Böcker utgivna av Fordham University Press

This volume builds on recent engagements with Barth in theologies of religion, and opens new conversation between Barth and comparative theology. In each of six religion-specific sections, two theologians offer focused engagements of Barth with themes and figures from another religious tradition, followed by response from a theologian from that tradition itself.

Exploring how traces of the energies and dynamics of Orthodox Christian theology and anthropology may be observed in the clinical work of depth psychology, this guide elucidates how theology and psychology are by no means fundamentally at odds with each other but rather can work together in a beautiful and powerful synergy.

New Perspectives on the Union War explores, at a wide array of points along the political spectrum, the many shapes patriotic sentiment took in the loyal states during the Civil War. The essays provide new insights into well-known figures such as Secretary of the Treasury Salmon P. Chase, political philosopher Francis Lieber, African American author/entrepreneur Elizabeth Keckley, abolitionist Abby Kelly Foster, New York governor Horatio Seymour, and Attorney General Edward Bates. They also offer the perspectives of common soldiers, of the partisan press, of the clergy, and of social reformers.

New Perspectives on the Union War explores, at a wide array of points along the political spectrum, the many shapes patriotic sentiment took in the loyal states during the Civil War. The essays provide new insights into well-known figures such as Secretary of the Treasury Salmon P. Chase, political philosopher Francis Lieber, African American author/entrepreneur Elizabeth Keckley, abolitionist Abby Kelly Foster, New York governor Horatio Seymour, and Attorney General Edward Bates. They also offer the perspectives of common soldiers, of the partisan press, of the clergy, and of social reformers.

Analyzes Anglo-American and Italian literary, cinematic and military representations of World War II Italy in order to trace, critique and move beyond the gendered paradigm of redemption that has conditioned understandings of the Allied-Italian encounter.

Between individual Catholics and a global institution, thousands of local parishes remake Catholicism each day. With fresh data and sociological methods, this book shows how parishes are shaped by community, geography, and authority; how parishes respond to diversity and change; and how parishes worship and educate for the future of Catholicism.

Based on archival translations of Derrida's as-yet untapped (1975-76) La vie la mort seminar, McCance's The Reproduction of Life Death offers an unprecedented study of Derrida's engagement both with the logic of reproduction held by 1970s molecular biology and genetics and with reproductivity as theorized and performed by Freud in Beyond the Pleasure Principle.

Murder, Inc. and the Moral Life: Gangsters and Gangbusters in La Guardia's New York tells the story of the notorious 1930s Brooklyn gang nicknamed "Murder, Inc." Murder, Inc. is as well an extended moral reflection on the phenomenon of gangsters in general and the Murder, Inc. gang in particular.

This book contributes to the environmental humanities field by offering an analysis of the Anthropocene fantasy: the idea that the Anthropocene is an opportunity to remake our terrestrial environment thanks to the power of technology. The author argues that the earth always escapes the human desire to remake and master it.

Interweaves visual and performance theory with memory and affect studies to develop the theory of memory mapping, defined as the visual process of representing the affective, sensorial, polyvocal, and temporally layered relationship between past and present, anchored within the specificities of place.

People's Car studies divergent populist responses to land acquisition for industries in rural India. It contends that landownership enables small landowners to aspire and look forward to social mobility in the non-farm sector, which are contingent upon industrialization. The protests against land acquisition, thus, have contradictory tendencies.

Under Representation argues that the relation between the concepts of freedom and universality and modernity's racial order is grounded in aesthetic philosophy. Late Enlightenment aesthetics provide the conditions of possibility for universal human subjecthood by forging a "racial regime of representation" whose genealogy runs from Kant to Adorno and Benjamin.

Poetics of History places Rousseau at the origin of modern speculative philosophy by showing that his thinking on the theater, despite its dependence on a false and conventional reading of Aristotle, nonetheless articulates a radical thinking of originary mimesis, and, well before Hegel, an understanding of catharsis as Aufhebung.

How does literature contest capital punishment? The central question of this book, taken over from Derrida's seminar The Death Penalty, is pursued in the analyses of four fictional texts. The context of the remains of the death penalty in the contemporary U.S. frames these engagements and extends their pertinence today.

