Böcker utgivna av Fondation Cartier pour l'art contemporain

Bernie Krause is an American musician and bioacoustician. United Visual Artists is a studio founded by Matthew Clark in London in 2003. Gilles Boeuf is a Professor of Biology at the Sorbonne. He was chairman of the Mus¿ national d¿histoire naturelle, Paris, from 2009 to 2015, and is now chairman of the Scientific Council of the Agence fran¿se pour la biodiversit¿AFB). Hans Ulrich Obrist is a Curator and Artistic Director of the Serpentine Gallery, London. Michel Andr¿s a biotechnologies engineer and Director of the Laboratory of Applied Bioacoustics. He is also a professor at the Polytechnic University of Catalonia, Barcelona.

Damien Hirst's new series of paintings, published here for the very first time to accompany their exhibition at the Fondation Carter pour l'art contemporain, Paris. In Spring 2021 the Fondation Cartier pour l¿art contemporain will open an exhibition dedicated to Damien Hirst and his latest painting series, Cherry Blossoms. The series is a continuation of Hirst¿s career-long exploration into the power of painting and the relationship between artist and the canvas, demonstrated in the Spot Paintings (1986¿2011), Visual Candy (1993¿1995), Colour Space Paintings (2016), and Veil Paintings (2017). Both an appropriation and a tribute to the pictorial art of the nineteenth and twentieth centuries, this new series marks the return of the artist in his own studio. Using a conceptual approach, Damien Hirst explores in Cherry Blossoms the questions of beauty, colour, and excess in painting. < Includes texts by Emanuele Coccia (Italian philosopher), Philippe Costamagna (French art historian), Michio Hayashi (Japanese art historian), Gilda Williams (American art historian), and an anthology of literary texts brought together by Alberto Manguel.

Raymond Depardon's studies of rural France combine intimate observation with the evocative timelessness of place

In 1984, acting on a suggestion by the artist César, Alain Dominique Perrin, who was then President of Cartier International, decided to create the Fondation Cartier pour l'art contemporain, the first corporate foundation dedicated to contemporary art in France. In October 2024, it will celebrate its 40th anniversary.On this occasion, the Fondation Cartier will publish a book retracing the history of its creation and artistic program since 1984. Richly illustrated with over 800 images, this book bears witness to the unique character of this world-famous art institution, presents. the principles that have guided it since 1984, and allows us to rediscover 40 years of patronage dedicated to contemporary creation.

A reference book on artist Olga de Amaral. Gathering around a hundred works as well as many archive photographs, it retraces the evolution of her practice over time and the major role she played in the revolution of Fiber Art. >Amaral's hand-woven works combine natural fibers, paint, plaster, and precious metals, and reflect her interest in architecture and geometry. While her early works featured geometric motifs and bright colors, those of the 1970s marked the start of her research on three-dimensionality with works that free themselves from the wall to invade space. She then returned to a more human and intimate scale, with colors inspired by Colombian landscapes.From October 2024 to March 2025, the Fondation Cartier unveils the full richness and power of Amaral's art in her first major retrospective in Europe. Bringing together historical works never presented outside Colombia, as well as contemporary pieces with vibrant shapes and colors, the exhibition highlights the artist's career-long experimentation with materials, scale, and three-dimensionality.Contributions from Ann Coxon, Curator of International Art at Tate Modern and textile art specialist, María Wills Londoño, curator at the Banco de la República, Bogotá, and Marie Perennès, curator of the exhibition, tell the story of Olga de Amaral, contextualize her work within the local and international textile art scene, and analyze the themes that run through her art.

On the occasion of the exhibition of artist Ron Mueck in June 2023, the Fondation Cartier publishes an expanded edition of the comprehensive reference book first published in 2013, covering Mueck's thirty-year career and presenting all his sculptures through numerous photographs and unpublished documents. Artist's notes, studio shots, preparatory drawings and photographs of models allow the reader to discover Mueck's creative process and understand the intimacy of his work. Contributions from art specialists Justin Paton, Robert Rosenblum and Robert Storr, and from philosopher and essayist Peter Sloterdijk explore the major themes underlying his art.

French artist Fabrice Hyber is moving between the worlds of science and art. Green is his color; drawing, painting, sculpture, and video are his playgrounds, along with a lush valley of almost seventy hectares in the West of France, where he has planted over 100,000 trees since the 1990s. From an early age, he enjoyed collecting and planting seeds from service, pine, cypress, and maple trees, and observing the movements of streams, plants, and the changes in the trees around him. Staying true to his childhood hobbies, he still delights in expanding and enriching the world. This catalogue will bring together nearly 100 paintings by Fabrice Hyber, as well as a rich portfolio illustrating the creation and development of the Valley. It will be accompanied by contributions from anthropologist Bruce Albert, philosopher Emanuele Coccia, contemporary art historian Pascal Rousseau, and virologist Olivier Schwartz.

