Böcker utgivna av Fordham University Press

This book thematizes the mystical figure of the abyss by examining the abyss as the dialectical process of the self's reconstruction followed by its dispossession. It traces such process in Neoplatonic mysticism, German idealism, and Afro-Caribbean philosophy with the end of politicizing the mystical figure from the standpoint of coloniality.

Jean Wahl occupies a singular position in 20th Century French philosophy, introducing, in many cases for the first time in France, the works of major German philosophers. This volume offers translations of some of Wahl's most important and influential essays on Hegel, Kierkegaard, Nietzsche, Husserl, Heidegger, and Jaspers.

The Limits of Fabrication engages anew with traditional understandings of poetry as a practice of making or building, putting this approach to the test and radicalizing its implications by studying models of form and structure in twentieth and twenty-first century materialist poetics alongside recent innovations in materials science and engineering.

An introduction to the philosophy of Maurice Merleau-Ponty (1908-1961) which guides through the three main phases of his work. Both for beginners and for confirmed scholars.

A selection of essays by notable phenomenologists and biblical scholars on scriptural texts and interpretive methodology.

Drawing inspiration from the Russian and Soviet tradition of historical poetics, the contributors to the volume seek to challenge and complement the historicism that stresses proximate socio-political contexts as well as the more recent and salutary concern with understanding literary production and reception on a global scale with the perspective of the longue durée of literary forms and institutions.

Eddic, Skaldic, and Beyond shines light on traditional divisions of Old Norse-Icelandic poetry and awakens the reader to work that blurs these boundaries. Many of the texts and topics taken up in these enlightening essays have been difficult to categorize and have consequently been overlooked or undervalued. The boundaries between genres (Eddic and Skaldic), periods (Viking Age, medieval, early modern), or cultures (Icelandic, Scandinavian, English, Continental) may not have been as sharp in the eyes and ears of contemporary authors and audiences as they are in our own. When questions of classification are allowed to fade into the background, at least temporarily, the poetry can be appreciated on its own terms. Some of the essays in this collection present new material, while others challenge long-held assumptions. They reflect the idea that poetry with "e;medieval"e; characteristics continued to be produced in Iceland well past the fifteenth century, and even beyond the Protestant Reformation in Iceland (1550). This superb volume, rich in up-to-date scholarship, makes little-known material accessible to a wide audience.

The relation between law and revolution is one of the most pressing questions of our time. As one country after another has faced the challenge that comes with the revolutionary overthrow of past dictatorships, how one reconstructs a new government is a burning issue.

Traditional theological perspectives on the human person are being challenged by contemporary cultural, political and scientific developments. Bringing together Roman Catholic theologians from different sub-disciplines, this collection of essays engages with and responds to the resulting tensions in theological anthropology, with a special focus on the themes of nature, self and relationality.

Figures of a Changing World develops an account of culture change that is based on the distinction between the two rhetorical figures of metaphor and metonymy. These figures are applied both to the large-scale interpretation of tensions in culture change and to the micro-interpretation of tensions within particular texts.

Examines early modern English literary representations of Jews and Muslims converting to Christianity alongside English translations of Calvin's writings, polemical writings, treaties on the sacraments, catechisms, and sermons. Demonstrates that the development of a theology of race in post-Reformation England helped resolved doctrinal controversies about baptism.

How has the internet changed our notion of theology? Has the internet had similar effects on the thinking of Christianity that were experienced after the development of other media technologies? This book aims to clarify how thinking has changed or remained the same in an era which is often seen as one in which the media's changes have speeded up.

This book aims for nothing short than a renewal of theological thinking by extending and radicalizing an iconoclastic and existentialist mode of thought. Meditative and aphoristic instead of argumentative, this book offers an original and constructive engagement with seminal issues such as indifference, belief, madness, and love.

This book argues that we should regard walking and talking in a single rhythmic vision. In doing so, it contributes to the theory of prosody, our understanding of respiration and looking, and, in sum, to the particular links, across the board, between the human characteristics of bipedal walking and meaningful talk.

Sophistics is the paradigm of a discourse that does things with words. It is not pure rhetoric, as Plato want us to believe, but it provides an alternative to the philosophical mainstream. This book constitutes a major contribution to the debate between philosophical pluralism, unitarism, and pragmatism.

