Böcker utgivna av Fordham University Press

The book argues that the Renaissance was the Ruin-naissance, the birth of the ruin as category of discourse that inspired voluminous poetic production. By examining Petrarch, Du Bellay, the Hypnerotomachia Poliphili, Spenser, and Shakespeare, Hui explains how writers used the ruin to think about their relationship to classical antiquity.

A collection of brief reflections on keywords related to energy, including the various substances and forces with which humans have produced energy, and their past, present, and future implications for values, politics, culture, and environment.

Over thirty years after Maurice Blanchot writes The Unavowable Community-a book outlining a critical response to Jean-Luc Nancy's early proposal for thinking an "inoperative community"-The Disavowed Community offers a close reading of Blanchot's text.

A collection of Essays over the last 20 years, exploring different dimensions (historical, political, philosophical, literary) of the philosophical debate on "subjecthood" and "subjectivity" in Modernity, as it was framed by the "Controversy on the subject" from the 1960's, and showing how it is now continued in a "controversy on the Universal".

This book investigates the form of spirituality given shape in the intersection of poetics and theological-philosophical reflection, concerned especially with matters of representation and failure.

This book examines how de facto segregation unfolded and operated at the New Jersey shore after the Civil War. Weaving together histories of race, leisure, and consumption, it argues that the politics of mass consumption contained early desegregation efforts and prolonged Jim Crow.

Artifacts of Thinking is a collection of essays exploring a combination of the intellectual concerns and thoughts of Hannah Arendt's Denktagebuch, and the methodological questions of how to treat unpublished writings and engaging with the private intellectual life of a highly public figure.

In comparative theology, an adherent of one religious tradition reflects on faith through deep and focused conversation with another tradition. This volume equips students of Christian theology for leadership in a pluralistic world through conversations about God, theodicy, humanity, Christology, and soteriology that take seriously the wisdom of religious neighbors.

A book of interviews with contemporary French phenomenologists; introduces the reader to the present state of contemporary French phenomenology in all its dimensions through the voices of its most significant figures living today.

This book thematizes the mystical figure of the abyss by examining the abyss as the dialectical process of the self's reconstruction followed by its dispossession. It traces such process in Neoplatonic mysticism, German idealism, and Afro-Caribbean philosophy with the end of politicizing the mystical figure from the standpoint of coloniality.

Jean Wahl occupies a singular position in 20th Century French philosophy, introducing, in many cases for the first time in France, the works of major German philosophers. This volume offers translations of some of Wahl's most important and influential essays on Hegel, Kierkegaard, Nietzsche, Husserl, Heidegger, and Jaspers.

The Limits of Fabrication engages anew with traditional understandings of poetry as a practice of making or building, putting this approach to the test and radicalizing its implications by studying models of form and structure in twentieth and twenty-first century materialist poetics alongside recent innovations in materials science and engineering.

An introduction to the philosophy of Maurice Merleau-Ponty (1908-1961) which guides through the three main phases of his work. Both for beginners and for confirmed scholars.

A selection of essays by notable phenomenologists and biblical scholars on scriptural texts and interpretive methodology.

Drawing inspiration from the Russian and Soviet tradition of historical poetics, the contributors to the volume seek to challenge and complement the historicism that stresses proximate socio-political contexts as well as the more recent and salutary concern with understanding literary production and reception on a global scale with the perspective of the longue durée of literary forms and institutions.

Eddic, Skaldic, and Beyond shines light on traditional divisions of Old Norse-Icelandic poetry and awakens the reader to work that blurs these boundaries. Many of the texts and topics taken up in these enlightening essays have been difficult to categorize and have consequently been overlooked or undervalued. The boundaries between genres (Eddic and Skaldic), periods (Viking Age, medieval, early modern), or cultures (Icelandic, Scandinavian, English, Continental) may not have been as sharp in the eyes and ears of contemporary authors and audiences as they are in our own. When questions of classification are allowed to fade into the background, at least temporarily, the poetry can be appreciated on its own terms. Some of the essays in this collection present new material, while others challenge long-held assumptions. They reflect the idea that poetry with "e;medieval"e; characteristics continued to be produced in Iceland well past the fifteenth century, and even beyond the Protestant Reformation in Iceland (1550). This superb volume, rich in up-to-date scholarship, makes little-known material accessible to a wide audience.

The relation between law and revolution is one of the most pressing questions of our time. As one country after another has faced the challenge that comes with the revolutionary overthrow of past dictatorships, how one reconstructs a new government is a burning issue.

Traditional theological perspectives on the human person are being challenged by contemporary cultural, political and scientific developments. Bringing together Roman Catholic theologians from different sub-disciplines, this collection of essays engages with and responds to the resulting tensions in theological anthropology, with a special focus on the themes of nature, self and relationality.

Figures of a Changing World develops an account of culture change that is based on the distinction between the two rhetorical figures of metaphor and metonymy. These figures are applied both to the large-scale interpretation of tensions in culture change and to the micro-interpretation of tensions within particular texts.

Examines early modern English literary representations of Jews and Muslims converting to Christianity alongside English translations of Calvin's writings, polemical writings, treaties on the sacraments, catechisms, and sermons. Demonstrates that the development of a theology of race in post-Reformation England helped resolved doctrinal controversies about baptism.

How has the internet changed our notion of theology? Has the internet had similar effects on the thinking of Christianity that were experienced after the development of other media technologies? This book aims to clarify how thinking has changed or remained the same in an era which is often seen as one in which the media's changes have speeded up.

This book aims for nothing short than a renewal of theological thinking by extending and radicalizing an iconoclastic and existentialist mode of thought. Meditative and aphoristic instead of argumentative, this book offers an original and constructive engagement with seminal issues such as indifference, belief, madness, and love.

This book argues that we should regard walking and talking in a single rhythmic vision. In doing so, it contributes to the theory of prosody, our understanding of respiration and looking, and, in sum, to the particular links, across the board, between the human characteristics of bipedal walking and meaningful talk.

Sophistics is the paradigm of a discourse that does things with words. It is not pure rhetoric, as Plato want us to believe, but it provides an alternative to the philosophical mainstream. This book constitutes a major contribution to the debate between philosophical pluralism, unitarism, and pragmatism.

Takes up Foucault's hypothesis that liberal "civil society," far from being a sphere of natural freedoms, designates the social spaces where our biological lives come under new forms of control, and are invested with new forms of biopower.

The renowned philosopher contemplates the medium of drawing in ';a book full of dazzling insights, imaginative curves and provocative renewals' (Sarah Clift, University of King's College). In 2007, philosopher Jean-Luc Nancy curated an exhibition at the Museum of Fine Arts in Lyon. This book, originally written for that exhibition, explores the interplay between drawing and formviewing the act of drawing as a formative force. Recalling that the terms ';drawing' and ';design' were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic, filmic, choreographic, poetic, melodic, and rhythmic senses. For Nancy, drawing resists any kind of closure, and therefore never resolves a tension specific to itself. Drawing allows the gesture of a desire that remains in excess of all knowledge to come to appearance. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around questions concerning form in its formation. Between sections of his text, Nancy includes a series of ';sketchbooks' on drawing, composed of quotations on art from different writers, artists, or philosophers.

Since the publication of her first book in 1974, Edith Wyschogrod has been at the forefront of the fields of Continental philosophy and philosophy of religion. This book examines and display the influence of Wyschogrod's work in essays that take up the thematics of influence in a variety of contexts.