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  • av Robyn Braun
    246,-

    "Intelligent, spooky, original, and fall-down funny, The Head runs in dark layers from page one." - Jason Emde, author of Little Bit Die A surreal and penetrating tale of academia, work life, and surviving trauma. On the morning of her thirtieth birthday, Dr. Trish Russo, a math professor at Cascadia University, discovers a disembodied but living infant head on her dresser. Attached to nothing, somehow it still manages to wail and produce tears. Unsure what else to do, she takes it with her to work, if only to keep her neighbours from complaining about the head's terrible cries. At the university, her colleagues are mortified, not of the head itself, but that Trish has brought it into the office with her. She is soon put on leave and hopes that visiting her parents might provide some solace and advice on what she should do with the head. But no matter where she turns, Trish finds no help and is instead vilified for not knowing what to do with this impossible thing that has happened to her. The Head is a bizarre journey through trauma, bad relationships, and toxic workplace culture.

  • av Richard Cumyn
    306,-

    Lauder Jones and Mountcastle, two Halifax families both alike in dignity, linked by love and circumstance. Douglas Lauder Jones, obscure story writer, calls it "Life and No Escape." His lovelorn son John thinks it's the end of happiness. Neuroscientist Ursula Lauder Jones sees it as sink-or-swim parenting. Whatever it is, her daughter Merin, new owner of a movie house on Barrington Street, wants to sit through it twice. Her sister Anya, summer student working at Mountcastle Framing on Spring Garden Road, relishes life's richly varied fabric. And the youngest, Cary, budding writer, recognizes it as apt material for the many stories stitching this novel's intriguing brocade.

  • av J R Burgmann
    246,-

    "Articulate, riveting, deftly crafted, and thought-provoking, Children of Tomorrow is especially and unreservedly recommended for both community and college/university library fiction collections." -- Midwest Book ReviewChildren of Tomorrow is a history of family and friendship that spans generations and geographies over a century of escalating climate change. In 2016, Arne Bakker is working on a reforestation project in Tasmania shortly before bushfires sweep across the ancient wilderness. Elsewhere, London-born freedriver Evie Weatherall witnesses extreme climate events in her travels. Arne's close friend and Evie's Canadian cousin Wally, influencer, journalist, and musician, also sees a dangerous future forming. Meanwhile, Arne's brother Freddie, "a shredded poster boy for global environmental activism," is mobilizing his followers. When their paths collide, the group is set on course to witness and struggle together against the coming century. Decades later, a new generation is living with the havoc wreaked by their parents and grandparents and they too must find ways to find hope for the future in an increasingly difficult present. "Luminous, thoughtful, unflinching - there's a breathless relentlessness to the increasing carbon dioxide numbers that kept me flipping pages as if it were a thriller. But even as it portrays the disasters and collapses, it also portrays what's best about humanity: our capacity to hope, love, change, and forgive. A stunning and necessary addition to the existing oeuvre of climate change fiction." -- Premee Mohamed, The Annual Migration of Clouds

  • av Shane Neilson
    300,-

    "Candidly engaging, emotional poignant, impressively informative, and ultimately inspiring, Saving: A Doctor's Struggle to Help His Children is an extraordinary memoir and one that will be of extraordinary interest to anyone facing the often daunting task of securing appropriate and adequate health care for their own families." -- Midwest Book Review Why do we fall ill? How do we get better? When his two-year-old develops epilepsy, Shane Neilson, a doctor, struggles to obtain timely medical care for his son. Saving shares his family's journey through the medical system, and also Shane's own personal journey as a father who feels powerless when faced with his child's illness. It entwines these stories with Shane's personal history of mental illness as a child and his professional experience with disability. By exploring the theme of family, Shane Neilson manages to show that, over time, it is possible to not only escape the wreckage of the past, but to celebrate living with disability in the present. "Shane Neilson is a brilliant writer ... There hasn't been such a poignant and harrowing memoir of fatherhood in Canada since Ian Brown's The Boy in The Moon." -- Karen Connelly, author of The Change Room

  • av Amy LeBlanc
    280,-

    "" Let me tell you a story: my mother will say she's a liar and my father will say she remembers things that never happened, but you and I know that isn't true. Before I tell you, pick up a pair of scissors, or a pen, or a branch, or a flower stem-- something to play with when you don't want to meet my eyes. Unhinge the wasps from your insides before their black venom seeps through." (" Nectar and Nickel" ) Homebodies is an uncanny and ghostly debut with stories that provoke dread, abjection, and horror. The tales are intertwined and linked like a chain of dried daisies or butterfly legs: someone you used to know is on trial for murder. You work at a funeral home. Your dead grandmother calls you on the phone. You pin and preserve butterflies on a corkboard as a strange girl knocks on your door. You put a bike lock on the fridge. You sleepwalk. You attend a party. You get sick. You get an IV infusion. You don't get better. The stories in Homebodies show that you don't need a house to be haunted -- the body can do that all on its own."--Publisher marketing.

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