In ÊThe Composer-Pianists: Hamelin and The EightÊ Robert Rimm writes about eight legendary enigmatic and interrelated composer-pianists of the instrument''s golden age and goes on to consider their present-day advocate and astounding interpreter Marc-Andr© Hamelin whose dynamic playing and engaging personality immediately impressed Rimm upon their first encounter. Rimm portrays The Eight (Alkan Busoni Feinberg Godowsky Medtner Rachmaninov Scriabin and Sorabji) as the piano''s aural sensualists and explores the relationships among their music their music-making their ideas and their lives.
These essays by respected scholars examine representative operatic productions from diverse national schools and periods together forming a comprehensive history of the staging techniques of opera over the centuries.
When a routine burglary in an elegant, upscale Virginia mansion goes awry, career thief Luther Whitney finds himself witness to a brutal murder involving none other than Alan Richmond, the youthful, charming, and thoroughly corrupt President of the United States. Torn between fear for his life and devotion to his family and country, Luther must make a decision that will change not only his own destiny, but the destiny of the world as we know it. Based on the best-selling thriller by David Baldacci, described as "relentlessly entertaining" by The Atlanta Journal & Constitution, William Goldman''s screenplay captures the paranoia, greed, and corruption of politics through the ages and around the world.
The playscript to Ghost in the Machine by David Gilman begins with a common situation - that of a missing fifty dollar bill - and spins it into intriguing questions of probability, chance and the complexities of musical composition: illusion and reality.
"...a play about power, leadership, and the rough-and tumble process of social change. In its multifaceted search for the meaning behind the headline-grabbing events in Memphis, and in its depiction of the roots of black-vs.-black power struggles, it offers both food for thought and an emotional punch." - Chicago Sun-Times
In the same way that Shakespeare himself continued to meditate and transform his own ideas and the shape they took, Marowitz gives us license to continue that meditation in productions extrapolated from Shakespeare''s work. Shakespeare becomes the greatest of all catalysts who stimulates a constant re-formulation of the fundamental questions of philosophy, history and meaning. Marowitz introduces us to Shakespeare as an active contemporary collaborator who strives with us to yield a vibrant contemporary theatre.
Book by Burt Shevelove and Larry GelbartIntroduction by Larry Gelbart"This brazenly retro Broadway musical, inspired by Plautus, is as timeless as comedy itself." -Vincent Canby, The New York Times"The most urbane and literate musical comedy text ever conceived." -John Simon, New York magazine
This detailed analysis of every record made by Maria Callas examines the development of her art from her first recordings in 1949 to the last in 1977.
This lucid guide traces the concerto''s evolution over the major periods of music: baroque, classical, romantic, and 20th century. The compositions of each important composer are discussed in detail, making this a useful companion to the form.
THE GUITAR PLAYER BOOK: THE ULTIMATE RESOURCE FOR GUITARISTS
CRANK IT UP LIVE SOUND: SECRETS OF THE TOP TOUR ENGINEERS
THE ACOUSTIC ROCK MASTERS THE WAY THEY PLAY BK/CD
JAMBANDS BK/CD COMPLETE GUIDE TO THE PLAYERS MUSIC AND SCENE
Packed with musical examples charts and photos this is a complete step-by-step course for learning acoustic or electric blues guitar. In-depth lessons teach you to build your own style while exploring the music of traditional bluesmen and modern stars. From practicing your scales and turn-arounds to breaking out Chicago-style this book from the former editor of ÊGuitar PlayerÊ brings you: essential lessons on blues basics; insights into the music of masters like B.B. King Eric Clapton John Lee Hooker T-Bone Walker Albert Collins Buddy Guy and many others; advice on selecting gear and setting up your guitar; a great blues discography; and even free access to audio lessons on the web!
THE HITS JUST KEEP ON COMING () AND CD
Written with a rare combination of an informed film background and a sophisticated knowledge of literature... a valuable contribution of both literary and film history. - Variety
Three editors each associated with theatre collaborated on this book of monologues for actresses. What they discovered besides bravura pieces for auditions acting classes and study was the pulse of the millennial theatrical scene. A follow-up to the popular previous edition from the 1990s ÊOne on One: The Best Women''s Monologues for the 21st CenturyÊ includes the work of over 70 playwrights spotlighting the best of Broadway Off-Broadway regional and experimental writings since 2000. A special introduction also explains how to choose practice and perform a speech for auditions. Comic or serious ä or both ä the monologues are written for young old and multicultural players by famous names and up-and-coming talent.ÞAnna Deavere Smith records abuse in real relationships (ÊHouse ArrestÊ); August Wilson relates trials of those who survived coming to America ä and those who did not (ÊGem of the OceanÊ); and William Gibson recreates the dark fledgling days of Israel (ÊGolda''s BalconyÊ). Additional works include ÊAre You Ready?Ê by David Auburn ÊBad DatesÊ by Theresa Rebeck ÊThe CommitteeÊ by Brian Dykstra and many others.
There has been a great change in the last twenty years to actor auditions which now require the demonstration of enormous flexibility. The actor is often expected to show more range than ever before and often several shorter audition speeches are asked for instead of one or two longer ones. To stay at the top of his or her game the Shakespearean actor needs more knowledge of what makes the play tick especially since the early plays demand a different style from the later ones. Each genre (comedy history tragedy) has different requirements. No current monologue book deals directly with the bulk of these concerns. ÊOne More unto the Speech Dear FriendsÊ now fills that gap. This three volume set will help actors discover the extra details of humanity that the original folio texts automatically offer. Of Shakespeare''s 37 plays only ÊPericlesÊ is not included. In the trilogy of books there are over 900 separate audition possibilities. This represents about 600 more monologues than are available in any other series.ÞÞThere are four parts to each speech: Û A background giving context and approximate timing; Û A modern text version; Û The original folio version; Û Commentary to explain the differences between the two texts including full discussion of the devices peculiar to that speech''s genre the age and gender of the character and more.
ACCIDENTALLY LIKE A MARTYR: THE TORTURED ART OF WARREN ZEVON
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