dual challenge of occupation and of war.

The natural world as humans have always known it evolved close to 100 million years ago. Its tremendous history is now in danger of profound, catastrophic disruption. This title presents a synthesis of evolutionary biology, palaeontology, and modern environmental science to show how we can understand and prevent 'mass extinction event.'

The chairs have come in and the crisp yellow thwock of the ball being hit says somehow, now that it's fall, I'm a memory of myself. My whole old life-I mourn you sometimes in places you would have been. -OctoberThe poems in this fierce debut are an attempt to record what matters. As a reporter's dispatches, they concern themselves with different forms of desolation: what it means to feel at home in wrecked places and then to experience loneliness and dislocation in the familiar. The collection arcs between internal and external worlds-the disappointment of returning, the guilt and thrill of departure, unexpected encounters in blighted places- and, with ruthless observations etched in the sparest lines, the poems in Wideawake Field sharply and movingly navigate the poles of home and away.

Littlefoot, the eighteenth book from one of this country's most acclaimed poets, is an extended meditation on mortality, on the narrator's search of the skies for a road map and for last instructions on "the other side of my own death." Following the course of one year, the poet's seventieth, we witness the seasons change over his familiar postage stamps of soil, realizing that we are reflected in them, that the true affinity is between writer and subject, human and nature, one becoming the other, as the river is like our blood, "it powers on, / out of sight, out of mind." Seeded with lyrics of old love songs and spirituals, here we meet solitude, resignation, and a glad cry that while a return to the beloved earth is impossible, "all things come from splendor," and the urgent question that the poet can't help but ask: "Will you miss me when I'm gone?

I don't want words to sever me from reality.I don't want to need them. I want nothingto reveal feeling but feeling-as in freedom,or the knowledge of peace in a realm beyond,or the sound of water poured in a bowl.-from "Gravity and Center"In his sixth collection of verse, Henri Cole deepens his excavations and examinations of autobiography and memory. These poems-often hovering within the realm of the sonnet-combine a delight in the senses with the rueful, the elegiac, the harrowing. Central here is the human need for love, the highest function of our species. Whether writing about solitude or unsanctioned desire, animals or flowers, the dissolution of his mother's body or war, Cole maintains a style that is neither confessional nor abstract, and he is always opposing disappointment and difficult truths with innocence and wonder.

One of the early-twentieth century Southern intellectuals and artists of the early twentieth century known as the Agrarians, Allen Tate wrote poetry that was rooted strongly in that region's past-in the land, the people, and the traditions of the American South as well as in the forms and concerns of the classic poets. In "Ode to the Confederate Dead"- generally recognized as his greatest poem-he delineates both the horror of the sight of rows of tombstones at a Confederate cemetery and the honor that such sacrifice embodies, resulting in "a masterpiece that could not be transcended" (William Pratt).

In Riding Westward, Carl Phillips wields his celebrated gifts for syntax and imagery that are unmistakably his own--speculative, athletic, immediate--as he confronts moral crisis. The singer turning this and that way, as if watching the song itself--the words to the song--leave him, as helets each go, the wind carrying most of it,some of the words, falling, settling intoinstead that larger darkness, where the smallerdarknesses that our lives were lie softly down."--from "Riding Westward"What happens when the world as we've known it becomes divided, when the mind becomes less able--or less willing--to distinguish reality from what is desired? What is the difference, Phillips asks, between good and evil, cruelty and instruction, risk and trust? Against the backdrop of the natural world, Phillips pitches the restlessness of what it means to be human, as he at once deepens and extends a meditation on that space where the forces of will and imagination collide with sexual and moral conduct.

Elizabeth Cady Stanton-along with her comrade-in-arms, Susan B. Anthony-was one of the most important leaders of the movement to gain American women the vote. But, as Vivian Gornick argues in this passionate, vivid biographical essay, Stanton is also the greatest feminist thinker of the nineteenth century. Endowed with a philosophical cast of mind large enough to grasp the immensity that women's rights addressed, Stanton developed a devotion to equality uniquely American in character. Her writing and life make clear why feminism as a liberation movement has flourished here as nowhere else in the world.Born in 1815 into a conservative family of privilege, Stanton was radicalized by her experience in the abolitionist movement. Attending the first international conference on slavery in London in 1840, she found herself amazed when the conference officials refused to seat her because of her sex. At that moment she realized that "In the eyes of the world I was not as I was in my own eyes, I was only a woman." At the same moment she saw what it meant for the American republic to have failed to deliver on its fundamental promise of equality for all. In her last public address, "The Solitude of Self," (delivered in 1892), she argued for women's political equality on the grounds that loneliness is the human condition, and that each citizen therefore needs the tools to fight alone for his or her interests.Vivian Gornick first encountered "The Solitude of Self" thirty years ago. Of that moment Gornick writes, "I hardly knew who Stanton was, much less what this speech meant in her life, or in our history, but it I can still remember thinking with excitement and gratitude, as I read these words for the first time, eighty years after they were written, 'We are beginning where she left off.' "The Solitude of Self is a profound, distilled meditation on what makes American feminism American from one of the finest critics of our time.

