Böcker utgivna av FARRAR STRAUSS & GIROUX

The story of the impactful partnership between humans and mockingbirds, both scientifically and culturally over the centuries, written for young adults by award-winning nonfiction powerhouse Phil Hoose.The Northern mockingbird's brilliant song-a loud, bright, liquid sampling of musical notes and phrases-has made it a beloved companion and the official bird of five states. Many of our favorite songs and poems feature mockingbirds. Mockingbirds have been companions to humans for centuries. Many Native American myths and legends feature mockingbirds, often teaching humans to speak. Thomas Jefferson's mockingbird, "Dick", was the first White House pet. John James Audubon's portrait of a rattlesnake raiding a mockingbird's nest sparked outrage in the world of art. Atticus Finch's somber warning to his children, "Remember, it's a sin to kill a Mockingbird," is known throughout the world. Some jazz musicians credit mockingbirds with teaching them a four-note call that says, "Break's over." And mockingjays-a hybrid between jabberjays and mockers-are a symbol of the rebel cause in the Hunger Games trilogy. But in the early 1900s the mocker was plummeting toward extinction. Too many had been trapped, sold, and caged. Something had to be done. To the rescue came a powerful and determined group of women.Now, National Book Award and Newbery honor-winner Phillip Hoose brings the story of the important and overlooked connection between humans and mockingbirds-past, present, and future. It is the third volume of his bird trilogy.Duet is a study in the power of song. As author Steve Sheinkin puts it, "This book will change how you listen to the world."

As she builds her own life anew, an Italian writer embarks on an all-consuming search for the true story of the mysterious princess H. H. Amrit Kaur of Mandi.On a sweltering day in 2007, having just lost her brother to illness, Livia Manera Sambuy finds herself at a museum in Mumbai, enthralled by a 1924 photograph of a stunningly elegant Indian princess. What she reads in the picture's caption will change her life forever. This alluring Punjabi royal had supposedly sold her jewels in occupied wartime Paris to save Jewish lives, only to be arrested by the Gestapo and sent to a concentration camp, where she died within a year. Could it be true? And if so, how could such a sensational story have gone unreported? Almost against her will, Manera becomes drawn into the mystery of Amrit Kaur. Delving into the history of the British Raj, its durbars and society balls and jubilees, she shows us the precipitous decline of India's royal caste through the lives of extraordinary figures such as Amrit's father, the larger-than-life Maharaja Jagatjit Singh of Kapurthala; the Jewish banker Albert Kahn; and the Russian explorer Nicholas Roerich-all while pursuing the elusive Amrit Kaur's story. When she meets with the princess's eighty-year-old daughter, Manera's search takes on a new dimension, as she strives to reintroduce an orphan to a mother who disappeared in 1933, leaving behind two children, her raja husband, and a legacy of activism in India's nascent women's civil rights movement. In Search of Amrit Kaur is an engrossing detective story, a kaleidoscopic history lesson, and a moving portrait of a woman seeking personal freedom against the backdrop of a world in upheaval.

An essential, vibrant collection of masterful translations by one of the finest poets at work today Collected French Translations: Poetry,half of a long-awaited two-volume collection of translations by America's foremost living poet, surveys John Ashbery's lifelong love of French poetry. Beginning in 1955, Ashbery spent nearly a decade in France, working as an art critic in Paris and forming a relationship with the poet Pierre Martory. His translations of Martory's poems, featured here, were collected in The Landscapist, a Poetry Book Society Recommended Translation in 2008 and a finalist for the National Book Critics Circle Award in poetry.In this volume, Ashbery presents a wide selection of France's finest poets: Charles Baudelaire, Stéphane Mallarmé, Arthur Rimbaud, Max Jacob, Pierre Reverdy, Paul Éluard, and its greatest living poet, Yves Bonnefoy. A rich array of 171 poems by twenty-four poets, this bilingual volume also features a selection from Ashbery's masterly translation of Rimbaud's Illuminations. The development of modern French poetry emerges through Ashbery's chronology, as does the depth of French influences on his iconoclastic career and the poets of the New York School. Collected together for the first time, Ashbery's translations represent decades of remarkable work from the writer hailed by Harold Bloom as a part of the "American sequence that includes Whitman, Dickinson, Stevens, and Hart Crane."

