Thomas Edward Harkin''s Woodstock FAQ: All That''s Left to Know About the Fabled Garden cuts through the lofty rhetoric and mythology surrounding the legendary festival. Rather than waxing philosophical about whether or not the Woodstock Music & Art Fair was the defining moment of the 1960s as so many have done before, Harkins places the focus on the music, solo artists, and bands who performed.Thirty-two acts took to the stage in Bethel, New York that weekend, and the book gives the performers and the music their due consideration. Who were they? Where did they come from? What songs did they play? What happened to them afterward? How did the festival impact their careers? Those are the questions explored in these pages. Further, the book attempts to restore the chronological arc of the festival from concept to concert to its aftermath and enduring legacy.Drawing on his experiences as a media scholar, Harkins ponders how the album releases and Michael Wadleigh''s Academy Award-winning 1970 film Woodstock helped shape the narrative of the festival and in the bargain distort people''s memories of the actual event.
Dave Matthews Band celebrated their 25th anniversary in 2016, a milestone few bands achieve. How did the group build and retain an audience so devoted that they stuck with DMB through more than a quarter century? Dave Matthews Band FAQ answers this question and many more, exploring the group''s history in detail from a variety of angles. Natives of the college rock circuit of the southern Atlantic seaboard, DMB became part of a close-knit group of similarly minded jam bands that spread across the USA during the 1990s. Thanks to a grassroots following that eagerly traded tapes of live DMB shows, the band cultivated a dedicated fan base that crossed over into the mainstream.Dave Matthews Band FAQ traces this evolution, documenting the culture of Charlottesville, Virginia, at the dawn of the ''90s, detailing the group''s peers and examining their catalog, both live and studio, in detail. Collectively, these chapters explain everything there is to know about the most popular jam band in history.
25 YEARS OF GRACE: AN ANNIVERSARY TRIBUTE TO JEFF BUCKLEY'S CLASSIC ALBUM
The year 1979 was a seminal watershed moment in rock music. The year saw the release of Pink Floyd's The Wall, David Bowie's Lodger, Led Zeppelin's In Through the Out Door, Bob Dylan's Slow Train Coming, Fleetwood Mac's Tusk, Elvis Costello and the Attractions' Armed Forces, Joe Jackson's Look Sharp! and I'm the Man, Stiff Little Fingers' Inflammable Material, Gary Numan/Tubeway Army's Replicas and the Pleasure Principle, Joy Division's Unknown Pleasures, the Jam's Setting Sons, the Clash's London Calling, and the UK 2-Tone phenomenon. It also saw a slump in album sales, a resurgence in single sales, and the peak and bloody death of disco. Now, with the help of new and exclusive interviews with artists and producers, New Waves, Old Hands, and Unknown Pleasures tells the varied, vibrant, and often unexamined story of popular music in 1979. It reveals the stories behind key recordings, traces the trajectories of commercial and artistic successes, and explains the musical and socio-political context behind the sounds of the day.
Musician, nightlife impresario, record label executive, photographer, and author, Michael Alago takes readers through this amazing journey that is his life.
Providing a career-spanning view of everyone's favorite geek writer and director, Joss Whedon FAQ offers answers to fans' questions about one of the most significant pop culture auteurs of the past twenty-five years. The book gazes at Whedon's early work in Hollywood as a script doctor on films such The Quick and the Dead (1995) and Waterworld (1995), and follows his career as he became the cult-favorite creator of such sensations as Buffy the Vampire Slayer, Angel, Firefly, and Dr. Horrible's Sing-Along Blog. In addition to looking at Whedon's ascent to blockbuster superhero filmmaking with titles such as The Avengers, The Avengers: Age of Ultron, and Justice League, this eminently readable compendium explores Whedon's lesser known but no less fascinating forays into the world of Shakespeare (Much Ado About Nothing) and even big-screen romantic fantasy (In Your Eyes). The book closes with discussions of Whedon's politics and feminism, as well as a catalog of his (unofficial) repertory company and a list of the most memorable on-screen character deaths in his canon.