Practicing Caste attempts a break from the tradition of caste studies, using versions of phenomenology, structuralism and post-structuralism; and gives a description of touchability and untouchability in terms of a rhetoric and semantics of touch.

Explores both the theory and practice of rhythm in literature with a focus on nineteenth and twentieth-century poetry. Emphasis on rhythm's role in contemporary literary criticism, including debates about poetic form and genre.

Explores both the theory and practice of rhythm in literature with a focus on nineteenth and twentieth-century poetry. Emphasis on rhythm's role in contemporary literary criticism, including debates about poetic form and genre.

Ecstasy in the Classroom analyzes the early thirteenth century theological discourse about Paul's rapture and other modes of cognizing God. It reconstructs the perceptions of transformation and self they imply, and demonstrate their role in establishing the peculiar professional identity of scholastic theologians compared with other seers of God.

Maurice Blanchot: a Critical Biography attempts a critical and theoretical biography by drawing on unpublished documents and interviews with those close to the writer. It tracks the life and work of one of the most important novelists and critics of the twentieth century, who influenced many writers, artists, and philosophers, not least those of French theory.

"Voices in the singular and plural compel Henk Rossouw's Xamissa with such ecstatic stride as to match the intensity of human spectacle advancing the procession of Cape Town's history. The collective effect of alternating scenes and incantations reflect an ethical imperative of uncertainty. With formal ambition and acoustic scales of mind, Rossouw confronts a past haunted by racial brutality, even as it imagines an eventual social unity and the durational "anyway" that poetry's historical imagination is able to contain."-Roberto Tejada"Both poetry and the capacity to recover history's untold cruelties find a home in Xamissa, the name 'crossed-out' beneath the one we know, 'Cape Town.' In Henk Rossouw's stunning collection of this name, crossed-out histories refuse their erasure, spill their liquid meaning, and reclaim the name that means 'place of sweet waters.' But because what you see when you look at this place is too easy at first, you might miss that its bright surfaces are like 'a beautiful wet bag over the mouth of.' Xamissa misses nothing."-Gabeba Baderoon, author of The Dream in the Next Body, A Hundred Silences, and The History of Intimacy"In Xamissa, Henk Rossouw's artistic vision isn't borne out of the tyranny of spontaneous epiphany, but rather is carefully fleshed out through a constructivist process of cultural excavation. Nimbly threading History's objects ('nation,' 'city,' 'self,' 'peoples'), Rossouw guides us into and out of Imperium's capture zones. The result is a lived-life global poetics where the harmonic modulation from nationalist myth-making to a newly invigorated drive for liberationist re-definition of 'citizenship,' makes for a dazzling music of our time."-Rodrigo Toscano Xamissa is a book-length poem that sounds out the city of Cape Town in a joyful elegy for the city of alternate takes. Xamissa adapts the mythical name for the springs and streams running from Table Mountain to the sea, under the city itself, since before the colonial Dutch ships came-the X of the title standing in for the multiple ways in the languages of the Cape, past and present, the reader may pronounce the first consonant. A work of documentary poetics that investigates the cost of whiteness in South Africa, Xamissa code-switches at times into Lontara, the subversive Indonesian script that undercuts the prevalence of Dutch in the colonial archive. Through serial questions around the ethics of its address, Xamissa probes the interrelation of language, sociality, and resistance, in its bid to interrogate the archive as a draft of the city's future. Henk Rossouw teaches at the University of Louisiana at Lafayette. His poems have appeared in The Paris Review, The Massachusetts Review, The Boston Review, and other publications.

Julia Bouwsma (Author) Julia Bouwsma is the author of Work by Bloodlight (Cider Press Review, 2017).

Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-Franois Bonhomme. But in Derrida's hands commentary always has a way of unfolding or, better, developing in several unexpected and mutually illuminating directions.

This book is a model of philosophical and Heideggerian scholarship. Avoiding the extremes of abject worship and facile refutation, it moves into the heart of the later Heideggers work. Not only is Caputo faithful to the texts, but he is reflective and critical, inviting the reader to philosophize with and against Heidegger.