The final posthumous work by the coauthor of the major New York Times bestseller The Dawn of Everything.Pirates have long lived in the realm of romance and fantasy, symbolizing risk, lawlessness, and radical visions of freedom. But at the root of this mythology is a rich history of pirate societies-vibrant, imaginative experiments in self-governance and alternative social formations at the edges of the European empire.In graduate school, David Graeber conducted ethnographic field research in Madagascar for his doctoral thesis on the island's politics and history of slavery and magic. During this time, he encountered the Zana-Malata, an ethnic group of mixed descendants of the many pirates who settled on the island at the beginning of the eighteenth century. Pirate Enlightenment, or the Real Libertalia, Graeber's final posthumous book, is the outgrowth of this early research and the culmination of ideas that he developed in his classic, bestselling works Debt and The Dawn of Everything (written with the archaeologist David Wengrow). In this lively, incisive exploration, Graeber considers how the protodemocratic, even libertarian practices of the Zana-Malata came to shape the Enlightenment project defined for too long as distinctly European. He illuminates the non-European origins of what we consider to be "Western" thought and endeavors to recover forgotten forms of social and political order that gesture toward new, hopeful possibilities for the future.

Longlisted for the 2023 Booker PrizeA taut, enthralling first novel about grief, sisterhood, and a young athlete's struggle to transcend herself.Eleven-year-old Gopi has been playing squash since she was old enough to hold a racket. When her mother dies, her father enlists her in a quietly brutal training regimen, and the game becomes her world. Slowly, she grows apart from her sisters. Her life is reduced to the sport, guided by its rhythms: the serve, the volley, the drive, the shot and its echo.But on the court, she is not alone. She is with her pa. She is with Ged, a thirteen-year-old boy with his own formidable talent. She is with the players who have come before her. She is in awe.An indelible coming-of-age story, Chetna Maroo's first novel captures the ordinary and annihilates it with beauty. Western Lane is a valentine to innocence, to the closeness of sisterhood, to the strange ways we come to know ourselves and each other.

In Katy Simpson Smith's The Weeds, two women, connected across time, edge toward transgression in pursuit of their desires.A Mississippi woman pushes through the ruin of the Roman Colosseum, searching for plants. She has escaped her life, signed up to catalog all the species growing in this place. Crawling along the stones, she wonders how she has landed here, a reluctant botanist amid a snarl of tourists in comfortable sandals. She hunts for a scientific agenda and a direction of her own. In 1854, a woman pushes through the jungle of the Roman Colosseum, searching for plants. As punishment for her misbehavior, she has been indentured to the English botanist Richard Deakin, for whom she will compile a flora. She is a thief, and she must find new ways to use her hands. If only the woman she loves weren't on a boat, with a husband. But love isn't always possible. She logs 420 species. Through a list of seemingly minor plants and their uses-medical, agricultural, culinary-these women calculate intangible threats: a changing climate, the cost of knowledge, and the ways repeated violence can upend women's lives. They must forge their own small acts of defiance and slip through whatever cracks they find. How can anyone survive? Lush, intoxicating, and teeming with mischief, Katy Simpson Smith's The Weeds is a tense, mesmerizing page-turner about science and survival, the roles women are given and have taken from them, and the lives they make for themselves.

A woman spills the story of her life to a bar full of strangers, in the acerbic first novel from Laura Adamczyk.Anything can become the story of your life if you let it, and I suppose this became mine.In Island City, a wry, wistful woman, estranged from her family, sells her belongings and moves back to her hometown in the Midwest. To her, it's the "perfect place to give up." She wants to get rid of everything-her stuff, her ambitions. Before making a "messy exit," she holes up in a dark bar and tells her stories to an audience of indifferent strangers. There's the time the river dried up and you could walk across its bed; the day her sister got clobbered at the nursing home; when her dad got cancer, then Alzheimer's, then cancer again. Now she's forgetting things the way he did, words slipping away. That third drink isn't helping.Laura Adamczyk, whose writing is "super weird" and "super unsettling" (Eugenia Williamson, The Boston Globe), creates a full portrait of a person, even as the image blurs and fades. Delivered as a booze-soaked monologue, Island City is a funny, devastating first novel, one that bristles and burns with true feeling.

"Each chapter is a gem of insight into the human experience, cut and polished to perfection by the renowned psychologist David Myers. Better than any book I can recall, this book answers questions about why we think, feel, and act as we do-but also makes us curious to learn more." -Angela DuckworthA delightful tour of the wonders of our humanity from David G. Myers, the award-winning professor and author of psychology's bestselling textbook.Over the past three decades, millions of students have learned about psychology from textbooks by David G. Myers. To create these books and to satisfy his own endless curiosity about the human mind, Myers monitors the leading journals to discover the most extraordinary developments in psychological science.How Do We Know Ourselves? is a compendium of the most wondrous verities that Myers has found, revealing thought-provoking insights into our everyday lives. His astute observations and sharp-witted wisdom enable readers to think smarter and live happier.Myers's subjects range from why we so often fear the wrong things to how simply going for a walk with someone can increase rapport and empathy. He reveals why we repeatedly mishear song lyrics and how the color of President Obama's suits aided in his decision-making. Myers also explores the powers and perils of our intuition, explaining why anything can seem obvious once it happens.These forty essays offer fresh insight into our sometimes bewildering but ever-fascinating lives. Myers is engaging and intellectually provocative, and he brings a wealth of knowledge from more than fifty years of teaching and writing about psychology to this lively and informative collection. He inspires us to ponder timeless questions, including what might be the most intriguing one of all: How do we know ourselves?