Richard Wesley was witness to a revolution. As both a celebrated participant and eager student of the Black Theater Movement in the late 1960s, he became part of a seismic force in American culture, breaking down barriers and helping to disrupt the cultural landscape. It's Always Loud in the Balcony: A Life in Black Theater, from Harlem to Hollywood and Back is both history and memoir, tracing Wesley's roots from riot-torn Newark, New Jersey, across the rocky terrain of Harlem, and finally to Hollywood, where he became partners with Sidney Poitier, writing several successful films before returning to New York and the theater world-a trip that Wesley has wryly characterized as "black power to black establishment." Wesley unfolds the history of black theater with love and precision, from the emergence of Amiri Baraka, and his own debut, the fiercely militant Black Terror-which landed him a deal with the legendary producer Joseph Papp-through his moviemaking experience in Los Angeles, working with Bill Cosby and Richard Pryor, among others. Wesley lands on solid ground in the twenty-first century as an elder statesman, a happy witness to the great success of a new breed of black theater that includes the widespread success of Tyler Perry and Lin-Manuel Miranda's Hamilton, which brought hip-hop to Broadway. It's Always Loud in the Balcony is the passionate, firsthand account of a crucial American art movement whose effects will be felt for generations to come.
In ÊThe Composer-Pianists: Hamelin and The EightÊ Robert Rimm writes about eight legendary enigmatic and interrelated composer-pianists of the instrument''s golden age and goes on to consider their present-day advocate and astounding interpreter Marc-Andr© Hamelin whose dynamic playing and engaging personality immediately impressed Rimm upon their first encounter. Rimm portrays The Eight (Alkan Busoni Feinberg Godowsky Medtner Rachmaninov Scriabin and Sorabji) as the piano''s aural sensualists and explores the relationships among their music their music-making their ideas and their lives.
These essays by respected scholars examine representative operatic productions from diverse national schools and periods together forming a comprehensive history of the staging techniques of opera over the centuries.
When a routine burglary in an elegant, upscale Virginia mansion goes awry, career thief Luther Whitney finds himself witness to a brutal murder involving none other than Alan Richmond, the youthful, charming, and thoroughly corrupt President of the United States. Torn between fear for his life and devotion to his family and country, Luther must make a decision that will change not only his own destiny, but the destiny of the world as we know it. Based on the best-selling thriller by David Baldacci, described as "relentlessly entertaining" by The Atlanta Journal & Constitution, William Goldman''s screenplay captures the paranoia, greed, and corruption of politics through the ages and around the world.
The playscript to Ghost in the Machine by David Gilman begins with a common situation - that of a missing fifty dollar bill - and spins it into intriguing questions of probability, chance and the complexities of musical composition: illusion and reality.
"...a play about power, leadership, and the rough-and tumble process of social change. In its multifaceted search for the meaning behind the headline-grabbing events in Memphis, and in its depiction of the roots of black-vs.-black power struggles, it offers both food for thought and an emotional punch." - Chicago Sun-Times
In the same way that Shakespeare himself continued to meditate and transform his own ideas and the shape they took, Marowitz gives us license to continue that meditation in productions extrapolated from Shakespeare''s work. Shakespeare becomes the greatest of all catalysts who stimulates a constant re-formulation of the fundamental questions of philosophy, history and meaning. Marowitz introduces us to Shakespeare as an active contemporary collaborator who strives with us to yield a vibrant contemporary theatre.
Book by Burt Shevelove and Larry GelbartIntroduction by Larry Gelbart"This brazenly retro Broadway musical, inspired by Plautus, is as timeless as comedy itself." -Vincent Canby, The New York Times"The most urbane and literate musical comedy text ever conceived." -John Simon, New York magazine
This detailed analysis of every record made by Maria Callas examines the development of her art from her first recordings in 1949 to the last in 1977.
