Challenging the notion of theory as white and experience as black, Lewis Gordon here offers a philosophical portrait of the thought and life of the Martinican-turned-Algerian revolutionary psychiatrist and philosopher Frantz Fanon as an example of "living thought" against the legacies of colonialism and racism, and thereby shows the continued relevance and importance of his ideas.
"e;Warrior monks"e;-the misnomer for the Iberian military orders that emerged on the frontiers of Europe in the twelfth century-have long fascinated general readers and professional historians alike. Proposing "e;ecclesiastical knights"e; as a more accurate name and conceptual model-warriors animated by ideals and spiritual currents endorsed by the church hierarchy-author Sam Zeno Conedera presents a groundbreaking study of how these orders brought the seemingly incongruous combination of monastic devotion and the practice of warfare into a single way of life.Providing a detailed study of the military-religious vocation as it was lived out in the Orders of Santiago, Calatrava, and Alcantara in Leon-Castile during the first century, Ecclesiastical Knights provides a valuable window into medieval Iberia. Filling a gap in the historiography of the medieval military orders, Conedera defines, categorizes, and explains these orders, from their foundations until their spiritual decline in the early fourteenth century, arguing that that the best way to understand their spirituality is as a particular kind of consecrated knighthood.Because these Iberian military orders were belligerents in the Reconquest, Ecclesiastical Knights informs important discussions about the relations between Western Christianity and Islam in the Middle Ages. Conedera examines how the military orders fit into the religious landscape of medieval Europe through the prism of knighthood, and how their unique conceptual character informed the orders and spiritual self-perception.The religious observances of all three orders were remarkably alike, except that the Cistercian-affiliated orders were more demanding and their members could not marry. Santiago, Calatrava, and Alcantara shared the same essential mission and purpose: the defense and expansion of Christendom understood as an act of charity, expressed primarily through fighting and secondarily through the care of the sick and the ransoming of captives. Their prayers were simple and their penances were aimed at knightly vices and the preservation of military discipline. Above all, the orders valued obedience. They never drank from the deep wellsprings of monasticism, nor were they ever meant to.Offering an entirely fresh perspective on two difficult and closely related problems concerning the military orders-namely, definition and spirituality-author Sam Zeno Conedera illuminates the religious life of the orders, previously eclipsed by their military activities.
Carnal hermeneutics offers a philosophical approach to the body as interpretation. It engages our finite, spatio-temporal being-in-the-world through an account of meanings involving corporeal sensation, orientation, and linguistic articulation, and transcends the traditional dualism of rational understanding and embodied sensibility, arguing that our most carnal sensations are already interpretations.
What happens to poetic beauty when history turns the poet from one who contemplates natural beauty and the sublime to one who attempts to reconcile the practice of art with the hustle and noise of the city?An Atmospherics of the City traces Charles Baudelaire¿s evolution from a writer who practices a form of fetishizing aesthetics in which poetry works to beautify the ordinary to one who perceives background noise and disorder¿the city¿s version of a transcendent atmosphere¿as evidence of the malign work of a transcendent god of time, history, and ultimate destruction.Analyzing this shift, particularly as evidenced in Tableaux parisiens and Le Spleen de Paris, Ross Chambers shows how Baudelaire¿s disenchantment with the politics of his day and the coincident rise of overpopulation, poverty, and Haussmann¿s modernization of Paris influenced the poet¿s work to conceive a poetry of allegory, one with the power to alert and disalienate its otherwise inattentive reader whose senses have long been dulled by the din of his environment.Providing a completely new and original understanding of both Baudelaire¿s ethics and his aesthetics, Chambers reveals how the shift from themes of the supernatural in Baudelaire to ones of alienation allowed a new way for him to articulate and for his fellow Parisians to comprehend the rapidly changing conditions of the city and, in the process, to invent a ¿modern beauty¿ from the realm of suffering and the abject as they embodied forms of urban experience.
The book Chronicle of Separation is an attempt to write on Derrida, to Derrida and from Derrida on the basis of a pathetic experience, which, in various ways, describes and enacts the pathetic experience of deconstruction itself. The book tackles the weight of emotions that is at the heart of deconstructive reading.
A coherent and practical philosophy of interdependence, drawing on vivid examples from the biological sciences.
New Men uncovers the narrative of veteran reentry into civilian life and exposes a growing gap between how former soldiers of the Civil War saw themselves and the representations of them created by late nineteenth-century American society. This gap generated a new conception of the "veteran" still influential today.
Earth, Life & System: Evolution and Ecology on a Gaian Planet explores the multiple themes of Lynn Margulis's science: microbial evolution, ecology and symbiosis, the coupled interactions of environment and life in Gaia theory, and the connections of these newer scientific ideas to cultural and creative productions.
Negative Ecstasies discusses the contribution and significance of the work of Georges Bataille to the contemporary study of religion and theology, collecting essays that examine specific case studies and make connections to other significant scholars in the field.
Negative Ecstasies discusses the contribution and significance of the work of Georges Bataille to the contemporary study of religion and theology, collecting essays that examine specific case studies and make connections to other significant scholars in the field.
Ranging from Leonardo to Hobbes, The Storm at Sea: Political Aesthetics in the Time of Shakespeare argues that it is through an engagement with the problem of aesthetic autonomy that the early modern work most profoundly explores its relation to matters of law, state, sovereignty and political subjectivity.
