Böcker utgivna av GRAY WOLF PR

Late in 2004, Maggie Nelson was looking forward to the publication of her book Jane: A Murder, a narrative in verse about the life and death of her aunt, who had been murdered thirty-five years before. The case remained unsolved, but Jane was assumed to have been the victim of an infamous serial killer in Michigan in 1969.Then, one November afternoon, Nelson received a call from her mother, who announced that the case had been reopened; a new suspect would be arrested and tried on the basis of a DNA match. Over the months that followed, Nelson found herself attending the trial with her mother and reflecting anew on the aura of dread and fear that hung over her family and childhood--an aura that derived not only from the terrible facts of her aunt's murder but also from her own complicated journey through sisterhood, daughterhood, and girlhood. The Red Parts is a memoir, an account of a trial, and a provocative essay that interrogates the American obsession with violence and missing white women, and that scrupulously explores the nature of grief, justice, and empathy.

In All Souls, Saskia Hamilton transforms compassion, fear, expectation, and memory into art of the highest order. Judgment is suspended as the poems and lyric fragments make an inventory of truths that carry us through night's reckoning with mortal hope into daylight. But even daylight-with its escapements and unbreakable numbers, "restless, / irregular light and shadow, awakened"-can't appease the crisis of survival at the heart of this collection. Marked with a new openness and freedom-a new way of saying that is itself a study of what can and can't be said-the poems give way to Hamilton's mind, and her unerring descriptions of everyday life: "the asphalt velvety in the rain."The central suite of poems vibrates with a ghostly radioactive attentiveness, with care unbounded by time or space. Its impossible charge is to acknowledge and ease suffering with a gaze that both widens and narrows its aperture. Lightly told, told without sentimentality, the story is devastating. A mother prepares to take leave of a young son. Impossible departure. "A disturbance within the order of moments." One that can't be stopped, though in these poems language does arrest and in some essential ways fix time.Tenderness, courage, refusal, and acceptance infuse this work, illuminating what Elizabeth Hardwick called "the universal unsealed wound of existence."

A ferocious, innovative story collection about Black lives in the past, present, and future"A potentially transformative exhibition of visionary storytelling."-Kirkus Reviews, *Starred*In Fat Time and Other Stories, Jimi Hendrix, Francis Bacon, the boxer Jack Johnson, Miles Davis, and a space-age Muhammad Ali find themselves in the otherworldly hands of Jeffery Renard Allen, reimagined and transformed to bring us news of America in the twentieth and twenty-first centuries. Along with them are characters of Allen's invention: two teenagers in an unnamed big city who stumble through a down-low relationship; an African preachervisits a Christian religious retreat to speak on the evils of fornication in an Italian villa importedto America by Abraham Lincoln; and an albino revolutionary who struggles with leading his people into conflict.The two strands in this brilliant story collection-speculative history and tender, painful depictions of Black life in urban America-are joined by African notions of circular time in which past, present, and future exist all at once. Here the natural and supernatural, the sacred and the profane, the real and fantastical, destruction and creation are held in delicate and tense balance. Allen's work has been said to extend the tradition of Ralph Ellison, William Faulkner, Henry Roth, and Ishmael Reed, but he is blazing his own path through American literature. Fat Time and Other Stories brilliantly shows the range and depth of his imagination.

A searching new collection by a poet who "pays exquisite attention to everything she encounters" (The Washington Post)Still Falling expands on Jennifer Grotz's precise sense of craft and voice to investigate new territory in this astonishing collection. These poems are emotionally raw and introspective, exploring the profound capaciousness of grief. Grotz carefully and deftly carries the weight of losses and their aftermaths-the deaths of the poet's mentors, friends, and mother; the endings of relationships; and the enclosures of a life spent in attendance to the world in a state of wanting rather than truly living. Here also are poems that movingly and crucially decide what dedicating one's life to poetry might require.But in the wake of painful loss, Grotz writes toward "this world, the living." Her poems reveal and meditate on the paradoxical relationship between the literal and the figurative, at the heart of poetry itself, like the darkness and light of Caravaggio's chiaroscuro. Still Falling is a book to be read slowly, calling readers back into the stillness of being, finding hope, "not death / where darkness and silence and dust are / only darkness and silence and dust."

