Böcker utgivna av Graywolf Press

Named a Most Anticipated/Best Book of the Month by: NPR * USA Today * Time * Washington Post * Vulture * Women's Wear Daily * Bustle * LitHub * The Millions * Vogue * Nylon * Shondaland * Chicago Review of Books * The Guardian * Los Angeles Times * Kirkus * Publishers WeeklySo often deployed as a jingoistic, even menacing rallying cry, or limited by a focus on passing moments of liberation, the rhetoric of freedom both rouses and repels. Does it remain key to our autonomy, justice, and well-being, or is freedom's long star turn coming to a close? Does a continued obsession with the term enliven and emancipate, or reflect a deepening nihilism (or both)? On Freedom examines such questions by tracing the concept's complexities in four distinct realms: art, sex, drugs, and climate.Drawing on a vast range of material, from critical theory to pop culture to the intimacies and plain exchanges of daily life, Maggie Nelson explores how we might think, experience, or talk about freedom in ways responsive to the conditions of our day. Her abiding interest lies in ongoing "e;practices of freedom"e; by which we negotiate our interrelation with-indeed, our inseparability from-others, with all the care and constraint that entails, while accepting difference and conflict as integral to our communion.For Nelson, thinking publicly through the knots in our culture-from recent art-world debates to the turbulent legacies of sexual liberation, from the painful paradoxes of addiction to the lure of despair in the face of the climate crisis-is itself a practice of freedom, a means of forging fortitude, courage, and company. On Freedom is an invigorating, essential book for challenging times.

FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRYNatalie Diaz's highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book AwardPostcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz's brilliant second collection demands that every body carried in its pages-bodies of language, land, rivers, suffering brothers, enemies, and lovers-be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: "e;Let me call my anxiety, desire, then. / Let me call it, a garden."e; In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: "e;I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible."e; Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope-in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

"e;Remarkable: a book about borders that makes the reader feel sumptuously free."e; -Peter PomerantsevIn this extraordinary work of narrative reportage, Kapka Kassabova returns to Bulgaria, from where she emigrated as a girl twenty-five years previously, to explore the border it shares with Turkey and Greece. When she was a child, the border zone was rumored to be an easier crossing point into the West than the Berlin Wall, and it swarmed with soldiers and spies. On holidays in the "e;Red Riviera"e; on the Black Sea, she remembers playing on the beach only miles from a bristling electrified fence whose barbs pointed inward toward the enemy: the citizens of the totalitarian regime.Kassabova discovers a place that has been shaped by successive forces of history: the Soviet and Ottoman empires, and, older still, myth and legend. Her exquisite portraits of fire walkers, smugglers, treasure hunters, botanists, and border guards populate the book. There are also the ragged men and women who have walked across Turkey from Syria and Iraq. But there seem to be nonhuman forces at work here too: This densely forested landscape is rich with curative springs and Thracian tombs, and the tug of the ancient world, of circular time and animism, is never far off.Border is a scintillating, immersive travel narrative that is also a shadow history of the Cold War, a sideways look at the migration crisis troubling Europe, and a deep, witchy descent into interior and exterior geographies.

A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other PartiesIn the Dream House is Carmen Maria Machado's engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.And it's that struggle that gives the book its original structure: each chapter is driven by its own narrative trope-the haunted house, erotica, the bildungsroman-through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.Machado's dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

*Winner of the prestigious Norwegian Booksellers' Prize**A Barnes & Noble Discover Great New Writers Selection (Holiday 2011)*A glorious evocation of a Norwegian childhood in the early sixties by an author short-listed for the 2009 Dublin IMPAC AwardLittle Finn lives with his mother in an apartment in a working-class suburb of Oslo. Life is a struggle to make ends meet, but he does not mind. When his mother decides to take a lodger to help pay the bills, he watches with interest as she freshens up their small apartment with new wallpaper and a sofa paid for in installments. He befriends their new male lodger, whose television is more tempting to him than his mother would like. When a half sister whom he never knew joins the household, Finn takes her under his wing over an everlasting summer on Håøya Island. But he can't understand why everyone thinks his new sister is so different from every other child. Nor can he fathom his mother's painful secret, one that pushes them ever farther apart. As summer comes to a close, Finn must attempt to grasp the incomprehensible adult world and his place within it. Child Wonder is a powerful and unsentimental portrait of childhood. Roy Jacobsen, through the eyes of a child, has produced an immensely uplifting novel that shines with light and warmth.

The shimmering, windswept first novel by the internationally acclaimed author of Out Stealing Horses. Echoland is the powerful and emotionally resonant first novel from Per Petterson. Written in the mold of his early story collection Ashes in My Mouth, Sand in My Shoes, it features a young Arvid Janssen, who is now twelve, on the verge of his teenage years and beginning to understand more about the world and his place in it. Set over the course of a single formative summer, the novel captures a series of episodes from Arvid's long visit to his grandparents' home in Denmark. He rides his bike around town, befriends other children on the beach, fishes for plaice, and weathers misunderstandings with his mother and grandparents, all of which Petterson imbues with the hope and yearning that come with this stage of life. Echoland is an assured and poignant beginning for an author-and character-who would go on to be loved the world over.

Winner of the 2021 Cave Canem Poetry Prize, selected by Rachel Eliza Griffiths In her virtuosic debut, Courtney Faye Taylor explores the under-told history of the murder of Latasha Harlins-a fifteen-year-old Black girl killed by a Korean shop owner, Soon Ja Du, after being falsely accused of shoplifting a bottle of orange juice. Harlins's murder and the following trial, which resulted in no prison time for Du, were inciting incidents of the 1992 Los Angeles uprising, and came to exemplify the long-fraught relationship between Black and Asian American communities in the United States. Through a collage-like approach to collective history and storytelling, Taylor's poems present a profound look into the insidious points at which violence originates against-and between-women of color.Concentrate displays an astounding breadth of form and experimentation in found texts, micro-essays, and visual poems, merging worlds and bending time in order to interrogate inexorable encounters with American patriarchy and White supremacy manifested as sexual and racially charged violence. These poems demand absolute focus on Black womanhood's relentless refusal to be unseen, even and especially when such luminosity exposes an exceptional vulnerability to harm and erasure. Taylor's inventive, intimate book radically reconsiders the cost of memory, forging a path to a future rooted in solidarity and possibility. "Concentrate," she writes. "We have decisions to make. Fire is that decision to make."

Potent stories that offer a forceful vision of contemporary Navajo life, by an American Book Award winner An ex-con hired to fix up a school bus for a couple living off the grid in the desert finds himself in the middle of their tattered relationship. An electrician's plan to take his young nephew on a hike in the mountains, as a break from the motel room where they live, goes awry thanks to an untrustworthy new coworker. A night custodian makes the mistake of revealing too much about his work at a medical research facility to a girl who shares his passion for death metal. A relapsing addict struggles to square his desire for a white woman he meets in a writing class with family expectations and traditions.Set in and around Flagstaff, the stories in Sinking Bell depict violent collisions of love, cultures, and racism. In his gritty and searching fiction debut, Bojan Louis draws empathetic portraits of day laborers, metalheads, motel managers, aspiring writers and musicians, construction workers, people passing through with the hope of something better somewhere else. His characters strain to temper predatory or self-destructive impulses; they raise families, choose families, and abandon families; they endeavor to end cycles of abuse and remake themselves anew.