John Hope Franklin lived through America's most defining twentieth-century transformation, the dismantling of legally protected racial segregation. A renowned scholar, he has explored that transformation in its myriad aspects, notably in his 3.5-million-copy bestseller, From Slavery to Freedom. Born in 1915, he, like every other African American, could not help but participate: he was evicted from whites-only train cars, confined to segregated schools, threatened-once with lynching-and consistently subjected to racism's denigration of his humanity. Yet he managed to receive a Ph.D. from Harvard; become the first black historian to assume a full professorship at a white institution, Brooklyn College; and be appointed chair of the University of Chicago's history department and, later, John B. Duke Professor at Duke University. He has reshaped the way African American history is understood and taught and become one of the world's most celebrated historians, garnering over 130 honorary degrees. But Franklin's participation was much more fundamental than that.From his effort in 1934 to hand President Franklin Roosevelt a petition calling for action in response to the Cordie Cheek lynching, to his 1997 appointment by President Clinton to head the President's Initiative on Race, and continuing to the present, Franklin has influenced with determination and dignity the nation's racial conscience. Whether aiding Thurgood Marshall's preparation for arguing Brown v. Board of Education in 1954, marching to Montgomery, Alabama, in 1965, or testifying against Robert Bork's nomination to the Supreme Court in 1987, Franklin has pushed the national conversation on race toward humanity and equality, a life long effort that earned him the Presidential Medal of Freedom, the nation's highest civilian honor, in 1995. Intimate, at times revelatory, Mirror to America chronicles Franklin's life and this nation's racial transformation in the twentieth century, and is a powerful reminder of the extent to which the problem of America remains the problem of color.

Cutty, One Rock takes the reader on a wild journey by airplane, bus, ferry, and foot from childhood to early manhood in the company of a New Jersey family in equal measures cultivated and deranged. We witness scenes of passionate, even violent intensity that give rise to meditations on eros and literature, the solitariness of travel, and the poetics of place.These individual pieces, most of which first appeared in The London Review of Books and won an international cult following, are by turns "poignant, surreal, down home and lyrical, a mixture of qualities that inheres in his language with uncommon delicacy and effect" (Leonard Michaels). Together they make up an intellectual and emotional autobiography on the run. The book's final section, about Kleinzahler's adored, doomed older brother, is unforgettable, and since its appearance last year in the LRB, has already entered the literature as one of the most moving contemporary memoirs.

"Streets in Their Own Ink . . . has a gritty realism infused with a sense of the marvelous." --Edward Hirsch, The Washington PostIn a city like that one might sailthrough life led by a runaway hat.The young scattered in whatever directionstheir wild hair pointed and, gustinginto one another, they fell in love.-from "Windy City"In his second book of poems, Stuart Dybek finds vitality in the same vibrant imagery that animates his celebrated works of fiction. The poems of Streets in Their Own Ink map the internal geographies of characters who inhabit severe and often savage city streets, finding there a tension that transfigures past and present, memory and fantasy, sin and sanctity, nostalgia and the need to forget. Full of music and ecstasy, they consecrate a shadowed, alternate city of dreams and retrospection that parallels a modern city of hard realities. Ever present is Dybek's signature talent for translating "extreme and fantastic events into a fabulous dailiness, as though the extraordinary were everywhere around us if only someone would tell us where to look" (Geoffrey Wolff).

Striking new poems from a writer whose "lyric gift . . . outstrips all diversionary maneuvers." (Carol Moldaw, The Antioch Review)The light, for as far asI can see, is that of any number of late afternoons I remember still: how the lightseemed a bell; how it seemed I'd been livinginsider it, waiting - I'd heard all about that one clear note it gives. --from "Late Apollo III"In The Rest of Love, his seventh book, Carl Phillips examines the conflict between belief and disbelief, and our will to believe: Aren't we always trying, Phillips asks, to contain or to stave off facing up to, even briefly, the hard truths we're nevertheless attracted to? Phillips's signature terse line and syntax enact this constant tension between abandon and control; following his impeccable interior logic, "passionately austere" (Rita Dove, The Washington Post Book World), Phillips plumbs the myths we make and return to in the name of desire-physical, emotional, and spiritual.The Rest of Love is a 2004 National Book Award Finalist for Poetry.