A major achievement by Monica Youn, "one of the most consistently innovative poets working today" (NPR)."Where are you from . . . ? No-where are you from from?" It's a question every Asian American gets asked as part of an incessant chorus saying you'll never belong here, you're a perpetual foreigner, you'll always be seen as an alien, an object, or a threat.Monica Youn's From From brilliantly evokes the conflicted consciousness of deracination. If you have no core of "authenticity," no experience of your so-called homeland, how do you piece together an Asian American identity out of Westerners' ideas about Asians? Your sense of yourself is part stereotype, part aspiration, part guilt. In this dazzling collection, one sequence deconstructs the sounds and letters of the word "deracinations" to create a sonic landscape of micro- and macroaggressions, assimilation, and self-doubt. A kaleidoscopic personal essay explores the racial positioning of Asian Americans and the epidemic of anti-Asian hate. Several poems titled "Study of Two Figures" anatomize and dissect the Asian other: Midas the striving, nouveau-riche father; Dr. Seuss and the imaginary daughter Chrysanthemum-Pearl he invented while authoring his anti-Japanese propaganda campaign; Pasiphaë, mother of the minotaur, and Sado, the eighteenth-century Korean prince, both condemned to containers allegorical and actual.From From is an extraordinary collection by a poet whose daring and inventive works are among the most vital in contemporary literature.

Castle by J. Robert Lennon is a mesmerizing novel about memory, guilt, power, and violenceIn the late winter of 2006, I returned to my home town and bought 612 acres of land on the far western edge of the county." So begins, innocuously enough, J. Robert Lennon's gripping, spooky, and brilliant new novel. Unforthcoming, formal, and more than a little defensive in his encounters with curious locals, Eric Loesch starts renovating a run-down house in the small, upstate New York town of his childhood. When he inspects the title to the property, however, he discovers a chunk of land in the middle of his woods that he does not own. What's more, the name of the owner is blacked out.Loesch sets out to explore the forbidding and almost impenetrable forest-lifeless, it seems, but for a bewitching white deer-that is the site of an eighteenth-century Indian massacre. But this peculiar adventure story has much to do with America's current military misadventures-and Loesch's secrets come to mirror the American psyche in a paranoid age. The answer to what-and who-might lie at the heart of Loesch's property stands at the center of this daring and riveting novel from the author whose writing, according to Ann Patchett, "contains enough electricity to light up the country.""

The definitive collection of the poems of Lynda Hull, "perhaps the most intensely lyrical poet of her generation." (Mark Doty)If each of uscontains, within, humankind's totality, each possibilitythen I have been so fractured, so multiple & dazzling . . .-from "The Window"Lynda Hull's Collected Poems brings together her three collections-long unavailable-with a new introduction by Yusef Komunyakaa, and allows, for the first time, the full scale of her achievement to be seen. Edited with Hull's husband, David Wojahn, this book contains all the poems Hull published in her lifetime, before her untimely death in 1994.Collected Poems is the first book in the Graywolf Poetry Re/View Series, which brings essential books of contemporary American poetry back into print. Each volume-chosen by series editor Mark Doty-is introduced by a poet who brings to the work a passionate admiration. The Graywolf Poetry Re/View Series brings all-but-lost masterworks of recent American poetry into the hands of a new generation of readers.

In 1991, Dana Gioia's provocative essay "Can Poetry Matter?" was published in the Atlantic Monthly, and received more public response than any other piece in the magazine's history. In his book, Gioia more fully addressed the question: Is there a place for poetry to be part of modern American mainstream culture? Ten years later, the debate is as lively and heated as ever. Graywolf is pleased to re-issue this highly acclaimed collection in a handsome new edition, which includes a new Introduction by distinguished critic and poet, Dana Gioia.