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  • av Jonas Bendiksen
    476,-

    Photographs of contemporary Veles are intertwined with fragments from an archaeological discovery also called 'the Book of Veles' - a cryptic collection of 40 'ancient' wooden boards discovered in Russia in 1919, written in a proto-Slavic language.

  • av Elliot Erwitt
    1 076,-

    Over 150 previously unseen images by photographer Elliott Erwitt will be published for thefirst time in Found, Not Lost. Spanning more than sixty years, the photographs inthe book, often taken during lulls or breaks between assignments in his prolific career, havebeen selected, edited and sequenced by Erwitt himself.

  • av Larry Towell
    1 076,-

  • av William Green
    606,-

    Death and Other Belongings is a story about a personal journey at home.

  • av Joshua Dudley Greer
    690,-

    The Makeshift City is compiled of photographsmade in and around Atlanta, Georgia.The city ofAtlanta is currently in the midst of a seismic shift ofpopulation growth, real estate development andeconomic disparity that follows decades of systemicracism and Jim Crow policies that have plagued theAmerican South since the Civil War. Atlanta is a citythat has been built and destroyed several times over, leaving behind comparatively few traces of its ownpast despite its status as the cradle of the Civil RightsMovement and a progressive bubble amidst a ruraland mostly conservative part of the country. As thecity continues to struggle against the backdrop ofhistory, it seeks to rebrand itself as a global mecca fornew wealth, Hollywood production and opportunity.

  • av Sarah Mei Herman
    606,-

    Julian and Jonathan portray the relationship between Herman's father, Julian, and her half-brother, Jonathan.

  • av Sam Wright
    686,-

    Pillar to Post focuses on the vibrant and resilient Traveller and Gypsy communities across the UK and Ireland.

  • av Andrew McConnell
    886,-

    Every three months a space rocket carrying three astronauts and cosmonauts to the InternationalSpace Station launches from Kazakhstan. At around the same time, to the northeastin remote grasslands, three other astronauts fall back to earth. The photographs in Some Worlds HaveTwo Suns document these comings and goings.

  • av Richard Sharum
    670,-

    In Spina Americana (American Spine in Latin), Sharum attempts to determine what the people, and their land, of the Central US have to do with contributing towards what he considers to be the 'national character' of the US.In this current political climate, where seclusion and division have gained the upper hand in the national psyche, it is Sharum's aim to find the unifying elements not only as Americans, but as a people.He wantedto see if this region could hold the key to other Americans having a better understanding of who America is as a country and what remains of the collective hope they still have as a nation. Sharum felt this could only be accomplished using a spectrum of long-term documentation, highlighting the overall complexityof what is generally assumed about this area.

  • av Daniel Stephen Homer
    606,-

    Shot across four continents, Route de la Belle Etoile (Route of the Beautiful Star) is the first photobook to document the world of amateur astronomers who have an outsized impact on professional astronomical research.

  • av Mitchell Moreno
    866,-

    Body Copy is a photo-text series exploring the performance of queer masculinities in digital culture.

  • av Jeanette Spicer
    690,-

    To the Ends of The Earth, is a twelve year photographic project that depicts the underrepresented and often unseen dynamics of the relationships between a lesbian, her straight mother, and her girlfriend.

  • av Adam Ferguson
    756,-

    Through an exploration of iconic Australian events, small towns and his own extended family, Big Sky byAustralian photographer Adam Ferguson, attempts to capture a personal vision of Australia that commentson a way of life that is in decline.

  • av Joseph Michael Lopez
    686,-

    The photographs in JML NYC 02-23 were made over two decades as Joseph Michael Lopeztraversed the streets of the boroughs of New York by foot. Devoid of the visual tropes associatedwith the city, the images instead present a vision of New York as it was experienced.

  • av Joao Pina
    950,-

    João Pina draws upon his family history to tell the story of the Portuguese concentration campat Tarrafal, Cape Verde which operated between 1936 and 1974.

  • av John Volynchook
    606,-

    Faultlines (2015-20) locates fragments of contested landscapes within the UK Oil and Gas Authority onshore licence blocks under threat from shale gas extraction.

  • av Pierpaolo Mittica
    756,-

    Chernobyl by photographer Pierpaolo Mittica is a document of the communities who inhabit andpass through the exclusion zone-an area covering approximately 2600 km2 around the site of theChernobyl nuclear reactor disaster of 1986.

  • av Dr. Greg Gulbransen
    686,-

    Over the course of three years, Greg Gulbransen photographed Malik, a set leader of the violentstreet gang, the Crips. Malik was shot and paralysed in 2018 by the bullet from a rival gang, and as aresult his world now centres around his small Bronx apartment in New York.

  • av Lydia Goldblatt
    686,-

    Fugue by Lydia Goldblatt is a body of work about love and grief, mothering and losing a mother, intimacy and distance, told through photographs and writing.

  • av Luke Kellett
    620,-

    This new book presents a typology of 100 portraits of households in Newcastle, New South Walestaken in 2020 during some of the strictest COVID-19 lockdowns in the world. The restrictionsallowed photographer Luke David Kellett a unique opportunity compile a visual representation ofarchitecture and inhabitants of Newcastle.

  • av Chris Smith
    1 076,-

    The Greatest brings together nearly 100 photographs of Muhammad Ali at the height of his careerby Chris Smith. The images are accompanied by Smith's memories of his time spent with Ali fromthe early days of his career until his final years before retirement.

  • av Cornelia Suhan
    620,-

    In Silent Witness, photographs of private houses and public buildings in which war crimes-specifically rapes of women of all ethnic groups living in Bosnia and Herzegovina-werecommitted during the Bosnian War (1992-1995) are combined with testimonies from the womenwho survived.

  • av Nikita Teryoshin
    690,-

    Every day on the news we are shown images of war and destruction. This coincides with global expenditure on arms increasing year after year. However, we are rarely afforded a glimpse behind the curtains of the global arms business.Photographer Nikita Teryoshin travelled to 16 arms fairs between 2016 and 2023 to investigate what happens before wars take place. His aim was to take photographs at exclusive so-called defence expositions-- which are closed to the public--on every continent to highlight the global nature of the industry.

  • av Cornelia Suhan
    620,-

    In Silent Witness photographs of private houses and public buildings in which war crimes‿specifically rapes of women of all ethnic groups living in Bosnia and Herzegovina‿were committed during the Bosnian War (1992-1995) are combined with testimonies from the women who survived.

  • av Valentin Goppel
    620,-

    On New Years Eve in 2020, Valentin Goppel began to photograph his friends and acquaintances in an attempt to both process and represent the disorientation he felt during the time of Covid.

  •  
    690,-

    The year in which photographer Jillian Edelstein turned 40 she came across an image of her greataunt Minna, of whose existence she had been unaware. The photograph of Minna became thecatalyst for a journey to unearth her family history and the discovery of an unknown branch ofher family living in Ukraine.

  • av Jason Gardner
    756,-

    Photographer Jason Gardner travelled across 15 countries to document traditional Carnival in its myriad of manifestations.

  • av Bruce Gilden
    690,-

    In his book Haiti, Bruce Gilden opens our eyes to this fascinating and ultimately tragic country.

  • av Don McCullin
    1 140,-

    The over 140 images in the book-some rarely published or previously unseen-were edited by McCullin through the process of revisiting his archives and reassessing photographs made from the late 1950s until last year.

  • av Jaclyn Wright
    686,-

    High Visibility (Blaze Orange) combines original images, performance, archival photographs and maps to show the impact of late capitalism and settler colonisation on the landscapes of the Western United States.

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