A lucid and compelling case for a new American stance toward the Islamic world.What comes after jihad? Outside the headlines, believing Muslims are increasingly calling for democratic politics in their undemocratic countries. But can Islam and democracy successfully be combined? Surveying the intellectual and geopolitical terrain of the contemporary Muslim world, Noah Feldman proposes that Islamic democracy is indeed viable and desirable, and that the West, particularly the United States, should work to bring it about, not suppress it.Encouraging democracy among Muslims threatens America's autocratic Muslim allies, and raises the specter of a new security threat to the West if fundamentalists are elected. But in the long term, the greater threat lies in continuing to support repressive regimes that have lost the confidence of their citizens. By siding with Islamic democrats rather than the regimes that repress them, the United States can bind them to the democratic principles they say they support, reducing anti-Americanism and promoting a durable peace in the Middle East. After Jihad gives the context for understanding how the many Muslims who reject religious violence see the world after the globalization of democracy. It is also an argument about how American self-interest can be understood to include a foreign policy consistent with the deeply held democratic values that make America what it is. At a time when the encounter with Islam has become the dominant issue of U.S. foreign policy, After Jihad provides a road map for making democracy work in a region where the need for it is especially urgent.

Time was plunging forward,like dolphins scissoring open water or like me,following Jenny's flippers down to see the coral reef,where the color of sand, sea and sky merged,and it was as if that was all God wanted:not a wife, a house or a position,but a self, like a needle, pushing in a vein.-from "Olympia"In his fifth collection of verse, Henri Cole's melodious lines are written in an open style that is both erotic and visionary. Few poets so thrillingly portray the physical world, or man's creaturely self, or the cycling strain of desire and self-reproach. Few poets so movingly evoke the human quest of "a man alone," trying --to say something true that has body, because it is proof of his existence.. . Middle Earth is a revelatory collection, the finest work yet from an author of poems that are . . .marvels-unbuttoned, riveting, dramatic-burned into being-- (Tina Barr, Boston Review).

Palaeontologist Michael Novacek is an authority on patterns of evolution and on the relationships among extinct and extant organisms. This book is his account of how a boyhood passion for dinosaurs became a lifelong commitment to vanguard science.

Almost thirty years ago, Charles Wright (who teaches at the University of Virginia in Charlottesville and has won both the Pulitzer Prize and the National Book Award for Poetry) began a poetic project of astonishing scope--a series of three trilogies. The first trilogy was collected in Country Music, the second in The World of the Ten Thousand Things, and the third began with Chickamauga and continued with Black Zodiac. Appalachia is the last book in the final trilogy of this pathbreaking and majestic series.If Country Music traced "Wright's journey from the soil to the stars" and The World of the Ten Thousand Things "lovingly detailed" our world and made "a visionary map of the world beyond" (James Longenbach, The Nation), this final book in Wright's great work reveals a master's confrontation with his own mortality and his stunning ability to discover transcendence in the most beautifully ordinary of landscapes.

Winner of the Pulitzer Prize and the National Book Critics Circle AwardBlack Zodiac offers poems suffused with spiritual longing-lyrical meditations on faith, religion, heritage, and morality. The poems also explore aging and mortality with restless grace. Approaching his vast subjects by way of small moments, Wright magnifies details to reveal truths much larger than the quotidian happenings that engendered them. His is an astonishing, flexible, domestic-yet-universal verse. As the critic Helen Vendler has observed, Wright is a poet who "sounds like nobody else."

The history of American military operations in the post-Vietnam era has been marked by failure and near-disaster. Since 1970, American forces have been committed in five operations--in Sontay to rescue prisoners, in Cambodia on behalf of the crew of the Mayaguez, in Iran to rescue the American hostages, in Beirut, and in Grenada--and in each case they have failed. Gabriel tells how and why each was crippled by faulty intelligence, clumsy execution, or poor planning by the Joint Chiefs of Staff. Much of his information is still classified by the Pentagon and is revealed here for the first time. Finally, Gabriel offers a prescription for reform based on his twenty-one years of military experience.

