Böcker utgivna av Guts Publishing Ltd

This unique collection of fiction, nonfiction and poetry brings together a diverse group of writers who delve into tattoos in terms of class, body image, history, empowerment and transformations. It's an investigation into why people get tattoos and how they transform a person's life.Our 19 contributors are debut and award-winning. Their work includes memoir, transgressive fiction, horror, magical realism, sci-fi, literary fiction, poetry and personal essays. We have published a number of them in our previous anthologies including Liam Hogan, Karla Linn Merrifield, Claire Askew, Julian Bishop and Michä Kamil Piotrowski.Here's an excerpt:"Growing up, tattoos, alongside piercings and brightly coloured hair, were absolutely anathema. The reasons were many and varied: I would be rejected by polite society; if I ever got arrested, I would be easily identifiable by the authorities; no-one would ever hire me; it would signify emotional instability and arrested development; I would be perceived as a n'er-do-well, a reprobate, a criminal; I should not disrespect my body in this way; it would attract the wrong kind of associates... I could probably keep adding to this list of introjects and conditions of worth that shaped my own distorted beliefs about tattoos for many years." - Liz Beth TurnerHere's the full list of contributors:Claire Askew, Julian Bishop, Valerie Bence, Harriet Bradshaw, Maisie Brown, Meredith Davidson, Daniela Esposito, Callum Henderson, Liam Hogan, Erin Hosfield, Maria Jastrz¿bska, Di Lebowitz, Dominic Lyne, Louisa Mastromarino, Karla Linn Merrifield, Michä Kamil Piotrowski, Emily Ricard, Liz Beth Turner and Sabrina Woolf.We are delighted to share with you their take on the tattoo.xx guts

A millennial's journey through the precarious landscape of sugar dating in the 21st century. Latham embodies the modern-day hedonist, a frank and daring narrator inviting us to experience a secret world of debauchery and excess. She guides us through sugar dates, from kinky dinners to hotel rooms, while embarking on her personal journey of self-discovery and the unwavering realisation of "how much loneliness is in the world.""In an absolute act of submission this playful, hilarious, candid book dares to lay things bare for our entertainment. Highly recommended." - Susanna Kleeman, author of Twice"Written in swift, clear-eyed prose, Latham's wry, insightful narrator is an erotic ethnographer who has managed to convince this late-born Boomer that if you can't be honest, at least be true. An important distinction, one that harkens back to de Sade and returns to us generationally through writers like Colette, Anaïs Nin, Angela Carter and Tamara Faith Berger. I would respectfully add Lotte Latham to that list. Dear Mr Andrews is a remarkable debut." - Michael Turner, author of The Pornographer's Poem "Dear Mr Andrews has everything I want from a memoir. Sugar babies, daddies, johns... A natural successor to Lynne Tillman and Kathy Acker. Latham's writing is as sexy as it is stylish." Barry Pierce, writer and critic In Lotte's own words:"I've long since felt there's strength in weakness. Over the past six or seven years I've been in and out of sex work, leading a normal life and a smutty one in parallel. I began journaling about some of my experiences: some were funny, some were liberating, some were challenging and often not for the reasons people might project them to be. During this time I met Mr Andrews who is effectively a John who didn't pay, purely bad business on my part. I felt lightly exploited, or at least confused at how I'd ended up giving out sexual favours, on weekdays, to married men for free. So, I began to tell him about my life. Almost every day I message him quite candidly about the ins and outs of escorting, of dating, of dancing, of my day job. And in doing so, I'd go as far to say we have become fetid pen pals."

'A window into a time of raw energy and rough edges, Deb Price paints a vivid picture of life in the squats of South London. By turns amusing and alarming, but always engaging, we accompany a teenager as she navigates her way to womanhood in a sub-culture on the margins.' - Allie Rogers, author of Little Gold and Tale of a ToothA coming-of-age memoir about a young woman living in squats in London in the late 70s during the emerging counterculture scene.Set in South London (Crystal Palace), Deborah mingled with some of the biggest names to emerge from the scene. She booked The Damned's first show, served pints to Johnny Rotten, and attended a backyard gig from King Kurt.Squat life was sex, drugs and punk rock but it wasn't all fun and games. The Peanut Factory shows Deborah navigating a male-dominated scene, moving every few months and living with drug dealers, sex workers, people on the run, and working-class kids like her.Despite the chaos, the squatters were a family. They were kids creating their own rules. Making art. Living life on the fly. The Peanut Factory is an ode to the youthful rebellion of the 1970s and to London itself.