An archive of personal trauma that addresses how a culture still toxic to queer people can reshape a bodyIn the summer of 2019, Jonathan Alexander had a minor stroke, what his doctors called an "eye stroke." A small bit of cholesterol came loose from a vein in his neck and instead of shooting into his brain and causing damage, it lodged itself in a branch artery of his retina, resulting in a permanent blindspot in his right eye. In Stroke Book, Alexander recounts both the immediate aftermath of his health crisis, which marked deeper health concerns, as well as his experiences as a queer person subject to medical intervention.A pressure that the queer ill contend with is feeling at fault for their condition, of having somehow chosen illness as punishment for their queerness, however subconsciously. Queer people often experience psychic and somatic pressures that not only decrease their overall quality of life but can also lead to shorter lifespans. Emerging out of a medical emergency and a need to think and feel that crisis through the author's sexuality, changing sense of dis/ability, and experience of time, Stroke Book invites readers on a personal journey of facing a health crisis while trying to understand how one's sexual identity affects and is affected by that crisis. Pieceing and stitching together his experience in a queered diary form, Alexander's lyrical prose documents his ongoing, unfolding experience in the aftermath of the stroke. Through the fracturing of his text, which almost mirrors his fractured sight post-stroke, the author grapples with his shifted experience of time, weaving in and out, while he tracks the aftermath of what he comes to call his "incident" and meditates on how a history of homophobic encounters can manifest in embodied forms.The book situates itself within a larger queer tradition of writing-first, about the body, then about the body unbecoming, and then, yet further, about the body ongoing, even in the shadow of death. Stroke Book also documents the complexities of critique and imagination while holding open a space for dreaming, pleasure, intimacy, and the unexpected.
"In Gorgeous Display," by Nigerian poet Ugochukwu Damian Okpara, is a volume dedicated to the memory of those lost to anti-queer violence in Nigeria and elsewhere. In this first full-length collection of his work, Okpara examines queer male identity, effeminacy, and exile, offering meditations on desire and sanctuary, freedom and estrangement. Forty-three poems pierce familial relationships, safety, fear, and anxiety portrayed through the outward sign of hand tremors, queer lynching, survival, hope, the emptiness of exile, and reclamation of the self. Embracing the ephemeral and spiritual nature of physical beauty, Okpara also reveals the scars of queer displacement, illuminating the ways that leaving home is never quite the utopia one hopes for and how often the ache of abandonment can haunt a life lived in the present.
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