"To write what is human, not escapist," is Henri Cole's endeavor. In The Visible Man he pursues his aim by folding autobiography and memory into the thirty severe and fiercely truthful lyrics--poems presenting a constant tension between classical repose and the friction of life--that make up this exuberant book. This work, wrote Harold Bloom, "persuades me that Cole will be a central poet of his generation. The tradition of Wallace Stevens and Hart Crane is beautifully extended in The Visible Man, particularly in the magnificent sequence 'Apollo.' Keats and Hart Crane are presences here, and Henri Cole invokes them with true aesthetic dignity, which is the mark of nearly every poem in The Visible Man."

John D. Mayer, the renowned psychologist who co-developed the groundbreaking theory of emotional intelligence, now draws on decades of cognitive psychology research to introduce another paradigm-shifting idea: that in order to become our best selves, we use an even broader intelligence-which he calls personal intelligence-to understand our own personality and the personalities of the people around us. In Personal Intelligence, Mayer explains that we are naturally curious about the motivations and inner worlds of the people we interact with every day. Some of us are talented at perceiving what makes our friends, family, and coworkers tick. Some of us are less so. Mayer reveals why, and shows how the most gifted "readers" among us have developed "high personal intelligence." Mayer's theory of personal intelligence brings together a diverse set of findings-previously regarded as unrelated-that show how much variety there is in our ability to read other people's faces; to accurately weigh the choices we are presented with in relationships, work, and family life; and to judge whether our personal life goals conflict or go together well. He persuasively argues that our capacity to problem-solve in these varied areas forms a unitary skill. Illustrating his points with examples drawn from the lives of successful college athletes, police detectives, and musicians, Mayer shows how people who are high in personal intelligence (open to their inner experiences, inquisitive about people, and willing to change themselves) are able to anticipate their own desires and actions, predict the behavior of others, and-using such knowledge-motivate themselves over the long term and make better life decisions. And in outlining the many ways we can benefit from nurturing these skills, Mayer puts forward an essential message about selfhood, sociability, and contentment. Personal Intelligence is an indispensable book for anyone who wants to better comprehend how we make sense of our world.

Two dazzling dramas on American themes from the Nobel laureate Derek Walcott, Walker and Ghost Dance.On a cold winter's day on the Dakota plains, Catherine Weldon receives a caller, Kicking Bear, bringing news of Indian rebellion. In the fort nearby, a tiny community splinters apart over how to react. In Ghost Dance, first performed in 1989, Walcott turns a story with a foregone conclusion--Sitting Bull and his Sioux followers will die at the hands of the Army and Indian agents--into a portrait of life at a crossroads of American history. In Walker, an opera first performed in 1992 and revised for its revival in 2001, Walcott shifts his attention east, taking for his subject David Walker, the nineteenth-century black abolitionist. In Walcott 's hands Walker becomes a classical hero for his people: a leader who is also a poet.

In this innovative and concise work, Israeli politician Benjamin Netanyahu offers a compelling approach to understanding and fighting the increase in domestic and international terrorism throughout the world. Citing diverse examples from around the globe, Netanyahu demonstrates that domestic terrorist groups are usually no match for an advanced technological society which can successfully roll back terror without any significant curtailment of civil liberties. But Netanyahu sees an even more potent threat from the new international terrorism which is increasingly the product of Islamic militants, who draw their inspiration and directives from Iran and its growing cadre of satellite states. The spread of fundamentalist Islamic terrorism, coupled with the possibility that Iran will acquire nuclear weapons, poses a more frightening threat from an adversary less rational and therefore less controllable than was Soviet Communism. How democracies can defend themselves against this new threat concludes this provocative book.

Set in Zimbabwe, "Without a Name" is the story of Marvita, who travels from the country to Harare to escape the war and begin a new life. "Under the Tongue" deals frankly with the subject of incest.

A magnetic, provocative debut novel chronicling a young woman's downward spiral following the end of an affair

Takes a look at the visibility of gay and bisexual characters, performers, and issues on the national cultural stage. This book discusses the author's experience as a bisexual, and the struggle she's undergone to reconcile the privilege she's garnered as a woman who is perceived as straight.

The poems in Robert Pinsky's At the Foundling Hospital consider personality and culture as improvised from loss: a creative effort so pervasive it is invisible. An extreme example is the abandoned new-born.

Physicists have discovered a phenomenon that operates outside the confines of space and time: nonlocality - the ability of two particles to act in harmony no matter how far apart they may be. If space isn't what we thought it was, then what is it? In Spooky Action at a Distance, the journalist George Musser sets out to answer that question.