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  • av Oriana Palusci
    286,-

    "Canada: A Taste of Home/ Les saveurs de chez soi is a collection of papers, written either in French or in English, that investigate the different cuisines of immigrants in a literary, linguistic and cultural perspective. Far from home, food expresses a sense of nostalgia, belonging and identity, as the authors suggest in dealing with the many implications and attitudes to food. On a literary and cultural table sumptuously prepared with recipes dearly carried from native homes near and far, full of strange ingredients, tastes, smells, colours, cultural practices, habits, plurilinguistic Canada celebrates the triumph of a migrant country, whose life is rooted in the rich soil of far off cooking traditions and memories. Indeed, Canada is a culinary laboratory in which gastronomies showcase and confirm the ethnic diversity of its multicultural peoples."--

  • av Alan Lord
    280,-

    "High Friends in Low Places features in lurid detail Alan Lord's epic romp through the riotous avant-underground scene of Montreal, New York, and Europe in the 1980s, a romp that eventually leads to a nervous meltdown. Along the way, he relates his encounters with the luminaries of cutting-edge literature, music and art including William Burroughs, Kathy Acker, Chris Kraus, John Giorno, Manu Chao, Blixa Bargeld, Chris Burden and pop artist James Rosenquist, as well as introducing us to brilliantly creative unknowns in all the arts. In the end, exhausted, he begins a downward spiral--only to be rescued by a woman who becomes his wife of 33 plus years."--

  • av Tony Ardizzone
    276,99

    A young Croatian woman travels to Medugorje in Bosnia and Herzegovina, site of apparitions of the Virgin Mary, where she meets an angel and witnesses a miracle. Twenty years later, after living in a cloistered convent, she travels to Rome where her habit of prayer transforms the lives of seven strangers. Their stories intertwine and connect in this portrayal of several Roman churches, the art of Bernini, Caravaggio, and Borromini, and Rome's rich architectural history.

  • av Adriana A. Davies
    276,99

    "The memoir My Theatre of Memory: A Life in Words traces Adriana Davies's life in Canada from her arrival in Edmonton as a a child immigrant with her mother, older sister and younger brother in the early 1950s, to the present as she deals with the challenges of Covid. Successive chapters tell not only the family's immigration story including accounts of her school days, university in Canada and then the UK, but also the beginning of her life as a young married woman and mother in London, England. Destined for a job in academe, cutbacks in the university sector in the UK meant that she began work as a freelance researcher and writer in the area of museums and galleries. This set the tone for a rich and varied career in museums and as a historian."--

  • av Brian Blair
    526,-

    "The photographs in this volume are evocations made visible through reflection, observation, exploration, and expression...the embodiment of memory, renderings of personal emotional truth...recollections of the photographer's life during the 1970s, spanning the decade he underwent basic art training and developed as a professional image-maker. Few frames from this collection were printed at the time, and the negatives resided untouched for decades in an old cardboard box that inhabited the basements and attics of his transitory world. In 2017, 40 years later, he opened that box, and discovered history anew, awakening long dormant feelings and perceptions. Through the prism of time, reminiscence sometimes brings clarity, but just as often, the residue of the past can be complex and blurry. The metaphors in these contemporaneous visual musings are both non-verbal and evocative, as well as testament to the veracity and longevity of ocular fragments, the reverberations of a long process."--

  •  
    260,-

    As readers everywhere of the Sufi poet Rumi know, his thought is at once profound and perennially fresh. It is sometimes forgotten, however, by those who rely on translations, that he was a poet most at home in a poetry of constraints. The intention of this book is to give some emphasis to his poetry, particularly his intricate use of rhyme while bearing in mind that, were we to follow Rumi all the way, it might appear artificial. Remembering the constraints of both Persian and English, we have endeavoured to present a Rumi, one of the great lights of a brilliant poetic tradition, in an English that, despite the hazards of translation, comes close to our great forebear, in all his lightness, playfulness, and ineffable joy.

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