An account of a lynching that took place in New York in 1892, forcing the North to reckon with its own racism.On June 2, 1892, in the small, idyllic village of Port Jervis, New York, a young Black man named Robert Lewis was lynched by a violent mob. The twenty-eight-year-old victim had been accused of sexually assaulting Lena McMahon, the daughter of one of the town's well-liked Irish American families. The incident was infamous at once, for it was seen as a portent that lynching, a Southern scourge, surging uncontrollably below the Mason-Dixon Line, was about to extend its tendrils northward. What factors prompted such a spasm of racial violence in a relatively prosperous, industrious upstate New York town, attracting the scrutiny of the Black journalist Ida B. Wells, just then beginning her courageous anti-lynching crusade? What meaning did the country assign to it? And what did the incident portend?Today, it's a terrible truth that the assault on the lives of Black Americans is neither a regional nor a temporary feature, but a national crisis. There are regular reports of a Black person killed by police, and Jim Crow has found new purpose in describing the harsh conditions of life for the formerly incarcerated, as well as in large-scale efforts to make voting inaccessible to Black people and other minority citizens. The "mobocratic spirit" that drove the 2021 attack on the U.S. Capitol-a phrase Abraham Lincoln used as early as 1838 to describe vigilantism's corrosive effect on America-frightfully insinuates that mob violence is a viable means of effecting political change. These issues remain as deserving of our concern now as they did a hundred and thirty years ago, when America turned its gaze to Port Jervis.An alleged crime, a lynching, a misbegotten attempt at an official inquiry, and a past unresolved. In A Lynching at Port Jervis, the acclaimed historian Philip Dray revisits this time and place to consider its significance in our communal history and to show how justice cannot be achieved without an honest reckoning.

A Washington Post Best Book of the YearA captivating memoir of one woman's long journey to late transition, as the trans community emerges alongside her."Achingly beautiful." -Manuel Betancourt, The New York Times Book ReviewLong before Laverne Cox appeared on the cover of Time, far removed from drag and ballroom culture, there were countless trans women living and dying as men, most of whom didn't even know they were trans. Diana Goetsch's This Body I Wore chronicles one woman's long journey to coming out, a path that runs parallel to the emergence of the trans community over the past several decades."How can you spend your life face-to-face with an essential fact about yourself and still not see it?" This is a question often asked of trans people, and a question that Goetsch, an award-winning poet and essayist, addresses with the power and complexity of lived reality. She brings us into her childhood, her time as a dynamic and beloved teacher at New York City's Stuyvesant High School, and her plunge into the city's crossdressing subculture in the 1980s and '90s. Under cover of night, crossdressers risked their jobs and their safety to give expression to urges they could neither control nor understand. Many would become late transitioners, the Cinderellas of the trans community largely ignored by history.Goetsch has written not a transition memoir, but rather a full account of a trans life, one both unusually public and closeted. All too often trans lives are reduced to before-and-after photos, but what if that before photo lasted fifty years?

The sea almost killed them, and now it must lead them to the truth in this standalone middle-grade eco-mystery about twins lost on the high seas from the author of the bestselling novel The White Giraffe.Twelve-year-old Jess and Jude live a dream life on a battered old yacht, sailing from one exotic destination to the next with their guardian. But when he vanishes one night after an argument with a stranger, the twins are left alone, facing an incoming storm and an unknown enemy.Surviving at sea is just the start of an adventure that will take them an ocean away to the former home of their missing parents and pit them against one of the world's most powerful men. How far do they dare go, and what will they risk, to find the truth about who they are really are?Wave Riders from Lauren St John is an exciting and compelling middle-grade tale of sailing, family, and identity.

The New York Times-bestselling children's book series returns with The Pout-Pout Fish and the Mad, Mad Day.The Pout-Pout Fish's morning has been maddening and rough. Disappointments and frustrations-Mr. Fish has had enough! It's been one thing, then another, then another stacked on top. He's mad and getting madder. Is there any way to stop?Swim along with Mr. Fish as he faces his anger and gains new understandings. With a little help from his friends, he might just discover the healing power of words and self-compassion.