In July 2022, the Fondation Cartier pour l'art contemporain will present the first exhibition of the work of Australian Indigenous artist Sally Gabori in France. Sally Gabori started painting at the age of 81 and produced over 3,000 paintings over the 10 years that her career lasted. Through a selection of thirty paintings, including remarkable large format works that punctuated her artistic output, and thanks to exceptional artwork loans from major Australian museums, the exhibition invites to discover the singular and colorful work of this extraordinary painter, who is one of the leading Australian artists of the last decade.Gathering the works of the exhibition alongside other paintings by the artist, the exhibition catalogue invites to further discover Sally Gabori's work, deeply rooted in the history of her people, the Kaiadilt, and attesting to an extraordinary pictorial modernity. Contributions by Nicholas Evans- specialist of the Kaiadilt culture and close to Sally Gabori's family; Judith Ryan and Bruce McLean - curators of Indigenous - put in perspective traditions and artistic practices to tell the story of Sally Gabori, the strength of her art, and the substantial cultural legacy she left.

Published to accompany Claudia Andujar, The Yanomami Struggle at the Fondation Cartier pour l'art contemporain, the most ambitious exhibition ever devoted to the Brazilian photographer who since the 1970s has dedicated her life to photography and the protection of the Yanomami Indians, one of the largest Amerindian communities in the Brazilian Amazon. Conceived by Thyago Nogueira for the Instituto Moreira Salles in Brazil, Claudia Andujar, The Yanomami Struggle features over 200 black-and-white and colour photographs, many of which have never been shown before, as well as an audiovisual installation, historical documents and drawings produced by Yanomami artists. The fruit of several years' research into the photographer's archives, the exhibition reflects the two inseparable aspects of her approach: one aesthetic, the other political. The exhibition also shows Claudia Andujar's significant contribution to photographic art and the essential role she has played and continues to play in the defense of Yanomami rights and the forest in which they live.

Communes is a photographic essay by Raymond Depardon exploring the villages of France¿s Mediterranean inland region. Its 80 black-and-white photographs were taken by Depardon in the summer of 2020, after France¿s first lockdown, and cover the departments of Aveyron, Lozère, Gard and Hérault. These villages are timeless havens of peace, where tranquility and cool prevail. Witnesses to history, they were threatened by the `Nant concession¿, a shale gas extraction project, but the inhabitants protested and the project was abandoned in 2015. The villages, with their cobbled streets, old houses with jagged facades and rustic construction, are once again thriving. The photographs are accompanied by a text by Salomé Berlioux, president of the association Chemins d¿Avenirs, an association that accompanies and promotes thousands of young people from isolated areas. Berlioux is also the author of Les Invisibles de la République. Comment sauver la jeunesse de la France périphérique? (Robert Laffont, 2019) and Nos campagnes suspendes. La France périphérique face à la crise (Editions de l'Observatoire, 2020).

This book accompanies Claudia Andujar's unprecedented retrospective at the Fondation Cartier pour l'art contemporain.

A richly illustrated catalogue showcasing the sculptures American artist Sarah Sze has conceived for the Fondation Cartier, offering a deeper understanding of her creative process

Hans Ulrich Obrist has been Co-Director of International Exhibitions and Programs and Direction of International Projects at the Serpentine Gallery since 2006. His Interview project so far comprises nearly 2,000 hours of conversations.

Bruce Albert is an anthropologist and committed advocate of the Brazilian Yanomami, with whom he has been working since 1975. Emanuele Coccia is Associate Professor at the ¿ole des Hautes ¿udes en sciences sociales, Paris, and author of The Life of Plants: A Metaphysics of Mixture. Francis Hall¿s Botany Professor at Montpellier University. Stefano Mancuso is Professor at Florence University, and a member of the Accademia dei Georgofili.

Filmmaker, photographer and international journalist, Raymond Depardon holds a unique place in the field of the contemporary image. In 1967, he co-founded the Gamma Agency, and in 1978, he joined the Magnum Agency for whom he would carry out reports all over the world up until the beginning of the 1980s. While continuing to practise photography on a daily basis, he later turned his attention to documentary film, making use of the direct cinema genre. Raymond Depardon puts the fixed and moving image at the service of a simple and singular narrative. From his first pictures taken in the early 1960s to his latest trips to Africa and South America, as well as voyages to Vietnam, Beirut and Glasgow, Raymond Depardon¿s work is characterized by its fundamentally human approach. In 2010, he presented the exhibition ¿La France de Raymond Depardon¿ at the BnF Fran¿s-Mitterrand in Paris and, in 2013, the exhibition ¿Un moment si doux¿, at the Grand Palais in Paris, bringing together fifty years of his color photography. With his wife Claudine Nougaret, Raymond Depardon has produced numerous films: Urgences (1988), La Captive du d¿rt (1990), D¿ts flagrants (1994), Paris (1998), 10e chambre, instants d¿audiences (2004), La Vie Moderne (2008), Journal de France (2012), and Les Habitants (2016).

A new collection by the noted Japanese photographer Nobuyoshi Araki.

From 19 November 2013 to 6 April 2014, the Fondation Cartier pour lart contemporain will be showing America Latina 1960-2013, organized in collaboration with the Amparo Museum in Puebla (Mexico). This book offers a perspective on Latin American photography from 1960 to today, focusing on the relationship between text and the photographic image.

Working in mediums such as sculpture, video, film, installation, performance, and printmaking, the author connects you to physical realities of violence, sex, and death with visceral, spiritual messages, like an early neon sign proclaiming. He tries to helps the world by revealing mystic truths.