This lucid guide traces the concerto''s evolution over the major periods of music: baroque, classical, romantic, and 20th century. The compositions of each important composer are discussed in detail, making this a useful companion to the form.
THE GUITAR PLAYER BOOK: THE ULTIMATE RESOURCE FOR GUITARISTS
THE ACOUSTIC ROCK MASTERS THE WAY THEY PLAY BK/CD
JAMBANDS BK/CD COMPLETE GUIDE TO THE PLAYERS MUSIC AND SCENE
Packed with musical examples charts and photos this is a complete step-by-step course for learning acoustic or electric blues guitar. In-depth lessons teach you to build your own style while exploring the music of traditional bluesmen and modern stars. From practicing your scales and turn-arounds to breaking out Chicago-style this book from the former editor of ÊGuitar PlayerÊ brings you: essential lessons on blues basics; insights into the music of masters like B.B. King Eric Clapton John Lee Hooker T-Bone Walker Albert Collins Buddy Guy and many others; advice on selecting gear and setting up your guitar; a great blues discography; and even free access to audio lessons on the web!
A behind-the-scenes account of the Fender Electric Instrument Company by its former general manager. White traces the company''s entire history from Leo Fender''s beginnings as a radio repairman up to the eventual sale of Fender to CBS and beyond. Includes stories about the development of the Telecaster Precision Bass and Stratocaster as well as insights into Leo Fender''s unique personality. It is packed with more than 100 historic photos and illustrations instrument diagrams and specifications and anecdotes about artists such as Merle Travis Bob Wills Speedy West and Tex Ritter. 7-1/4Í x 9-1/4Í.
Three editors each associated with theatre collaborated on this book of monologues for actresses. What they discovered besides bravura pieces for auditions acting classes and study was the pulse of the millennial theatrical scene. A follow-up to the popular previous edition from the 1990s ÊOne on One: The Best Women''s Monologues for the 21st CenturyÊ includes the work of over 70 playwrights spotlighting the best of Broadway Off-Broadway regional and experimental writings since 2000. A special introduction also explains how to choose practice and perform a speech for auditions. Comic or serious ä or both ä the monologues are written for young old and multicultural players by famous names and up-and-coming talent.ÞAnna Deavere Smith records abuse in real relationships (ÊHouse ArrestÊ); August Wilson relates trials of those who survived coming to America ä and those who did not (ÊGem of the OceanÊ); and William Gibson recreates the dark fledgling days of Israel (ÊGolda''s BalconyÊ). Additional works include ÊAre You Ready?Ê by David Auburn ÊBad DatesÊ by Theresa Rebeck ÊThe CommitteeÊ by Brian Dykstra and many others.
There has been a great change in the last twenty years to actor auditions which now require the demonstration of enormous flexibility. The actor is often expected to show more range than ever before and often several shorter audition speeches are asked for instead of one or two longer ones. To stay at the top of his or her game the Shakespearean actor needs more knowledge of what makes the play tick especially since the early plays demand a different style from the later ones. Each genre (comedy history tragedy) has different requirements. No current monologue book deals directly with the bulk of these concerns. ÊOne More unto the Speech Dear FriendsÊ now fills that gap. This three volume set will help actors discover the extra details of humanity that the original folio texts automatically offer. Of Shakespeare''s 37 plays only ÊPericlesÊ is not included. In the trilogy of books there are over 900 separate audition possibilities. This represents about 600 more monologues than are available in any other series.ÞÞThere are four parts to each speech: Û A background giving context and approximate timing; Û A modern text version; Û The original folio version; Û Commentary to explain the differences between the two texts including full discussion of the devices peculiar to that speech''s genre the age and gender of the character and more.
Prenumerera på vårt nyhetsbrev för att få fantastiska erbjudanden och inspiration för din nästa läsning.
Genom att registrera dig accepterar du vår personuppgiftspolicy.