A selection of the best short work by France's greatest living nonfiction writer A New York Times Notable Books of 2020 No one writes nonfiction like Emmanuel Carrère. Although he takes cues from such literary heroes as Truman Capote and Janet Malcolm, Carrère has, over the course of his career, reinvented the form in a search for truth in all its guises. Dispensing with the rules of genre, he takes what he needs from every available form or discipline-be it theology, historiography, fiction, reportage, or memoir-and fuses it under the pressure of an inimitable combination of passion, curiosity, intellect, and wit. With an oeuvre unique in world literature for its blend of empathy and playfulness, Carrère stands as one of our most distinctive and important literary voices.97,196 Words introduces Carrère's shorter works to an English-language audience. Featuring more than thirty extraordinary essays written over an illustrious twenty-five-year period of Carrère's creative life, this collection shows an exceptional mind at work. Spanning continents, histories, and personal relationships, and treating everything from American heroin addicts to the writing of In Cold Blood, from the philosophy of Philip K. Dick to a single haunting sentence in a minor story by H. P. Lovecraft, from Carrère's own botched interview with Catherine Deneuve to the week he spent following the future French president Emmanuel Macron, 97,196 Words considers the divides between truth, reality, and our shared humanity as it explores remarkable events and eccentric lives, including Carrère's own.

"Will Jawando's account of mentorship, service, and healing lays waste to the racist stereotype of the absent Black father. By arguing that Black fathers are not just found in individual families, but are indeed the treasure of entire Black communities, Will makes the case for a bold idea: that Black men can counter racist ideas and policies by virtue of their presence in the lives of Black boys and young men. This is a story we need to hear." -Ibram X. Kendi, New York Times-bestselling author of How to be an AntiracistWill Jawando tells a deeply affirmative story of hope and respect for men of color at a time when Black men are routinely stigmatized. As a boy growing up outside DC, Will, who went by his Nigerian name, Yemi, was shunted from school to school, never quite fitting in. He was a Black kid with a divorced white mother, a frayed relationship with his biological father, and teachers who scolded him for being disruptive in class and on the playground. Eventually, he became close to Kalfani, a kid he looked up to on the basketball court. Years after he got the call telling him that Kalfani was dead, another sickening casualty of gun violence, Will looks back on the relationships with an extraordinary series of mentors that enabled him to thrive.Among them were Mr. Williams, the rare Black male grade school teacher, who found a way to bolster Will's self-esteem when he discovered he was being bullied; Jay Fletcher, the openly gay colleague of his mother who got him off junk food and took him to his first play; Mr. Holmes, the high school coach and chorus director who saw him through a crushing disappointment; Deen Sanwoola, the businessman who helped him bridge the gap between his American upbringing and his Nigerian heritage, eventually leading to a dramatic reconciliation with his biological father; and President Barack Obama, who made Will his associate director of public engagement at the White House-and who invited him to play basketball on more than one occasion. Without the influence of these men, Will knows he would not be who he is today: a civil rights and education policy attorney, a civic leader, a husband, and a father.Drawing on Will's inspiring personal story and involvement in My Brother's Keeper, President Obama's national initiative to address persistent opportunity gaps facing boys and young men of color, My Seven Black Fathers offers a transformative way for Black men to shape the next generation.

A stunning selection of the best short fiction from the recipient of the Nobel Prize in LiteratureThis collection of Nadine Gordimer's short fiction demonstrates her rich use of language and her unsparing vision of politics, sexuality, and race. Whether writing about lovers, parents and children, or married couples, Gordimer maps out the terrain of human relationships with razor-sharp psychological insight and a stunning lack of sentimentality. The selection, which spans the course of Gordimer's career to date, presents the range of her storytelling abilities and her brilliant insight into human nature. From such epics as "Friday's Footprint" and "Something Out There" to her shorter, more experimental stories, Gordimer's work is unfailingly nuanced and complex. Time and again, it forces us to examine how our stated intentions come into conflict with our unspoken desires. This definitive volume, which includes four new stories from the Nobel laureate, is a testament to the power, force, and ongoing relevance of Gordimer's vision.

Assorted Poems is a generous selection from the first four books by one of the most distinctive voices in contemporary poetry. In Bag 'o' Diamonds (1993), Smokes (1998), Source Codes (2001), and Ledger (2005), Susan Wheeler has established herself as a poet of rare gifts. Her work is allusive and searching, sweeping over time and place-from the art of the Northern Renaissance to corporate logos-observing and exploring everything with characteristic precision and intelligence. The poems are both rigorous and free, taking on our culture: its beauties and cruelties, its relationship to the past and its uncertain future. Assorted Poems is a vibrantly thoughtful and entertaining book, a must-read from a poet whom Harold Bloom has called "an exuberant, subtle, endlessly inventive original."