Flirtations: Rhetoric and Aesthetics This Side of Seduction, opens by asking a fundamental first question: What is flirtation, and how does it differ from seduction? The essays thereby address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right.
By analyzing many films, by drawing on the philosophy of Lyotard, Nancy, and Derrida, this book suggest that in the apocalyptic genre, cinema is at work on its limit. Apocalypse-cinema is both the end of the world and the end of the film, the consummation and the (self)consumption of cinema.
Bruno Latour is one of the major figures of contemporary thought. This book provides a comprehensive overview of the Latourian oeuvre, spanning from his early work in the sociology and anthropology of science to his recent philosophy of multiple "modes of existence."
How can one experience the apocalypse in the present? Lyric Apocalypse argues that John Milton's and Andrew Marvell's lyrics depict revelation as an immediately perceptible event. In so doing, their lyrics explore the nature of events, the modern question of what it means for something to happen in the present.
A Derrida scholar traces the evolution of the philosopher's final seminar in Paris as he contemplates the state of the world and his own mortality. For decades, philosopher Jacques Derrida held weekly seminars in Paris, spending years at a time on a single, complex theme. From 2001 to 2003, he delivered the final work in this series, entitled ';The Beast and the Sovereign.' As this final seminar progressed, its central theme was diverted by questions of death, mourning, memory, and, especially, the end of the world. Now philosopher and Derrida scholar Michael Naas takes readers through the remarkable itinerary of Derrida's final seminar in The End of the World and Other Teachable Moments. The book begins with Derrida's analyses of the question of the animal in the context of his other published works on that subject. It then follows Derrida as a very different tone begins to emerge, one that wavers between melancholy and extraordinary lucidity with regard to the end of life. Focusing the entire second year on Daniel Defoe's novel Robinson Crusoe and Martin Heidegger's seminar ';The Fundamental Concepts of Metaphysics,' Derrida explores questions of the end of the world and of an originary violence that is both creative and destructive. The End of the World and Other Teachable Moments follows Derrida from week to week as he responds to these emerging questions, as well as to important events unfolding around him, both world eventsthe aftermath of 9/11, the American invasion of Iraqand more personal ones, from the death of Maurice Blanchot to intimations of his own death less than two years away.
Responding to Loss: Heideggerian Reflections on Literature, Architecture, and Film provides detailed explications of The Crossing by Cormack McCarthy, the Jewish Museum Berlin by Daniel Libeskind, and Wim Wenders' Wings of Desire. The interpretations-thinking via Heidegger, Marion, Arendt, and Levinas-call for an adequate response to loss, violence, witnessing.
Discusses the moral and metaphysical philosophy of Vladimir Jankelevitch, his reflections on the conditions for forgiveness, especially in light of the Shoah, and the temporality of forgiveness in its relation to creation, history, and memory.
Nietzsche advocates the affirmation of earthly life as a way to counteract nihilism and asceticism. This volume takes stock of the complexities and wide-ranging perspectives that Nietzsche brings to bear on the problem of life's becoming on earth by engaging various interpretative paradigms reaching from existentialist to Darwinist readings of Nietzsche.
How does one most profitably read the Bible? The answer, according to Chretien, must include allowing the Bible to read us. With the help of the great patristic writings as well as Protestant theologians and using his own poet's sensibility, he creatively explores such scriptural doctrines as joy, hope, and witness/testimony.
Analyzes Aristotle's natural philosophy and metaphysics from a feminist, deconstructive, psychoanalytic perspective, showing that Aristotelian teleology relies on the disparagement of chance and the feminine simultaneously and finding resources therein for contemporary feminist thought.
The Trace of God treats Derrida's discussion and use of religious ideas. Examining his writings both early and late, it provides accounts of his engagement with the Jewish, Christian, and Islamic traditions, offering a variety of perspectives on the meaning of his work and its implications today.
Focusing on low-income neighborhoods in Delhi, this book stitches together three different sets of issues. It examines the different trajectories of illness: What are the circumstances under which illness is absorbed within the normal and when does it exceed the normal putting resources, relationships, and even one's world into jeopardy?
This book puts Merleau-Ponty's philosophy into dialogue with literature, evolutionary biology, and animal studies to argue for evolutionary continuity between human cultural and linguistic behaviors and the semiotic activities of other animals. It restores our species to its place within the co-evolved animal community now threatened by environmental change.
Explores the relation between religion, philosophy and literature.
A philosophical analysis of the works of Franz Kafka, Maurice Blanchot and Samuel Beckett laying stress on the aesthetic notion of the sublime, especially as defined by philosopher Immanuel Kant, and arguing that these authors incorporate sublimity into their writing while also undermining the grandeur this traditionally implies.
The book offers the first systematic comparative treatment of the thoughts of Nietzsche and Merleau-Ponty. Through an account of each philosopher's thought as organized around their ambiguous relationship with the concept of truth, the book offers an elucidation of the concept of ambiguity and its dependence on the absolute as one of the determining features of modern thinking.
The contributors to this volume re-assess literary practice at the edges of paper, electronic media, and film. They show how the emergence of a new medium reinvigorates the book and the page as literary media, rather than announcing their impending death.
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