Takes up Foucault's hypothesis that liberal "civil society," far from being a sphere of natural freedoms, designates the social spaces where our biological lives come under new forms of control, and are invested with new forms of biopower.

The renowned philosopher contemplates the medium of drawing in ';a book full of dazzling insights, imaginative curves and provocative renewals' (Sarah Clift, University of King's College). In 2007, philosopher Jean-Luc Nancy curated an exhibition at the Museum of Fine Arts in Lyon. This book, originally written for that exhibition, explores the interplay between drawing and formviewing the act of drawing as a formative force. Recalling that the terms ';drawing' and ';design' were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic, filmic, choreographic, poetic, melodic, and rhythmic senses. For Nancy, drawing resists any kind of closure, and therefore never resolves a tension specific to itself. Drawing allows the gesture of a desire that remains in excess of all knowledge to come to appearance. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around questions concerning form in its formation. Between sections of his text, Nancy includes a series of ';sketchbooks' on drawing, composed of quotations on art from different writers, artists, or philosophers.

Since the publication of her first book in 1974, Edith Wyschogrod has been at the forefront of the fields of Continental philosophy and philosophy of religion. This book examines and display the influence of Wyschogrod's work in essays that take up the thematics of influence in a variety of contexts.

"After the subject" and beyond Heideggerian ontology there is the sheer givenness of phenomena without condition. In theology, this liberation means rethinking God in terms of phenomena such as love, gift, and excess. Includes an essay by Marion, "The Reason of the Gift," and a dialogue between Marion and Richard Kearney.

"Engs deserves credit for the sophistication and scope of his study and for his attention to the subtle and paradoxical. The questions addressed, the logical scope of the book, the depth of research, and the author's crisp writing style contribute to making this book a major addition to the literature."-Journal of American History

Emma Spaulding''s life might have been the simple story of a nineteenth-century woman in rural Maine. Instead, wooed by the ambitious John Emory Bryant, the Yankee Reconstruction activist and Georgia politician, she became the Civil War bride of a Republican carpetbagger intent on reforming the South. The grueling years in the shadow of her husband''s controversial political career gave her a backbone of steel and the convictions of an early feminist. Emma supported John''s agenda-to "northernize" the South and work for civil rights for African-Americans- and frequently reflected on national political events. Struggling virtually alone to rear a daughter in near poverty, Emma became an independent thinker, suffragist, and officer in the Woman''s Christian Temperance Union. In eloquent letters, Emma coached her husband''s understanding of "the woman question;" their remarkable correspondence frames a marriage of love and summarizes John''s career as it determined the contours of Emma''s own storyΓÇöfrom the bitter politics of Reconstruction Georgia to her world as a mother, writer, editor, and teacher in Tennessee and, with her husband, running a mission for the homeless in New York.In this extraordinary resource, Ruth Douglas Currie organizes and edits their voluminous correspondence, enhancing the letters with an extensive introduction to Emma Spaulding Bryant''s life, times, and legacy.

This work explores the central role of historical thought in the full range of Heidegger's thought, both in the early writings leading up to "Being and Time" and after the "reversal" or Kehre that inaugurated his later work.

Richardson explores the famous turn (Kehre) in Heidegger's thought after "Being in Time" and demonstrates how this transformation was radical without amounting to a simple contradiction of his earlier views.

Medievalists have long considered topics of cultural contact such as antagonism or exchange between western Europe and the Islamic world and the west's debts to Byzantium. This text aims to pose new questions, exploring how the meeting of cultures promotes historical change.

These lectures and essays were regarded by Marcel as the best introduction to his thought. Creative Fidelity not only deals with perennial themes of faith, fidelity, belief, incarnate being, and participation, but also includes chapters on religious tolerance and orthodoxy and an important critical essay on Karl Jaspers.

What does it mean to give a "gift?" In this timely collection, distinguished anthropologists-Maurice Godelier, George Marcus, Stephen Tyler-and philosophers-Mark C. Taylor, John D. Caputo, Jean-Joseph Goux and Adriaan Peperzak, explore an enigma that has disturbed contemporary philosophers from Marcel Mauss to Jacques Derrida.

This text brings together many scholars who have been working through the Freedman's Bureau papers and other sources, to rethink the Bureau's place in securing freedom and remaking the South. It presents a sampling of the range and variety of work being done on the Bureau.